KATE SNODGRASS

Artistic Director / Professor of the Practice of Playwriting Boston Playwrights' Theatre (Founder Nobel Laureate Derek Walcott) 949 Commonwealth Ave., Boston, MA. T 617-353-5104 F 617-353-6196 [email protected] www.bu.edu/bpt/

Chief duties entail working with our staff and interns and workstudy students in order to develop the long-range operational and artistic goals of both the academic Graduate Program in Playwriting at Boston University and the professional theatre producing new work; to oversee and supervise new play development, i.e., create readings, workshops, and collaborations with the various artistic teams; to supervise the hiring of all directors, designers, actors, and production personnel (which entails negotiating union contracts for the artists); to expand the educational and outreach programs of the theatre and academic programs; to work with regional and national organizations for the betterment of our alumni and current students.

EDUCATION HISTORY

M.A. in Creative Writing. Boston University, 1990 Post-Graduate Cert. in Acting, London Academy of Music & Dramatic Art (LAMDA), 1973 B.A. in Speech & Drama, Wichita State University, 1972 B.A. in English Literature, Kansas University, 1972

ACADEMIC APPOINTMENTS / TEACHING

BOSTON UNIVERSITY Professor of the Practice of Playwriting, English Dept., 2012-Present Graduate, Writing the Short Play, EN510, 2009-Present Graduate, New Plays in Production, EN996 (Topics in Drama), 2014-Present Graduate, New Plays in Workshop EN995 (Topics in Drama), 2014-Present Graduate, Directed Study, EN994, 2014-Present Graduate, Directed Study, EN993, 2015-Present Graduate, The Writing of Plays, 1994-2008 Graduate, Exercises in Dramaturgy I, 1991-2008 Undergraduate, Introduction to Creative Writing, 1988 Artistic Director, Boston Playwrights’ Theatre, Creative Writing, Dept., 2002-Present. Producing Director, Boston Playwrights’ Theatre, 1993-2002 Director in Residence, Boston Playwrights’ Theatre, 1989-93 Lecturer, Creative Writing Dept., 1988-2012

SUFFOLK UNIVERSITY, Lecturer, Dept. of Theatre, 2007-Present. Undergraduate, Introduction to Playwriting

LESLEY UNIVERSITY, Lecturer, Dept. of Creative Writing, 2006-Present Graduate, The End in the Beginning, 2014-Present Graduate, Dialogue Across Genres, 2012-Present Graduate, Aristotle in the New World, 2009-2013 Graduate, World of the Absurd, 2008-Present

Graduate, Writing the Short Play, 2008-Present Graduate, The Art of Dialogue, 2007-2009 Graduate, Interdisciplinary Studies, 2006-Present

EMERSON COLLEGE, Lecturer, Dept. of Perf. Arts, Fall, 2014 Graduate, Acting and Directing the New Play (TH521)

MASSACHUSETTS INSTITUTE OF TECHNOLOGY, Lecturer, MIT Theatre Dept., 2007 Undergraduate, Advanced Playwriting, 2007.

WALNUT HILL ARTS ACADEMY. Lecturer, Summer Writing Intensive. 2005-07 Undergraduate, Playwriting, Edinburgh, Scotland, 2007 Undergraduate, Playwriting, Cambridge, England, 2006 Undergraduate, Playwriting, Dublin, Ireland, 2005

BOSTON COLLEGE, Lecturer, Theatre Dept., 2005, 2007 Undergraduate, Introduction to Playwriting, 2005 Undergraduate, Introduction to Playwriting, 2007

BRANDEIS UNIVERSITY, Lecturer, Brandeis University Theatre Dept., 1998-2001 Undergraduate, Scene Study, 1999-2001 Graduate, Playwriting Workshop, 1998-2001

WELLESLEY COLLEGE, Lecturer, Theatre Studies Dept., 1998-2000 Undergraduate, Representations of Women in Drama, 1998, 2000 Undergraduate, Classic Plays in Performance, 1999

HARVARD UNIVERSITY EXTENSION SCHOOL, Lecturer, Creative Writing ALM, 1991-95 Undergraduate, Introduction to Playwriting, 1991-95

AMERICAN REPERTORY THEATRE INSTITUTE FOR ADVANCED TRAINING AT HARVARD, Lecturer in Playwriting, 1990-91 Graduate, Playwriting Workshop, 1990-91

WICHITA STATE UNIVERSITY, Lecturer, English Dept., 1985-87 Undergraduate, Remedial Composition, 1985-87 Undergraduate, Advanced Composition, 1985-87

HONORS AND AWARDS

2015 Tanne Foundation Award for outstanding achievement and in gratitude for passion and commitment to the theatre, Boston, MA. 2012 Elliot Norton Award for Sustained Excellence, Boston Theatre Critics Association. 2012 Hall of Fame Induction, Wichita High School North, Wichita, KS. 2012 Playwright Laureate, Roxbury Repertory Theatre, Roxbury, MA. 2010 Milan Stitt Outstanding Teacher of Playwriting, Inaugural Award, Kennedy Center American College Theater Festival. 2008 Leonides A. Nickole Theatre Educator of the Year, New England Theater Conference. 2007 National Dramatists’ Guild Citation, with Boston Theater Marathon, for support and encouragement of New England playwrights. 2007 Outstanding Achievement in Theater Arts Education, North Shore Music Theatre.

2005 IRNE Award for “Best New Play” (Independent Reviewers of New Eng.),The Glider. 2005 Nomination, American Assn. of Theatre Critics’ National Steinberg Award, The Glider. 2005 “Best Play Award,” Southeast Theatre Conference and Mississippi Theatre Assoc., Delta Center Stage, Greenville, MS, The Glider. 2001 “Theatre Hero Award,” citing “vision, leadership, and inspiration,” Stagesource. Boston. 2001 Writer’s Residency, Virginia Center for the Creative Arts, Sweetbriar, VA. 2000 Elliot Norton “Special Citation,” from the Boston Critics Association to the Boston Theater Marathon for “enlivening local theatre through the annual showcase of short plays at Boston Playwrights’ Theatre.” 2000 David Mark Cohen Award (2nd Place), Kennedy Center American College Theater Festival/ATHE, Observatory Conditions. 2000 “Best Play Award,” Mississippi Theatre Association, (Delta Center Stage, Greenville, MS.), Observatory Conditions. 1999 IRNE Award for “Best New Play” (Independent Reviewers of New England), Observatory Conditions. 1999 Writer’s Residency, Virginia Center for the Creative Arts, Sweetbriar, VA. 1998 “Best Play Award,” Provincetown Theatre Company National Playwriting Award Competition, Observatory Conditions. 1995 Film Premiere, Boston Film Festival, “Haiku” screenplay co-adaptation, directed by Louis Gudema, $15,000 Grant, National Endowment for the Arts (NEA). 1992-95 Dean’s Commendation (for teaching), Harvard University Extension School. 1987 Heideman Award, Natl. One-Act Play Award, Actors' Theatre of Louisville, Haiku. 1986-87 Creative Writing Fellowship in Fiction, awarded in M.F.A. Program in Creative Writing, Wichita State University.

PROFESSIONAL & ACADEMIC SERVICES

BOSTON UNIVERSITY: 2012-Present Member, Humanities Chair/Directors Committee 2005-Present Artistic Director/Founder, Massachusetts Young Playwrights’ Project, High School Outreach for Playwrights (www.bu.edu/bpt/youngplaywrights) 1999-Present Artistic Director/Co-Founder, Boston Theater Marathon (www.bu.edu/btm), 53 ten minute plays in 10 hours, supported by 53 new England theatre companies, with all net proceeds going to charity 2016 Judge, Howard Gotlieb Archival Research Center’s Book Collecting Contest 2012-2014 Member, Boston University Arts Council

OUTSIDE BOSTON UNIVERSITY: 2016 Reader for John Gassner Playwriting Award, New England Theatre Conference 2016 Tenure Review Response, Dept. of Theatre & Dance, Univ. of Texas/Austin; July, 2016. 2016 Hopwood Contest, Judge of Dramatic Writing, University of Michigan, Creative Writing Dept., March, 2016 2015 Cambridge (MA) Arts Council, submission reviews; November, 2015 2015 Tenure Review Response, Villanova University, Villanova, PA

2015 Tenure Review Response, University of Kansas Department of English, Lawrence, KS 2015 Tenure Review Response, School of Music, Theatre and Dance, University of North Carolina at Greensboro, Greensboro, NC 2015 Reader for John Gassner Playwriting Award, New England Theatre Conference 2015 External Review Committee, Wellesley Theatre Department, Wellesley College, February, Wellesley, MA. 2014-Present, Dramatists Guild Partner’s Program, Boston Playwrights’ Theatre Representative, NYC. 2014 Tenure Review response, Wheaton College, Norton, MA. 2013 Tenure Review response, University of California, Riverside ,CA. 2013-14 Director of Play Reading Series, Erbaluce, Boston, MA. 2013 Wheelock Family Theatre, Emerging Playwrights Advisory Board, Boston, MA. 2013 Tenure Review response, Queens College, CUNY, Queens, NY. 2012-13 Dramaturge, The Last Will by Robert Brustein, Suffolk University and Commonwealth Shakespeare Company, Boston, MA. 2011-12 Dramaturge, American Requiem by James Carroll, Suffolk University. Boston, MA. 2009-12 National Outgoing Chair, KCACTF, National Playwriting Program, Wash., D.C. 2009 Tenure Review response, University of California, Riverside, CA. 2008-Present MIT-Central Square Theatre Catalyst Collaborative Advisory Board. 2006 Tenure Review response, Seattle University, Seattle, WA. 2005-2008 National Chair, KCACTF, National Playwriting Program, Wash., D.C. 2004-09 Treasurer, Theatre Community Benevolent Fund, non-profit charity for theatre artists in Boston. 2004-07 Board Member, North Shore Music Theatre, Beverly, MA. 2004-06 Vice President, StageSource, Inc., Boston, MA, 2004 Tenure Review response, Clark University, Worcester, MA. 2002-05 National Vice Chair, KCACTF, National Playwriting Program. 2000-06 Board Member, StageSource, Inc., Boston, MA. 2000-01 Acting Region I Chair, KCACTF, National Playwriting Program. 1996-99 Region I Chair, KCACTF. 1995-Present Member of Circle East Theatre Company, NYC. 1993-95 Member of the Circle Repertory Theatre Lab., NYC. 1992-95 KCACTF Region I Vice Chair. 1989-Present Member of The National Dramatists' Guild. 1978-81 Chekhov Studio, Acting, Blair Cutting, NYC. 1976-Present Member of Associated Federation of Television & Radio Artists. 1974-76 Neighborhood Playhouse, Acting, Meisner Technique/Robert Patterson, NYC. 1974-Present Member of Actors' Equity Association.

PROFESSIONAL INVITATIONS / PANELS

*Judge, Boston University Howard Gotlieb Archival Research Center’s Book Collecting Contest, 2016 *Playwrights’ Platform, Invited Talk re: full-length plays, Newton, MA, March, 2016 *Guest Artist, Boston College, “Acting and Auditioning”, November, 2015 *Dramatist’ Guild National Conference, “Women Writing Women,” Moderator, La Jolla, CA., July, 2015 *Dramatist’ Guild National Conference, “Different Perspectives on Developing New Plays,” Moderator, La Jolla, CA., July, 2015 *Dramatist’ Guild National Conference, “Turning the Political into the Theatrical,” Moderator, La Jolla, CA., July, 2015

*Great Plains Theatre Conference, Guest Artist/Respondent, Playwriting Workshop, Omaha, NE, June, 2015 Evelyn Danzig Haas, ’39 Visiting Artists Program, Guest Artist, Wheaton College, Norton, MA, February, 2015 *Dramaturge, Pinnochio (a new adaptation by Steven Bogart), produced in Feb., 2015, by Wheelock Family Theatre, Boston, MA *CityWrights/Ten Minute Marketplace, Panel (2) on Short Plays and Festivals, City Theatre, Miami, FL, June, 2014 *Great Plains Theatre Conference, Guest Artist/Respondent, Playwriting Workshop, Omaha, NE, June, 2014 *Playwrights’ Platform, Invited Talk re: full-length plays, Newton, MA, April, 2014 *Dramatists’ Guild Partners Bi-Annual Meetings, NYC, February & October, 2014 *Dramatists’ Guild Conference, Panelist (2): “Dialogue Isn’t Talking” & “Playwrights Creating Opportunities”, Chicago, IL, August, 2013 *Great Plains Theatre Conference, Guest Artist/Respondent, Playwriting Workshop, Omaha, NE, June, 2013 *Ocean State Summer Writing Conference, Panelist & Workshop Leader (Ten-Minute Plays), University of Rhode Island, Kingston, RI, June, 2013 *Association of Writing Programs Panel “Actor as Playwright, Playwright as Actor, with Steven Barkhimer, Lydia Diamond, Melinda Lopez, John Kuntz, Boston, MA, March, 2013 *Playwrights’ Platform, Invited Talk re: full-length plays, Newton, MA, March, 2013 *Guest Artist, Michigan State University, Playwriting Workshop, Lansing, MI, 2012 *Association of Writing Programs Panel “Writing the Ten-Minute Play, with Lydia Diamond, Gary Garrison, Richard Schotter; Chicago, IL, March, 2012 *Playwrights’ Platform, Invited Talk re: full-length plays, Newton, MA, March, 2012 *Graduation Address, Wichita State University, College of Fine Arts, Wichita, KS, May, 2011 *Guest Artist, Kennedy Center Playwriting Intensive, “Playwriting Workshop” for teachers graduates, and undergraduates, Wash., D.C., 2011 *Graduation Address, Lesley University, Creative Writing Program, Cambridge, MA, 2010 *Respondent, Salem Theatre Company New Works Program, July, 2009-Present *Guest Respondent, New Play Festival, KCACTF, Daytona Beach, FL, 2009 *Guest Artist/Supervisor, Huntington Theatre Company’s Playwriting Fellows, 2009 *Guest Artist, Michigan State University, Playwriting Workshop, Lansing, MI., 2008 *Guest Respondent, New Play Festival, KCACTF, Milwaukee, WI, 2007 *Guest Respondent, New Play Festival, KCACTF, Poughkeepsie, NY, 2007 *Guest Respondent, New Play Festival, KCACTF, Pasco, WA, 2006 *Guest Respondent, New Play Festival, KCACTF, University of Jacksonville, 2006 *Guest Respondent, New Play Festival, KCACTF, Cedar City, UT, 2006 *Guest Respondent, Playwriting Workshop, KCACTF, Fitchburg, MA, 2006 *Guest Respondent, Southeast Theatre Conference, Arlington, VA., 2003 *Guest Respondent, New Play Festival, KCACTF, University of Virginia, 2003 *Guest Respondent, New Play Festival, KCACTF, Univ. of Washington, Seattle, WA, 2003 *Guest Lecturer, Madison Park Organization, Roxbury, “Playwriting,” 2002-05 *Guest Respondent, New Play Festival, KCACTF, Carnegie Mellon University, 2001 *Guest Respondent, Southeast Theatre Conference, Jacksonville, FL., 2001 *Guest Artist, Young Playwrights’ Festival, Vermont Stage Company, 2001 *Guest Respondent, Mississippi Theatre Assn., High School Comp., Starkville, MS, 2000 *Guest Respondent, Mississippi Theatre Assn., High School Comp., Starkville, MS, 2000 *Guest Artist, Ghost Ranch, “Dramatic Writing,” 1999-2002, Abiquiu, NM *Guest Director, Trinidad Theatre Workshop’s Arts Program, St. Lucia, West Indies, 1998

*Guest Lecturer, Michigan State University, Playwriting Workshops, Lansing, MI. 1998 *Guest Lecturer, Cornell University, Director of New Play & Playwriting Workshop, 1998 *Guest Respondent, Andy’s Summer Playhouse, New Play Series, Wilton, NH, 1997, 1998 *Guest Respondent, Clemson University, New Play Series, Clemson, SC, 1997 *Guest Respondent, SW Regional Theatre Conference, High School One-Acts Comp., 1997 *Guest Respondent, KCACTF, Middle Tennessee State University, 1997 *Guest Respondent, 10-Minute Play Festival, KCACTF, Muhlenberg University, 1997 *Guest Lecturer, Mississippi Gulf Coast Junior College, Playwriting/Acting Workshop, 1997 *Guest Artist, Clemson University, New Play Series Respondent, 1997 *Guest Lecturer, Santa Cruz Actors’ Theatre, Playwriting Workshop, 1996 *Guest Lecturer, Michigan State University Overseas Program/Trinity College, Ireland, Playwriting and Irish Theatre, 1996 *Guest Lecturer, Pratt Junior College, Playwriting, Pratt, KS. (1994) *Guest Artist, Ghost Ranch, “Creative Dramatics Workshop,” Abiquiu, NM, 1991-Present *Playwright in Residence, Charles River Creative Arts Program, Dover, MA, 1989-92 *Artist in Residence, Wichita Public School System (Elementary), 1989 *Guest Artist, St. Joan, Wichita Arts Association, Wichita, KS, 1989 *Guest Lecturer, Wichita State University: Women's Writing Series, 1987, 1990, 1992 *Artist-in-Residency chosen by Arthur Kopit from hundreds of applicants for 3-month at the Philadelphia Theatre Company, 1989 *Artist in Residence--Fredonia (Ks.) Public School District (Elementary), 1987 *Artist in Residence--Wichita Art Association, Wichita, KS, 1987

GRANTS AWARDED

2005-Present (Annual) Massachusetts Young Playwrights’ Project, Center for the Humanities at Boston University (formally The Humanities Foundation at Boston University), ($3,000 (3); $6,000 (4); $8,500 (1)). Six, then 12, 16-18 and now 20 high schools are involved in a mentoring project, writing short plays that are then performed with professional actors and directors at all-day festivals at BU in April of every year.

1999-Present (Annual) Boston Theater Marathon, Center for the Humanities at Boston, 1991-Present, ($5-6,000/year). Fifty 10-minute plays in 10 hours, each supported by a different New England theatre company, with proceeds donated to charity (400 play entries received each year).

PROFESSIONAL ACTIVITIES

A. Publications & Performances *Actor/Playwright, The Last Bark (One-Act Play), Produced by Sleeping Weazel Theatre Company, Boston Center for the Arts, June, 2016 .*Actor/Playwright, The Tempest or Bark’s Dream (A Storm in One Act), Out of the Box Festival, Boston, July, 2015 *Actor/Playwright, The Tempest or Bark’s Dream (A Storm in One Act), Lesley University, .. Cambridge, June, 2015 *Actor/Playwright, The Tempest or Bark’s Dream (A Storm in One Act), produced and commissioned by Sleeping Weazel Theatre Company, Boston, February, 2015 *Actor (Woman 2), Wrenches by Ellen Greenfield, at ArtsEmerson/Sleeping Weazel, Collaboration, Boston, MA, October, 2013

*Editor, Boston Theater Marathon Anthology XIII, Smith & Kraus Publishers, 2012 *Editor, Boston Theater Marathon Anthology XII, Smith & Kraus Publishers, 2011 *Publication, Boston Theater Marathon Anthology XII, Smith & Kraus Publishers, Wasteland, 2011 *Editor, Boston Theater Marathon Anthology XI, Smith & Kraus Publishers, 2010 *Editor, Boston Theater Marathon Anthology X, Smith & Kraus Publishers, 2009 *Publication, Once Upon a Place, Night Owl Books, ed. A. Skeen & J. Taylor, Walden: Oct. 18, 2007 *Publication, A Grand Entrance, Eds. K. Brown/A. McDonough, Dramatic Publishing Co. Que Sera, Sera, 2004 *Publication, Boston Theater Marathon of Ten-Minute Plays III, Bakers Plays, Critics’ Circle, 2002 *Publication, Boston Theater Marathon of Ten-Minute Plays I, Bakers Plays, Que Sera, Sera, 2000 *Publication, Telling Tales (28 One-Act Plays), Viking-Penguin Edition, Eric Lane, Ed., Haiku, 1995 *Publication, Best Short Plays of 1989, Applause Theatre Books, R. Delgado, Editor, Haiku. *Publication, Acting Edition: Haiku, Samuel French, Inc., 1989

B. Commissions *Commission, One-Act Play, The Last Bark, Sleeping Weazel Theatre Company, June, 2016 *Commission, One-Act Play, The Tempest or Bark’s Dream, A Storm in One Act, Sleeping Weazel Theatre Company, 2014-15 *Commission, Ten-Minute Radio Play, Valets, Huntington Theatre Company, 2012 *Commission, Ten-Minute Play, Emerson College for the Opening of the Paramount Theatre “ArtsBoston”, Boston, MA, Brickwork, 2010 *Commission, Northeast Theatre Alliance, Chapter 10, Herland, adapted from Charlotte Perkins Gilman’s Herland, 2008 *Commission, Huntington Theatre Company, Playwriting Fellow, 2005-2007 *Commission, (short play), Andy’s Summer Playhouse, Wilton, NH, Rubik’s Goldberg Variations, 2004 *Commission, Children’s Musical, produced Charles River Creative Arts Program, Dover, MA, Spaghetti Al Dente, 1994 *Commission, Children’s Musical, produced by Charles River Creative Arts Program, Dover, MA, Asylum, 1993 *Commission, Children’s Musical, produced by Charles River Creative Arts Program, Dover, MA, How I Saw the Light, 1992 *Commission, Children’s Musical, produced by Charles River Creative Arts Program, Dover, MA, Circus!, 1991 *Commission, Dodge City Community College, KS, Prairie Echoes (never produced), 1989 *Commission, Actors’ Theatre of Louisville, L’Air Des Alpes (never produced), 1988

C. Dramatic Works *Untitled (One Act Play), commissioned and produced by Sleeping Weazel Theatre Company, June, 2016 *The Tempest or Bark’s Dream (A Storm in One Act), commissioned and produced by Sleeping Weazel Theatre Company, February, 2015 *Radio Play (ten-minute play, Valets), produced Huntington Theatre Company, Boston, 2012 *Brickwork, Ten-Minute Play, produced at Emerson College, Arts/Emerson, Boston, 2010 *Wasteland, Ten-Minute Play, produced Boston Theater Marathon XII, Boston, MA, 2010

*The Seduction, Full-Length Play, Work-in-Progress. *Parallelogram, Full-Length Play (in one-act), Work-in-Progress. Reading at Huntington T heatre Company’s “Breaking Ground Reading Series,”2007; Reading at The Nora Theatre Company, Cambridge, MA (aka Observatory Conditions, see below), 2007 *Rubik’s Goldberg Variation, Short Play, produced Andy’s Summer Playhouse, NH, 2006 *The Glider, Full-Length Play, produced Boston Playwrights’ Theatre, Boston, MA (2004); Delta Center Stage, Greenville, MS (2005); International Community Theatre Festival, Dundalk, Ireland (2005); Natl. Community Theatre Festival, Kalamazoo, MI (2005); Wichita Center for the Arts, Wichita, KS (2010) *New Hampshire, Short Play, produced SouthCity Theatre Company, Boston, MA, 2004 *Oz, a short play, produced The Nora Theatre Company Cambridge, MA, 2003 *Critics’ Circle, a Ten-Minute Play, produced 3rd Annual Boston Theater Marathon, Boston, MA, 2001 *Observatory Conditions, Full-Length Play. produced at Boston Playwrights’ Theatre, Boston, MA (1999); Delta Center Stage, Greenville, MS, (2000); Southeast Theatre Conference, Jackson, Jacksonville, FL. (2000) *L’Air Des Alpes, One-Act Play, Actors’ Theatre in Santa Cruz, CA (1996); West Bank Cafe, NYC (1996); Centastage/Underground Railway Theatre “Women on Top Festival,” Boston (1998); Delta Center Stage, Greenville, MS; International Theatre Festival, Dundalk, Ireland (2001) *Que Sera, Sera, a Ten-Minute Play, Circle in the Square, NYC; 1st Annual Boston Theater Marathon, Boston, MA (1999) *"Haiku" (Short Film), Screenplay by Kate Snodgrass & Louis Gudema, directed by Louis Gudema, opening at 1995 Boston Film Festival *Spaghetti Al Dente, Children’s Musical, produced Charles River Creative Arts Program, Dover, MA. (1992) *Asylum, Children’s Musical, Commissioned and Produced by Charles River Creative Arts Program, Dover, MA (1991) *How I Saw the Light, Children’s Musical, Commissioned and Produced by Charles River Creative *Arts Program, Dover, MA (1990) *Haiku, One-Act Plays, Heideman Award, Actors' Theatre of Louisville, Workshop Productions: Philadelphia Theatre Co., directed by Christopher Ashley, w/Maryann Plunkett and at Circle Repertory Theatre Lab directed by Marybeth Easley with Novella Nelson (1989) Circus!, Children’s Musical, Commissioned and Produced by Charles River Creative Arts Program, Dover, MA (1989)

DIRECTING RESUME

Director, Staged Readings of The Plays of Howard Zinn, Suffolk University, (with Chris Cooper, Tony Estrella Will LeBow, Elise Manning, Dossy Peabody, and Caitlin Langstaff), Feb. 2011 Director, Critics’ Circle, Boston Theater Marathon, Boston Playwrights’ Theatre, 2001 Director, Que Sera, Sera, Boston Theater Marathon, Boston Playwrights’ Theatre, 1999 Director, Love in the Gulf by Joyce Van Dyke, Boston Playwrights’ Theatre, 1996 Director, The Vorse House by Sinan Unel, Boston Playwrights’ Theatre, 1996 Director, The Barechested Man by Karen Zacarias, Boston Playwrights’ Theatre, 1995 Director, Re: Pirth by Kimberly Brown, Boston Playwrights’ Theatre, 1994 Director, Life After Motown by Patricia Smith, Boston Playwrights’ Theatre, and at Trinidad Theatre Workshop, Port-of-Spain, Trinidad, 1993

Director, Prayin’ Hands by Tom McClellan, Boston Playwrights’ Theatre, 1992 Director, Blackout by Tom McClellan, Boston Playwrights’ Theatre, 1991 Director, Twosome by Michael Moss, Boston Playwrights’ Theatre, 1990

References Available on Request