The Medieval King in Modern Fantasy Georgia Kathryn Natishan
Returning the King: The Medieval King in Modern Fantasy Georgia Kathryn Natishan Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In English Charlene Eska Karen Swenson Anthony Colaianne 4/27/2012 Blacksburg, Virginia Keywords: kingship, medievalism, The Lord of the Rings, A Song of Ice and Fire, The Sandman, A Game of Thrones, A Clash of Kings, A Storm of Swords, Neil Gaiman, George R. R. Martin, J. R. R. Tolkien Copyright © 2012 Georgia K. Natishan Unless otherwise stated Returning the King: The Medieval King in Modern Fantasy Georgia Kathryn Natishan ABSTRACT In an interview with Hy Bender, Neil Gaiman states, “We have the right, and the obligation, to tell old stories in our own ways, because they are our stories.” While fantasy stands apart from other types of fiction, it still provides a particular kind of commentary on the culture/time it is being created in, often by toying with older themes and conventions. Stories of the quest for kingship tend to fall by the wayside in favor of the “unlikely hero” tale. While the king’s story is not always vastly different from that of the hero, there are some key points that need to be taken into consideration. Unlike many heroes, especially in the modern sense, kings (whether recognized at first or not) are born for the duty they must eventually fulfill. A hero may be unaware of the problem at first or later reluctant to engage it; more often than not in tales of kingship there is a deep awareness of the problem and the knowledge of their potential in solving it.
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