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Hull Fa1nilies United States
Hull Fa1nilies • lll The United States By REV. WILLIAM E. HULL Copyright 1964 by WILLIAM E. HULL Printed by WOODBURN PRINTING CO - INC. Terre Haute, Indiana CONTENTS PAGE Appreciation ii Introduction ......................... ......... .................................... ...................... iii The Hon. Cordell Hull.......................................................................... 1 Hull Family of Yorkshire, England .................................................. 2 Hull Families of Somersetshire, England ........................................ 54 Hull Families of London, England ........... ........................................ 75 Richard Anderson Hull of New Jer;;ey .......................................... 81 Hull Families of Ireland ...................................................................... 87 Hull-Trowell Lines of Florida ............................................................ 91 William Hu:l Line of Kansas .............................................................. 94 James Hull Family of New Jersey.................................................... 95 William Hull Family of New Foundland ........................................ 97 Hulls Who Have Attained Prominence ............................................ 97 Rev. Wm. E. Hull Myrtle Altus Hull APPRECIATION The writing of this History of the Hull Families in the United States has been a labor of love, moved, we feel, by a justifiable pride in the several family lines whose influence has been a source of strength wherever families bearing -
[, F/ V C Edna Hammer Cooley 1986 APPROVAL SHEET
WOMEN IN AMERICAN THEATRE, 1850-1870: A STUDY IN PROFESSIONAL EQUITY by Edna Hammer Cooley I i i Dissertation submitted to the Faculty of the Graduate School of the University of Maryland in parti.al fulfillment of the requirements for the degree of Doctor of Philosophy ~ /, ,, ·' I . 1986 I/ '/ ' ·, Cop~ I , JI ,)() I co uI (~; 1 ,[, f/ v c Edna Hammer Cooley 1986 APPROVAL SHEET Title of Dissertation: Women in American Theatre, 1850-1870: A Study in Professional Equity Name of Candidate: Edna Hammer Cooley Doctor of Philosophy, 1986 Dissertation and Approved: Dr. Roger Meersman Professor Dept. of Communication Arts & Theatre Date Approved: .;;Jo .i? p ,vt_,,/ /9Y ,6 u ABSTRACT Title of Dissertation: Women in American Theatre, 1850- 1870~ A Study_ in Professional Equi!:Y Edna Hammer Cooley, Doctor of Philosophy, 1986 Dissertation directed by: Dr. Roger Meersman Professor of Communication Arts and Theatre Department of Communication Arts and Theatre This study supports the contention that women in the American theatre from 1850 to 1870 experienced a unique degree of professional equity with men in the atre. The time-frame has been selected for two reasons: (1) actresses active after 1870 have been the subject of several dissertations and scholarly studies, while relatively little research has been completed on women active on the American stage prior to 1870, and (2) prior to 1850 there was limited theatre activity in this country and very few professional actresses. A general description of mid-nineteenth-century theatre and its social context is provided, including a summary of major developments in theatre in New York and other cities from 1850 to 1870, discussions of the star system, the combination company, and the mid-century audience. -
ANTA Theater and the Proposed Designation of the Related Landmark Site (Item No
Landmarks Preservation Commission August 6, 1985; Designation List 182 l.P-1309 ANTA THFATER (originally Guild Theater, noN Virginia Theater), 243-259 West 52nd Street, Manhattan. Built 1924-25; architects, Crane & Franzheim. Landmark Site: Borough of Manhattan Tax Map Block 1024, Lot 7. On June 14 and 15, 1982, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the ANTA Theater and the proposed designation of the related Landmark Site (Item No. 5). The hearing was continued to October 19, 1982. Both hearings had been duly advertised in accordance with the provisions of law. Eighty-three witnesses spoke in favor of designation. Two witnesses spoke in opposition to designation. The owner, with his representatives, appeared at the hearing, and indicated that he had not formulated an opinion regarding designation. The Commission has received many letters and other expressions of support in favor of this designation. DESCRIPTION AND ANALYSIS The ANTA Theater survives today as one of the historic theaters that symbolize American theater for both New York and the nation. Built in the 1924-25, the ANTA was constructed for the Theater Guild as a subscription playhouse, named the Guild Theater. The fourrling Guild members, including actors, playwrights, designers, attorneys and bankers, formed the Theater Guild to present high quality plays which they believed would be artistically superior to the current offerings of the commercial Broadway houses. More than just an auditorium, however, the Guild Theater was designed to be a theater resource center, with classrooms, studios, and a library. The theater also included the rrost up-to-date staging technology. -
STUDY GUIDE SHOW SYNOPSIS HARVEY, the Classic Pulitzer Prize-Winning Broadway and Hollywood Comedy, Pulls Laughter out of the Hat at Every Turn
STUDY GUIDE SHOW SYNOPSIS HARVEY, the classic Pulitzer Prize-winning Broadway and Hollywood comedy, pulls laughter out of the hat at every turn. Elwood P. Dowd is charming and kind with one character flaw: an unwa- vering friendship with a 6-foot-tall, invisible white rabbit named Harvey. When Elwood starts to introduce his friend to guests at a society party, his sister Veta can't take it anymore. In order to save the family's social reputation, Elwood's sister takes him to the local sanatorium. But when the doctor mistakenly commits his anxiety-ridden sister, Elwood and Harvey slip out of the hospital unbothered, setting off a hilarious whirlwind of confusion and chaos as everyone in town tries to catch a man and his invisible rabbit. DISCUSSION QUESTIONS BEFORE THE SHOW AFTER THE SHOW Has anyone ever been to a live play before? How was Did you enjoy this performance? What was your it different from television or a movie? favorite part? What is the difference between a play and a musical? Who was your favorite character? Why? Why do you think some of the characters, Have you ever seen the movie Harvey? particularly Elwood, can see Harvey and others Did you have an imaginary friend as a young kid? can’t? What do you remember about them? Do you think Veta made the right decision in not allowing her brother to receive the medicine? Why Could you imagine still having an imaginary friend or why not? as an adult? How do you think others would respond Do you think Harvey is imaginary? Why or why to you in this situation? not? THEATRE 101 Ever wondered how to put on a play? ACTORS The actors are the people that perform the show There are many different elements that go into putting a show onstage. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
Efje Ibufee Chronicle Indignant Discussion
CLOCK PRANKS Time inconsistencies cause much confusion and frequent campusing. See Page Six Editorial's Efje IBufee Chronicle indignant discussion. Vol. 46—No. 27 .Duke University, Durham, N. C. Friday, April 27, 1951 Omicron Delta Kappa Chooses 16 Neophytes in Morning Ritual Kick-Off Wednesday Giant Wooden Key Heralds Selection Edens' Speech Will Open Of West Leaders Development Fund Drive Heralded by the giant wooden key in front of Duke Chapel, Solicitation for the Student) Marilyn Goodman. Serving as Omicron Delta Kappa, national Drive of the Duke University dormitory chairmen under her honorary fraternity, this morn Development Campaign will be are: Louisa May, Aycock; Grace ing staged its semi-annual tap gin immediately following a Sales, Alspaugh; Elinor Divine, ping by choosing 16 members as kick-off banquet on Wednesday, Bassett; Ann Glenn, Brown; Hel prospective neophytes. May 2, in the Old Gymnasium en Willard, Giles; Jean Johnson, ODK, founded as a national on West Campus. Jarvis; Jean Corzett, Pegram; honorary in 1914, selects mem Dr. Hollis Edens will address Anne Barnes, Southgate; and bers of the junior and senior several hundred men and wom Kallie Dackis, Town Girls. classes who have distinguished en students who will serve as Chairmen for West Campus themselves by outstanding lead Ella Sowers as Louka, the servant girl, warns Nancy Pappas solicitors in the student cam dormitories are: George Pavloff, ership and service. (Raina) and Pamela Cherry (Catherine) of approaching trouble paign to aid in the drive for Bob Bush, and Nick Hennessee, The initiation of the pledges in George Bernard Shaw's "Arms and the Man," new Duke Play funds to match some $3,000,000 Craven Quadrangle; Scotty will be at a banquet in the Un ers production which opened last night in Branson Building. -
Autograph Albums - ITEM 936
Autograph Albums - ITEM 936 A Jess Barker Jocelyn Brando Lex Barker Marlon Brando Walter Abel Binnie Barnes Keefe Brasselle Ronald Adam Lita Baron Rossano Brazzi Julie Adams Gene Barry Teresa Brewer (2) Nick Adams John Barrymore, Jr. (2) Lloyd Bridges Dawn Addams James Barton Don Briggs Brian Aherne Count Basie Barbara Britton Eddie Albert Tony Bavaar Geraldine Brooks Frank Albertson Ann Baxter Joe E. Brown Lola Albright John Beal Johnny Mack Brown Ben Alexander Ed Begley, Sr. Les Brown John Alexander Barbara Bel Geddes Vanessa Brown Richard Allan Harry Belafonte Carol Bruce Louise Allbritton Ralph Bellamy Yul Brynner Bob “Tex” Allen Constance Bennett Billie Burke June Allyson Joan Bennett George Burns and Gracie Allen Kirk Alyn Gertrude Berg Richard Burton Don Ameche Polly Bergen Spring Byington Laurie Anders Jacques Bergerac Judith Anderson Yogi Berra C Mary Anderson Edna Best Susan Cabot Warner Anderson (2) Valerie Bettis Sid Caesar Keith Andes Vivian Blaine James Cagney Dana Andrews Betsy Blair Rory Calhoun (2) Glenn Andrews Janet Blair Corinne Calvet Pier Angeli Joan Blondell William Campbell Eve Arden Claire Bloom Judy Canova Desi Arnaz Ben Blue Macdonald Carey Edward Arnold Ann Blyth Kitty Carlisle Mary Astor Humphrey Bogart Richard Carlson Jean-Pierre Aumont Ray Bolger Hoagy Carmichael Lew Ayres Ward Bond Leslie Caron B Beulah Bondi John Carradine Richard Boone Madeleine Carroll Lauren Bacall Shirley Booth Nancy Carroll Buddy Baer Ernest Borgnine Jack Carson (2) Fay Bainter Lucia Bose Jeannie Carson Suzan Ball Long Lee Bowman -
BEST FILMS of the 1950'S 1. Seven Samurai
BEST FILMS OF THE 1950’S 1. Seven Samurai - (1954, Akira Kurosawa) (Takashi Shimura, Yoshio Inaba, Toshiro Mifune) 2. On the Waterfront - (1954, Elia Kazan) (Marlon Brando, Carl Malden, Rod Steiger) 3. Vertigo - (1958, Alfred Hitchcock) (James Stewart, Kim Novak, Barbara Bel Geddes) 4. The Bridge on the River Kwai - (1957, David Lean) (Alec Guinness, William Holden) 5. The Seventh Seal -(1957, Ingmar Bergman) (Max von Sydow, Bengt Ekerot) 6. Sunset Boulevard - (1950, Billy Wilder) (Gloria Swanson, William Holden) 7. Rear Window - (1954, Alfred Hitchcock) (James Stewart, Grace Kelly) 8. Rashomon - (1951, Akira Kurosawa) (Toshiro Mifune, Masayuki Mori, Machiko Kyo) 9. All About Eve - (1950, Joseph L. Mankiewicz) Bette Davis, Anne Baxter) 10. Singin' in the Rain - (1952, Stanley Donen, Gene Kelly) Gene Kelly, Debbie Reynolds) 11. Some Like It Hot - (1959, Billy Wilder) (Jack Lemmon, Tony Curtis, Marilyn Monroe) 12. North by Northwest - (1959, Alfred Hitchcock) (Cary Grant, Eva Marie Saint) 13. Tokyo Story - (1953, Yasujiro Ozu) Chishu Ryu, Chieko Higashiyama, So Yamamura) 14. Touch of Evil - (1958, Orson Welles) Charlton Heston, Orson Welles) 15. A Streetcar Named Desire - (1951, Elia Kazan) Marlon Brando, Vivien Leigh) 16. Diabolique - (1954, Henri-Georges Clouzot) (Simone Signoret, Vera Clouzot) 17. Rebel Without a Cause - (1955, Nicholas Ray) (James Dean, Natalie Wood) 18. The African Queen - (1951, John Huston) (Catherine Hepburn, Humphrey Bogart) 19. 12 Angry Men - (1957, Sidney Lumet) (Henry Fonda, E.G. Marshall) 20. La Strada - (1954, Federico Fellini) (Giulietta Masina, Anthony Quinn) 21. Ben-Hur - (1959, William Wyler) (Charlton Heston, Jack Hawkins, Stephen Boyd) 22. Wild Strawberries - (1957, Ingmar Bergman) (Ingrid Thulin, Bibi Andersson) 23. -
Film Blog These Are Films That I Saw on TV Or at the Cinema
Film blog These are films that I saw on TV or at the cinema. ------------------------------------------------------------ Casino Royale the sad anecdote about Casino Royale is that Peter Sellers wasn't feeling well at the time he filmed the scenes at the casino. As you know Orson Welles plays in the film too, and one of his party tricks was to perform magic tricks. If you've seen the movie "Fake" that Orson Welles did, then you'll understand what kind of mind boggling person he is. Basically poor Peter was totally freaked out by Mr Welles and refused to film with him in the scenes at the casino. Nevertheless, both actors are amazing, plus David Niven and Woody Allen. :) I love Casino Royale because it's completely over the top and totally funny. The bit you should look out for is when Peter Sellers' character walks past the aquarium and that classic Dusty Springfield/Burt Bacharach song "The Look of Love". This is what I call very sexy. That scene is pure movie heaven. The script and the direction are a total mess. ---------------------------------------------------------------------------------------- Date: July 02, 2006 12:01AM saw a film called "American Gun" which was James Coburn's last film. Co. star Barbara Bain and Virginia Marsden. Told in flashbacks, this is the story of a man whose daughter has been shot and he wants to pursue the enquiry after police closed the case. He manages to trace back the gun to the owner as he does so he reminisces about his daughter's life, his time as a soldier during the second Word War where he saw many people around him being shot. -
Hooray for Hollywood!
The quarterly journal of The Wodehouse Society Volume 26 Number 1 Spring 2005 Hooray for Hollywood! an it be 2005 is here already? Wasn’t it just yesterday C we were browsing, sluicing, and whooping it up in Toronto? Is the Los Angeles convention really only a few months away? The answers to those questions are yes, no, and yes—and that final yes means it’s time to fill out your registration form and send in your oof for what promises to be a dashed good time in the splendid environment UCLA will be providing for this year’s gathering. Hold on to your hats as you look over this tantalizing schedule (please note that times in italics are tentative): Thursday, August 11 1:00 P.M.–5:00 P.M.: Early registration Evening free. Hit the town, or dine with other Wodehousians arriving early. Friday, August 12 9:00 a.m.–5:00 p.m.: Registration, booksellers, chapters corner, etc. 10:00 A.M.–3:00 P.M.: Bus tour of Hollywood (including Paramount Studios tour) 5:00–6:00 p.m.: Clients of Adrian Mulliner meeting 6:00–8:00 p.m.: Barbecue on the terrace, with wine and beer included 8:00–11:30 p.m.: Clean Bright Entertainment, with wine and beer included, in the Grand Horizon Room (to which the terrace is attached) • Max Pokrivchak: The Great Wodehouse Movie • Music and other bits of fun guaranteed to Pitch Challenge (see page 3 for details) keep all Wodehousians entertained well into the evening! • The NEWTS: “Penny’s from Hades” (skit) Saturday, August 13 Presentations (tentative; subject to change) Getting Around in L.A. -
1932-03-06 [P
Cornell Leads Good Pictures Scheduled News From Gotham. >Tkc Motion Katharine J Attractions Picture Album BY Coming Houses NOEL THORNTON. One Theater Attraction In the First-Run YORK, March 5 OP).—Al- SHAW’S LATEST PLAT. together with the Tom Jones Orches- By Robert E. Sherwood. fred Lunt and Lynn Fontanne tra a singing and dancing chorus. «’T'00 TRUE TO BE GOOD,” the the have about decided not to go Lambart Carroll provided book, new Bernard Shaw play, the 1* re- “The Barretts of Street* Is Drama NEW Sammy Fain composed the music, f OLLYWOOD always very Wimpole Only Carole Lombard, Marion Davies, to this Summer and of the third Theater 1 of success and Hollywood fifth offering _ inclined Bfcjntt4Barrymore, Irving Kahal furnished the lyrics, Wil- spectful Guild Washington subscription season, unusual to bow reverently before those Local make another picture. Instead, liam Holbrook originated the “| for Theatergoers—Cancellation of Ma dge Colman the List will at the National Theater who achieve It. An Lew Ayres and Ronald Top to make their second Invasion open dance routine and William Caryl staged X exception they plan March 14. is made, however, in the case with Noel Coward the entire production. Kennedy Show Makes National “Dark.” for This Week—Vaudeville Attractions. of London, to appear It is a new comedy, with Beatrice of Josef Von Sternberg. For reasons, in a comedy he is writing. Coward is Lillie in the leading role, and comes “FRONT PAGE GIRL.” which are hard to assign, he is su- direct to wasning- unpopular among his colleagues on his way here from South America “THE FRONT PAGE GIRL OF ton from Its world a the film capital; his triumphs are BELASCO—“The Barretts of Wimpole and Jack Hunt, funmakers here with Marlon ‘'Kiki” Roberts, Sremely popular mMOPOLITAN—“The Broken frank, modern love story, predicated and It is possible he may remain premiere In Bos- 1932,” admitted, grudgingly, but It Is freely Street." with Wilma Horner. -
Motorcoach Motorcoach
MOTORCOACH MOVIES © 2011 MOVIE CATALOG © Universal City Studios, Inc. City Studios, © Universal © Disney/Pixar © Columbia Pictures The Motorcoach Movie License is supported by: © Warner Bros. Warner © TM & © Paramount Pictures Corporation Pictures TM & © Paramount www.motorcoachmovies.com 1.888.416.2572 MOTORCOACH MOVIES The Best Choice in Motorcoach Entertainment TABLE OF CONTENTS NEW MOVIE RELEASES ........1 BROADWAY MUSICAL ........37 CHILDREN’S ........................25 WINTER ................................39 CLASSICS .............................29 COMING SOON ..................42 HALLMARK ..........................33 INDEX ..................................43 Entertain Your Passengers with a great selection of new releases, family favorites, thrillers, comedies and classics. Motorcoach Movies Offers You: • EDITED VERSIONS OF HOLLywood’s BEST MOVIEs… In addition to our extensive collection of more than 6,000 titles available for rental, we offer special, studio-edited versions of CALL TO popular movies. Inappropriate scenes and language have been eliminated by the movie producers so you and your passengers ORDER MOVIES don’t have to worry. Call for details. • COPYRIGHT INFORMAtion… TODAY! A Public Performance License from Motorcoach Movies protects your coaches from costly copyright infringement fines and assures compliance with copyright laws, making your movie programming risk free. Call: 1-888-416-2572 According to the U.S. Copyright Act of 1976, regardless of whether a motor coach company, the chartering group or the passengers provide and show a movie, all movies must be licensed for public performance by the coach Fax: ©company. Showing a movie without a license can subject a coach operator to civil penalties ranging from $750 to $30,000 per movie, or as high as 314-909-0879 $150,000 per movie if the unlicensed showing was committed “willfully” after a cease-and-desist letter has been sent from the MPAA.