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Online Versions of the Handouts Have Color Images & Hot Urls September
Online versions of the Handouts have color images & hot urls September 6, 2016 (XXXIII:2) http://csac.buffalo.edu/goldenrodhandouts.html Sam Wood, A NIGHT AT THE OPERA (1935, 96 min) DIRECTED BY Sam Wood and Edmund Goulding (uncredited) WRITING BY George S. Kaufman (screenplay), Morrie Ryskind (screenplay), James Kevin McGuinness (from a story by), Buster Keaton (uncredited), Al Boasberg (additional dialogue), Bert Kalmar (draft, uncredited), George Oppenheimer (uncredited), Robert Pirosh (draft, uncredited), Harry Ruby (draft uncredited), George Seaton (draft uncredited) and Carey Wilson (uncredited) PRODUCED BY Irving Thalberg MUSIC Herbert Stothart CINEMATOGRAPHY Merritt B. Gerstad FILM EDITING William LeVanway ART DIRECTION Cedric Gibbons STUNTS Chuck Hamilton WHISTLE DOUBLE Enrico Ricardi CAST Groucho Marx…Otis B. Driftwood Chico Marx…Fiorello Marx Brothers, A Night at the Opera (1935) and A Day at the Harpo Marx…Tomasso Races (1937) that his career picked up again. Looking at the Kitty Carlisle…Rosa finished product, it is hard to reconcile the statement from Allan Jones…Ricardo Groucho Marx who found the director "rigid and humorless". Walter Woolf King…Lassparri Wood was vociferously right-wing in his personal views and this Sig Ruman… Gottlieb would not have sat well with the famous comedian. Wood Margaret Dumont…Mrs. Claypool directed 11 actors in Oscar-nominated performances: Robert Edward Keane…Captain Donat, Greer Garson, Martha Scott, Ginger Rogers, Charles Robert Emmett O'Connor…Henderson Coburn, Gary Cooper, Teresa Wright, Katina Paxinou, Akim Tamiroff, Ingrid Bergman and Flora Robson. Donat, Paxinou and SAM WOOD (b. July 10, 1883 in Philadelphia, Pennsylvania—d. Rogers all won Oscars. Late in his life, he served as the President September 22, 1949, age 66, in Hollywood, Los Angeles, of the Motion Picture Alliance for the Preservation of American California), after a two-year apprenticeship under Cecil B. -
Little Theatre Society of Indiana
LITTLE THEATRE SOCIETY OF INDIANA 1915-16 1919-20 1921-22 Polyxena Bernice Release A Killing Triangle Eugenically Speaking The Dragon The Glittering Gate Three Pills in a Bottle The Spring The Scheming Lieutenant Trespass A Nativity Play Dad The Angel Intrudes The Constant Lover A Christmas Miracle Play Trespass (2nd Production) Androcles & the Lion The Pretty Sabine Women The Shepherd in the Distance The Forest Ring Overtones The Star of Bethlehem Beyond the Horizon The Broken God Dierdre of the Sorrows Everyman Dad (2nd Production) The Jackdaw The Betrothal Cake At Steinberg’s Bushido Disarmament How He Lied to Her Husband A Woman’s Honor The Casino Gardens The Game of Chess Unspoken Children of the Moon The Kisses of Marjorie Moonshine Belinda Dawn Phoebe Louise Not According to Hoyle The Dark Lady of the Sonnets The Bank Robbery Mansions A Scrambled Romance Chicane The Dryad & the Deacon (silent film) The Groove Underneath A Shakespeare Revel Stingy 1922-23 Rococo The Trysting Place 1916-17 The Price of Coal A Civil War Pageant 1920-21 The Turtle Dove Night with Indiana Authors The Proposal Brothers Polly of Pogue’s Run In Hospital Two Dollars, Please! Laughing Gas Behind a Watteau Picture The Marriage Gown The Lost Silk Hat The Home of the Free Dad (3rd Production) The Farce of Pierre Patelin The Blind Sycamore Shadders Duty The Medicine Show Nocturne The Maker of Dreams Aria Da Capo Treason The Importance of Being Mary Broome Where Do We Go From Here? Earnest The Star of Bethlehem (2nd The Wish Fellow Lithuania Production) Father and the Boys Supressed Desires The Mollusc My Lady Make-Believe Cathleen Ni’Hoolihan Mary’s Lamb A Shakespeare Revel (2nd Spreading the News The Emperor Jones Production) The Rising of the Moon The Beauty Editor Sham 1923-24 1917-18 The Confession March Hares (No records survive) The Lotion of Love The Bountiful Lady The Wren 1918-19 The Doctor of Lonesome Folk A Pageant of Sunshine Why Marry? and Shadow Hidden Spirits The Murderer (a.k.a. -
Judy Holliday's Urban Working Girl Characters in 1950S Hollywood Film Judith E
University of Massachusetts Boston ScholarWorks at UMass Boston American Studies Faculty Publication Series American Studies 2010 Judy Holliday's Urban Working Girl Characters in 1950s Hollywood Film Judith E. Smith University of Massachusetts Boston, [email protected] Follow this and additional works at: http://scholarworks.umb.edu/amst_faculty_pubs Part of the American Film Studies Commons, American Popular Culture Commons, Jewish Studies Commons, and the Women's Studies Commons Recommended Citation Smith, Judith E., "Judy Holliday's Urban Working Girl Characters in 1950s Hollywood Film" (2010). American Studies Faculty Publication Series. Paper 6. http://scholarworks.umb.edu/amst_faculty_pubs/6 This Article is brought to you for free and open access by the American Studies at ScholarWorks at UMass Boston. It has been accepted for inclusion in American Studies Faculty Publication Series by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. Judy Holliday's Urban Working Girl Characters in 1950s Hollywood Film Judith Smith. American Studies, University of Massachusetts Boston A Jewish-created urban and cosmopolitan working girl feminism persisted in the 1950s as a cultural alternative to the suburban, domestic consumerism critiqued so eloquently by Betty Friedan in The Feminine Mystique . The film persona of Jewish, Academy Award-winning actress Judy Holliday embodied this working girl feminism. Audiences viewed her portrayals of popular front working girl heroines in three films written by the Jewish writer and director Garson Kanin, sometimes in association with his wife, the actress Ruth Gordon, and directed by the Jewish director George Cukor in the early 1950s: Born Yesterday (1950), The Marrying Kind (1952), and It Should Happen to You (1954). -
Historical Theater Programs Collection MS-87 Wright State
Historical Theater Programs Collection (MS-87) Guide This finding aid was produced using ArchivesSpace on September 21, 2021. Description is written in: English. Describing Archives: A Content Standard Wright State University Libraries, Special Collections and Archives Special Collections and Archives 3640 Colonel Glenn Hwy Dayton, OH 45435-0001 [email protected] URL: http://www.libraries.wright.edu/special Historical Theater Programs Collection (MS-87) Guide Table of Contents Summary Information .................................................................................................................. 3 Scope and Contents ...................................................................................................................... 3 Arrangement ............................................................... .................................................................. 3 Administrative Information .......................................................................................................... 4 Collection Inventory ............................................................... ...................................................... 4 Series 1: Plays and Musicals ............................................................... ....................................... 4 Series 2: Animal Shows & Races ............................................................................................. 29 Series 3: Concerts ............................................................... ..................................................... -
STUDY GUIDE Inside
McGuire Proscenium Stage / Jan 28 – Mar 19, 2017 by GEORGE S. KAUFMAN and EDNA FERBER directed by RACHEL CHAVKIN STUDY GUIDE Inside THE AUTHORS When Edna met George...and wrote some plays • 3 Selected Chronology on the Life and Times of George S. Kaufman and Edna Ferber • 4 Comments by and about the Authors • 9 THE PLAY Synopsis, Characters and Setting • 13 Comments about the Play • 14 The Barrymores: The (Real) Royal Family of Broadway • 16 Myself as I Think Other See Me by Ethel Barrymore • 16 CULTURAL CONTEXT The Lingo of the Stage • 21 People and Things of the Period • 24 THE GUTHRIE PRODUCTION Notes from the Creative Team • 26 ADDITIONAL INFORMATION For Further Understanding • 28 Play guides are made possible by Guthrie Theater Study Guide Copyright 2016 DRAMATURG Carla Steen GRAPHIC DESIGNER Akemi Waldusky RESEARCH Stephanie Engel, Carla Steen All rights reserved. With the exception of classroom use by teachers and Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 individual personal use, no part of this Play Guide may be reproduced in any form or by any means, electronic or mechanical, including ADMINISTRATION 612.225.6000 photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publishers. Some materials BOX OFFICE 612.377.2224 or 1.877.44.STAGE TOLL-FREE published herein are written especially for our Guide. Others are reprinted guthrietheater.org • Joseph Haj, artistic director by permission of their publishers. Jo Holcomb: 612.225.6117 | Carla Steen: 612.225.6118 The Guthrie Theater, founded in 1963, is an American center for theater performance, The Guthrie Theater receives support from the National Endowment production, education and professional training. -
Lucy Kroll Papers [Finding Aid]. Library of Congress
Lucy Kroll Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2002 Revised 2010 April Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms006016 LC Online Catalog record: http://lccn.loc.gov/mm82078576 Prepared by Donna Ellis with the assistance of Loren Bledsoe, Joseph K. Brooks, Joanna C. Dubus, Melinda K. Friend, Alys Glaze, Harry G. Heiss, Laura J. Kells, Sherralyn McCoy, Brian McGuire, John R. Monagle, Daniel Oleksiw, Kathryn M. Sukites, Lena H. Wiley, and Chanté R. Wilson Collection Summary Title: Lucy Kroll Papers Span Dates: 1908-1998 Bulk Dates: (bulk 1950-1990) ID No.: MSS78576 Creator: Kroll, Lucy Extent: 308,350 items ; 881 containers plus 15 oversize ; 356 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Literary and talent agent. Contracts, correspondence, financial records, notes, photographs, printed matter, and scripts relating to the Lucy Kroll Agency which managed the careers of numerous clients in the literary and entertainment fields. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Braithwaite, E. R. (Edward Ricardo) Davis, Ossie. Dee, Ruby. Donehue, Vincent J., -1966. Fields, Dorothy, 1905-1974. Foote, Horton. Gish, Lillian, 1893-1993. Glass, Joanna M. Graham, Martha. Hagen, Uta, 1919-2004. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Catalogue1516.Pdf
Catalogue of New Plays 2015–2016 © 2015 Dramatists Play Service, Inc. Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: Once again, the Play Service is delighted to have all of this year’s Tony nominees for Best Play. The winner, Simon Stephens’ THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, based on Mark Haddon’s best-selling novel, is a thrilling and emotional journey into the mind of an autistic boy. We acquired Ayad Akhtar’s Pulitzer Prize- winning play DISGRACED after its run at Lincoln Center, and we are also publishing his plays THE WHO & THE WHAT and THE INVISIBLE HAND. Robert Askins’ subversive, hilarious play HAND TO GOD introduced this young American writer to Broadway, and the Play Service is happy to be his first publisher. Rounding out the nominess are Mike Poulton’s dazzling adaptations of Hilary Mantel’s WOLF HALL novels. THIS IS OUR YOUTH by Kenneth Lonergan and perennial favorite YOU CAN’T TAKE IT WITH YOU by Kaufman and Hart were nominated for Best Revival of a Play. We have our 45th Pulitzer Prize winner in the moving, profane, and deeply human BETWEEN RIVERSIDE AND CRAZY, by Stephen Adly Guirgis, which is under option for Broadway production next season. Already slated for Broadway is Mike Bartlett’s “future history” play, KING CHARLES III, following its hugely successful production in the West End. Bess Wohl, a writer new to the Play Service, received the Drama Desk Sam Norkin Off-Broadway Award. We have her plays AMERICAN HERO and SMALL MOUTH SOUNDS. -
Columbia Pictures: Portrait of a Studio
University of Kentucky UKnowledge Film and Media Studies Arts and Humanities 1992 Columbia Pictures: Portrait of a Studio Bernard F. Dick Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Dick, Bernard F., "Columbia Pictures: Portrait of a Studio" (1992). Film and Media Studies. 8. https://uknowledge.uky.edu/upk_film_and_media_studies/8 COLUMBIA PICTURES This page intentionally left blank COLUMBIA PICTURES Portrait of a Studio BERNARD F. DICK Editor THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1992 by The University Press of Kentucky Paperback edition 2010 Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data for the hardcover edition is available from the Library of Congress ISBN 978-0-8131-3019-4 (pbk: alk. paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
Why Are Comedy Films So Critically Underrated?
The University of Maine DigitalCommons@UMaine Honors College 5-2012 Why are Comedy Films so Critically Underrated? Michael Arell Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Dramatic Literature, Criticism and Theory Commons, and the Film and Media Studies Commons Recommended Citation Arell, Michael, "Why are Comedy Films so Critically Underrated?" (2012). Honors College. 93. https://digitalcommons.library.umaine.edu/honors/93 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. WHY ARE COMEDY FILMS SO CRITICALLY UNDERRATED? by Michael Arell A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Bachelor of Music in Education) The Honors College University of Maine May 2012 Advisory Committee: Michael Grillo, Associate Professor of History of Art, Advisor Ludlow Hallman, Professor of Music Annette F. Nelligan, Ed.D., Lecturer, Counselor Education Tina Passman, Associate Professor of Classical Languages and Literature Stephen Wicks, Adjunct Faculty in English © 2012 Michael Arell All Rights Reserved Abstract This study explores the lack of critical and scholarly attention given to the film genre of comedy. Included as part of the study are both existing and original theories of the elements of film comedy. An extensive look into the development of film comedy traces the role of comedy in a socio-cultural and historical manner and identifies the major comic themes and conventions that continue to influence film comedy. -
Our Past Seasons
Our Past Seasons 2014-2015 FARRAGUT NORTH Beau Willimon / Dir. Jane Toczek CLEVER DICK Charles Marowitz / Dir. Catherine Pappas SOMETHING INTANGIBLE Bruce Graham / Dir. Barbara Mills THE GOLDEN COACH Yaga Brady (after Prosper Merimee) / Dir. Yaga Brady GOOD PEOPLE David Lindsay-Abaire / Dir. David Flagg 2013-2014 SUPERIOR DONUTS Tracy Letts / Dir. Jane Toczek THE MOUSETRAP Agatha Christie / Dir. Loretta Lucy Miller BEE-LUTHER-HATCHEE Thomas Gibbons /Dir. Barbara Mills THE IMPORTANCE OF Oscar Wilde / Dir. Yaga Brady BEING EARNEST THE TALE OF THE ALLERGIST’S Charles Busch / Dir. Dave Ebersole WIFE 2012-2013 LOST IN YONKERS Neil Simon / Dir. Loretta Lucy Miller JITNEY August Wilson / Dir. Marilyn Yoblick MRS. WARREN’S PROFESSION George Bernard Shaw / Dir. Barbara Mills RUINED Lynn Nottage / Dir. Catherine Pappas PLAY IT AGAIN, SAM Woody Allen / Dir. David Flagg 2011-2012 KIMBERLY AKIMBO David Lindsay-Abaire / Dir. Jane Toczek MOONLIGHT AND MAGNOLIAS Ron Hutchinson / Dir. Tracie Lango ALL MY SONS Arthur Miller / Dir. Catherine Pappas THE DEADLY GAME James Yaffe (after F. Duerrenmatt) / Dir. Yaga Brady TARTUFFE Molière (trans. R. Wilbur) / Dir. Rhonda Goldstein 2010-2011 THE NIGHT OF THE IGUANA Tennessee Williams / Dir. Yaga Brady THE LAST NIGHT OF BALLYHOO Alfred Uhry / Dir. Loretta Lucy Miller & Marilyn Yoblick PRIVATE LIVES Noel Coward / Dir. Rhonda Goldstein MUD, RIVER, STONE Lynn Nottage / Dir. Tracie Lango THE PRICE Arthur Miller / Dir. David Flagg 2009-2010 NIGHT WATCH Lucille Fletcher / Dir. Tracie Lango THE MATCHMAKER Thornton Wilder / Dir. Yaga Brady A SOLDIER’S PLAY Charles Fuller / Dir. Marilyn Yoblick THE VIOLET HOUR Richard Greenberg / Dir. Patrick Martin THE FANTASTICKS Tom Jones (book and lyrics) / Harvey Schmidt (music) Dir. -
The Omaha Community Playhouse Past Productions
THE OMAHA COMMUNITY PLAYHOUSE PAST PRODUCTIONS 1925-26 1926-27 1927-28 The Enchanted Cottage Merton of the Movies The Potters You and I Anna Christie Secrets The Devil’s Disciple The Youngest The School for Scandal Mary the Third He Who Gets Slapped Beyond the Horizon Lilliom Lady Windermere’s Fan Seventeen The Romantic Age The Guardsman The Enemy Outward Bound R.U.R. Rip Van Winkle Captain Applejack March Hares You Never Can Tell The Swan Pygmalion 1928-29 1929-30 1930-31 Aren’t We All An Ideal Husband Cock Robin They Knew What They Wanted Ten Nights in a Bar Room Ned McCobb’s Daughter Fashion Sun-Up Behold This Dreamer Dear Brutus Escape The Criminal Code Torchbearers The Hairy Ape The Intimate Strangers Arms and the Man The Queen’s Husband Death Takes A Holiday Grumpy A Kiss for Cinderella Alice-Sit-By-the-Fire 1931-32 1932-33 1933-34 Berkeley Square The First Mrs. Fraser Both Your Houses Jealousy Elizabeth The Queen June Moon Once in a Lifetime The Devil Passes A Doll’s House What Every Woman Knows East of Suez Springtime for Henry Mister Antonio The Perfect Alibi Uncle Tom’s Cabin The Royal Family Brigham Young Counselor-at-Law The Last Mile Engaged Three Cornered Moon 1934-35 1935-36 1936-37 The Good Fairy Her Master’s Voice Libel! Dear Brutus Kind Lady The Senator’s Husband Inheritors The Return of Peter Grimm Winterset A Thing of Beauty Yellow Jack Personal Appearance Wet Paint The Far-Off Hills Pride and Prejudice One Sunday Afternoon As You Like It Night of January 16th Louder Please Macbeth (Shorter Form) Post Road 1 1937-38 1938-39 1939-40 Excursion Tonight at 8:30 Our Town Night Must Fall The Masque of Kings Candida High Tor George and Margaret The Roof Storm Over Patsy Street Scene Bachelor Born Stage Door Yes, My Darling Daughter The Petrified Forest Blind Alley Our American Cousin The Gondoliers 1940-41 1941-42 1942-43 Margin for Error The Male Animal Ladies in Retirement My Heart’s in the Highlands Brief Music The Women Happy Journey George Washington Slept Here Dark Tower Air Raid Green Grow the Lilacs Family Portrait Rarely Fatal Mr.