XIV Cuba, Scotland, and Europe Under the Bayonet 1849
XIV Cuba, Scotland, and Europe under the Bayonet 1849 (LETIERS 667 TO 712) IN 1849, at FIFTY-FIVE, Bryant had served for twenty years as principal editor of the Evening Post. No longer president of the American Art-Union, he was, nevertheless, more intimate than ever with many of the artists who had given it success, and whom he often saw at meetings of the Sketch Club, the Century Association, and the National Academy. He had become a "fireside poet" whose verses drew parody and satire as well as imitation and adulation. In his A Fable for Critics in 1848 young James Russell Lowell had conceded Bryant to be "first bard of your nation," but saw him standing "in supreme ice-alation." A Lowell imitator complained, "I like friend Bryant, f But as a man;-I can't endure a giant." A less jocular critic commented that, on reading "Thana topsis," "one seems to be on the mount of contemplation, elevated above the manifold influences of a striving world, and breathing a purer air." The Evening Post was in good shape. With John Bigelow as its associate editor, and both circulation and the business of the commercial printing office growing, Bryant felt free to travel, and he and Charles Leupp planned two trips abroad that year. On the eve of their departure that spring for the South and Cuba, Bryant reminded his readers of several public issues on which the Eve ning Post had taken stands over the past twenty years which were later vindi cated by public approval: its advocacy of free trade, an independent national treasury, and other reforms, and-in the North, at least-its opposition to slav ery in the western territories.
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