Performative Revolution in Egypt: an Essay in Cultural Power
Alexander, Jeffrey C. "Performative Revolution in Egypt." Performative Revolution in Egypt: An Essay in Cultural Power. London: Bloomsbury Academic, 2011. 1–86. Bloomsbury Collections. Web. 27 Sep. 2021. <http://dx.doi.org/10.5040/9781472544841.ch-001>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 27 September 2021, 11:19 UTC. Copyright © Jeffrey C. Alexander 2011. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. ISCUSSIONS about revolutions, from the Dsocial scientifi c to the journalistic, almost invariably occur in the realist mode. Whether nominalist or collectivist, materialist, political or institutional, it seems a point of honor to maintain that it is real issues, real groups, and real interests, and how these have aff ected relative power vis-à-vis the state, that determine who makes revolutions, who opposes them, and who wins at the end of the day. At the very beginning of the “25 January Revolution” in Egypt, a reporter for the New York Times traced its temporal and spatial origins to the naturalistic causal power of a single event: “The beating of a young businessman named Khaled Said last year [in Alexandria] led to weeks of demonstrations against police brutality.”2 Said, a twenty- eight-year-old businessman, allegedly had fi lmed proof of police corruption; he was dragged from an internet café on 6 June 2010, tortured, and beaten to death. Addressing the broader social
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