Some Papers of Aaron Burr
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MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
The Revolutionary Movement in New York, 1773–1777
University of Kentucky UKnowledge United States History History 1966 The Road to Independence: The Revolutionary Movement in New York, 1773–1777 Bernard Mason State University of New York at Binghamton Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Mason, Bernard, "The Road to Independence: The Revolutionary Movement in New York, 1773–1777" (1966). United States History. 66. https://uknowledge.uky.edu/upk_united_states_history/66 The 'l(qpd to Independence This page intentionally left blank THE ROAD TO INDEPENDENCE The 'R!_,volutionary ~ovement in :J{£w rork, 1773-1777~ By BERNARD MASON University of Kentucky Press-Lexington 1966 Copyright © 1967 UNIVERSITY OF KENTUCKY PRESS) LEXINGTON FoR PERMISSION to quote material from the books noted below, the author is grateful to these publishers: Charles Scribner's Sons, for Father Knickerbocker Rebels by Thomas J. Wertenbaker. Copyright 1948 by Charles Scribner's Sons. The Bobbs-Merrill Company, Inc., for John Jay by Frank Monaghan. Copyright 1935 by the Bobbs-Merrill Com pany, Inc., renewed 1962 by Frank Monaghan. The Regents of the University of Wisconsin, for The History of Political Parties in the Province of New York J 17 60- 1776) by Carl L. Becker, published by the University of Wisconsin Press. Copyright 1909 by the Regents of the University of Wisconsin. -
Introduction to the Ratification of the Constitution in New York
Introduction to the Ratification of the Constitution in New York During the decade preceding the War for Independence, New York was divided into two large provincial factions—the Delanceys and the Livingstons. When independence neared, the Delanceys were in power and they remained loyal to the king. The opposition to British imperial policy consisted of three groups—the radical elements led by New York City mechanics who advocated independence from Great Britain, a very conservative group that wanted reconciliation, and another conservative group that wanted to delay independence but would not give up key colonial rights. Because conservatives controlled the third Provincial Congress, that body gave no instructions on the question of independence to New York’s delegates to the Second Continental Congress meeting in Philadelphia. Not being instructed, the New York delegation, standing alone, did not vote on independence on 2 July 1776. Earlier, in response to the Continental Congress’ resolution of 15 May 1776, the third Provincial Congress had called on the electors in the different counties to elect a fourth provincial congress which might draft a constitution creating a state government. The election took place and the new Provincial Congress on 9 July resolved unanimously to join the other colonies in declaring independence. The next day it renamed itself the Provincial Convention. On 1 August the Convention appointed a committee of thirteen to draft a state constitution and to report by 26 August. The committee did not report until 12 March 1777. After almost six weeks of debate, the Convention on 20 April voted “in the name and by the authority of the good people of this State” to adopt the constitution. -
Who Tells Your Story?: Intersections of Power, Domesticity, and Sexuality Relating to Rap and Song in the Musical Hamilton
WHO TELLS YOUR STORY?: INTERSECTIONS OF POWER, DOMESTICITY, AND SEXUALITY RELATING TO RAP AND SONG IN THE MUSICAL HAMILTON By Tia Marie Harvey A THESIS Submitted to Michigan State University in partial fulfillment of the requirement for the degree Musicology—Master of Arts 2019 ABSTRACT WHO TELLS YOUR STORY?: INTERSECTIONS OF POWER, DOMESTICITY, AND SEXUALITY RELATING TO RAP AND SONG IN THE MUSICAL HAMILTON By Tia Marie Harvey In January 2015, Lin-Manuel Miranda’s Hamilton: An American Musical premiered at The Public Theater in New York City. Later that year it moved to Broadway with an engagement at the Richard Rodgers Theater, followed by productions in Chicago and London. Commercially successful and critically acclaimed, Hamilton continues to hold significant cultural relevance in 2019. As a result of this musical’s cultural significance, it has the ability to communicate positive, but also limiting, aspects of our society. In this thesis, I examine the concept of rap as a musical language of power. To do this, I assert that characters in Hamilton who have power, and particularly when expressing that power, do so through rap. In contrast, when characters don’t have power, or are entering realms of the powerless (i.e. spaces gendered female), they do so through lyrical song. In chapter 1, I set up the divide between rap and song as it primarily translates among male characters and class. Chapter 2 is focused on the domestic sphere, and in chapter 3 I discuss sexuality. In the conclusion of this thesis, I revisit the character of Eliza and explore the perceived power of her role as storyteller and the way in which the themes I discuss illuminate many missed opportunities to present an interpretation of America’s founding that is truly revolutionary. -
A General History of the Burr Family, 1902
historyAoftheBurrfamily general Todd BurrCharles A GENERAL HISTORY OF THE BURR FAMILY WITH A GENEALOGICAL RECORD FROM 1193 TO 1902 BY CHARLES BURR TODD AUTHOB OF "LIFE AND LETTERS OF JOBL BARLOW," " STORY OF THB CITY OF NEW YORK," "STORY OF WASHINGTON,'' ETC. "tyc mis deserves to be remembered by posterity, vebo treasures up and preserves tbe bistort of bis ancestors."— Edmund Burkb. FOURTH EDITION PRINTED FOR THE AUTHOR BY <f(jt Jtnuhtrboclur $«88 NEW YORK 1902 COPYRIGHT, 1878 BY CHARLES BURR TODD COPYRIGHT, 190a »Y CHARLES BURR TODD JUN 19 1941 89. / - CONTENTS Preface . ...... Preface to the Fourth Edition The Name . ...... Introduction ...... The Burres of England ..... The Author's Researches in England . PART I HISTORICAL AND BIOGRAPHICAL Jehue Burr ....... Jehue Burr, Jr. ...... Major John Burr ...... Judge Peter Burr ...... Col. John Burr ...... Col. Andrew Burr ...... Rev. Aaron Burr ...... Thaddeus Burr ...... Col. Aaron Burr ...... Theodosia Burr Alston ..... PART II GENEALOGY Fairfield Branch . ..... The Gould Family ...... Hartford Branch ...... Dorchester Branch ..... New Jersey Branch ..... Appendices ....... Index ........ iii PART I. HISTORICAL AND BIOGRAPHICAL PREFACE. HERE are people in our time who treat the inquiries of the genealogist with indifference, and even with contempt. His researches seem to them a waste of time and energy. Interest in ancestors, love of family and kindred, those subtle questions of race, origin, even of life itself, which they involve, are quite beyond their com prehension. They live only in the present, care nothing for the past and little for the future; for " he who cares not whence he cometh, cares not whither he goeth." When such persons are approached with questions of ancestry, they retire to their stronghold of apathy; and the querist learns, without diffi culty, that whether their ancestors were vile or illustrious, virtuous or vicious, or whether, indeed, they ever had any, is to them a matter of supreme indifference. -
Dear Little Children [Parody of “Dear Theodosia” (From 'Hamilton') by Lin
Dear Little Children [Parody of “Dear Theodosia” (from ‘Hamilton’) by Lin-Manuel Miranda] Dear Theodosia, what to say to you? Dear little children, this we pray for you You have my eyes. You have your mother's name For opened eyes, For Christ to call your name. When you came into the world, you cried and it When you came into the world, we cried, with a broke my heart broken heart I'm dedicating every day to you We’re dedicating all your days to God Domestic life was never quite my style The Bread of Life, to guide you through your trials When you smile, you knock me out, I fall apart And your smiles. He shines His light upon the just, And I thought I was so smart And in Him we put our trust. You will come of age with our young nation God has given us this obligation We'll bleed and fight for you, we'll make it right We'll teach and comfort you, God's words in front of for you you. If we lay a strong enough foundation We have made the Bible your foundation We'll pass it on to you, we'll give the world to you We'll follow Christ with you, but Satan's tempting you And you'll blow us all away... Will you throw it all away? Someday, someday We pray, obey Yeah, you'll blow us all away Only God can keep your way Someday, someday We live by faith Oh Philip, when you smile I am undone Oh children, there is hope in only one My son God's Son Look at my son. -
History of Southold, L.I. : Its First Century
SOUTHOLD. 1 640- 1 740. B^^B HISTORY OF SOUTHOLD, L. I. ITS FIRST CENTURY. BY THE REV. EPHER WHITAKER, D. D., Pastor of the First Church of Southold, Councilor of the Long Island Historical Society, Corresponding Member of the New York Genealogical and Biographical Society, etc, SOUTHOLD: Printed for the Author. 1881. ^ t^^" COPYRIGHT BY EPHER WHITAKER. 1881, PRESS OF THE ORANGE CHRONICLE,, ORANGE, N. J, O 30 TO MR. THOMAS R. TROWBRIDGE AND MR. WILLIAM H. H. MOORE, WHO MAY SEVERALLY REPRESENT THE PLACES OF THEIR BIRTH, THE CENTRAL CITY AND THE REMOTEST TOWN OF ^ THE NEW HAVEN COLONY, AND WHOSE APPRECIATION AND GENEROSITY HAVE CHEERED THE PREPARATION OF THIS VOLUME, IT IS MOST • RESPECTFULLY AND GRATEFULLY DEDICATED BY THE AUTHOR. PREFACE. The acquisition of the greater part of the knowledge contained in this vohime has re- sulted Trom the duties and necessities of the Christian ministry in the pastoral care of the First' Church of Southold for the last thirty years. The preparation of the book for the press has been the rest and recreation of many a weary hour during most of this ministry. Various hindrances have resisted the accom- plishment of the undertaking, and caused a less orderly arrangement of the materials of the work, as well as a less vigorous and at- tra6tive style, than could be desired; but the belief is cherished, that the imperfections of the book, however clearly seen by the reader, and deeply felt by the writer, should not for- bid its publication. For it is highly desirable, that the early life and worth—the purpose. -
Hamiltunes at Winter Park Library
Hamiltunes: an American Singalong @ Winter Park Public Library 11/17/2018, 7 p.m. Songs & Parts Alexander Hamilton Stage Name Alternate Burr Emma Laurens/Philip Jefferson Mulligan/Madison Hamilton Paloma Washington Eliza/Angelica Monica W. Aaron Burr, Sir Stage Name Alternate Hamilton Dayton Burr Anabelle Emma Gavigangster Lafayette Emma Mulligan Laurens My Shot Stage Name Alternate Hamilton Andi Anabelle Golaso Lafayette Emma Mulligan Laurens Anabelle Burr The Story of Tonight Stage Name Alternate Lafayette Emma Mulligan Hamilton C.wicker Laurens Paloma Schuyler Sisters Stage Name Alternate Burr Dayton Gavigangster Angelica Anabelle Kaitlyn Eliza Emma Peggy Paloma Farmer Refuted Stage Name Alternate Samuel Seabury Andi Hamilton Anabelle River Mulligan Burr Paloma You'll Be Back Stage Name Alternate King George Emma Sophie Zee Right Hand Man Stage Name Alternate Washington Hamilton Burr A Winter's Ball (LADIES!) Stage Name Alternate Burr Hamilton Helpless Stage Name Alternate Eliza Angela W. Emma Hamilton Monica W Angelica Paloma Satisfied Stage Name Alternate Angelica Dayton Monica W. Anabelle Hamilton Emma Paloma Eliza Andi Angela W. Laurens Story of Tonight (Reprise) Stage Name Alternate Laurens Hamilton C.wicker Mulligan Lafayette Burr Wait for It Stage Name Alternate Burr Anabelle Emma Stay Alive Stage Name Alternate Hamilton Washington Paloma Charles Lee Andi Lafayette Laurens Ten Duel Commandments Stage Name Alternate Laurens Hamilton Andi Washington Burr Barbi 1776 Charles Lee Meet Me Inside Stage Name Alternate Hamilton Anabelle -
Pension Application for Robert Troup W.16450 (Widow: Jennet) Married February 18, 1787, Her Maiden Name Was Jennet Goelet
Pension Application for Robert Troup W.16450 (Widow: Jennet) Married February 18, 1787, her maiden name was Jennet Goelet. He died January 14, 1832. Declaration. In order to obtain the benefit of the Act of Congress of the 7th July 1838 entitled “An Act granting half pay and pensions to certain widows.” State of New York County of New York SS On this seventh day of October one thousand eight hundred and thirty nine personally appeared before me—Judah Hammond—one of the Judges of the Marine Court in and for the City and County of New York Jennet Troup a resident of the City of New York in said County of New York aged seventy eight years who being first duly sworn according to law, doth on his oath make the following declaration in order to obtain the benefit of the provision made by the Act of Congress passed July 7th 1838 entitled “An act granting half pay and pensions to certain widows”— That she is the Widow of Robert Troup who was an officer in the war of the Revolution. That she has been informed and believes that said Robert Troup first entered the service of the United States in the early part of said war as a Lieutenant in a Corps of [?] That he was taken prisoner at the Battle of Long Island and confined many months in one of the prison ships. That when exchanged he was transferred to the Military family of General Gates and served as his aid with the rank of Major until after the capture of Burgoyne at Stillwater. -
New York Genealogical and Biographical Record, Vol 18
m<[ o V ^*^°x. „.-.*- ^.•^"•/ *^^'.?^\/ %*^-\*° .*' -'Mi' \/ •«• %/ -^"t *--^/ • ^ o5^^ ^x>^ ' "i'^ ^'} ei» * ^>syS->" • <L^ .-^'' r> * <? . * C (I o V ,0^ •^'^.-J^ .. V Digitized by the Internet Arciiive in 2008 with funding from The Library of Congress http://www.archive.org/details/newyorkgenealog18newy .^^ THE NEW YORK GENEA^ii*li^ND Biographical -^7 DEVOTED TO THE INTERESTS OF AMERICAN GENEALOGY AND BIOGRAPHY. ISSUED QUARTERLY. VOLUME XVIII., 1887. 1WASHIN6V PUBLISHED BY THE SOCIETY MoTT Memorial Hall, No. 64 Madison Avenue, NEW YORK CITY. PUBLICATION COMMITTEE: Rev. BEVERLEY R. BETTS, Chairman. Dr. SAMUEL S, PURPLE. Gen. JAS. GRANT WILSON, ex-officio. Mr. CHARLES B. MOORE. 4122 Press of J. J. Little & Co. , Astor Place, New York. / ) . J:m}7/zrpif\ IE IRDSKT I^E^. SARfflOJEL !p[a©^®®STjl FIRST 3ISEOP OF SEW-YOSK. Original Portrait in. dve aosaessiou of DT Jain es R.Chi1toii THE NEW YORK Vol. XVIII. NEW YORK, JANUARY, 1887. No. i. SAMUEL PROVOOST, FIRST BISHOP OF NEW YORK.* AN ADDRESS TO THE GENEALOGICAL AND BIOGRAPHICAL SOCIETY. By Gen. Ja.s. Grant Wilson. [With a Portrait of BishoJ> Provoost.) Mr. Chairman, Ladies and Gentlemen : " It is a pleasing fancy which the elder Disraeli has preserved, somewhere, in amber, that portrait-painting had its origin in the inventive fondness of a girl, who traced upon the wall the iirofile of her sleeping lover. It was an outline merely, but love could always fill it up and make it live. It is the most that I can hope to do for my dear, dead brother. But how many there are—the world-wide circle of his friends, his admiring diocese, his attached clergy, the immediate inmates of his heart, the loved ones of his hearth—from whose informing breath it will take life, reality, and beauty." These beautiful words are borrowed from Bishop Doane, of New Jersey, who used them as an introductory paragraph in a memorial of one of Bishop Pro- voost's successors, Jonathan Mayhew Wainwright. -
Freedom of the Press: Croswell's Case
Fordham Law Review Volume 33 Issue 3 Article 3 1965 Freedom of the Press: Croswell's Case Morris D. Forkosch Follow this and additional works at: https://ir.lawnet.fordham.edu/flr Part of the Law Commons Recommended Citation Morris D. Forkosch, Freedom of the Press: Croswell's Case, 33 Fordham L. Rev. 415 (1965). Available at: https://ir.lawnet.fordham.edu/flr/vol33/iss3/3 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Law Review by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. Freedom of the Press: Croswell's Case Cover Page Footnote The instant study was initiated by Professor Vincent C. Hopkins, S.J., of the Department of History, Fordham University, during 1963. In the spring of 1964 be died, leaving an incomplete draft; completion necessitated research, correction, and re-writing almost entirely, to the point where it became an entirly new paper, and the manuscript was ready for printing when the first olumev of Professor Goebel's, The Law Practice of Alexander Hamilton (1964), appeared. At pages 775-SO6 Goebel gives the background of the Croswell case and, because of many details and references there appearing, the present article has been slimmed down considerably. However, the point of view adopted by Goebel is to give the background so that Hamilton's participation and argument can be understood. The purpose of the present article is to disclose the place occupied by this case (and its participants) in the stream of American libertarian principles, and ezpzdally those legal concepts which prevented freedom of the press from becoming an everyday actuality until the legislatures changed the common law. -
Hollywood Pantages Theatre Los Angeles, California
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA 3.12.20 - 3.31.20 Hamilton @ Pantages LA.indd 1 2/27/20 4:29 PM HOLLYWOOD PANTAGES THEATRE March 12-March 31, 2020 Jeffrey Seller Sander Jacobs Jill Furman AND The Public Theater PRESENT BOOK, MUSIC AND LYRICS BY Lin-Manuel Miranda INSPIRED BY THE BOOK ALEXANDER HAMILTON BY Ron Chernow WITH Rubén J. Carbajal Nicholas Christopher Joanna A. Jones Taylor Iman Jones Carvens Lissaint Simon Longnight Rory O’Malley Sabrina Sloan Wallace Smith Jamael Westman AND Sam Aberman Gerald Avery Amanda Braun Cameron Burke Yossi Chaikin Trey Curtis Jeffery Duffy Karlee Ferreira Tré Frazier Aaron Alexander Gordon Sean Green, Jr. Jared Howelton Sabrina Imamura Jennifer Locke Yvette Lu Taeko McCarroll Mallory Michaellann Antuan Magic Raimone Julian Ramos Jen Sese Willie Smith III Terrance Spencer Raven Thomas Tommar Wilson Mikey Winslow Morgan Anita Wood SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN David Korins Paul Tazewell Howell Binkley Nevin Steinberg HAIR AND WIG DESIGN ARRANGEMENTS MUSIC COORDINATORS ASSOCIATE MUSIC SUPERVISOR Charles G. LaPointe Alex Lacamoire Michael Keller Matt Gallagher Lin-Manuel Miranda Michael Aarons EXECUTIVE PRODUCER PRODUCTION SUPERVISOR PRODUCTION STAGE MANAGER MUSIC DIRECTOR Maggie Brohn J. Philip Bassett Scott Rowen Andre Cerullo MARKETING & COMMUNICATIONS TECHNICAL SUPERVISION CASTING Laura Matalon Hudson Theatrical Associates Telsey + Company John Gilmour Bethany Knox, CSA ASSOCIATE & SUPERVISING DIRECTOR ASSOCIATE & SUPERVISING CHOREOGRAPHER Patrick Vassel