Patricia Piccinini's Skywhalepapa to Take Maiden Flight Over Canberra In

Total Page:16

File Type:pdf, Size:1020Kb

Patricia Piccinini's Skywhalepapa to Take Maiden Flight Over Canberra In MEDIA RELEASE 22 January 2021 PATRICIA PICCININI’S SKYWHALEPAPA MAKES HIS WORLD PREMIERE IN CANBERRA THIS FEBRUARY The National Gallery of Australia will unveil Skywhalepapa, the companion piece to artist Patricia Piccinini’s iconic 2013 hot air balloon sculpture Skywhale, in Canberra on 6 February 2021. Commissioned by the National Gallery of Australia, with the support of The Balnaves Foundation, Skywhalepapa will fly alongside Skywhale for the first time at the world premiere of Skywhales: Every heart sings. Due to COVID-19, numbers are strictly limited for the free, family-friendly event at John Dunmore Lang Place in Parkes, near the National Gallery. Registrations are essential, first release tickets will be available from 10am on Friday 22 January 2021. Second release tickets will be available at 10am on Wednesday 27 January 2021. As part of COVID-19 protocols, the launch will take place within a designated fenced area and only ticket holders will be permitted to enter the event site. For more information on what to expect on the day, visit https://bit.ly/39PPHZo for essential information. Anyone who misses out on tickets can see the skywhale family from numerous vantage points near the launch site, around Canberra’s Parliamentary Triangle precinct and Lake Burley Griffin. To track the skywhales live over Canberra follow the hashtag #wherearetheskywhales on Twitter and online at https://knowmyname.nga.gov.au/events/skywhales-every-heart-sings-flight1/. An immersive sonic experience will accompany the first skywhales launch event, with a special live performance of pop song We are the Skywhales by musician Jess Green (aka Pheno) and supported by the Luminescence Children’s Choir. Following the three Canberra flights, Skywhale and Skywhalepapa will float across the skies of Australia as part of a National Gallery of Australia Touring Exhibition, supported by principal partner the Naomi Milgrom Foundation and Visions of Australia. The tour begins in mid-April in Albury, NSW. Flights are subject to weather conditions and logistical changes may occur as a result. Ticket holders will receive up-to-date flight information via email on the morning of each flight. People can also check the National Gallery of Australia website and social media channels on the morning of each flight for the most up-to-date information. Skywhales: Every heart sings is the third instalment of The Balnaves Contemporary Series and is a Know My Name project. SKYWHALES EVENTS Skywhales: Every heart sings – launch events Sat, 6 Feb 2021: gates open 4.30am for 5.30am start, John Dunmore Lang Place, Parkes, Canberra Mon, 8 Mar 2021: gates open 4.30am for 5.30am start, John Dunmore Lang Place, Parkes, Canberra Sat, 3 Apr 2021: gates open 4.30am for 5.30am start, John Dunmore Lang Place, Parkes, Canberra Registrations open at 10am on 22 January 2021 for the first flight, visit https://knowmyname.nga.gov.au/events/skywhales-every-heart-sings-flight1/ THURSDAY ART TALK Patricia Piccinini, 4 Feb 2021, 12.45pm – 1.30pm, National Gallery of Australia, Bookings essential SUPER SUNDAY – A FREE INTERACTIVE PROGRAM FOR THE WHOLE FAMILY Skywhales: Every heart sings, Sunday 7 Feb 2021, 11am – 3pm, National Gallery of Australia, Bookings essential. For more information, click here. MEDIA Media registration is essential for access to Skywhales: Every heart sings on 6 February 2021. To register, email [email protected] with your name, position, email address, phone number and media organisation. Only registered media will be given access to the launch site. Media images are available here. MEDIA ENQUIRIES Marika Lucas-Edwards |Head of Communications | [email protected] |0407 077 102 Sandra O’Malley |Communications Manager | [email protected]| 0418 897 794 Jessica Barnes | Communications Officer | [email protected] |0431 731 140 .
Recommended publications
  • Centenary of Canberra Reaching out Wrap-Up
    CANBERRA100.COM.AU REACHING OUT ACT FRINGES This is one of a series of UNMADE EDGES- five Centenary of Canberra DISTINCTIVE publications which capture PLACES the essence of the year-long The stories of Tharwa, Hall, Oaks Estate, Pialligo, Uriarra and Stromlo inspired a series of art projects culminating in installations, celebration exhibitions, art workshops and storytelling. IMAGE: DAVID WONG Uriarra “One of the great achievements of Dan Stewart-Moore’s new sculpture Loop was designed to be assembled the Centenary of Canberra, in my by the community. Made from pine, historically significant to the area, mind, has been the unearthing of ARTWORK BY CAROLYN YOUNG the 100 pieces represent the 100 community and city pride. This is blocks in Uriarra. something we must carry forward as “By continuing to bring a legacy—the means to a permanent Hall the residents together Intimate engagements with in this way we are able departure from Canberra bashing artworks, including performance and to celebrate the strong photography which responded to the and self-deprecation about our city. rich history, natural resources and community bonds A city brand is far more than a logo. culture of the Hall village and that residents of this its community. wonderful place have It’s a collective idea—and a collective This event showcased photomedia maintained for more advocacy—about who we are and artists John Reid, Carolyn Young, than 85 years” Kevin Miller and Marzena Wasikowska; what we have to offer” and sculptors Amanda Stuart and IMAGE: BROOKE SMALL Jess Agnew, resident Heike Qualitz. Chief Minister Katy Gallagher, 2013 Blackfriars Stromlo Lecture at the Australian Catholic University “An inspired project and a great Artists Dan Maginnity and Hana Hoyne ran a series of workshops in response from the Stromlo Settlement to construct chairs, “When we devise and launch a Hall contingent.
    [Show full text]
  • 100-Volunteer-Stories-Web-Version.Pdf
    100 Volunteer STORIES www.volunteeringact.org.au © Volunteering ACT Inc 2013. December 2013 Celebrating the contribution of Canberra’s Volunteers Proudly sponsored by Beyond Bank Australia FOREWORD BY MAUREEN CANE Chief Executive Officer of Volunteering ACT Australia’s capital has a proud record for volunteering since it was founded. Services to the swiftly growing population were often first provided by volunteers. Volunteering is now in Canberra’s DNA, with many of her citizens, young and old and from all walks of life, actively volunteering at any one time. This book tells some of their stories — of care for others, of courage, of generosity and of application of skills and expertise. The stories are a testimony to the excellent work of Canberra’s community-based organisations and to the selfless contribution of individuals towards the general good. One such story, of the generous application of expertise, is from Sarah Wilson, the volunteer who compiled this book for Volunteering ACT! All the stories are a fitting legacy for Canberra’s Centenary year and engender a sure and certain confidence that our Maureen Cane, Volunteering ACT CEO future is in good hands. AUSTRALIA’S CAPITAL has a proud record for volunteering since it was founded. Services to the swiftly growing population were often firstprovided by volunteers. FOREWORD BY MARY PORTER Member of the ACT Legislative Assembly and Founder of Volunteering ACT As we all know the ACT has one of the highest rates of volunteering in Australia. When I arrived in the ACT in 1977 I was introduced to the communities training program that was sponsored by the Mental Health arm of the, then, Health Commission and supported by ACTOSS & Lifeline ACT.
    [Show full text]
  • Reimagining Australia
    REIMAGINING AUSTRALIA Encounter, Recognition, Responsibility BOOK OF CONFERENCE ABSTRACTS (as at 16/11/16) ABOAGYE, Kaiya University of Sydney Re-imagining the African Diaspora in Australia: A discussion paper on the transcultural social history of Indigenous Australians and the African diaspora This paper will seek to draw out and make sense of the complex, transcultural and social history between Indigenous Australians and people of the African diaspora in Australia. Investigating the socio-historical and racial positioning of Aboriginal Australians of African descent, this paper asserts that this is a long often undocumented history. A history that starts from the very beginning of colonization in 1788, with the arrival of eleven settlers of African descent on Australia’s first fleet. It is commonly known among Aboriginal and Torres Strait Islander family groups, that linage can be traced back several generations to long lost African forefathers, changing the nature and kinship of Aboriginal family formation. Dominant interpretations of Australia’s African history and early colonial literature routinely leave out this relationship between people of colour within its nationalist narrative. Our history books are habitual discourses that present an uncomplicated story about black and white protagonist and race relations, but never between the subjects themselves, or the voices of the oppressed “others”. Contemporarily it is a history reduced to occurring only within the early ninetieth centaury. This paper argues that by examining the historical relationship between these groups; we can start to extend our current thinking about the cultural nature of the “African Australian Diaspora” today, specifically as it emerges within transnational spaces of Indigenous Australian social history? As we work to further advance our theoretical articulation of, the development of transcultural black studies in Australia, this paper will not only assess the parameters of this research study.
    [Show full text]
  • Documents Ff1-24
    ACT Government MINUTE Chief Minister and TreasU/y RefC928/13 Date 26 April 2013 . To Chief Minister e Director-General e Executive Dir~ctor, Culture and Communications From ·General Manager, Centenary of Canberra. .Subjeat Launch of the Piccinini commission hot airballoo.n for Cen.tenary of Canberra program Critical date and reason Approval of the launch plan for the balloon is required by 3 May to allow the launch to proceed. Purpose To update you on plans to lau·nch the hot air balloon commissioned from sculptor Patricia Piccinini and provide you with images tak~n of the work during its test inflation by the manufacturer in Bristoi,.UK. Background Iii March 2012 the Centenary of Canberra Unit commissioned Ms Piccinini to design a hot air balloon envelope. In August 2012 the Centenary of Canberra u·nit entered agreement with Global Ballooning, as the preferred operator of the balloon, to commission the construction of ·the envelope from special shaped hot air balloon manufacturer Cameron Balloons in Bristol, UK. In February 2012.the Centenary Unit varied its agreement with Global Ballooning to allow.for them to sub-contract a marketing company to produce promotional material to support the launch and other operations of the balloon. The promotional material will include high quality images of the work and background·cmitent relating to the Centenary of Canberra, the Work and the Artist and her process. It will be made available through a website for the project. The balloon envelope was delivered to Australia in the week commencing 8 April and received its Australian flight certifications in the week commencing 1S April.
    [Show full text]
  • Patricia Piccinini Patricia Piccinini
    PATRICIA PICCININI PATRICIA PICCININI ccomcomomccomciiêêênnccciiiiaaêancia Ministério da Cultura apresenta Banco do Brasil apresenta e patrocina ccomcomomcccomciiiêêênnnccciiiiaaêancia PATRICIA PICCININI CENTRO CULTURAL BANCO DO BRASIL 12.10.15 A 04.01.16 SÃO PAULO P. 06 o tão esperado na rotunda do CCBB-SP, 2015 22.01.16 A 04.04.16 BRASÍLIA the long awaited in the CCBB-SP rotunda, 2015 27.04.16 A 27.06.16 RIO DE JANEIRO 4 5 O Ministério da Cultura e o Banco do Brasil apresentam “ComCiência – Patricia Piccinini”, pri- meira exposição individual da premiada artista australiana no Brasil. Suas obras, ao mesmo tempo incômodas e sedutoras, mas cheias de familiaridade e doçura, geram uma empatia quase imediata junto ao público. Seu trabalho é realizado com uma grande variedade de materiais e linguagens. Com escul- turas feitas de silicone e fibra de vidro, fotografia e vídeo, passando também pelo desenho e pela pintura, as obras de Piccinini nos convidam a refletir acerca de nossos próprios sentimentos, ampliando a compreensão sobre questões complexas e delicadas como a imposição de padrões de beleza, o racismo e a xenofobia. Com uma curadoria que evidencia certa relação alquímica entre natureza e tecnologia no trabalho da artista, a mostra flerta tanto com o surrealismo como com o hiper-realismo, e questiona nossa semelhança e vínculo com os seres criados por ela. Com esta mostra, reforçamos nossa proposta de promover o acesso à cultura para os visitantes e clientes do BB, e propiciamos novas atitudes em relação à arte, além de manter nosso compromisso com a formação do público e dar sentido para a missão de ser um “banco de mercado com espírito público”.
    [Show full text]
  • Documents Ff25-57
    1. I note that several pages of the publicly available version of the Skywhale contract are · blank and marked "confidential". Is the government prepared to publish those pages? If not, why not?· Advice from Shared Services Procurement is that: "should consideration be given by the Territory to vary the existing Services Agreement with Global Ballooning Pty Ltd to release all information previously approved as "Contractor Confidential Text", then Global Ballooning will need to be consulted and provide their cipprova/ to the release of that information. This process is normally formalised under a Deed of Variation process to the Services Agreement. Depending on how amendable Global Ballooning are to the request by the Territory, this could take anywhere between a couple of days to a couple of weeks. " 2. Several industry operators have approached us concerned that the price paid per operation of the balloon !sway above the industry norm for a specialist balloon. What assurances can the governme!lt give that all efforts were made to ensure the deal for Skywhale was the best value for money for taxpayers? Industry standard rates for a flight of a specialise.d balloon is $4000-$5000. The Centenary of Canberra Unit advertised a Reque~t for Proposal (RFP) procurement . process for the commission· and operation or a hot air ballo,on via selecttender. The RFP was sent to thre·e Australian companies operating hot air balloons, and two submissions were received, and both included the cost perfight of the ballooti. The successful tenderer submitted costs per flight of $3,500 per flight. The remainder of the $166,000 tender price includes: o Travel arid accommodation for the operators for 2013 o The test flight(s), photography and vldeography ilicluding production costs and rights o Photography and videography for one Canberra flight o Website creation and maintenance, and social media operations for the remaining seven months of this year o Educational .resources for primary and secondary s'tudents.
    [Show full text]
  • We Are All Connected
    We are all connected Una Meistere 01.03.2021 An interview with artist Patricia Piccinini The Instruments of Life, on show at the Kai Art Centre in Tallinn until April 25, is Australian-based artist Patricia Piccinini’s rst solo exhibition not only in Estonia but in the entire Baltic region. Piccinini is known for her hyperrealistic sculptures of chimeras – grotesque, surreal and sometimes quite eerie beings that nevertheless exude humanity and look like they could just as well inhabit a lucid dream as be the result of a scientic experiment in a laboratory. With her beings, the boundary between reality and ction is further dispelled by the fact that they all have human eyes. Eyes that are disarmingly real, open, emotionally prodding, thoughtful and questioning. Eyes that embody the entire Thrangeis si tofe uhumanses co emotionokies. By and co fnteelings,inuing thus to b confrrowsontinge the stheite, viewer you a withre ag fundamentalreeing to ou questionsr use of c aboutookies. existence, both in the absolutely private sense of Athegr eeindividual and in the sense of humankind’s role, place and responsibility in the planetary ecosystem. Yes, humans are capable of manipulation and do manipulate. They manipulate themselves as well as nature, but – as the current global pandemic has shown – they are unable to control nature or the course of evolution. What are the boundaries and consequences of human permissiveness? How ethical are biotechnology experiments? How inclusive and empathetic are we in relation to the other, to the foreign? How often do we think about the other people, animals, plants, birds and other things that share this planet with us? How often do we think about how they feel, or what it feels like to be them? Piccinini’s work urges us to see beauty in all forms of existence, no matter how deformed or articial they may sometimes be.
    [Show full text]
  • Centenary of Canberra Community Programs Wrap
    CANBERRA100.COM.AU COMMUNITY MURUMBUNG This is one of a series of YURUNG five Centenary of Canberra MURRA publications which capture CULTURAL the essence of the year-long TOURS celebration “The opportunity to partner with C100 to develop the Murumbung Yurung Murra Cultural Tours has been a huge “One of the great achievements of learning curve for the the Centenary of Canberra, in my ACT Parks Aboriginal Rangers. The tours have mind, has been the unearthing of opened the potential community and city pride. This is for us to develop a new tourism venture as something we must carry forward as well as the provision of a legacy—the means to a permanent cultural awareness and appreciation sessions” departure from Canberra bashing More than 1,500 and self-deprecation about our city. Deb Melaluca people participated in Partnerships 55 cultural tours led by ranger Adrian Brown. A city brand is far more than a logo. Coordinator The tours will continue It’s a collective idea—and a collective Indigenous Programs beyond 2013 enriching ACT Parks and the wider community advocacy—about who we are and Conservation with local Indigenous knowledge. what we have to offer” Service Chief Minister Katy Gallagher, 2013 Blackfriars Lecture at the Australian Catholic University “When we devise and launch a program, it’s only ever a blueprint. Our success is measured by how people pick up that program, run with it, and make it their own” Robyn Archer AO, Creative Director IMAGE: SUPPLIED BY HHO EVENTS PORTRAIT OF A NATION The following passage was written before settling in Petersham in Sydney.
    [Show full text]
  • Can I Experience the Skywhales If I Am Not in Canberra? Yes
    FAQs – Skywhales Canberra Flights How can I experience the Skywhales in person? There are two ways to experience Skywhales: Every heart sings in Canberra: 1. Register for one of the three free ticketed events in a designated fenced area within the Parliamentary Triangle in Canberra. The events will take place in John Dunmore Lang Place, Parkes, located off King Edward Terrace between the National Portrait Gallery and Questacon. Registrations to Skywhales: Every heart sings are essential. 2. You can also see the Skywhale family from a number of vantage points near the event site, around the Parliamentary Triangle and Lake Burley Griffin. Please ensure physical distancing at all times. Can I experience the Skywhales if I am not in Canberra? Yes. If you are not in Canberra, you can experience Skywhales: Every heart sings by following the National Gallery’s Instagram on the morning of each flight. You will also have the chance to see the Skywhale family when they float across the skies of Australia as part a National Gallery Touring Exhibition. Sign up to the National Gallery’s e-news for updates on the Skywhales: Every heart sings national tour throughout 2021–22. This tour is made possible by our National Touring Partner, The Naomi Milgrom Foundation. Can anyone attend Skywhales: Every heart sings? Skywhales: Every heart sings is a family friendly event. Numbers are strictly limited due to COVID-19. If you are travelling to Canberra to view the Skywhale family, please ensure you follow ACT public health directions. If you do not feel well, have been in contact with a confirmed or suspected case, or visited an identified COVID-19 hotspot, please do not attend the event.
    [Show full text]
  • National Gallery of Australia Unveils Skywhalepapa to the Nation
    MEDIA RELEASE 07 February 2021 NATIONAL GALLERY OF AUSTRALIA UNVEILS SKYWHALEPAPA TO THE NATION The National Gallery and artist Patricia Piccinini today unveiled Skywhalepapa, a new hot air balloon sculpture by the renowned artist and the most ambitious commission by an Australian woman to enter the national collection. Skywhalepapa is the companion to Piccinini’s iconic Skywhale, commissioned for the Centenary of Canberra in 2013 and together they fly as Piccinini’s Skywhales: Every heart sings. The wind and weather need to be just right to spot these magical creatures – it is up to nature to allow them to soar and that is something beyond control. A flight was not part of mother nature’s plans this morning, so the balloons were instead tethered near the National Gallery. The $1.3 million performative exhibition project will have the skywhales take to the skies of Australia’s national capital three times – if possible – before heading off on a two-year national tour, and then, possibly to international destinations, which are currently in negotiation. Due to COVID-19 protocols, a strictly limited 2,000 tickets were available for people to witness the inflation of both balloons. Those without tickets were able to witness the event from other vantage points including Lake Burley Griffin and the parliamentary triangle. National Gallery Director Nick Mitzevich, who commissioned Piccinini to create a second hot air balloon sculpture, said Skywhalepapa and Skywhale, which became part of the national collection in 2019, were the perfect examples of art in the 21st century. “This is about taking art to the people – you can literally look up in the sky and see the skywhales flying by,” he said.
    [Show full text]