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Walt Whitman, Where the Future Becomes Present, Edited by David Haven Blake and Michael Robertson
7ALT7HITMAN 7HERETHE&UTURE "ECOMES0RESENT the iowa whitman series Ed Folsom, series editor WALTWHITMAN WHERETHEFUTURE BECOMESPRESENT EDITEDBYDAVIDHAVENBLAKE ANDMICHAELROBERTSON VOJWFSTJUZPGJPXBQSFTTJPXBDJUZ University of Iowa Press, Iowa City 52242 Copyright © 2008 by the University of Iowa Press www.uiowapress.org All rights reserved Printed in the United States of America Design by Richard Hendel No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The University of Iowa Press is a member of Green Press Initiative and is committed to preserving natural resources. Printed on acid-free paper issn: 1556–5610 lccn: 2007936977 isbn-13: 978-1-58729–638-3 (cloth) isbn-10: 1-58729–638-1 (cloth) 08 09 10 11 12 c 5 4 3 2 1 Past and present and future are not disjoined but joined. The greatest poet forms the consistence of what is to be from what has been and is. He drags the dead out of their coffins and stands them again on their feet .... he says to the past, Rise and walk before me that I may realize you. He learns the lesson .... he places himself where the future becomes present. walt whitman Preface to the 1855 Leaves of Grass { contents } Acknowledgments, ix David Haven Blake and Michael Robertson Introduction: Loos’d of Limits and Imaginary Lines, 1 David Lehman The Visionary Whitman, 8 Wai Chee Dimock Epic and Lyric: The Aegean, the Nile, and Whitman, 17 Meredith L. -
Icons of Survival: Metahumanism As Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture
Lioi, Anthony. "Icons of Survival: Metahumanism as Planetary Defense." Nerd Ecology: Defending the Earth with Unpopular Culture. London: Bloomsbury Academic, 2016. 169–196. Environmental Cultures. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781474219730.ch-007>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 20:32 UTC. Copyright © Anthony Lioi 2016. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 6 Icons of Survival: Metahumanism as Planetary Defense In which I argue that superhero comics, the most maligned of nerd genres, theorize the transformation of ethics and politics necessary to the project of planetary defense. The figure of the “metahuman,” the human with superpowers and purpose, embodies the transfigured nerd whose defects—intellect, swarm-behavior, abnormality, flux, and love of machines—become virtues of survival in the twenty-first century. The conflict among capitalism, fascism, and communism, which drove the Cold War and its immediate aftermath, also drove the Golden and Silver Ages of Comics. In the era of planetary emergency, these forces reconfigure themselves as different versions of world-destruction. The metahuman also signifies going “beyond” these economic and political systems into orders that preserve democracy without destroying the biosphere. Therefore, the styles of metahuman figuration represent an appeal to tradition and a technique of transformation. I call these strategies the iconic style and metamorphic style. The iconic style, more typical of DC Comics, makes the hero an icon of virtue, and metahuman powers manifest as visible signs: the “S” of Superman, the tiara and golden lasso of Wonder Woman. -
ORCHESTRAL MANOEUVRES in the DARK (A.K.A. O.M.D.)
ORCHESTRAL MANOEUVRES IN THE DARK (a.k.a. O.M.D.) 7" SINGLES Electricity(Martin Zero Version)/Almost Factory FAC 6 05/79 [with white braille sleeve] Electricity(Mike Howlett Version)/Almost Din Disc DIN 2 09/79 [with printed black p/s] Electricity(LP Version)/Almost Din Disc DIN 2 09/79 [with printed black p/s] Red Frame, White Light/I Betray My Friends Din Disc DIN 6 02/80 Messages/Taking Sides Again Din Disc DIN 15 05/80 Enola Gay/Annex Din Disc DIN 22 09/80 Souvenir/Motion And Heart(Amazon Version)/Sacred Heart Din Disc DIN 24 08/81 [3 track edition with die-cut p/s] Joan Of Arc/The Romance Of The Telescope (Unfinished) Din Disc DIN 36 10/81 Maid Of Orleans(The Waltz Joan Of Arc)/Navigation Din Disc DIN 40 01/82 Genetic Engineering/4-Neu Virgin VS 527 02/83 Genetic Engineering/4-Neu Virgin VSY 527 02/83 [picture disc] Telegraph/66 And Fading Virgin VS 580 04/83 Telegraph/66 And Fading Virgin VSY 580 04/83 [picture disc] Locomotion/Her Body In My Soul Virgin VS 660 04/84 Locomotion/Her Body In My Soul Virgin VSS 660 04/84 [train shaped picture disc] Locomotion/Her Body In My Soul Virgin VSX 660 04/84 [competition p/s] Talking Loud And Clear/Julia's Song Virgin VS 685 06/84 Talking Loud And Clear/Julia's Song Virgin VSY 685 06/84 [picture disc] Tesla Girls/Garden City Virgin VS 705 09/84 Never Turn Away/Wrappup Virgin VS 727 11/84 Never Turn Away/Wrappup Virgin VSY 727 11/84 [picture disc] So In Love/Concrete Hands Virgin VS 766 05/85 So In Love/Concrete Hands//Maria Gallante/White Trash(Live) Virgin VSD 766 05/85 [gatefold double pack -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
Conference Program
Thirty-Ninth International Conference on the Fantastic in the Arts ConferenCe Program No taping of sessions may take place without signed permission from an elected officer of the IAFA Executive Board and from all individuals participating in the session. Wednesday, March 14 11:00am-6:00pm 9:00am-6:00pm Registration Desk IAFA Book Exhibit and Sales Main Floor Augusta A/B Coordinator: Karen Hellekson Director: Mark Wingenfeld Audio-Visual Acrobatics coordinated by the incomparable Sean Nixon 2:30-3:15 p.m. Pre-Opening Refreshment Ballroom Foyer 3:30-4:15 p.m. Opening Ceremony Ballroom Host: Donald E. Morse, Conference Chair Welcome from the President: Sherryl Vint Opening Panel: Mary Shelley’s Legacies Moderator: Gary K. Wolfe Nike Sulway, John Kessel, Fred Botting Wednesday, 4:30-6:00pm Sessions 1-11 C 1. (IF/SF/VPAA) Magic and Science Fiction from the Perso- 2. (FTFN/CYA) Constructing Identity in Wonder Tales P O Arabic World and Lovecraft Chair: Linda J. Lee I V N E Chair: Debbie Felton University of Pennsylvania E University of Massachusetts-Amherst Navigating Enfreaked Disabilities in the Realms of Victorian Orange Princesses, Emerald Sorcerers and Dandy Demons: Fairy Tales The Fantastic in Persianate Miniature Painting and Epic Literature Victoria Phelps Zahra Faridany-Akhavan Saginaw Valley State University Independent Scholar With Eyes both Brown and Blue: Making Monsters in Lost Girl The Vault of Heaven: Science Fiction’s Perso-Arabic Origins Jeana Jorgensen Peter Adrian Behravesh Indiana University/Butler University University of Southern Maine The Dark Arts and the Occult: Magic(k)al Influences on/of H. -
Centenary of Canberra Reaching out Wrap-Up
CANBERRA100.COM.AU REACHING OUT ACT FRINGES This is one of a series of UNMADE EDGES- five Centenary of Canberra DISTINCTIVE publications which capture PLACES the essence of the year-long The stories of Tharwa, Hall, Oaks Estate, Pialligo, Uriarra and Stromlo inspired a series of art projects culminating in installations, celebration exhibitions, art workshops and storytelling. IMAGE: DAVID WONG Uriarra “One of the great achievements of Dan Stewart-Moore’s new sculpture Loop was designed to be assembled the Centenary of Canberra, in my by the community. Made from pine, historically significant to the area, mind, has been the unearthing of ARTWORK BY CAROLYN YOUNG the 100 pieces represent the 100 community and city pride. This is blocks in Uriarra. something we must carry forward as “By continuing to bring a legacy—the means to a permanent Hall the residents together Intimate engagements with in this way we are able departure from Canberra bashing artworks, including performance and to celebrate the strong photography which responded to the and self-deprecation about our city. rich history, natural resources and community bonds A city brand is far more than a logo. culture of the Hall village and that residents of this its community. wonderful place have It’s a collective idea—and a collective This event showcased photomedia maintained for more advocacy—about who we are and artists John Reid, Carolyn Young, than 85 years” Kevin Miller and Marzena Wasikowska; what we have to offer” and sculptors Amanda Stuart and IMAGE: BROOKE SMALL Jess Agnew, resident Heike Qualitz. Chief Minister Katy Gallagher, 2013 Blackfriars Stromlo Lecture at the Australian Catholic University “An inspired project and a great Artists Dan Maginnity and Hana Hoyne ran a series of workshops in response from the Stromlo Settlement to construct chairs, “When we devise and launch a Hall contingent. -
100-Volunteer-Stories-Web-Version.Pdf
100 Volunteer STORIES www.volunteeringact.org.au © Volunteering ACT Inc 2013. December 2013 Celebrating the contribution of Canberra’s Volunteers Proudly sponsored by Beyond Bank Australia FOREWORD BY MAUREEN CANE Chief Executive Officer of Volunteering ACT Australia’s capital has a proud record for volunteering since it was founded. Services to the swiftly growing population were often first provided by volunteers. Volunteering is now in Canberra’s DNA, with many of her citizens, young and old and from all walks of life, actively volunteering at any one time. This book tells some of their stories — of care for others, of courage, of generosity and of application of skills and expertise. The stories are a testimony to the excellent work of Canberra’s community-based organisations and to the selfless contribution of individuals towards the general good. One such story, of the generous application of expertise, is from Sarah Wilson, the volunteer who compiled this book for Volunteering ACT! All the stories are a fitting legacy for Canberra’s Centenary year and engender a sure and certain confidence that our Maureen Cane, Volunteering ACT CEO future is in good hands. AUSTRALIA’S CAPITAL has a proud record for volunteering since it was founded. Services to the swiftly growing population were often firstprovided by volunteers. FOREWORD BY MARY PORTER Member of the ACT Legislative Assembly and Founder of Volunteering ACT As we all know the ACT has one of the highest rates of volunteering in Australia. When I arrived in the ACT in 1977 I was introduced to the communities training program that was sponsored by the Mental Health arm of the, then, Health Commission and supported by ACTOSS & Lifeline ACT. -
Art Gallery of South Australia Major Achievements 2003
ANNUAL REPORT of the ART GALLERY OF SOUTH AUSTRALIA for the year 1 July 2003 – 30 June 2004 The Hon. Mike Rann MP, Minister for the Arts Sir, I have the honour to present the sixty-second Annual Report of the Art Gallery Board of South Australia for the Gallery’s 123rd year, ended 30 June 2004. Michael Abbott QC, Chairman Art Gallery Board 2003–2004 Chairman Michael Abbott QC Members Mr Max Carter AO (until 18 January 2004) Mrs Susan Cocks (until 18 January 2004) Mr David McKee (until 20 July 2003) Mrs Candy Bennett (until 18 January 2004) Mr Richard Cohen (until 18 January 2004) Ms Virginia Hickey Mrs Sue Tweddell Mr Adam Wynn Mr. Philip Speakman (commenced 20 August 2003) Mr Andrew Gwinnett (commenced 19 January 2004) Mr Peter Ward (commenced 19 January 2004) Ms Louise LeCornu (commenced 19 January 2004) 2 TABLE OF CONTENTS Principal Objectives 5 Major Achievements 2003-2004 6 Issues and Trends 9 Major Objectives 2004–2005 11 Resources and Administration 13 Collections 22 3 APPENDICES Appendix A Charter and Goals of the Art Gallery of South Australia 27 Appendix B1 Art Gallery Board 29 Appendix B2 Members of the Art Gallery of South Australia 29 Foundation Council and Friends of the Art Gallery of South Australia Committee Appendix B3 Art Gallery Organisational Chart 30 Appendix B4 Art Gallery Staff and Volunteers 31 Appendix C Staff Public Commitments 33 Appendix D Conservation 36 Appendix E Donors, Funds, Sponsorships 37 Appendix F Acquisitions 38 Appendix G Inward Loans 50 Appendix H Outward Loans 53 Appendix I Exhibitions and Public Programs 56 Appendix J Schools Support Services 61 Appendix K Gallery Guide Tour Services 61 Appendix L Gallery Publications 62 Appendix M Annual Attendances 63 Information Statement 64 Appendix N Financial Statements 65 4 PRINCIPAL OBJECTIVES The Art Gallery of South Australia’s objectives and functions are effectively prescribed by the Art Gallery Act, 1939 and can be described as follows: • To collect heritage and contemporary works of art of aesthetic excellence and art historical or regional significance. -
2017 File Sesi
f e s t i v a l international l a n g u a g e festival internacionalelectronic de linguagem eletrônica o borbulhar de universos b u b b l i n g u n i v e r s e s Realização | Accomplishment FILE SÃO PAULO 2017 festival internacional de linguagem eletrônica file.org.br FILE FILE SÃO PAULO 2017 electronic l a n g u a g e international f e s t i v a l f e s t i v a l international l a n g u a g e festival internacionalelectronic de linguagem eletrônica o borbulhar de universos b u b b l i n g u n i v e r s e s Realização | Accomplishment FILE SÃO PAULO 2017 festival internacional de linguagem eletrônica file.org.br FILE FILE SÃO PAULO 2017 electronic l a n g u a g e international f e s t i v a l o borbulhar de universos b u b b l i n g u n i v e r s e s FILE SÃO PAULO 2017 festival internacional de linguagem eletrônica electronic l a n g u a g e international f e s t i v a l Dados Internacionais de Catalogação na Publicação (CIP) (Câmara Brasileira do Livro, SP, Brasil) o borbulhar de universos FILE São Paulo 2017 : Festival Internacional de Linguagem Eletrônica : o borbulhar de universos = FILE São Paulo b u b b l i n g u n i v e r s e s 2017 : Electronic Language International Festival : bubbling universes / organizadores Paula Perissinotto e Ricardo Barreto. -
Spatial Effects: Juxtapositions of Nature and Artifice in Beowulf
SPATIAL EFFECTS: JUXTAPOSITIONS OF NATURE AND ARTIFICE IN BEOWULF by Kevin D. Yeargin A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in English Middle Tennessee State University August 2014 Thesis Committee: Dr. Rhonda McDaniel, Chair Dr. Amy Kaufman ABSTRACT Critics have extensively explored the tensions in Beowulf between Christianity and Paganism, literacy and orality, and heroism and kingship, yet little work has been done toward understanding another prominent binary: nature and artifice. This thesis examines instances when the Beowulf-poet brings images of artifice and images of nature into close proximity. Along with the introduction of literacy, new technologies and ideas were suddenly thrust into Anglo-Saxon culture, and one of the ways in which the people explored these social matters was through poetry such as Beowulf. The thesis first attempts to delineate the concepts of artifice and nature as they might have been viewed from an Anglo-Saxon perspective. This enables us to see how the poet utilizes these concepts to build vibrant aesthetic effects, to construct dynamic characters, and finally to bridge the conceptual divide between his current Christian audience and their Pagan ancestors. These “spatial effects” recur with enough frequency and sophistication to suggest that they stem from intentional creative decisions. Still, many Modern English translations of Beowulf obscure their significance or ignore them altogether. If, for instance, an image appears to waver between artifice and nature, the critical inclination has been to resolve instead of embrace the tension. Contemporary scholars and translators tend to simplify what the Beowulf-poet apparently wanted to complicate. -
Reimagining Australia
REIMAGINING AUSTRALIA Encounter, Recognition, Responsibility BOOK OF CONFERENCE ABSTRACTS (as at 16/11/16) ABOAGYE, Kaiya University of Sydney Re-imagining the African Diaspora in Australia: A discussion paper on the transcultural social history of Indigenous Australians and the African diaspora This paper will seek to draw out and make sense of the complex, transcultural and social history between Indigenous Australians and people of the African diaspora in Australia. Investigating the socio-historical and racial positioning of Aboriginal Australians of African descent, this paper asserts that this is a long often undocumented history. A history that starts from the very beginning of colonization in 1788, with the arrival of eleven settlers of African descent on Australia’s first fleet. It is commonly known among Aboriginal and Torres Strait Islander family groups, that linage can be traced back several generations to long lost African forefathers, changing the nature and kinship of Aboriginal family formation. Dominant interpretations of Australia’s African history and early colonial literature routinely leave out this relationship between people of colour within its nationalist narrative. Our history books are habitual discourses that present an uncomplicated story about black and white protagonist and race relations, but never between the subjects themselves, or the voices of the oppressed “others”. Contemporarily it is a history reduced to occurring only within the early ninetieth centaury. This paper argues that by examining the historical relationship between these groups; we can start to extend our current thinking about the cultural nature of the “African Australian Diaspora” today, specifically as it emerges within transnational spaces of Indigenous Australian social history? As we work to further advance our theoretical articulation of, the development of transcultural black studies in Australia, this paper will not only assess the parameters of this research study. -
Wicker Assesses Carter Administration
E UBRARY™" RECEIVED 12 1977 Volume 75 THE TRINITY DUD, CONN. TRIPOD April 12,1977 Wicker Assesses Carter Administration by Abbie Lundberg symbolism. As an example he used casual dress. the open and with the backing of face it, the better. Or will he, the appearance of Amy Carter One reason for Carter's success the people. instead, abuse that trust and avoid Tom Wicker, renowned journal- during the President's first walk in this is his willingness to use Wicker also expressed an inter- , the issue by taking the attitude: ist and Associate Editor of the New down Pennsylvania Avenue. Her television, and his presence before est in President Carter's economic "stick with me and we'll come out York Times, addressed his second stop along the way to have her the cameras. Wicker feels that program.. He considers this the on top." capacity audience at Trinity Last mother lace up her boots along the today television is the "principle most discordant aspect of the Although the energy problem is Wednesday night, April 6, in the way was an effective appeal to the means of campaign." He suggests administration: what emphasis of major importance, it can be dealt Washington Room. This lecture American mother. Wicker com- that, if this is true, it is possible there is on any economic stimulus with without any really drastic was the last of a series sponsored mented, "Given the number of that some president in the future (if is too generaL He also believes that changes in our lifestyle. A problem by the Watkinson Room c the mothers in this country that like to not Carter) will try to govern by to solve the problems of inflation that Wicker sees as far more '• Library.