Memory, Phantasia, and the Perception of Time: a Commentary on Aristotle's De Memoria Et Reminiscentia
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Catalogue of Titles of Works Attributed to Aristotle
Catalogue of Titles of works attributed by Aristotle 1 To enhance readability of the translations and usability of the catalogues, I have inserted the following bold headings into the lists. These have no authority in any manuscript, but are based on a theory about the composition of the lists described in chapter 3. The text and numbering follows that of O. Gigon, Librorum deperditorum fragmenta. PART ONE: Titles in Diogenes Laertius (D) I. Universal works (ta kathalou) A. The treatises (ta syntagmatika) 1. The dialogues or exoterica (ta dialogika ex terika) 2. The works in propria persona or lectures (ta autopros pa akroamatika) a. Instrumental works (ta organika) b. Practical works (ta praktika) c. Productive Works (ta poi tika) d. Theoretical works (ta the r tika) . Natural philosophy (ta physiologia) . Mathematics (ta math matika) B. Notebooks (ta hypomn matika) II. Intermediate works (ta metaxu) III. Particular works (ta merika) PART TWO: Titles in the Vita Hesychii (H) This list is organized in the same way as D, with two exceptions. First, IA2c “productive works” has dropped out. Second, there is an appendix, organized as follows: IV. Appendix A. Intermediate or Particular works B. Treatises C. Notebooks D. Falsely ascribed works PART THREE: Titles in Ptolemy al-Garib (A) This list is organized in the same way as D, except it contains none of the Intermediate or Particular works. It was written in Arabic, and later translated into Latin, and then reconstructed into Greek, which I here translate. PART FOUR: Titles in the order of Bekker (B) The modern edition contains works only in IA2 (“the works in propria persona”), and replaces the theoretical works before the practical and productive, as follows. -
Michael of Ephesus' Comments on Aristotle's De Memoria
NATIONAL AND KAPODISTRIAN UNIVERSITY OF ATHENS NATIONAL TECHNICAL UNIVERSITY OF ATHENS Michael of Ephesus’ comments on Aristotle’s De memoria Graduate Programme in the History and Philosophy of Science and Technology Daphne Argyri Advisor: Katerina Ierodiakonou Athens 2016 ΔΙΠΛΩΜΑΤΙΚΗ ΕΡΓΑΣΙΑ Ονοματεπώνυμο: Δάφνη Αργύρη Μεταπτυχιακό πρόγραμμα: Ιστορία και Φιλοσοφία των Επιστημών και της Τεχνολογίας (ΙΦΕΤ) Α.Μ.: 004/13 Υπεύθυνη καθηγήτρια: Κατερίνα Ιεροδιακόνου Αναγνώστες: Βασίλης Καρασμάνης Παύλος Καλλιγάς i Τα σχόλια του Μιχαήλ Εφέσιου στο Περί μνήμης του Αριστοτέλη Στην πραγματεία του Περί μνήμης και αναμνήσεως ο Αριστοτέλης παρουσιάζει τη μνήμη ως βασικό στοιχείο της γνωστικής διαδικασίας, πολύ συγγενές με την αντίληψη. Πρόκειται για μια παθητική κατάσταση (ἕξις/πάθος, 449b25), δηλαδή για μια αποθήκη της ψυχής γεμάτη με εικόνες του παρελθόντος, που σε αντίθεση και συνέχεια του Πλάτωνα διακρίνεται εμφατικά από την σαφώς ενεργητική διαδικασία της ανάμνησης. Η ανάμνηση συνίσταται στη δυνατότητα ανάκλησης στο παρόν, εκουσίως ή ακουσίως, των εικόνων του παρελθόντος και ανήκει, σαν συλλογισμός (οἷον συλλογισμός τις, 453a10), στο μέρος της ψυχής που συνδέεται με την λογική ικανότητα του ανθρώπου. Το υπόμνημα του Μιχαήλ Εφέσιου (12ος αι. μ.Χ.) στο παραπάνω έργο του Αριστοτέλη (Σχόλια εἰς τὸ Περὶ μνήμης καὶ ἀναμνήσεως, 1-41) είναι το μόνο υπόμνημα σε αυτό που σώζεται ως τις μέρες μας και αποτελεί πολύ σημαντική πηγή για την ιστορία των δύο αυτών εννοιών. Οι οξυδερκείς παρατηρήσεις και τα σχόλια του Μιχαήλ φαίνεται κατ΄αρχάς πως έχουν επηρεαστεί από τις διάφορες σχολές σκέψης με τις οποίες ήταν εξοικειωμένος, αλλά παράλληλα εκφράζουν ξεκάθαρα και τις προσωπικές του αντιλήψεις πάνω στο θέμα. Συγκεκριμένα, φανερώνεται μια συγκροτημένη θεώρηση της μνήμης και της ανάμνησης καθώς και του τρόπου με τον οποίο σχετίζονται και αλληλεπιδρούν στο πλαίσιο μιας συστηματικής γνωστικής θεωρίας. -
THE SMITHEREENS Bio
THE SMITHEREENS bio Pat DiNizio—vocals, guitar Jim Babjak—guitar, vocals Dennis Diken—drums, vocals Severo "the Thrilla" Jornacion—bass "I think it's as good as anything we've ever done," Pat DiNizio says of Smithereens 2011 , the Smithereens' first album of original songs in 11 years. "I hate to use the term 'comeback album,' and it certainly wasn't planned that way, but it really feels like it," adds his longtime bandmate Jim Babjak. "It has the raw vibe of our early albums, while showing that we're moving forward and that we're still at the top of our game after 31 years." Indeed, the 13-song set shows the New Jersey-bred quartet to be making some of the most urgent music of their three-decade career, delivering their timeless brand of punchy, heartfelt rock 'n' roll with as much fire as ever. Such instantly memorable new tunes as "Sorry," "One Look At You," "A World of Our Own" and "Rings On Her Fingers" exemplify the Smithereens' trademark brand of punchy melodic songcraft, driven home by DiNizio's expressive vocals and emotionally complex lyrics, along with fiery ensemble performances that show off the uncanny musical chemistry of longstanding musical partners DiNizio, Babjak and Dennis Diken, and later addition Severo "the Thrilla" Jornacion, who joined in 2006. Smithereens 2011 's title slyly acknowledges the fact that it's the band's 11th studio album, and that it's been 11 years since their last collection of original material. The album's moniker—as well as its cover design—also pays tribute to the foursome's beloved 1989 release Smithereens 11 . -
Een State University U3bary 31^^71 Ii 428619
no./Zfi AN ANALYSIS OF TIME IN THE POETRY OF THOMAS HARDY John F. .Noonan A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 1969 Approved by Doctoral Committ \dvi s Department of English EEN STATE UNIVERSITY U3BARY 31^^71 II 428619 ABSTRACT The presence of gloom in the poetry of Thomas Hardy has been noted by critics since the appearance of his earliest volumes. His occasional buoyancy has also been verified in critical studies. This dissertation has explored this range of responses to life in Hardy’s poetry using his treatment of time as the central reference. In those poems that take a dim view of reality, time is often seen as the villain. It is the invisible force which separates men from the joys of childhood and the boundless aspirations of youth, and it is nearly always part of the reason why the present is painful. A regular cycle can be observed: men move in time from faith and felicity to skepticism and sadness. The future, too, is frequently colored gray by Hardy, as he sees there one more threat to the human quest for happiness and contentment. But Hardy’s attitude toward the future is not consistently gloomy. Throughout Collected Poems one can find numerous instances where he reveals a glimmer of hope that life will eventually take a turn for the better. These poems show clearly the redemptive role played occasionally by time In Hardy’s poetry, and argue the invalidity of applying the label "pessimistic” to all of his work. -
Cognitive Functions of the Brain: Perception, Attention and Memory
IFM LAB TUTORIAL SERIES # 6, COPYRIGHT c IFM LAB Cognitive Functions of the Brain: Perception, Attention and Memory Jiawei Zhang [email protected] Founder and Director Information Fusion and Mining Laboratory (First Version: May 2019; Revision: May 2019.) Abstract This is a follow-up tutorial article of [17] and [16], in this paper, we will introduce several important cognitive functions of the brain. Brain cognitive functions are the mental processes that allow us to receive, select, store, transform, develop, and recover information that we've received from external stimuli. This process allows us to understand and to relate to the world more effectively. Cognitive functions are brain-based skills we need to carry out any task from the simplest to the most complex. They are related with the mechanisms of how we learn, remember, problem-solve, and pay attention, etc. To be more specific, in this paper, we will talk about the perception, attention and memory functions of the human brain. Several other brain cognitive functions, e.g., arousal, decision making, natural language, motor coordination, planning, problem solving and thinking, will be added to this paper in the later versions, respectively. Many of the materials used in this paper are from wikipedia and several other neuroscience introductory articles, which will be properly cited in this paper. This is the last of the three tutorial articles about the brain. The readers are suggested to read this paper after the previous two tutorial articles on brain structure and functions [17] as well as the brain basic neural units [16]. Keywords: The Brain; Cognitive Function; Consciousness; Attention; Learning; Memory Contents 1 Introduction 2 2 Perception 3 2.1 Detailed Process of Perception . -
Al-Farabi's Short Commentary on Aristotle's Prior Analytics
Al-Farabi’s Short Commentary on Aristotle’s Prior Analytics Translated, with an Introduction and Notes, by Nicholas Rescher University of Pittsburgh Press AL-FARABI’S SHORT COMMENTARY ON ARISTOTLE’S PRIOR ANALYTICS AL-FARABI’S SHORT COMMENTARY ON ARISTOTLE’S PRIOR ANALYTICS Translated from the Original Arabic with Introduction and Notes BY NICHOLAS RESCHER Professor of Philosophy in the University of Pittsburgh UNIVERSITY OF PITTSBURGH PRESS 1963 Library of Congress Catalog Card Number 63-10581 Printed in Great Britain by Butler & ‘Tanner Ltd, Frome and London This book is dedicated, with gratitude and with love, to my mother and to the memory of my father. PREFACE This English version of al-Farabi’s “Short Commentary on Prior Analytics”, made from Mlle Mubahat Tirker’s recent edition of the Arabic text (Revue de la Faculté des Langues, d Histoire, et de Géographie de? Université d Ankara, vol. 16 [1958]), is the first appearanceof this treatise in a European language. It is hoped that this addition to the dozen or so Arabic logical texts now accessible to the non- Orientalist will contribute to a wider appreciation of the great mass of work constituting the Arabic contribution to logic, which remains so largely terra incognita. I wish to thank Mrs. Shukrieh Kassis and especially Mr. Seostoris Khalil for help with the translation. I am in- debted to Mr. Storrs McCall, Dr. J. Ackrill, and particu- larly to Professor D. M. Dunlop for reading my typescript and suggesting needed improvements. Although some strengths of this work owetheir existence to others, all of its weaknesses and errors must be laid at my own door. -
A Theology of Memory: the Concept of Memory in the Greek Experience of the Divine
A Theology of Memory: The Concept of Memory in the Greek Experience of the Divine Master’s Thesis Presented to The Faculty of the Graduate School of Arts and Sciences Brandeis University Department of Classical Studies Leonard Muellner, Advisor In Partial Fulfillment of the Requirements For Master’s Degree by Michiel van Veldhuizen May 2012 ABSTRACT A Theology of Memory: The Concept of Memory in the Greek Experience of the Divine A thesis presented to the Department of Classical Studies Graduate School of Arts and Sciences Brandeis University Waltham, Massachusetts By Michiel van Veldhuizen To the ancient Greek mind, memory is not just concerned with remembering events in the past, but also concerns knowledge about the present, and even the future. Through a structural analysis of memory in Greek mythology and philosophy, we may come to discern the particular role memory plays as the facilitator of vertical movement, throwing a bridge between the realms of humans and gods. The concept of memory thus plays a significant role in the Greek experience of the divine, as one of the vertical bridges that relates mortality and divinity. In the theology of Mnemosyne, who is Memory herself and mother of the Muses, memory connects not only to the singer-poet’s religiously efficacious speech of prophetic omniscience, but also to the idea of Truth itself. The domain of memory, then, shapes the way in which humans have access to the divine, the vertical dimension of which is expliticly expressed in the descent-ascent of the ritual passage of initiation. The present study thus lays bare the theology of Memory. -
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Plato and Aristotle on What Is Common to Soul and Body. Some Remarks on a Complicated Issue
Chapter 8 Plato and Aristotle On What Is Common to Soul and Body. Some Remarks on a Complicated Issue Marcelo D. Boeri Abstract Aristotelian scholars tend to reject the Cartesian dualism as applied to Aristotelian model of the soul, and favor the view that denies that the soul is radically opposed to body. This is so due the fact that Aristotle takes the living being to be a unified whole (composed by form and matter). I start by reminding that both Plato and Aristotle argue that by their very nature soul and body are different, but at the same time they maintain that there are things that are ‘common’ to soul and body. The issue is how it is possible that two entities so different in nature have something in common. I argue that the key to the problem lies in the fact that both Plato and Aristotle regard the soul and the body as capacities, and that – in so far as they are able to act and to be acted upon – such is the ‘commonality’ shared both by soul and body. Given that capacities are relational entities, both of them turn out to be very plastic notions that should not necessarily be understood as entirely foreign to each other. 8.1 Introduction Both Plato and Aristotle famously argue that soul and body are two different kinds of entities: the soul is immaterial and the body material; the former is able to set in motion the body, and the latter is motionless.1 If this is so, one might assume that by their very nature soul and body are two profoundly disparate entities. -
Sing Solo Pirate: Songs in the Key of Arrr! a Literature Guide for the Singer and Vocal Pedagogue
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Student Research, Creative Activity, and Performance - School of Music Music, School of 5-2013 Sing Solo Pirate: Songs in the Key of Arrr! A Literature Guide for the Singer and Vocal Pedagogue Michael S. Tully University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/musicstudent Part of the Music Pedagogy Commons, Music Performance Commons, and the Music Practice Commons Tully, Michael S., "Sing Solo Pirate: Songs in the Key of Arrr! A Literature Guide for the Singer and Vocal Pedagogue" (2013). Student Research, Creative Activity, and Performance - School of Music. 62. https://digitalcommons.unl.edu/musicstudent/62 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Student Research, Creative Activity, and Performance - School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. SING SOLO PIRATE: SONGS IN THE KEY OF ARRR! A LITERATURE GUIDE FOR THE SINGER AND VOCAL PEDAGOGUE by Michael S. Tully A DOCTORAL DOCUMENT Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Musical Arts Major: Music Under the Supervision of Professor William Shomos Lincoln, Nebraska May, 2013 SING SOLO PIRATE: SONGS IN THE KEY OF ARRR! A LITERATURE GUIDE FOR THE SINGER AND VOCAL PEDAGOGUE Michael S. Tully, D.M.A. University of Nebraska, 2013 Advisor: William Shomos Pirates have always been mysterious figures. -
White Paper January 2013
White paper January 2013 XperiaTM Tablet Z SGP321 White paper | Xperia™ Tablet Z LTE Purpose of this document Sony product White papers are intended to give an overview of a product and provide details in relevant areas of technology. Document history Version February 2013 First released version Version 1 March 2013 Second released version Version 2 March 2013 Third released version Version 3 April 2013 Fourth released version Version 4 Sony Mobile Developer World For the latest technical documentation and development tools, go to www.sonymobile.com/developer. This document is published by Sony Mobile This White paper is published by: Communications AB, without any warranty*. Improvements and changes to this text Sony Mobile Communications AB, necessitated by typographical errors, SE-221 88 Lund, Sweden inaccuracies of current information or improvements to programs and/or equipment may be made by Sony Mobile Communications www.sonymobile.com AB at any time and without notice. Such changes will, however, be incorporated into new editions © Sony Mobile Communications AB, 2009-2013. of this document. Printed versions are to be regarded as temporary reference copies only. All rights reserved. You are hereby granted a license to download and/or print a copy of this *All implied warranties, including without document. limitation the implied warranties of Any rights not expressly granted herein are merchantability or fitness for a particular reserved. purpose, are excluded. In no event shall Sony or its licensors be liable for incidental or consequential damages of any nature, including First released version (February 2013) but not limited to lost profits or commercial loss, Publication number: 1269-5438.1 arising out of the use of the information in this document. -
The Truth in Aristotle and Sophonias
THE TRUTH IN ARISTOTLE AND SOPHONIAS Alexantra Ntotsika DOI: 10.17846/CL.2017.10.1.36-42 Abstract: NTOTSIKA, Alexantra. The Truth in Aristotle and Sophonias. The purpose of the article is to discover the philosophical game between truth and falsehood, as it is presented in the Aristotelian treatise De Anima and in the Sophonias’ Commentary on Aristotle’s text, which is included in Commentaria in Aristotelem Graeca (C.A.G.). In De Anima truth is related to the combinations of data, which are derived from sense perceptions (αἰσθήσεις), imagination (φαντασία, phantasia) and the intellect (νοῦς, nous). The intellect connects the initial data through logic and observes the variety of the combinations of reality. During that combinational process of logic, it is possible that falsehood can penetrate, so that the combinations of intellect do not comply with the existing combinations of reality. As a result, falsehood, according to Aristotle, originates from the non-proper synthesis and analysis of the meanings. On the contrary, Sophonias rests upon elements of the Platonic philosophy, claiming that the divine intellect coincides with God and truth. Key words: Aristotle, De Anima, Sophonias, Commentaria in Aristotle Graeca Abstrakt: NTOTSIKA, Alexantra. Pravda podľa Aristotela a Sophoniasa. Cieľom tohto článku je odhaliť filozofickú hru medzi pravdou a nepravdou, ako je táto prezentovaná v Aristo- telovom pojednaní De Anima a v Sophoniasovom komentári k Aristotelovmu textu, ktorý sa nachádza v rámci diela Commentaria in Aristotelem Graeca (C.A.G.). Pravda je v spise De Anima chápaná vo vzťahu ku kombinácii dát, ktoré sú odvodené zo zmyslového vníma- nia (αἰσθήσεις), predstavivosti (φαντασία, phantasia) a intelektu (νοῦς, nous).