SALLI FRATTINI Tel: 212-956-3303 | Email: [email protected] | Website

Total Page：16

File Type：pdf, Size：1020Kb

SALLI FRATTINI Tel: 212-956-3303 | Email: Salli@Sunsetlaneentertainmnent.Com | Website

SALLI FRATTINI Tel: 212-956-3303 | Email: [email protected] | Website: www.sunsetlaneentertainment.com FEATURED CREDITS: Full bio and credits available on website AWARD SHOWS & ENTERTAINMENT SPECIALS LADY GAGA & THE MUPPETS’ SPECIAL EXECUTIVE PRODUCER ABC JENNIFER LOPEZ, NEIGHBORHOOD SESSIONS CONSULTING PRODUCER TNT | TRANSLATION LLC 2013 YOUTUBE MUSIC AWARDS EXECUTIVE PRODUCER YOUTUBE BLACK GIRLS ROCK (2010-2012) EXECUTIVE PRODUCER BET KIDS’ CHOICE AWARDS ORANGE CARPET EXECUTIVE PRODUCER NICKELODEON COLLEGEHUMOR’S COMEDY MUSIC HOF EXECUTIVE PRODUCER IFC | COLLEGEHUMOR.COM THE RADIO DISNEY MUSIC AWARDS EXECUTIVE PRODUCER DISNEY THE 9TH ANNUAL STYLE AWARDS EXECUTIVE PRODUCER STYLE NETWORK SUPER BOWL XXXVI PROGRAMMING EXECUTIVE PRODUCER MTV SUPER BOWL XXXII HALFTIME (2001 & 2004) EXECUTIVE PRODUCER MTV | CBS MTV AT THE GRAMMY’S (2000 - 2007) EXECUTIVE PRODUCER MTV MTV MOVIE AWARDS (1993-2007) EXECUTIVE PRODUCER MTV MTV VIDEO MUSIC AWARDS (1996-2006) EXECUTIVE PRODUCER MTV MTV VIDEO MUSIC AWARDS (1993-1995) EXEC IN CHARGE OF PRODUCTION MTV LIVE & LIVE-TO-TAPE DEADLIEST CATCH: THE BAIT LIVE EXECUTIVE PRODUCER DISCOVERY GOLD RUSH LIVE EXECUTIVE PRODUCER DISCOVERY USAA BIG AIR EVENT AT FENWAY PARK MUSIC PRODUCER NBC SPORTS DEW TOUR MUSIC (2012 & 2013) MUSIC PRODUCER NBC SPORTS MY LAST DAYS (3 EPISODES) PRODUCER CW MTV NEW YEARS EVE (1998, 1999 & 2001) EXECUTIVE PRODUCER MTV DIGITAL THE ROYAL WEDDING BREAKFAST EXECUTIVE PRODUCER BRITBOX | ITV UK 2018 GLOBAL PEOPLE'S SUMMIT CONSULTING PRODUCER GPS | YOUTUBE PROJECT UPGRADE (6 EPISODES) PRODUCER GOOGLE MAN IN THE HIGH CASTLE COMIC-CON EXECUTIVE PRODUCER AMAZON YOUTUBE CREATOR SUMMIT (2015, 2016) EXECUTIVE PRODUCER YOUTUBE YOUTUBE ONSTAGE KENNEDY CENTER EXECUTIVE PRODUCER YOUTUBE YOUTUBE LIVE! 2008 EXECUTIVE PRODUCER YOUTUBE YOUTUBE PLAY AT GUGGENHEIM EXECUTIVE PRODUCER YOUTUBE WEBBY AWARDS (14TH & 15TH ANNUAL) EXECUTIVE PRODUCER WEBBYAWARDS.COM E-GAMING & SPORTS X-BOX 360 LAUNCH PARTY EXECUTIVE PRODUCER MTV MTV’s GamORZ WEEK EXECUTIVE PRODUCER MTV GAMER’S WEEK 2.0 EXECUTIVE PRODUCER MTV NFL SUPER BOWL PROGRAMMING EXECUTIVE PRODUCER MTV MLB ALL STAR WEEKEND EXECUTIVE PRODUCER MTV MTV OLYMPIC PROGRAMMING 2002 EXECUTIVE PRODUCER MTV MTV SPORTS AND MUSIC FESTIVAL EXECUTIVE PRODUCER MTV SOCIAL CAUSES & LIVE PROGRAMMING SOS SAVING OURSELVES: HELP FOR HAITI EXECUTIVE PRODUCER BET LIVE 8 MTV PHILADELPHIA COVERAGE EXECUTIVE PRODUCER MTV REACT NOW EXECUTIVE PRODUCER MTV WORLD AIDS DAY EXECUTIVE PRODUCER MTV 9/11/01 USO TRIBUTE TO THE TROOPS EXECUTIVE PRODUCER MTV EDUCATION: NORTHEASTERN UNIVERSITY | BOSTON, MA | BACHELOR OF SCIENCE, SPEECH COMMUNICATION .

Copy Link

Recommended publications

Media Nations 2019
Media nations: UK 2019 Published 7 August 2019 Overview This is Ofcom’s second annual Media Nations report. It reviews key trends in the television and online video sectors as well as the radio and other audio sectors. Accompanying this narrative report is an interactive report which includes an extensive range of data. There are also separate reports for Northern Ireland, Scotland and Wales. The Media Nations report is a reference publication for industry, policy makers, academics and consumers. This year’s publication is particularly important as it provides evidence to inform discussions around the future of public service broadcasting, supporting the nationwide forum which Ofcom launched in July 2019: Small Screen: Big Debate. We publish this report to support our regulatory goal to research markets and to remain at the forefront of technological understanding. It addresses the requirement to undertake and make public our consumer research (as set out in Sections 14 and 15 of the Communications Act 2003). It also meets the requirements on Ofcom under Section 358 of the Communications Act 2003 to publish an annual factual and statistical report on the TV and radio sector. This year we have structured the findings into four chapters. • The total video chapter looks at trends across all types of video including traditional broadcast TV, video-on-demand services and online video. • In the second chapter, we take a deeper look at public service broadcasting and some wider aspects of broadcast TV. • The third chapter is about online video. This is where we examine in greater depth subscription video on demand and YouTube.
[Show full text]
Schmidt Vocal Competition - 2021 Spring Virtual Details
INSPIRING FUTURE GENERATIONS OF SINGERS VOCAL COMPETITION Schmidt Vocal Competition - 2021 Spring Virtual Details All Spring 2021 competitions will be oﬀered in a modiﬁed, virtual format, due to the continuing precautions related to COVID-19. We’re pleased that Schmidt Vocal Arts is able to continue to provide an opportunity for aspiring singers to showcase their talent and earn cash awards and scholarships through our virtual model. Who is Eligible to Compete? Eligibility rules remain the same as our live competitions: • Singers must be high school sophomores, juniors, or seniors who are recommended by their choral directors or vocal teachers. • Singers are allowed to enter only one Schmidt Vocal Competition per competition season, whether live or virtual. • To be eligible for cash awards, contestants must have a U. S. Social Security Number and must be U. S. citizens, Green Card holders, or have DACA approved status. • Participants are required to pay a non-refundable registration fee after submitting an application. • Applications will be considered complete when the fee, both parts of the application form, and teacher recommendation have been received. • To be eligible to win cash awards, singers must be present at the online master class and awards ceremony. • Each virtual submission model competition cohort will be limited to 30 singers. If there are fewer than 15 singers, SVA may combine two location cohorts. How Does the Virtual Competition Work? • Singers need to apply for the virtual competition through the SVA website. • All applications and submissions must be received by the corresponding deadlines. • If singers need a pianist, they must “order” one and upload PDFs of their music to the SVA application portal by the application deadline.
[Show full text]
Marketing Hospitality Web Sites Galen Collins Northern Arizona University, [email protected]
Hospitality Review Volume 20 Article 2 Issue 1 Hospitality Review Volume 20/Issue 1 January 2002 Marketing Hospitality Web Sites Galen Collins Northern Arizona University, [email protected] Jamie Murphy The University of Western Australia, [email protected] Follow this and additional works at: https://digitalcommons.fiu.edu/hospitalityreview Part of the E-Commerce Commons, Hospitality Administration and Management Commons, and the Management Information Systems Commons Recommended Citation Collins, Galen and Murphy, Jamie (2002) "Marketing Hospitality Web Sites," Hospitality Review: Vol. 20 : Iss. 1 , Article 2. Available at: https://digitalcommons.fiu.edu/hospitalityreview/vol20/iss1/2 This work is brought to you for free and open access by FIU Digital Commons. It has been accepted for inclusion in Hospitality Review by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. Marketing Hospitality Web Sites Abstract The ew b has emerged as a potent business channel. Yet many hospitality websites are irrelevant in a new and cluttered technical world. Knowing how to promote and advertise a website and capitalizing on available resources are the keys to success. The uthora s lay out a marketing plan for increasing hospitality website traffic. Keywords Internet, Hospitality, Galen Collins This article is available in Hospitality Review: https://digitalcommons.fiu.edu/hospitalityreview/vol20/iss1/2 Marketing hospitality websites by Galen Collins and Jamie Murphy The web has emwedas a potentbusiness created wonderful websites, yet like channel. kt many hospitaliry websites are a wonderful and irrelevant in a new and cluttered technld world, how promote andadver- establishment, the acid test is visi- tise a website and capitalizing on available tors that stay and spend.
[Show full text]
Florida’S Best Community Newspaper Serving Florida’S Best Community 50¢ VOL
Project1:Layout 1 6/10/2014 1:13 PM Page 1 Belmont: Will lead off Triple Crown for first time /A8 WEDNESDAY TODAY CITRUSCOUNTY & next morning HIGH 88 Brief morning LOW clouds, then sunny and warm. 64 PAGE A4 www.chronicleonline.com MAY 20, 2020 Florida’s Best Community Newspaper Serving Florida’s Best Community 50¢ VOL. 125 ISSUE 225 NEWS BRIEFS Town square takes shape Citrus COVID-19 information Opening still Two new positive COVID-19 cases were re- ported in Citrus County set for July 4 since the latest FDOH update. To date in the BUSTER county, 114 people have THOMPSON tested positive and 12 Staff writer have died. Crystal River’s undevel- For more information, oped plot of grassland on see Sunday’s edition. the corner of Citrus Avenue Elections office and U.S. 19 has always wel- comed highway motorists recruiting poll entering the heart of the workers city. In less than a couple Would you like to be a months, it will be an open part of the elections team hub of downtown recre- for the 2020 Primary and ation, events, gatherings General Elections? and transit. The Citrus County Su- After breaking ground pervisor of Elections of- mid-January with help fice is recruiting poll from Crystal River City workers. Council members, Lecanto To meet the new Flor- contractor Daly & Zilch Inc. ida guidelines, applicants still expects to wrap up the who are bilingual and first $820,683 phase of the city’s town square on time able to understand, in early July. speak, write and read En- “It’s really coming along; glish and Spanish fluently I’m excited to see the fin- are encouraged to apply.
[Show full text]
A NATIONAL CONFERENCE Define Justice
RY SA VER ANNI C’S 30th AR FACING RACE A NATIONAL CONFERENCE Define Justice. Make Change. November 15-17, 2012 BALTIMORE HILTON BALTIMORE, MD 30/.3/2%$ "9 4(% !00,)%$ 2%3%!2#( #%.4%2 s !2#/2' THE APPLIED RESEARCH CENTER’S (ARC) MISSION IS TO BUILD AWARENESS, SOLUTIONS, AND LEADERSHIP FOR RACIAL JUSTICE BY GENERATING TRANSFORMATIVE IDEAS, INFORMATION AND EXPERIENCES. ABOUT ARC The Applied Research Center (ARC) is a thirty-year-old, national racial justice organization. ARC envisions a vibrant world in which people of all races create, share and enjoy resources and relationships equitably, unleashing individual potential, embracing collective responsibility and generating global prosperity. We strive to be a leading values-driven social justice enterprise where the culture and commitment created by our multi-racial and diverse staff supports individual and organizational excellence and sustainability. ARC’s mission is to build awareness, solutions and leadership for racial justice by generating transformative ideas, information and experiences. We define racial justice as the systematic fair treatment of people of all races, resulting in equal opportunities and outcomes for all and we work to advance racial justice through media, research, and leadership development. s MEDIA: ARC is the publisher of Colorlines.com, an award-winning, daily news site where race matters. Colorlines brings a critical racial lens and analysis to breaking news stories, as well as in-depth investigations. In 2012, Colorlines’ Shattered Families investigation was awarded the Hillman Prize in Web Journalism and Colorlines partnered with The Nation on the Voting Rights Watch series. In addition to promoting racial justice through our own media, ARC staff is sought after as experts on current race issues, with regular media appearances on MSNBC, NPR, and other national and local broadcast, print, and online outlets.
[Show full text]
Youtube 1 Youtube
YouTube 1 YouTube YouTube, LLC Type Subsidiary, limited liability company Founded February 2005 Founder Steve Chen Chad Hurley Jawed Karim Headquarters 901 Cherry Ave, San Bruno, California, United States Area served Worldwide Key people Salar Kamangar, CEO Chad Hurley, Advisor Owner Independent (2005–2006) Google Inc. (2006–present) Slogan Broadcast Yourself Website [youtube.com youtube.com] (see list of localized domain names) [1] Alexa rank 3 (February 2011) Type of site video hosting service Advertising Google AdSense Registration Optional (Only required for certain tasks such as viewing flagged videos, viewing flagged comments and uploading videos) [2] Available in 34 languages available through user interface Launched February 14, 2005 Current status Active YouTube is a video-sharing website on which users can upload, share, and view videos, created by three former PayPal employees in February 2005.[3] The company is based in San Bruno, California, and uses Adobe Flash Video and HTML5[4] technology to display a wide variety of user-generated video content, including movie clips, TV clips, and music videos, as well as amateur content such as video blogging and short original videos. Most of the content on YouTube has been uploaded by individuals, although media corporations including CBS, BBC, Vevo, Hulu and other organizations offer some of their material via the site, as part of the YouTube partnership program.[5] Unregistered users may watch videos, and registered users may upload an unlimited number of videos. Videos that are considered to contain potentially offensive content are available only to registered users 18 years old and older. In November 2006, YouTube, LLC was bought by Google Inc.
[Show full text]
Youtube Yrityksen Markkinoinnin Välineenä
Lassi Tuomikoski Youtube yrityksen markkinoinnin välineenä Metropolia Ammattikorkeakoulu Tradenomi Liiketalouden koulutusohjelma Opinnäytetyö Lokakuu 2014 Tiivistelmä Tekijä Lassi Tuomikoski Otsikko Youtube yrityksen markkinoinnin välineenä Sivumäärä 47 sivua + 2 liitettä Aika 9.11.2014 Tutkinto Tradenomi Koulutusohjelma Liiketalous Suuntautumisvaihtoehto Markkinointi Ohjaaja lehtori Raisa Varsta Tämän opinnäytetyön tarkoituksena oli luoda ohjeistus oman sisällön luomiseen Youtubessa aloittelevalle yritykselle. Työn toisena tavoitteena on osoittaa, miten yritys pystyy hyödyntämään videonjakopalvelu Youtubea omassa liiketoiminnassaan muiden markkinoinnin keinojen avulla. Työn viitekehyksessä käydään läpi keskeisimmät käsitteet ja termit ja esitellään Youtube yrityksenä sekä videonjakopalveluna. Työssä kerrotaan, millä eri tavoin yritys voi näkyä Youtubessa ja Youtube yrityksen markkinoinnissa. Toiminnallisena osana työtä tuotettiin konkreettisten esimerkkien pohjalta ohjeistus Youtuben parissa aloittelevalle yritykselle siitä, kuinka päästä alkuun tehokkaassa ja yritykselle lisäarvoa tuottavassa sisällöntuottamisessa. Mitä asiota oman sisällön luomisessa täytyy ottaa huomioon ja millä keinoilla Youtubessa voidaan menestyä. Opinnäytetyön johtopäätöksenä todettiin, että ennen oman sisällön luomista on yrityksen sisältöstrategian oltava kunnossa. Sisällön tärkeyttä ei voi oman sisällön luomisessa tarpeeksi korostaa. Sisällön on oltava merkityksellistä asiakkaan kannalta. Avainsanat youtube, sisältömarkkinointi, sosiaalinen media Abstract
[Show full text]
Youtube Live Streaming
YouTube Live Presenter Name: Date: Confidential & Proprietary Confidential & Proprietary YouTube has a proud history of live Confidential & Proprietary Live is important Confidential & Proprietary Live lets you connect and engage with your audience in more meaningful ways Authentic New & Fast Community Shared experience Live is raw, unfiltered, and Live can supplement your Live helps viewers and Live lets both creators and genuine existing content creation creators build a closer viewers contribute to what and has minimal community the world sees post-production time Confidential & Proprietary Live has a minimal post Live is in-the-moment and Audiences love to interact, production time unexpected engage on live Live helps your channel grow YouTube viewers watch 4X longer on live streams compared to VOD 1 Channels that live stream weekly or more have seen up to 40% increase in new subscriptions 2 70% Increase in channel watch-time 3 Confidential & Proprietary *Your results may vary Live is growing fast Stream time increased over 130% year over year, and watch time increased by 80% year over year 1 Confidential & Proprietary YouTube is great for live Confidential & Proprietary YouTube is great for live Home for all video Home for all your videos Easy to Insight & Live and video on demand together on one platform use reporting Easy to go live Streamlined mobile experience Fan engagement Reach & Fan Discovery engagement Viewers can chat / interact in real time Insights & data Real-time analytics for all your live streams Monetize Cutting Monetize
[Show full text]
Member Directory
D DIRECTORY Member Directory ABOUT THE MOBILE MARKETING ASSOCIATION (MMA) Mobile Marketing Association Member Directory, Spring 2008 The Mobile Marketing Association (MMA) is the premier global non- profit association established to lead the development of mobile Mobile Marketing Association marketing and its associated technologies. The MMA is an action- 1670 Broadway, Suite 850 Denver, CO 80202 oriented organization designed to clear obstacles to market USA development, establish guidelines and best practices for sustainable growth, and evangelize the mobile channel for use by brands and Telephone: +1.303.415.2550 content providers. With more than 600 member companies, Fax: +1.303.499.0952 representing over forty-two countries, our members include agencies, [email protected] advertisers, handheld device manufacturers, carriers and operators, retailers, software providers and service providers, as well as any company focused on the potential of marketing via mobile devices. *Updated as of 31 May, 2008 The MMA is a global organization with regional branches in Asia Pacific (APAC); Europe, Middle East & Africa (EMEA); Latin America (LATAM); and North America (NA). About the MMA Member Directory The MMA Member Directory is the mobile marketing industry’s foremost resource for information on leading companies in the mobile space. It includes MMA members at the global, regional, and national levels. An online version of the Directory is available at http://www.mmaglobal.com/memberdirectory.pdf. The Directory is published twice each year. The materials found in this document are owned, held, or licensed by the Mobile Marketing Association and are available for personal, non-commercial, and educational use, provided that ownership of the materials is properly cited.
[Show full text]
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
[Show full text]
Robert Hernandez Professor of Professional Practice USC Annenberg School for Communication & Journalism
Robert Hernandez Professor of Professional Practice USC Annenberg School for Communication & Journalism Robert Hernandez, aka WebJournalist, has made a name for himself as a journalist of the web, not just on the web. His primary focus is exploring and developing the intersection of technology and journalism — to empower people, inform reporting and storytelling, engage community, improve distribution and, whenever possible, enhance revenue. He is a professor of professional practice at USC Annenberg, but he’s not an academic… he’s more of a “hackademic” that specializes in “MacGyvering” digital journalism through emerging technologies. His most recent work includes augmented reality, wearables/Google glass and virtual reality — he and his students produce VR experiences under their brand: JOVRNALISM. Their work has won awards from the Webby Awards, the Shorty Awards, the Online News Association, Society of Professional Journalists, among others, and can be seen in Al Jazeera, The New York Times, NBC, NPR, ProPublica, USA Today and in their own iOS/Android app. He has worked for seattletimes.com, SFGate.com, eXaminer.com, La Prensa Gráfica, among others. Hernandez is also the co-founder of #wjchat and co-creator of the Diversify Journalism Project. He has served on boards that have included Chicas Poderosas, InquireFirst, the Online News Association and the National Association of Hispanic Journalists (where he is a lifetime member). He is also a Journalism 360 ambassador and program lead. He is the recipient of SPJ’s 2015 Distinguished Teaching in Journalism Award and the 2018 NAHJ Si Se Puede Award. He has made it to imgur’s front page more than once.
[Show full text]
Caliber Collision Website Receives International Recognition with Internet’S Prestigious Webby Award
FOR IMMEDIATE RELEASE Contact: Kim Kimbriel – (M) 520-548-2000 [email protected] Caliber Collision Website Receives International Recognition With Internet’s Prestigious Webby Award LEWISVILLE, TX (April 12, 2017) - Caliber Collision announced today that its website has been named an official Honoree in the prestigious 21st Annual Webby Awards in the Professional Services category. The award is recognized internationally as the internet’s highest honor and most respected symbol of success. Designed and developed by its agency of record, Johnson & Sekin of Dallas, Texas, Caliber’s website was selected from among 13,000 entries submitted from all 50 states and over 70 countries worldwide. The recognition ranks Caliber’s site in the top 17% of all work entered this year from around the world, according to the International Academy of Digital Arts & Sciences which established the Webby Awards program in 1996. “We are extremely proud to be among the elite companies worldwide honored with this prestigious award of excellence,” said Steve Grimshaw, President & CEO of Caliber Collision. “As the nation’s largest provider of collision repair services, our website is a reflection of Caliber’s commitment to ongoing innovation, leading-edge technology and high standards of customer service that drives us in our goal to be the collision repair center of choice in every community we serve.” “It’s been a privilege for our team to partner with Caliber Collision for the past seven years to help the company communicate its passion and commitment to its customers and their more than 10,000 Caliber teammates across the country,” said Kent Johnson and Chris Sekin of Johnson & Sekin.
[Show full text]