Property Central Property Services Update Volume 1, Issue 1, 2009
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An Interpretive Case Study of the Design of the Emerging Cultural Landscape
Design Research Society DRS Digital Library DRS Biennial Conference Series DRS2004 - Futureground Nov 17th, 12:00 AM Deconstruction Sites: An Interpretive Case Study of the Design of the Emerging Cultural Landscape. Vince Dziekan Monash University Follow this and additional works at: https://dl.designresearchsociety.org/drs-conference-papers Citation Dziekan, V. (2004) Deconstruction Sites: An Interpretive Case Study of the Design of the Emerging Cultural Landscape., in Redmond, J., Durling, D. and de Bono, A (eds.), Futureground - DRS International Conference 2004, 17-21 November, Melbourne, Australia. https://dl.designresearchsociety.org/drs- conference-papers/drs2004/researchpapers/22 This Research Paper is brought to you for free and open access by the Conference Proceedings at DRS Digital Library. It has been accepted for inclusion in DRS Biennial Conference Series by an authorized administrator of DRS Digital Library. For more information, please contact [email protected]. Deconstruction Sites: An Interpretive Case Study of the Design of the Emerging Cultural Landscape. Vince Dziekan Position Statement Monash University In response to the call to “address the emerging context, which acknowledges that in recent years, media and information-technology shifts have changed the cultural landscape of design and designing”, this paper will contribute to the discourse of design’s fluid interrelationship with cultural activity and production by focussing on the resulting formation of art, new technology and the design of its institutions. If art since the advent of Modernism can be characterized by any single quality it would have to be its diversity… however, across the breadth of such aesthetic and stylistic difference remains its common, primary destination: the Museum. -
Curatorial Assistant
Position Description – Curatorial Assistant Position Details Position Title: Curatorial Assistant Position Number: NEW Portfolio: Research & Innovation Portfolio School/Group: Research Office (Design Hub) Campus Location: Based at the City campus, but may be required to work at other campuses of the University. Classification: HEW 5 (Salary Schedule: http://www.rmit.edu.au/browse;ID=ewhtlt73t01) Employment Type: Continuing Time Fraction: 1.0 FTE (Tuesday–Saturday during exhibitions, Monday–Friday during non-exhibition periods) RMIT University RMIT is a global university of technology, design and enterprise in which teaching, research and engagement are central to achieving positive impact and creating life-changing experiences for our students. One of Australia’s original educational institutions founded in 1887, RMIT University now has 83,000 students including 12,000 at postgraduate level. The University enjoys an international reputation for excellence in professional and vocational education, applied and innovative research, and engagement with the needs of industry and the community. With three campuses in Melbourne (City, Brunswick and Bundoora), two in Vietnam (Hanoi and Ho Chi Minh City) and a centre in Barcelona, Spain, RMIT is a truly global university. RMIT also offers programs through partners in Singapore, Hong Kong, mainland China, Indonesia and Sri Lanka, and enjoys research and industry partnerships on every continent. RMIT prides itself on the strong industry links it has forged over its 130-year history. Collaboration with industry is integral to the University’s leadership in applied research and education, and to the development of highly skilled, globally focused graduates. We are a 5-Star university under the QS Stars international evaluation system, and are 16th in the world among universities less than 50 years old (2016–17 QS Top 50 Under 50 index). -
By Design Annual Report 2011
ANNUAL REPORT 2011 REPORT ANNUAL BY DESIGN BY URBAN RMIT UNIVERSITY » ANNUAL REPORT 2011 OBJECTS OF RMIT UNIVERSITY GLOSSARY Extract from the RMIT Act 2010 AASB Australian Accounting Standards Board The objects of the University include: AIA Advertising Institute of Australasia (a) to provide and maintain a teaching and learning environment ALTC Australian Learning and Teaching Council of excellent quality offering higher education at an international APEC Asia-Pacific Economic Cooperation standard; AQTF Australian Quality Training Framework (b) to provide vocational education and training, further education ARC Australian Research Council and other forms of education determined by the University to ATAR Australian Tertiary Admission Rank support and complement the provision of higher education by the University; CELTA Certificate in English Language Teaching to Adults CEQ Course Experience Questionnaire (c) to undertake scholarship, pure and applied research, invention, innovation, education and consultancy of international standing CRC Cooperative Research Centre and to apply those matters to the advancement of knowledge CRICOS Commonwealth Register of Institutions and Courses for and to the benefit of the well-being of the Victorian, Australian Overseas Students and international communities; DDA Disability Discrimination Act (d) to equip graduates of the University to excel in their chosen DEEWR Commonwealth Department of Education, Employment careers and to contribute to the life of the community; and Workplace Relations (e) to serve -
Curriculum Vitae
CURRICULUM VITAE Lloyd Godman Page 1 Solo exhibitions Page 3 Group exhibitions Page 9 Performative works - Collaborative Work Page 10 Published writings and photographs by the artist Page 12 Magazine features, articles, reviews, news paper, etc. Page 15 Academic Page 17 Artworks in collections Page 18 Lectures, papers, artist talks etc. Page 20 Workshops Page 21 Art projects Page 22 Awards - Grants Page 23 Artist in residencies - Commissions & Proposals Page 23 Interviews Page 24 Air Plant Research project Hyperlinked to web page images of exhibition Hyperlinked to web page images from this project Hyperlinked to text or document Hyperlinked to video Hyperlinked to music or sound Lloyd Godman Web Site Solo Exhibitions Solo Exhibitions 2012 1992 • Entropy String, random infinite projection - Bayside Arts and Cultural Centre, Brighton, Vic. Aust • Drawing from Nature, combination photographs / drawings, Forester Gallery, Oamaru, N.Z. 2011 • Codes of Survival, B&W combination photograms/photographs, installation & sound by Peter Adams, Solutions Gallery, • Entropy, Photographs and projection - Australian Centre for Photography, Sydney, Australia Dunedin, N.Z 2009 •Drawing from Nature, combination photographs / drawings, Gerymouth Public Art Gallery, N.Z. • Carbon Obscura IV, as part of ReGenerating Community Arts, Community and Governance National Conference, 1991 Federation Square, Central Melbourne, Victoria, Australia • Drawing From Nature, combination photographs / drawings, Assay Gallery, Dunedin, N.Z. 2008 • Drawing from Nature, combination photographs / drawings, Aigantighe, Timaru, N.Z. • Carbon Obscura IV, La Trobe Regional Gallery, Victoria, Australia 1990 • Helios Selene - ANU Photospace gallery as part of VIVID photo festival - gallery exhibition and Carbon Obscura IV • Symbols, B&W photographs, Manawatu Art Gallery, Palmerston North, N.Z. -
Victorian Heritage Database Place Details - 29/9/2021 RANNOCH HOUSE
Victorian Heritage Database place details - 29/9/2021 RANNOCH HOUSE Location: 50B SKENE STREET NEWTOWN, GREATER GEELONG CITY Victorian Heritage Register (VHR) Number: H1165 Listing Authority: VHR Extent of Registration: AMENDMENT OF REGISTER OF HISTORIC BUILDINGS Historic Building No. 1165: Rannoch House, 260 Pakingtonr Street, Newtown, City of Greater Geelong. Extent: To the extent of: 1. All the buildings known as Rannoch House comprising the main house marked B-1 and the former stables marked B-2 on Plan 6000437 endorsed by the Chair, Historic Buildings Council and held by the Director, Historic Buildings Council. 2. All of the land described in Certificate of Title Volume 10033 Folio 502, marked -L1 on Plan 6000437 endorsed by the Chair, Historic Buildings Council and held by the Director, Historic Buildings Council. [Victoria Government Gazette No. G15 18 April 1996 p.958] Statement of Significance: Rannoch House was constructed in stages with the first part being a two storey Barrabool sandstone building with single storey western wing commenced in 1851 and 1852 for Captain Francis Ormond. It was designed by early Geelong architects Walter Sheridan and George Wright. This building operated as Henry Deering's Royal Museum Hotel in 1854, becoming Lisdou House in 1855, a school for "young ladies" run by Misses Greer. The eastern wing and conservatory were designed by Jacob Pitman and constructed in 1863 for A S Robertson. The Renaissance Revival appearance of the building may also date from this time. Alexander Miller, 1 benefactor, owned Rannoch House from 1882 until at least 1906 and lived there for some of that time. -
Matthew Lorenzon Marshall-Hall Thesis for Printing Part 1
The Literary Works of G. W. L. Marshall-Hall: 1888–1915 Matthew Donald Adrian Lorenzon Submitted in total fulfilment of the requirements of the degree of Master of Arts October 2010 Department of English The University of Melbourne Produced on archival quality paper Fig. 1. Arthur Streeton, Portrait of Professor Marshall-Hall, 1892, pen and ink on envelope, image courtesy of the State Library of Victoria. i Abstract The literary oeuvre of the first Ormond Professor of Music at the University of Melbourne, George William Louis Marshall-Hall, registered the key philosophical, scientific, and political debates that raged in English and Australian periodicals during the period 1888–1915. His works, encompassing lectures, poetry, articles, and marginalia, also show Marshall-Hall reacting to his social surroundings, playing an active part in the intellectual communities of London and Melbourne. The thesis divides the author’s literary development into three periods, detailing each period’s principal works and the social and historical catalysts that caused his shifts between them. In the first section, 1888–92, it is argued that Marshall-Hall’s use of the philosopher of evolution Herbert Spencer in his London writings 1888–90 was influenced by his family’s scientific legacy and the progressive publishing rationale of the publisher of The Musical World Francis Hueffer. By participating in London’s Wagnerian literary culture he developed the evolutionary justification of Wagner’s works that he then took to Australia. In Australia 1891–92, conservative newspapers challenged Marshall-Hall’s Wagnerian and Spencerian writings. In response, he revaluated his ideas using the mystical metaphysics of Arthur Schopenhauer. -
Bayly and Price
Chapter Three Bayly and Price Despite a seamless transition into che Associated Public Schools fold, the ensuing period ac the College proved to be unseeded, complicated by the succession of three Principals and the effects ofWorld War I. Initially, however, external confidence in the renewed Presbyterian ties was expressed in enrolments, which did not decrease in 1908 bur increased slightly to 193 and then to 207 in 1909. 1 Internally, the same confidence was expressed with physical growth, in che form of plans for a grand new school hall. Suddenly, in the space of less than a year, much of chis confidence evaporated with the deaths of both the Vice Principal and the Principal. The Vice Principal's death in May r 909 seemed to mark the end of an era; John Kerr (1889-1909) was deeply mourned as he had been on che stafffor a very long time, and second-in-charge since 1904. Although seem, he was an enthusiastic, energetic teacher who 'aimed always at the highest, and caught his scholars to do che same ... he always aimed at perfection [and] measured merely by the standard of examination results, his success as a reacher was remarkable'. 2 The school was even more deeply shocked when, six months lacer, orman Morrison was found dead. According to the inquest, he died on Friday 12 ovember at his farm in Mount Moriac when his gun accidentally discharged while he was getting through a fence. He had been out hunting. There was no suggestion of suicide or foul play and witnesses at the inquest attested to his good health and excellent spirits, and chat he had been intending to return to Geelong the next day. -
The Melbourne Dreaming, Which Later Inspired and Ancient History
Melbourne Dreaming A GUIDE TO IMPORTANT PLACES OF THE PAST AND PRESENT Meyer Eidelson i CONTENTS Dedication xx About the author xx About this book xx Foreword xx Acknowledgments xx Introduction xx Precincts xx Organisations xx Images xx Further reading xx Index xx Barak by Florence Ada Fuller, 1885. Reproduced with permission of the State Library of Victoria. Precinct contents City centre and surrounds 1. Birrarung (Yarra) art and heritage walk xx Of interest: Yarra Yarra Falls xx 2. Indigenous art collection xx Dedicated to William Barak, Ngurungaeta (clan leader) of the 3. Koorie Heritage Trust xx Wurundjeri, who died at Coranderrk, Healesville in 1903. As 4. Freedom Fighters execution site xx a boy, he was present at the signing of John Batman’s treaty 5. Old Melbourne Cemetery site xx (the Melbourne Treaty). An outstanding leader in the struggle 6. Bunjilaka Cultural Centre xx for Aboriginal rights and justice, he guided his people with 7. Billibellary’s Walk xx courage and wisdom through extraordinary times. 8. Fitzroy Gardens scarred tree xx 9. Melbourne Cricket Ground xx 10. Kings Doman Resting Place xx 11. Aboriginal reserve site xx and Aboriginal heritage walk ii iii East Morington Peninsula 12. Stonnington Indigenous History Trail xx 33. Baluk Arts xx 13. Ngargee (corroboree) tree xx 34. Collins Settlement xx Of interest: Wurundjeri Council xx 35. Bunjil’s Cave xx 14. Merri Creek Aboriginal School Native Police xx 36. Coolart xx and the Protectorate Station Of interest: Bunyips at Tooradin xx 15. Bolin Bolin Billabong xx 16. Scarred Tree xx 17. Dandenong Police Paddocks Reserve xx Inner north 18. -
Sunday 8 August 2010 10 Am – 4 Pm City | Brunswick | Bundoora Welcome to Open Day
OPEN DAY Sunday 8 August 2010 10 am – 4 pm CITY | BRUNSWICK | BUNDOORA WELCOME TO OPEN DAY A MESSAGE FROM THE CONTENTS VICE-CHANCELLOR Get the most out of Open Day 1 Why RMIT? 2 General information 3 It is my pleasure to welcome you to Open Day 2010. Course information 4 » Architecture, building and planning 4 An RMIT education is for you to follow » Art and design 5 your passions and develop your talents. » Business 8 RMIT is a place where you will find new » Community services useful knowledge, people who share and social sciences 10 your passions and a world of different » Computing and experiences. You will be guided to shape information technology 11 your path to success. » Education and training 13 I always enjoy taking part in Open Day » Engineering 14 and I wish you all the best in your » Environment 19 personal journey. Have a great day! » Health and medical science 21 Professor Margaret Gardner AO » Media and communication 25 Vice-Chancellor and President » Science 26 » Apprenticeships and traineeships 28 Student information—opening up opportunities for everyone 29 Student life 30 Important dates 31 Frequently asked questions 32 Index 34 My Open Day Planner 36 Campus maps 37 Join the RMIT community via facebook, FREE WIFI flickr, twitter, foursquare and many more. UPDATES Connect to For more info visit RMIT’s free Display and presentation times www.rmit.edu.au/interact or on mobile wireless and locations are subject to change. at www.rmit.edu.au/mobile/interact network For the most up to date details, and get open day to go! today— go to www.rmit.edu.au/openday . -
Building Our Future YOUR DONATIONS to RMIT
Building our future YOUR DONATIONS TO RMIT i Vice-Chancellor’s message Thank you, for giving the gift of education I believe education is the most transformative gift that you can give. And this is something that each one of you—our valuable donors—have contributed to RMIT and our students. About RMIT University This publication is our way of saying thank you to each and every one of RMIT is a global university of technology and design and Australia’s largest tertiary institution. you who has given to the University, and to showcase your donations at The University enjoys an international reputation for excellence in practical education and work. Our donor community stretches beyond Australian borders as far outcome-oriented research. as Singapore, mainland China, Hong Kong and the USA, reflecting RMIT’s RMIT was founded on philanthropy, and has developed into the university it is today thanks global reach. to the generosity of all our supporters. There are so many stories of how giving to education at RMIT creates RMIT is a leader in technology, design, global business, communication, global communities, health solutions and urban sustainable futures. RMIT has three campuses in Melbourne, Australia, powerful change, and this publication highlights just a handful. As a donor and two in Vietnam. We offer programs through partners in Singapore, Hong Kong, mainland China, to RMIT myself, I constantly see the impact of giving to RMIT across the Malaysia, India and Europe. University and in the community. Whether your donation supports scholarships for disadvantaged or high-achieving students, helps RMIT enhance our global reach, or assists research and innovation, all of your gifts support our vision to enrich and transform the future. -
2022 Guide for International Students Contents
2022 Guide for International Students Contents Why choose RMIT? 4 Explore our campuses 6 Melbourne campus maps 7 Life in Melbourne 8 A message from Life at RMIT 9 Academic English pathways 10 the Vice-Chancellor Foundation Studies pathways 10 Get future ready 11 Martin Bean Accommodation and expenses 12 Architecture 14 At RMIT we focus on giving everyone the chance to be their best, shape their future and belong. Art 15 Thanks to the passion of our extraordinary people and our Biomedical Sciences 16 commitment to transformative education and research, we’re making that a reality every day. Building 17 It began back in 1887 when Francis Ormond had a vision for helping workers acquire real-world skills. The people of Business 18 Melbourne matched his enthusiasm to start a very practical place of learning where students would leave ready for employment. Communication 21 We still live this vision today. As society and the economy have Design and Game Design 22 become more sophisticated and complex, RMIT has grown and changed alongside. Now, we’re a global university of design, Education 23 technology and enterprise. Engineering 24 We exist to prepare our students for workplaces that are rapidly evolving, and we play a part in shaping a changing world. Fashion and Textiles 27 RMIT has been part of every new development in work and industry since our inception. Health Science 28 We’re passionate about the communities we’re part of and we’re Information Technology 30 driven to make a purposeful contribution. That’s why we shape the world with our research and impactful Law 31 partnerships with industry, government and enterprise. -
Carmel-Wallace Full-CV-August-2019
Carmel Wallace http://carmelwallace.com [email protected] Instagram: @carmelwallace CURRICULUM VITAE EDUCATION 1975/6 Bachelor of Arts, Diploma of Education, La Trobe University, Melbourne Australia 1994 Bachelor of Arts (Fine Art) Honours (First Class) Deakin University, Australia 1999 Doctor of Philosophy, Deakin University, Australia SOLO EXHIBITIONS 2018 Trophy Series, Gallery Windows, Bayside Gallery, Brighton VIC Australia Refuge, Brighton Town Hall, Brighton VIC Australia 2016 Printed in Portland, Portland Bay Press, Portland VIC Australia Front Window Project http://www.frontwindow.com.au 69 Victoria Parade, Collingwood VIC Flânerie Sofitel Melbourne On Collins, Melbourne VIC 2013 Lake Suite The Art Vault, Mildura VIC 2010 Colony Gallery 101 Melbourne VIC Selected Works Portland Arts Centre, Portland VIC 2009 Cocoon Riddoch Art Gallery, SA 2008 A Seat for Vida sculpture sponsored by HBRC Portland VIC 2007 Red Sea Gallery 101 Melbourne VIC 2006 dai marciapiedi italiani Gallery 25 Mildura VIC, dai marciapiedi italiani Gallery 101 Melbourne VIC 2005 World enough, and Time . Gallery 101 Melbourne VIC 2004 Lagoon Wishart Gallery, Port Fairy; Portland Bay Press VIC 2002 Mapping through Marking American Consulate Melbourne VIC Groundwork: New York, Florence, Tokyo Gallery101 Melbourne 2001 Ground Work University of Tasmania TAS 2000 New York Diary University of the Sunshine Coast, QLD Beached (Installation) Mac’s Hotel, Portland VIC 1999 Mapping the Waters Gallery 101 Melbourne VIC Convincing Ground Warrnambool Art Gallery VIC