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UNDERSTANDING PORTRAYALS of LAW ENFORCEMENT OFFICERS in HIP-HOP LYRICS SINCE 2009 By
ON THE BEAT: UNDERSTANDING PORTRAYALS OF LAW ENFORCEMENT OFFICERS IN HIP-HOP LYRICS SINCE 2009 by Francesca A. Keesee A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degrees of Master of Science Conflict Analysis and Resolution Master of Arts Conflict Resolution and Mediterranean Security Committee: ___________________________________________ Chair of Committee ___________________________________________ ___________________________________________ ___________________________________________ Graduate Program Director ___________________________________________ Dean, School for Conflict Analysis and Resolution Date: _____________________________________ Fall Semester 2017 George Mason University Fairfax, VA University of Malta Valletta, Malta On the Beat: Understanding Portrayals of Law Enforcement Officers in Hip-hop Lyrics Since 2009 A Thesis submitted in partial fulfillment of the requirements for the degrees of Master of Science at George Mason University and Master of Arts at the University of Malta by Francesca A. Keesee Bachelor of Arts University of Virginia, 2015 Director: Juliette Shedd, Professor School for Conflict Analysis and Resolution Fall Semester 2017 George Mason University Fairfax, Virginia University of Malta Valletta, Malta Copyright 2016 Francesca A. Keesee All Rights Reserved ii DEDICATION This is dedicated to all victims of police brutality. iii ACKNOWLEDGEMENTS I am forever grateful to my best friend, partner in crime, and husband, Patrick. -
University of Florida Thesis Or Dissertation Formatting
HIP-HOP LIFE AND LIVELIHOOD IN NAIROBI, KENYA By JOHN ERIK TIMMONS A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2018 © 2018 John Erik Timmons To my parents, John and Kathleen Timmons, my brothers, James and Chris Timmons, and my wife, Sheila Onzere ACKNOWLEDGMENTS The completion of a PhD requires the support of many people and institutions. The intellectual community at the University of Florida offered incredible support throughout my graduate education. In particular, I wish to thank my committee members, beginning with my Chair Richard Kernaghan, whose steadfast support and incisive comments on my work is most responsible for the completion of this PhD. Luise White and Brenda Chalfin have been continuous supporters of my work since my first semester at the University of Florida. Abdoulaye Kane and Larry Crook have given me valuable insights in their seminars and as readers of my dissertation. The Department of Anthropology gave me several semesters of financial support and helped fund pre-dissertation research. The Center for African Studies similarly helped fund this research through a pre-dissertation fellowship and awarding me two years’ support the Foreign Language and Area Studies Fellowship. Another generous Summer FLAS Fellowship was awarded through Yale’s MacMillan Center Council on African Studies. My language training in Kiswahili was carried out in the classrooms of several great instructors, Rose Lugano, Ann Biersteker, and Kiarie wa Njogu. The United States Department of Education generously supported this fieldwork through a Fulbright-Hays Doctoral Dissertation Research Award. -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Beyond Recidivism: Learning with Formerly Incarcerated Men About Youth Incarceration
LMU/LLS Theses and Dissertations Summer July 2015 Beyond Recidivism: Learning with Formerly Incarcerated Men About Youth Incarceration Scott Patrick Bastian Loyola Marymount University, [email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/etd Part of the Education Commons, and the Education Policy Commons Recommended Citation Bastian, Scott Patrick, "Beyond Recidivism: Learning with Formerly Incarcerated Men About Youth Incarceration" (2015). LMU/LLS Theses and Dissertations. 188. https://digitalcommons.lmu.edu/etd/188 This Dissertation is brought to you for free and open access by Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in LMU/LLS Theses and Dissertations by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. LOYOLA MARYMOUNT UNIVERSITY Beyond Recidivism: Learning with Formerly Incarcerated Men About Youth Incarceration by Scott P. Bastian A dissertation presented to the Faculty of the School of Education, Loyola Marymount University, in partial satisfaction of the requirements for the degree Doctor of Education 2015 Beyond Recidivism: Learning with Formerly Incarcerated Men About Youth Incarceration Copyright © 2015 by Scott P. Bastian ii ACKNOWLEDGEMENTS Without the early life lessons of remaining true to self, all the while acknowledging how my actions may affect others—this step likely would not have been taken. Without the careful attention paid to me and my adolescent missteps and recoveries—this door likely would not have been opened. Without my father teaching me how things work, and my mother teaching me to find out why some things don’t work— this journey likely would not have been imagined. -
Culture and Contempt: the Limitations of Expressive Criminal Law
Culture and Contempt: The Limitations of Expressive Criminal Law Ted Sampsell-Jones* The law is the master teacher and guides each generation as to what is acceptable conduct. - Asa Hutchinson' The law of the land in America is full of shit. - Chuck D' I. INTRODUCTION Over the past decade, legal scholars have paid increasing attention to ways that criminal law affects social norms and socialization. While these ideas are not entirely original,1 the renewed focus on criminal law's role in social construction has been illuminating nonetheless. The recent scholarship has reminded us that criminal laws prevent crime not only by applying legal sanctions ' The author received an A.B. from Dartmouth, a J.D. from Yale Law School, and is currently clerking for Judge William Fletcher on the Ninth Circuit Court of Appeals. Thanks to Michelle Drake, Bob Ellickson, Elizabeth Emens, Owen Fiss, David Fontana, Bernard Harcourt, Neal Katyal, Heather Lewis, Richard McAdams, Brian Nelson, and Sara Sampsell-Jones for their suggestions and comments. Asa Hutchinson, Administrator, U.S. Drug Enforcement Admin., Debate with Gov. Gary Johnson (N.M.) at the Yale Law School (Nov. 15, 2001), available at http://www.usdoj.gov/dea/speeches/sl 11501.html. 'CHUCK D, FIGHT THE POWER: RAP, RACE, AND REALITY 14 (1997). 1. See Mark Tushnet, Everything Old Is New Again, 1998 WISC. L. REV. 579. By tracing the ideological development of the "new" school of criminal law scholarship, Bernard Harcourt has questioned its originality. BERNARD E. HARCOURT, ILLUSION OF ORDER: THE FALSE PROMISE OF BROKEN WINDOWS POLICING 1-16, 24-56 (2001). -
An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library
DOCUMENT RESUME ED 435 403 IR 057 553 AUTHOR Halliday, Blane TITLE An Examination of Essential Popular Music Compact Disc Holdings at the Cleveland Public Library. PUB DATE 1999-05-00 NOTE 94p.; Master's Research Paper, Kent State University. Information Science. Appendices may not reproduce adequately. PUB TYPE Dissertations/Theses (040) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS *Audiodisks; Discographies; *Library Collection Development; *Library Collections; *Optical Disks; *Popular Music; *Public Libraries; Research Libraries; Tables (Data) IDENTIFIERS *Cleveland Public Library OH ABSTRACT In the 1970s and early 1980s, a few library researchers and scholars made a case for the importance of public libraries' acquisition of popular music, particularly rock music sound recordings. Their arguments were based on the anticipated historical and cultural importance of obtaining and maintaining a collection of these materials. Little new research in this direction has been performed since then. The question arose as to what, if anything, has changed since this time. This question was answered by examining the compact disc holdings of the Cleveland Public Library, a major research-oriented facility. This examination was accomplished using three discographies of essential rock music titles, as well as recent "Billboard" Top 200 Album charts. The results indicated a strong orientation toward the acquisition of recent releases, with the "Billboard" charts showing the largest percentages of holdings for the system. Meanwhile, the holdings vis-a-vis the essential discographies ran directly opposite the "Billboard" holdings. This implies a program of short-term patron satisfaction by providing current "hits," while disregarding the long-term benefits of a collection based on demonstrated artistic relevance. -
"Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 "Now I Ain't Sayin' She's a Gold Digger": African American Femininities in Rap Music Lyrics Jennifer M. Pemberton Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF SOCIAL SCIENCES “NOW I AIN’T SAYIN’ SHE’S A GOLD DIGGER”: AFRICAN AMERICAN FEMININITIES IN RAP MUSIC LYRICS By Jennifer M. Pemberton A Dissertation submitted to the Department of Sociology in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2008 The members of the Committee approve the dissertation of Jennifer M. Pemberton defended on March 18, 2008. ______________________________ Patricia Yancey Martin Professor Directing Dissertation ______________________________ Dennis Moore Outside Committee Member ______________________________ Jill Quadagno Committee Member ______________________________ Irene Padavic Committee Member Approved: ___________________________________ Irene Padavic, Chair, Department of Sociology ___________________________________ David Rasmussen, Dean, College of Social Sciences The Office of Graduate Studies has verified and approved the above named committee members. ii For my mother, Debra Gore, whose tireless and often thankless dedication to the primary education of children who many in our society have already written off inspires me in ways that she will never know. Thank you for teaching me the importance of education, dedication, and compassion. For my father, Jeffrey Pemberton, whose long and difficult struggle with an unforgiving and cruel disease has helped me to overcome fear of uncertainty and pain. Thank you for instilling in me strength, courage, resilience, and fortitude. -
Download Free Music Master P Ghetto Dope Download Free Music Master P Ghetto Dope
download free music master p ghetto dope Download free music master p ghetto dope. © 2021 Rhapsody International Inc., a subsidiary of Napster Group PLC. All rights reserved. Napster and the Napster logo are registered trademarks of Rhapsody International Inc. Napster. Music Apps & Devices Blog Pricing Artist & Labels. About Us. Company Info Careers Developers. Resources. Account Customer Support Redeem Coupon Buy a Gift. Legal. Terms of Use Privacy Policy End User Agreement. © 2021 Rhapsody International Inc., a subsidiary of Napster Group PLC. All rights reserved. Napster and the Napster logo are registered trademarks of Rhapsody International Inc. Ghetto D Lyrics. [Featuring C Murder Silkk The Shocker] Water bubbling Voice in background repeating "make crack like this" Masta P Imagine substitutin crack for music I mean dope tapes This is how we would make it. (There it is right there) For all you playas hustlaz ballas and even you smokas Ma ma ma ma make crack like this Masta P Ghetto Dope No Limit Records (Ma ma ma make crack like this) Part of the Tobacco Firearms, and Freedom of Speech Committee. Thank you dope fiends for your support. Ha ha. (Beat starts) C Murder Let me give a shot out to the D Boys (drug dealas) Neighborhood dope man I mean real niggas Thata make a dolla out a fifteen cents Ain't got a dime, but I rides and pay the rent Professional crackslanger I serve fiends I once went to jail for having rocks up in my jeans But nowadays I be too smart for the Taz C Murder been known to keep the rocks up in the skillet man Waitin on a kilo they eight I'm straight you dig What you need ten Ain't no fuckin order too big And makin crack like this is the song You won't be getting yo money if yo shit ain't cooked long Never cook yo dope it might come out brown Them fiends gonna run yo ass clean outa town But fuck that I'm bout to put my soldias in the game And tell ya how to make crack from cocaine. -
Virus 23, 1989
Contents Replicating New Strains Page 4 Jonathan Levine Interview By Bruce Fletcher Page 5 . ,A Toxic G,uide .from Greenpeace Page 15 Brain machines By Belinda Atkinson Page 22 William Gibson biography By Tom Maddox Page 24 ZING, ZANG A Comic from Brad Lambert Page 26 William Gibson Interview By Darren Wershler Henry Page 28 The Two Sides of Tom Maddox By Bruce Fletcher Page 36 Now I Lay Me .. Down To Sleep Fiction by Bruce Fletcher Page 40 Molester A poem by Yassin 80ga Page 44 Frank Ogden: Laws of the Future Page 45 Television Magick By T. o. P.Y. U.S. Page 48 The A.D.'o.S.A. recommends Page 58 Clippings Page 64 Virus 23, 1989. C\O BOX 46 G)Share-Right 1989 RED DEER, ALBERTA, You may reproduce this material if your recipients may also reproduce it. CANADA. T4N 5E7. Front cover: Video-Head - Donald David. PAGE4 VIRUS 23, ISSUE 0 eplicating new Reality begins with the human mind. The human nervous system filters, categorizes and distorts the external universe until the individual can truly be said to create the world in which they live. The process of enculturation by itself usually creates the reality in which most people live. Thought is imposed by the cultural environment. Values, beliefs and even behavioral paradigms are detcnnincd by the social status quo. People live in a shared illusory reality, a consensual hallucination, without realizing its true nature, thereby abscond ing themselves of all personal responsibility. They believe they know truth. Individuals have the potent.ial to control these illusions, foster individual thought and promote rapid changes within the existing socio-cultural mileau. -
Master P, I Miss My Homies I Want Ya'll to Play This at Funerals in the Hood
Master P, I Miss My Homies I want ya'll to play this at funerals in the hood. Til all this black on black crime stop. Some say the blind lead the blind. But in the ghetto you never know, When it's gon be yo time. [Sons of Funk, Mo B. Dick, O'dell] Sittin at the ghetto thinkin bout All my homies passed away (uuunnnggghhh!) Candy painted cadillacs and triple gold That's how me and my boys rolled How could it be? Somebody took my boy from me My best friend's gone And I'm so all alone I really miss my homies Even though they gone away I know you in a better place And I hope to see ya soon someday [Master P] I used to hang with my boy even slang with my boy Used to bang with my boy, goddam I miss my boy We started out youngstas in the park throwin birds In your hearse, damn it's sad to see my nigga in the dirt The game got me workin, got me perkin, never jerkin Still blowin dolja fo ya cause I know you up there workin Ya little baby's cool and ya baby's mama straight But today's a sad day to see the t-shirt with ya face From the cradle to the grave, from the streets we used to fall In the park you liked to ball, put yo name upon the wall In the projects you's a legend on the street you was a star But it's sad to see my homeboy ridin in that black car A lotta soldiers done died, a lotta mothers done cried You done took yo piece of the pie but you was too young to retire Why soldiers ride for yo name leave it vain Some Gs never change, damn they killed you for some change Smile for my homie Kevin Miller my boy Randall The ghetto persons that lost they loved ones to these ghetto scandals Take a minute to smile for the dead (uuunnnggghhh!) Smile for the dead (RIP 2Pac, Makaveli) All my homies who done made it to the crossroads (Biggie Smalls) [Sons, Mo B. -
Imhotep Hip Hop Issue.Pdf
A Treble Clef By The Students The By in Hip Hop Lyrics in Hip Hop Volume 9, May 2012 May 9, Volume IMHOTEP JOURNAL IMHOTEP A Discourse Analysis of Value Orientations Value of Analysis A Discourse IMHOTEP JOURNAL A Discourse Analysis of Value Orientations in Hip Hop Lyrics By The Students Volume 9 May 2012 (Blank Back of Front Cover) (Blank Back of Front Cover) San Francisco State University College of Ethnic Studies, Department Africana Studies Student Publications Imhotep Magazine Volume 1, February 2000 On Methodology Volume 2, February 2001 On African Philosophy Volume 3, February 2002 On African Education Ancient and Modern Volume 4, February 2003 Ideology of Race and Slavery from Antiquity to Modern Times Volume 5, May 2005 Essays on Ancient Egyptian Thought Volume 6, May 2008 African Rites of Passage Volume 7, May 2010 African Healing Traditions Volume 8, May 2011 African Ancestral Veneration Volume 9, May 2012 A Discourse Analysis of Value Orientations in Hip Hop Lyrics For further information contact: San Francisco State University College of Ethnic Studies, Department of Africana Studies 1600 Holloway Avenue San Francisco, California 94132 Tel: (415) 3381054 Fax: (415) 4050553 Editors Justin Metoyer and Christine Burke Production\ Design Kenric J. Bailey Contributors AFRS 111 Black Cultures and Personalities: 2008/9 Academic Year Faculty Advisor \ Co-Editor Serie McDougal, III, PhD We would like to express our thanks and appreciation to Madame Chair Dorothy Tsuruta PhD for her leadership and guidance, as well as the IRA for their support of this publication. Copyright © 2012 San Francisco State University All rights reserved. -
Het Verleden in Hiphopmuziek Verwijzingen Naar Het Verleden Van Onderdrukking in De Hiphopcultuur Van De Jaren Negentig
Het verleden in hiphopmuziek Verwijzingen naar het verleden van onderdrukking in de hiphopcultuur van de jaren negentig. Naam: Joris Martens Studentnummer: S4381459 Begeleider: Dhr. Riswick Inleverdatum: 15-6-2017 Radboud Universiteit Nijmegen Inhoud Inleiding .................................................................................................................................................. 2 Status Quaestionis ................................................................................................................................... 4 Bronselectie en methode ......................................................................................................................... 8 Hoofdstuk 1: ‘Verandering hangt in de lucht’ 1990-1993 .................................................................... 11 Hoofdstuk 2: ‘Hernieuwde assertiviteit’ 1994-1997 ............................................................................. 16 Hoofdstuk 3: ‘Over de grenzen van het genre heen kijken’ 1998-2000 ................................................ 23 Conclusie ............................................................................................................................................... 28 Bibliografie ............................................................................................................................................ 30 Bronnen ............................................................................................................................................. 30 Internet