American Art 1800s
What shaped art in the new nation?
The revolution was over; the Constitution was ratified New settlers had confidence in their own free will Common sense was needed and know-how to improvise Pioneers had to be practical There was the ever-protective presence of a forbearing God.
Art reflected this trend toward realism.
Many artists were self-taught; they could not afford the costly travel to Europe to study with the masters
Nature in the new world was rich, pure and imposing The wilderness had majestic grandeur, enormous forests, high mountain ranges, and immense plains The light was clear and dazzling There were vivid colors and sharp contrasts
Romanticism evolves Seeing nature as a reflection of all things divine Landscapes become a manifestation of God’s greatness
Also Still Life portrays simplicity and serenity
Trompe l’oeil
Portraiture - pays There was much patriotism and nationalism in the new country
John Singleton Copley Boy with a Squirrel Mr. and Mrs. Thomas Mifflin Watson and the Shark 1778
Charles Wilson Peale Staircase Group 1795 The Artist in his Museum The Peale family
Gilbert Stuart George Washington Dollar bill
John Trumbull The Declaration of Independence
Thomas Sully The Torn Hat
Human figures become small compared to the grandness of the surrounding landscape. Moonlight or sunlight could add a touch of mystery and fantasy
Hudson River Valley Paintings
Thomas Cole Scene from the Last of the Mohicans The Falls of Katerskill 1826
Asher Brown Durand Luminism light subtle tones The Beeches Kindred Spirits 1849
Frederick Church Heart of the Andes
Thomas Moran Grand Canyon of the Colorado River 1892 and 1902
Fitz Hugh Lane
Martin Johnson Heade
Jasper Cropsey
Albert Bierstadt The Lander’s Peak Oregon Trail Donner Lake
John Vanderlyn
Washington Allston Landscape with a Lake
Edward Hicks Noah’s Ark 1846
John James Audubon documentary realism Farmyard Fowl Bald Eagle
As the west is conquered, tree felling and large-scale mining exploitation damage the landscape Many became rich so they could purchase paintings of the landscapes they had destroyed. Such as, the old rural way of life for a trapper, cowboys, explorers, and the west… Ecological problems recognized?
Trend towards more natural landscapes
George Inness Passing Clouds
William Trost Richards Lake Squam from Red Hill Indian Summer
Scenes of every day life were used to glorify the nation a reflection of the new democracy Sydney Mount
George Caleb Bingham Landscape with Waterwheel and a Boy Fishing The Jolly Flatboatman in Port
Eastman Johnson
Thomas Waterman Wood
Images of Native Americans and African Americans
Charles Bird King Notchimine George Caitlin Buffalo Bulls Fighting in Running Season Seth Eastman Indian Sugar Camp
Before and after the Civil War, there was a change to more powerful realism
Winslow Homer (French Manet and Monet influence) The Sharpshooter on Pickett Duty A Huntsman and Dogs 1891 The Blue Boat
Thomas Eakins more scientific naturalist, a perfect mirror of reality The Concert Singer 1890-92 The Biglin Brothers Racing The Surgical Clinic of Professor Gross 1875
Trompe d’oeil
William Michele Harnett After the Hunt 1885
John Frederick Peto Reminiscenses of 1865 Sailing 1875
William Rush carving his Allegorical figure of the Schuylkill 1876-77
Henry Ossawa Tanner Portrait of the Artist’s Mother 1897
Impressionism
William Merritt Chase
Mary Cassatt The Child’s Bat Children Playing on the Beach 1884 A Woman and a Girl Driving 1881
Frontier Art
Frederick Remington The fall of the Cowboy 1895 The Stampede
Charles Russell
The Gilded Golden Age before the turn of the century Industrial machinery, large fortunes growing
James McNeil Whistler Aesthetic Movement At the Piano Purple and Rose:1864
John Singer Sargent Portrait of Madame X 1882 – 84
George Inness The Lackawanna Valley 1855
Choose 3 paintings from the list: a portrait, a landscape (Hudson River), and a more natural landscape or impressionist painting. In your Sketchbook, sketch 3 paintings and annotate with a brief description of the author’s style and influence. Reflect on what you see in the painting as well? What do you see and think about?