The Rattigan the Newsletter of the Terence Rattigan Society ISSUE NO
Total Page：16
File Type：pdf, Size：1020Kb
The Rattigan The Newsletter of The Terence Rattigan Society ISSUE NO. 16 DECEMBER 2015 Version The Society plays Follow My Leader in clubland When, like us, you don’t actually have to have side the political commentary, there’s a vein of an AGM, it can be a challenge to put together an broad humour, typified by the party greeting, ‘Up event that will make it worth the effort for our Zedesi!’. Fortunately, with the love of a good members to attend. But when you have members woman behind him, Zedesi rebels and overthrows like Adrian Brown and Denis the regime. In a final speech, Moriarty eager to do their part he rues that his artisan coun- to make the Society a success, terpart in Germany is bound the challenge disappears. So it for a nasty end – ‘He should was that, courtesy of Denis’ have stuck to house painting’. hospitality, we gathered in the Ironically, Follow My elegant surroundings of the Leader proved too controver- Oxford and Cambridge Club in sial for the Lord Chamberlain; London’s Pall Mall to enjoy not in the mood of appeasement only an excellent meal but also of 1938, an attack on the a rehearsed reading of Ratti- German leadership might gan’s Follow My Leader under Clive Montellier prove too provocative and the Adrian’s expert direction. play was banned (ironic, too, reports on the curtain-raiser to As Adrian explained to us that Rattigan would in later the AGM Dinner in Pall Mall after a relaxing pre-dinner years be condemned for being glass, Follow My Leader was, a ‘safe’ writer). By the time with After the Dance, one of Rattigan’s attempts in that tension had deteriorated into war and a 1938 to follow the success of French Without Tears. licence was granted, Follow My Leader’s time had Written in collaboration with Harrow and Oxford passed and the production in 1940 lasted for just friend, Tony Goldschmidt, the play reflects Terry’s eleven performances. Goldschmidt was himself idealism and pacifism in his endeavour to parody killed in the Tunisian campaign in 1943, whilst the rise of Nazism by chronicling the political serving in the Royal Artillery. Many of his men machinations of the fictitious Moronia. In thinly wrote movingly of a much-loved officer, including disguised jibes at the likes of Hitler, Goering and one Terence ‘Spike’ Milligan. Goebbels, the play portrays the fate of the hapless And 75 years later, the Society was treated to plumber, Hans Zedesi, plucked from obscurity as the twelfth performance, featuring a cast drawn the puppet of a corrupt totalitarian regime. Along- entirely from our own ranks. Cont. on page 5… FOLLOW MY LEADER, PP 1, 4, 5 THE OXFORD CONFERENCE REVISITED, P 6 INTRODUCING DOUGLAS GORDON, PP 2, 5 ROGER REES OBITUARY, P 7 RATTIGAN DOUBLE BILL, PP 3, 8 DATES FOR YOUR DIARY / CALL FOR READERS! P 8 1 The Terence Rattigan Society President: Princess George Galitzine MBE Vice-Presidents: Michael Darlow, Greta Scacchi, David Suchet CBE, Geoffrey Wansell Chairman Barbara Longford ([email protected]) Membership Secretary Diana Scotney ([email protected]) Treasurer Andrew Kenyon ([email protected]) Editor Giles Cole ([email protected]) Webmaster Stephen Bradley ([email protected]) Theatre Liaison Michael Wheatley-Ward ([email protected]) Secretary & RAF Liaison Gp. Capt. Clive Montellier FCIPD, FCMI, RAF ([email protected]) US Representative: Dr Holly Hill ([email protected]) Editor’s note: Any views expressed in this newsletter are those of the individual author and do not necessarily represent the views of The Terence Rattigan Society or its Committee. IntroducING theatre and performance. On leaving the Hilton Douglas Gordon in 1965, Douglas ————————————————— managed to buy a small Like several members of the Society, founder hotel at Shepperton-on- member Douglas Gordon is also an avid member of Thames. At that time the the Noël Coward Society, the link between the two hotel had six rooms and being not only an appreciation of great writing for one bathroom. Over the the theatre but our esteemed Chairman Barbara years the group has Longford, who also chaired the Noël Coward expanded to 144 rooms Society for many years. in the Shepperton and At the age of sixteen and a half, Douglas was Weybridge area of Surrey. Working so near to awarded an English Speaking Union Schoolboy London he was able to indulge his passion for scholarship for a year to study at an American Prep theatre – especially musicals - becoming a member School. Following that he studied hotel of the Ivor Novello Society and the Stephen administration at Cornell University, Ithaca, New Sondheim Society in addition to the York, graduating in 1952. aforementioned Noël Coward Society and of This clearly set him up for a career in the hotel course, latterly, the TRS. industry and on his return to the UK he worked at Among his prized possessions he happens to the Grosvenor House, Park Lane, in London and have three gold discs—not having recorded them for Charles Laughton's brother Tommy at the Royal himself, but being given them by grateful guests at Hotel, Scarborough, before being asked to be the his hotel! Those guests included Herman’s Hermits, Executive Assistant Manager at the London Hilton, the 60s pop group, who had a gold disc with to oversee the opening in 1962. There’s a Kind of Hush, Roger Daltrey of The While working at Grosvenor House he also Who, who donated his gold disc for Tommy, and became an Assistant Scout Master to the 56th the 80s jazz-funk band Shakatak. And now, in his Westminster Sea Scout Troop, whose headquarters 85th year, he has recorded a CD himself, as a were nearby in North Audley Street. It was at this member of the Weybridge Male Voice Choir. They time that he met the legendary Ralph Reader, have a very showbiz repertoire, with numbers such founder of the famous Boy Scout Gang Show and as Luck Be a Lady Tonight from Guys and Dolls, he invited Douglas to join the cast of the show Bring Him Home from Les Mis, and The Rose by which he was then staging at the Golders Green the wonderful Bette Midler. Hippodrome. That was the start of a lifelong love of Continued on p 5... 2 younger wife Edna (Miranda Raison) is Juliet and A talent for farce between them they are “troupers” in the great tradition New member Paddy Briggs reviews the of the touring theatre. Rattigan was not a great fan of Rattigan double bill at the Garrick the Arts Council or of “Theatre with a Social Purpose” and his rather conservative demolition of it in Harlequinade could be somewhat bitter in less deft hands. In fact we just see them and their company as being borderline certifiable “Luvvies” without malice but full of gossip and pretentions. Harlequinade is set on that sometimes difficult border between high comedy and outright farce. It is said that farce is “real people in unusual situations” and here the unusual is created by the arrival of a young woman who claims to be Gosport’s grown up daughter, Muriel, and by the apparent existence of a grandchild (neither of whose existence he was previously aware). For Gosport the idea that he is a grandfather just before playing Romeo is a huge shock. The plot unfolds with plenty of opportunities for Branagh to demonstrate a Zoë Wanamaker as Dame Maud in Harlequinade (above) and in its special talent for farce and, of course, for character companion piece, All On Her Own (right), at the Garrick Theatre. creation! There is much fine writing which is show- cased with perfect timing (essential in farce) by the Terence Rattigan’s two plays Harlequinade and All On Company as a whole and by Branagh in particular. Her Own are separated by a twenty year gap, by the medium for which they were written - and by rather more. The former, first produced in 1948, is as The Times critic put it at the time “…a laughing tribute to the theatre which is due from a young man upon whom it has smiled so consistently…” The latter was a com- mission for television and produced in 1968 at a time when Rattigan’s star was recovering from a fall. That fall, not at all of his own making, was a reflection of the new drama of the mid-1950s when the perceived gentility of a Rattigan or a Noel Coward (“boulevard Photo: Johan Persson theatre”) was supplanted by the realism of first Brecht, If Harlequinade is high comedy the monologue All then the home grown Osborne, Arden, Wesker, Delaney On Her Own is sad and introspective. Whether Alan and Pinter. However, whilst the drawing room may Bennett was aware of it when nearly twenty years later have been vacated there was rarely criticism by the new he put together his Talking Heads monologues, also for wave of dramatists who admired the craft of Coward or the BBC, I don’t know. But the genre is the same – as is Rattigan - indeed Harold Pinter praised them both and the quality of the writing. Rosemary returns tipsily had appeared in the latter’s Separate Tables. from a party to an empty apartment where she has lived In choosing to include two Rattigan plays along with alone since the death of her husband. He died of an John Osborne’s masterpiece The Entertainer in this long overdose of sleeping pills and she is unsure whether it season of plays at the Garrick – by the Kenneth Branagh was accidental or not and tries to find out.