General Brand Campaign: Channel, Network Or Platform
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Tittarpuls Vecka 6, 2013
Tittarpuls Vecka 6, 2013 Uppdrag granskning engagerar mest Uppdrag granskning fick flest omnämningar i sociala medier under Uppdrag granskning toppar även listan över engagemang per 10 000 vecka 6 och toppar därför listan framför fotbollsmatchen mellan Sverige tittare, följt av Top Model Sverige. Nykomlingen Hissen ligger på tredje och Argentina. Melodifestivalen tappar två placeringar från förra veckans plats, följt av fotbollslandskampen och Debatt. Nya på listan är Rektorerna förstaplats och hamnar nu på plats tre, följt av Top Model Sverige, Debatt och Bygglov som tar sig in på åttonde respektive tjugonde plats. På och nykomlingen Hissen. På spåret backade till plats tio. Bygglov hamnar spåret tappar mot förra veckan och ligger på plats tjugotre. Minst på plats sexton följt av Agenda och Farmen. Minst antal omnämningar engagemang per tittare skapade Så ska det låta. på listan har Så ska det låta. Omnämningar Antal tittare Engagemang per tittare Program Antal inlägg Program Antal tittare i tusental* Program Inlägg per 10 000 tittare* 1. Uppdrag granskning (4) 4762 1. Melodifestivalen (1) 3670 1. Uppdrag granskning (7) 63,58 2. Fotboll (ny) 4210 2. På spåret (2) 2674 2. Top Model Sverige (2) 50,04 3. Melodifestivalen (1) 3755 3. Skavlan (3) 1779 3. Hissen (ny) 30,47 4. Top Model Sverige (8) 1261 4. Så ska det låta (4) 1703 4. Fotboll (ny) 25,83 5. Debatt (6) 961 5. Fotboll (ny) 1630 5. Debatt (3) 19,18 6. Hissen (ny) 777 6. Antikrundan (5) 1595 6. Melodifestivalen (4) 10,23 7. Gladiatorerna (5) 766 7. Veckans brott (7) 1245 7. Gladiatorerna (8) 9,11 8. -
Wheeler Dealers
MONTI SAYS, KEEP ON TRUCKIN´ If you think globally, watch what you do locally. that was the message from Brussels last week as European Commission competition czar Mario Monti disallowed the takeover by Swedish truckmaker Volvo of its national competitor Scania. He banned the deal, not out of any concern that the resulting firm would dominate the European Union's total truck market, but because he believes it would stifle competition in Scandinavia. That argument seemed to fly in the face of the Commission's promotion of the E.U. as an integrated market-and its insistence that European firms have to adjust to a global marketplace. "We've always been told that there's a single market, but this ruling says it's national markets that matter," says Thierry Proteau, spokesman for the European Automobile Manufacturers' Association. "It's a disturbing paradox." In reaching the controversial but widely expected decision, Monti argued that the customer rather than the producer has to define the relevant market. A merged Volvo-Scania would have controlled some 90% of the Swedish market for heavy trucks and roughly the same proportion of the city bus market in Finland and Ireland. The fact that it would hold only some 31% of the European market as a whole offers scant solace to Swedish truck buy- ers, suggested Monti. They tend to look no further than their local dealerships-overwhelmingly Scania and Volvo-when they buy, the Commission's investigation found. Leif Johansson, Volvo's CEO, said that by judging the deal on those narrow local standards, the Commission's ruling "seem[s] to go against the basic concept of the common market." The decision leaves Volvo back where it was in January 1999 when it sold its passenger car division to Ford for $5.8 billion: cash-rich and keen to buy rather than be boughtunless, of course, the price is right. -
Newsgerrige Børn?
NEWSGERRIGE BØRN? DR Ultra Nyt i børnekulturelt perspektiv Master i børne- og ungdomskultur – medier og æstetiske læreprocesser Child and Youth Cultures, Aesthetic Learning, Processes and Multimedia §9 Masterafhandling Master’s Thesis Maria Bruun Eksamensnummer: 311812 Antal typeenheder: 73.637 Vejleder: Herdis Toft Må gerne offentliggøres Indhold 1. Abstract 1 1.1 Indledning 2 Problemformulering 2 1.2 Baggrund 3 1.3 Form og opbygning 4 2. Metode 5 Valget af informanter 6 Mindmaps 8 Fravalg 8 2.1 Teoretisk grundlag 10 Det komplekse kulturbegreb 12 Legeteoretisk afsæt 13 Karnevalisme teori 14 Medialisering 15 3. Definition af Ultra Nyt 17 Hvad er nyheder? 17 Hvor er nyheder? 17 Hvorfor skal børn have ’nyheder for børn’? 18 Kanaldeling 19 Ultranyt.dk 20 Bekymring og interesse – om Børnerådet og Børnekonventionen 21 Opsamling 23 4. Analyse del 1: Interviews 24 Interview 1 – ”før Ultra Nyt” 24 Om nyheder generelt 24 Om nyheder for børn 25 Om formatet på børnenyheder 27 Om dem selv 28 Tanker om skolen 29 Tanker om leg 29 Opsamling 30 Analyse interview 2 – ”med Ultra Nyt” 30 Identifikation i mobbehistorierne 31 Sydfyn Style 31 Projekt 33 Dyr er kedelige 34 Karnevalistisk træk 34 Opsamling 34 4.1 Analyse, del 2: Karneval og demokrati 36 Delkonklusion 42 5. Konklusion 45 5.1 Perspektiv 48 Litteratur 50 Bilagsmateriale Forældre/barn tilladelse Grundspørgsmål Mindmaps Transskription af interviews Screendumps fra Ultranyt.dk Projektmodningsbrev samt uddrag af mailkorrespondance 1. Abstract This master’s thesis examines Ultra Nyt (Ultra News), a news program for children on the TV channel DR Ultra. Ultra Nyt was first broadcast on 4th March, 2013. -
PSB 3.0 TV and the Digital and Global Challenge
PSB 3.0 TV and the Digital and Global Challenge Ib Bondebjerg Public funding for culture, film and media in general has been a strong element in what we understand to be at the core of the Scandinavian welfare state. It became a crucial part of Scandinavian cultural policy in the 1960s, and in the political philosophy of the Social Democrats and their political allies, the cultural arm of policy became impor- tant as a means to secure a diverse and inclusive public sphere. The birth of modern, visual media like film, radio and television became instruments in a political, social and cultural dialogue across social and cultural differences and barriers. They became a central part of what constitutes an “imagined community” (Anderson 1983) as carri- ers of those stories, narratives and communicative forms that constitute our everyday lives and feeling of belonging. Social and political issues, conflict and debate are central to modern mediated societies and public spheres, but so are deeper social and cultural stories of our present and past. News and documentaries are vital for our understanding of being national citizens as well as citizens of a global world, but TV drama and other forms of fiction are just as important for our ability to understand the contemporary and historical dimensions of society and culture. Fiction can speak to our deeper emotions and collective social feeling of being connected. In this sense, fiction, documentaries and other factual programmes are all part of a well functioning public sphere. For those many European countries that created the modern forms of public support for culture, PSB media were crucial for the diversity of culture and debate in the public sphere. -
Tittarpuls Vecka 10, 2013
Tittarpuls Vecka 10, 2013 Schlagerfinalen dominerar Melodifestivalen fick flest omnämningar i sociala medier under vecka Melodifestivalen toppar även listan över engagemang per 10 000 tittare, tio och toppar därför listan framför Gladiatorerna. Uppdrag granskning följt av Top Model Sverige. Pluras kök intar tredje plats, följt av Agenda hamnar på plats tre, följt av Agenda, Debatt och Top Model Sverige. och Hissen. Nya på listan är Hissen och Fuskbyggarna som tar sig in Så ska det låta klättrar från plats 23 till plats sju. Hela Sveriges Fredag på femte respektive 21:a plats. Debatt klättrar från plats 14 till plats hamnar på plats 19 följt av Fuskbyggarna och Maria och Mindy. Minst sex. Minst engagemang per tittare på listan har Hela Sveriges Fredag. antal omnämningar på listan har Fråga Olle. Omnämningar Antal tittare Engagemang per tittare Program Antal inlägg Program Antal tittare i tusental* Program Inlägg per 10 000 tittare* 1. Melodifestivalen (1) 113422 1. Melodifestivalen (1) 4129 1. Melodifestivalen (1) 274,70 2. Gladiatorerna (4) 1690 2. Skavlan (5) 1759 2. Top Model Sverige (2) 30,43 3. Uppdrag granskning (7) 1544 3. Så ska det låta (4) 1633 3. Pluras kök (10) 26,93 4. Agenda (8) 1117 4. Hela Sveriges Fredag (2) 1627 4. Agenda (7) 23,03 5. Debatt (19) 1078 5. Veckans Brott (7) 1187 5. Hissen (ny) 21,29 6. Top Model Sverige (6) 855 6. Sveriges Mästerkock (8) 1154 6. Debatt (14) 19,74 7. Så ska det låta (23) 799 7. Uppdrag granskning (9) 931 7. Gladiatorerna (8) 19,36 8. Sveriges Mästerkock (12) 793 8. -
TV Kanal Liste
Kanal nr Frekvens Kanalnavn Kanal nr Frekvens Kanalnavn Kanal nr Frekvens Kanalnavn 0 674MHz Disp 47 562MHz dk4 - 20 99 450MHz Infokanal 0 690MHz Disp 48 682MHz TV2 Fri 101 250MHz Al Jazeera English 0 698MHz Disp 50 834MHz Cartoon Network 102 242MHz Al Jazeera Channel 0 858MHz Disp 51 538MHz DR Ramasjang 103 266MHz Al Arabia 0 858MHz Disp 52 538MHz DR Ultra 105 266MHz Dubai Sports 3 1 530MHz DR1 53 794MHz Disney Channel 106 250MHz ESC 2 522MHz TV 2 54 834MHz Disney XD 107 250MHz Al Aoula Inter 3 562MHz TV3 55 802MHz Disney Junior 108 266MHz IQRAA 4 674MHz Kanal 4 56 546MHz Nickelodeon - 20 109 250MHz Dubai TV 5 546MHz Kanal 5 - 20 57 842MHz Nick jr. 110 242MHz 2M Monde 6 794MHz 6'eren 58 810MHz Boomerang 111 250MHz AD Aloula 7 690MHz TV3 Puls 59 674MHz Paramount Networks 112 266MHz France 24 (in Arabic) 8 690MHz TV3+ 60 858MHz MTV Danmark 150 234MHz RTK-1 9 794MHz Canal 9 61 818MHz VH1 152 234MHz RTV Montenegro 10 530MHz DR2 65 314MHz C More First HD 153 226MHz DM-SAT 11 530MHz DR3 66 314MHz C More Hits HD 154 234MHz HRT-TV1 12 530MHz DR K 67 314MHz C More Series HD 155 226MHz Pink Plus 13 698MHz TV2 Charlie 68 314MHz C More Stars HD 156 226MHz Pink Extra 14 682MHz TV2 Zulu 70 322MHz Viasat Film Premiere 157 226MHz Pink 3 / Kids 15 698MHz TV2 News 71 322MHz Viasat Film Series 158 226MHz Pink Film 16 538MHz Folketinget 72 322MHz Viasat Film Family 159 226MHz Pink Music 17 858MHz CNN 73 322MHz Viasat Film Hits 160 242MHz Rai 1 18 826MHz BBC World News 74 322MHz Viasat Film Action 161 242MHz Rai 2 19 506MHz France 24 Engelsk 80 514MHz SVT1 164 234MHz TVE Int. -
Warum Seh' Ich Nicht So Aus? – Fernsehen Im Kontext Von Essstörungen
„Jede, die nicht mindestens so aussieht, „In meinem Kopf war / ist fest ist hässlich und dick.“ verankert: Wenn ich dünn bin, (Cassandra, 18 Jahre und dann ist alles einfacher. Das ganze seit 4 Jahren an Leben. Ich bin nicht wegen Germany’s Magersucht erkrankt) Next Topmodel magersüchtig geworden, dennoch hat es eine Rolle gespielt. Und heute schaue ich es bewusst NICHT WARUM mehr an! Denn es würde die Magersucht wieder so richtig pushen.“ (Lia, 18 Jahre alt und seit 3 Jahren „So wie die an Magersucht erkrankt) möchte ich gerne aussehen. Dafür muss ich SEH’ NICHT nur noch abnehmen. Und ICH dann kann man oft nicht mehr aufhören und rutscht in die Magersucht.“ FERNSEHEN IM KONTEXT VON ESSSTÖRUNGEN ESSSTÖRUNGEN VON FERNSEHEN IM KONTEXT (Denise, 14 Jahre und seit 2 Jahren an Magersucht – SO ? erkrankt) AUS „Warum seh‘ ich nicht so aus?“, fragt sich so manche junge Frau, wenn sie die Frauen in TV-Serien, die Bewerberin- FERNSEHEN IM KONTEXT nen beim Bachelor oder Deutschland sucht den Superstar sieht – und vor allem wenn sie sich mit den Kandidatinnen von Germany’s Next Topmodel vergleicht. Für die meisten Zuschauerinnen ist es „nur“ frustrierend und beeinflusst ihr Selbstvertrauen, dass sie der vorgegebenen Norm nicht genügen. Für andere kann dieser Gedanke und der Wille VON ESSSTÖRUNGEN sich zu ändern in schwere, langwierige Krankheiten führen: Essstörungen, wie Magersucht und Bulimie. Es sind natürlich nicht ausschließlich Fernsehsendungen oder Medienbilder, die zu diesen schweren psychosoma- tischen Störungen führen. Die Ursachen sind immer komplexer und viele Variablen und Problemlagen sind für die Entstehung von Essstörungen verantwortlich. Dennoch spielen Fernsehsendungen oftmals eine wichtige Rolle. -
The Role of Scandal in the Political Life of Italy During the Period 1976-2011
ISSN 2039-2117 (online) Mediterranean Journal of Social Sciences Vol 6 No 1 S1 ISSN 2039-9340 (print) MCSER Publishing, Rome-Italy January 2015 The Role of Scandal in the Political Life of Italy during the Period 1976-2011 Elena Proskurina PhD student, Lomonosov Moscow State University, Assistant professor, Plekhanov Russian University of Economics Email: [email protected] Doi:10.5901/mjss.2015.v6n1s1p333 Abstract This research was conducted to examine the relations between political culture in Italy and its political scandals in the XX century and their impact on the failure of so-called “The First Italian Republic” regime in the 1990-s. The research covers the most significant political scandals from the “Propaganda Due” to the most famous “Tangentopoli”. The findings revealed that political scandal is a turning point in the modern democracy, which reveals the main system problems and gives a chance to the government to estimate the political risks and take an action to prevent the following worsening of the situation. Also the results of the research present an attempt to systemize on the base of the most recent data published in academic sources and classify and leading media political scandals according their actors, reasons and consequences as well as coverage in the media. Keywords: political scandals; modern politics; Christian democrats; Italy 1. Introduction Nowadays, in modern societies the interest in politics is fairly high, thus Media covers both public and private lives of politicians to satisfy this interest. The hot topic of modern mass media has become diverse political scandals occurring in different parts of the world. -
Velkommen Til DR I Aarhus
Velkommen til DR i Aarhus DR i Aarhus er hovedkvarter for DR’s største programproducerende afdeling, som hedder DR Danmark. Udover redaktionerne i Aarhus består DR Danmark af 8 regionale mediehuse, som ligger spredt ud over hele landet fra Aalborg i nord til Aaben- raa i syd, Holstebro i vest til Rønne i øst. I DR’s 28.000 kvadratmeter store hus i Aarhus og de 8 regioner er al DR’s pro- gramproduktion udenfor DR Byen samlet, med det formål at afspejle mere af hele Danmark i DR’s samlede tilbud af programmer til danskerne. Hvert år laver medarbejderne i DR Aarhus ca. 18.000 timers radio og 500 timers tv samt en lang række hjemmesider. DR Aarhus laver indslag og programmer til næsten alle DRs kanaler. F. eks. DR1: P1: Hammerslag, Kender du typen?, Apropos, Gintberg på kanten, Den Store Bage- Netværket dyst ,MGP, Bonderøven, Religionsrapport Søren Ryge, Dokumentar, Eksistens Vejen til MGP P4: DR2: Hver dag: Indefra med Anders Agger 11 nyhedsudsendelser Nak og æd morgen- og eftermiddagsflade. For- DRK: middag på 4’eren DR Kirken, Før søndagen Danmarksmester 5 skarpe Danmark Direkte DR Ramasjang: P5: Godmorgen Ramasjang Nis på P5, Dansktoppen Ramasjang Mysteriet Web: Ramasjang Rally, /bonderoeven, /bagedyst, MGP 2013 – mød finalisterne /gintberg, /tro, /mad, DR Ultra: /oline, /ramasjang Ultra Nyt, Store Nørd I garagen er der 26 tv-produktionsvogne, 3 OB-vogne til store flerkamera-pro- duktioner, 3 live-tv vogne, 2 live-radio vogne, Ramasjang-bussen, og en lang række mindre vogne. DR Aarhus har 3 tv-studier, 8 radio-studier og 26 tv-redigeringsrum DR i Aarhus huser ca. -
WEB TVANNUAL REPORT 2012 SWEDEN V
WEB TVANNUAL REPORT 2012 SWEDEN v Author & Design MMS - Mediamätning i Skandinavien Tigran Zakarian Drottningg 108, S-113 60 Stockholm +46 (0)8 736 10 00 Translation [email protected] Myriam Bawoua Marie Hallinan v Summary Period Participating parties 2012 SVT Weeks 1-52 MTG TV 2/1-30/12 TV4 SBS TV 615 597 112 Started streams 91 782 307 Hours spent 93 354 211 Published programmes and clips Notes - Historic data is presented from as far available. Since MMS has not been measuring Web TV for two full calendar years, the measurements from 2011 are not sufficient for comparison. - Between weeks 42 and 48 the measurement code for MTG TV was revised due to overall compli- cations in the user experience, meaning that measurement data from this period is incomplete. PREFACE The media landscape is constantly changing, and right now driving its development is Internet and Moving Picture content. As a result of this, we can look back at a truly amazing year for web-TV viewing. In 2012, a long series of records for TV-viewing via Internet were set. Almost 616 million streams were started and almost 92 million hours were spent on web TV during the year. The programme with the greatest web audience over the course of the year was the traditional Christmas Eve episode of “Julkalendern”, which was shown on SVT Play. “Julkalendern” attracted an audience of just under 468 000 during an eight day period. The record in terms of number of streams started was set by SVT and Sveriges Radio for the programme “Musikhjälpen”, which generated over 729 000 started streams in the week it aired. -
Highlights December 2012
If you do not currently receive our monthly highlights and would like to, please email: [email protected] Click here for press office contacts Click on logo to go directly to channel Highlights December 2012 Ben Fogle has battled scorching sands in the they try their hand at the ultimate rock climbing Sahara, taken on the seas to row the Atlantic and experience at the world famous Castleton Tower Ben Fogle’s has crossed the frozen wastes of the Antarctic in Utah. Along the way Ben will even tackle his to reach the South Pole. Now, he’s ready for his personal fears of heights with adventures such next mission as he explores the world’s greatest as cliff diving as well as a solo skydive from Year of Adventures adventures. He will take himself to towering 10,000 feet. In the first episode Ben heads to the heights and down to plunging lows as well as to Australian wilderness to take part in the world’s UK SERIES PREMIERE extreme regions where temperatures soar and largest adventure race, where he will run, bike, THURSDAYS FROM 7TH FEBRUARY, 9.00PM never see the light of day. Although all of his swim and kayak to the finishing line. To prepare he exploits are spectacular and breath taking, he is takes on an urban assault course in London and determined that they will all be adventures that attempts to swim from the infamous island prison anyone can experience. of Alcatraz in San Francisco. With his enthusiasm and determination, this action packed series is all Ben embarks on a series of challenges all across about the voyage into the unknown, facing fear the world, from ice climbing and scuba diving in and the thrill of the new. -
Dokusåpor – Nästa Generations Bolibompa? Barn, TV Och Dokusåpor I Skolans Värld
Malmö högskola Lärarutbildningen Lek Fritid Hälsa Examensarbete 10 poäng Dokusåpor – nästa generations Bolibompa? Barn, TV och dokusåpor i skolans värld Reality TV- the Next Generations´ Childrens Programme? Children, TV and Reality TV in the School Environment Fredrika Bauer Frida Schiller Lärarexamen 140 poäng Examinator: Kutte Jönsson Barndoms- och ungdomsvetenskap Höstterminen 2005 Handledare: Fredrik Nilsson 2 Abstract Dokusåpor – nästa generations Bolibompa? Barn, TV och dokusåpor i skolans värld Fredrika Bauer Frida Schiller Bauer, Fredrika & Schiller, Frida (2005). Dokusåpor – nästa generations Bolibompa? Barn, TV och dokusåpor i skolans värld [Reality TV – the Next Generations´ Childrens Programme? Children, TV and Reality TV in the School Environment]. Malmö: Lärarutbildningen. Media spelar stor roll i vårt samhälle. TV är det massmedium vi använder i störst utsträckning. 90 procent av barnen som är mellan nio och fjorton år ser på TV dagligen. Det är inom denna åldersgrupp (närmare bestämt 11-12-åringar) vi valt att göra vår undersökning. Undersökningen berör frågor som vilka TV-program barnen ser på och om barnen kommer i kontakt med dokusåpor? Vi kommer även att se närmare på vem barn tittar på TV med och om det finns någon skillnad mellan pojkars och flickors TV- tittande. Förutom att studera barns medievanor har vi även valt att undersöka verksamma pedagogers arbete, synsätt och åsikter kring TV, olika TV-program och dokusåpor. Frågan är om verksamma pedagoger arbetar med dokusåpor och i så fall hur? Studien har genomförts med hjälp av en enkätundersökning och intervjuer. Nyckelord: barn, pedagoger, TV, dokusåpor, mediepedagogik. 3 4 Förord I detta förord vill vi rikta våra tack till den skola där vi utfört vår undersökning.