Dickinson College Dickinson Scholar Faculty and Staff Publications By Year Faculty and Staff Publications 2001 Travelers and Tourists: Rules of Engagement in William McIlvanney's Detective Fiction Robert P. Winston Dickinson College Follow this and additional works at: https://scholar.dickinson.edu/faculty_publications Part of the Fiction Commons Recommended Citation Winston, Robert P. "Travelers and Tourists: Rules of Engagement in William McIlvanney's Detective Fiction." Studies in Scottish Literature 32, (2001): 117-131. This article is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact
[email protected]. Robert P. Winston Travelers and Tourists: Rules of Engagement in William McIlvanney's Detective Fiction William McIlvanney has written three mysteries which revolve around the Glaswegian police detective, Jack Laidlaw. 1 In each McIlvanney uses his ver sions of the detective novel to celebrate the continuing richness and diversity of Glasgow even as he depicts the struggles of his protagonist and his fellow citizens against a spreading anomie produced by Glasgow's battered economy and Scotland's anomalous position, both politically and culturally, in the pre devolution United Kingdom. The passion of McIlvanney's social mission is clear from the terms he uses to describe his work. For example, in 1989, while discussing his collection of short stories, Walking Wounded, McIlvanney de scribed himself as a "guerrilla," someone who reports "from the front line" about the continuing 'Thatcherisation of Scotland" despite "over 50 socialist voices represent[ing] Scotland in Parliament.,,2 McIlvanney casts himself, in other words, as an irregular fighting an independent war in which clear boundaries and sanctioned rules of engagement are impossible.