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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Steve Cropper | Primary Wave Music
STEVE CROPPER facebook.com/stevecropper twitter.com/officialcropper Image not found or type unknown youtube.com/channel/UCQk6gXkhbUNnhgXHaARGskg playitsteve.com en.wikipedia.org/wiki/Steve_Cropper open.spotify.com/artist/1gLCO8HDtmhp1eWmGcPl8S If Yankee Stadium is “the house that Babe Ruth built,” Stax Records is “the house that Booker T, and the MG’s built.” Integral to that potent combination is MG rhythm guitarist extraordinaire Steve Cropper. As a guitarist, A & R man, engineer, producer, songwriting partner of Otis Redding, Eddie Floyd and a dozen others and founding member of both Booker T. and the MG’s and The Mar-Keys, Cropper was literally involved in virtually every record issued by Stax from the fall of 1961 through year end 1970.Such credits assure Cropper of an honored place in the soul music hall of fame. As co-writer of (Sittin’ On) The Dock Of The Bay, Knock On Wood and In The Midnight Hour, Cropper is in line for immortality. Born on October 21, 1941 on a farm near Dora, Missouri, Steve Cropper moved with his family to Memphis at the age of nine. In Missouri he had been exposed to a wealth of country music and little else. In his adopted home, his thirsty ears amply drank of the fountain of Gospel, R & B and nascent Rock and Roll that thundered over the airwaves of both black and white Memphis radio. Bit by the music bug, Cropper acquired his first mail order guitar at the age of 14. Personal guitar heroes included Tal Farlow, Chuck Berry, Jimmy Reed, Chet Atkins, Lowman Pauling of the Five Royales and Billy Butler of the Bill Doggett band. -
MICHIGAN MONTHLY ______November, 2018 Diane Klakulak, Editor & Publisher ______
MICHIGAN MONTHLY ________________________________________________________________________________________________________________ November, 2018 Diane Klakulak, Editor & Publisher __________________________________________________________________________________________________________________ DETROIT LIONS – Ford Field; DetroitLions.com or UNIVERSITY OF MICHIGAN WOLVERINES – 866- FordField.com; on Fox unless otherwise specified 296-MTIX, MGOBLUE.com/Tickets Nov. 4 at Minnesota Vikings; 1 pm Nov. 3 vs. Penn State Nov. 11 at Chicago Bears; 1 pm Nov. 10 at Rutgers Nov. 18 vs. Carolina Panthers; 1 pm Nov. 17 vs. Indiana Nov. 22 vs. Chicago Bears; 12:30 pm; CBS Nov. 24 at Ohio State Buckeyes; noon; Fox Dec. 2 vs. Los Angeles Rams; 1 pm Dec. 1 Big Ten Championship Dec. 9 at Arizona Cardinals; 4:25 pm Dec. 16 at Buffalo Bills; 1 pm MICHIGAN STATE UNIVERSITY – Dec. 23 vs. Minnesota Vikings; 1 pm msuspartans.com Dec. 30 at Green Bay Packers; 1 pm Nov. 3 at Maryland Terrapins DETROIT RED WINGS – LITTLE CAESARS Nov. 10 vs. Ohio State Buckeyes ARENA – on FSD unless otherwise stated Nov. 17 at Nebraska Cornhuskers Nov. 24 vs. Rutgers Scarlet Knights Nov. 1 vs. New Jersey Devils; 7:30 pm Dec. 1 Big Ten Championship Game; 8 pm; Fox Nov. 3 vs. Edmonton Oilers; 7 pm; also CBC Nov. 6 vs. Vancouver Canucks; 7:30 pm; FSD+ DETROIT PISTONS – LITTLE CAESAR’S ARENA Nov. 9 vs. N.Y. Rangers; 7:30 pm Nov. 10 at Carolina Hurricanes; 7 pm Nov. 3 at Philadelphia 76ers; 1 pm Nov. 13 vs. Arizona Coyotes; 7:30 pm Nov. 5 vs. Miami Heat; 7 pm Nov. 15 at Ottawa Senators; 7:30 pm Nov. 7 at Orlando Magic; 7 pm Nov. -
Alice Cooper
Bienvenidos a la pesadilla ALICE COOPER Publicado originalmente en Octubre de 2008 Antes de Marilyn Manson y sus “cortes” en el pecho, antes que Rob Zombie trajera su ambiente gore, antes que Gene Simmons vomitara “sangre”, un joven de Detroit y su banda se atrevieron a llevar los miedos y las pesadillas al escenario en lo que fue en nacimiento del shock-rock. Alice Cooper es un nombre ya clásico en la historia de la música. Su rostro pálido, con enormes manchas de maquillaje negro en alrededor de los ojos y líneas marcadas en las comisuras de los labios, letras provocadoras y actos dignos del mejor cine de horror de clase B, inició su carrera en una época conservadora, desafiando a los estándares sociales y revolucionando el rock al llevarlo más allá de la música, influenciando a otros artistas que llevarían este primer paso a extremos insospechados. ¡Nadie imagina lo que depara el futuro! Y es que quienes de entrada observan a Alice en uno de sus espectáculos, difícilmente imaginarían que este individuo desciende de una familia con altos valores religiosos. Su abuelo fue apóstol de la Iglesia de Jesucristo y su padre fue máxima autoridad de la misma iglesia, pero el nacido como Vincent Furnier el 4 de febrero de 1948 tenía otro destino, siendo así que después de ser un niño enfermizo, comenzó a interesarse en la música. El destino es curioso. En 1964 Vincent formó su primera banda –The Earwigs- con otros compañeros de escuela ¡sin saber tocar un instrumento! ¡Pero lograron ganar un concurso de talento haciendo mímica de canciones de The Beatles! La experiencia les fue tan grata que se pusieron a estudiar las bases para ser un grupo de verdad –o que al menos tocara sus instrumentos-, cambiando su nombre a The Spiders, adornando sus presentaciones con una enorme telaraña al fondo del escenario. -
The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
Pressemitteilung Zu the Neal Morse Band
Pressemitteilung zu The Neal Morse Band The Neal Morse Band spielt ihren Progressive Rock am 13.06.2022 in der Markthalle in Hamburg Hamburg, Juni 2021 – Zuletzt waren sie im März/April 2019 hierzulande zu sehen, jetzt hat die Neal Morse Band eine weitere Deutschland-Tournee für den Juni 2022 angekündigt. Im Rahmen der Promotion ihres vierten Albums “Innocence & Danger”, das am 27. August 2021 erscheint, wird die Progressive Rock-Band um Bandleader Neal Morse am 13.06.2022 in der Markthalle in Hamburg auftreten. Im Laufe seiner Karriere hat der Gitarrist, Keyboarder und Sänger Neal Morse schon viele Höhen und Tiefen erlebt, bekannt wurde er als maßgeblicher Teil der Neo-Prog-Formationen Spock's Beard, Transatlantic und Flying Colors. Seit 2003 veröffentlicht Morse zwar auch Soloplatten unter seinem Namen, nun hat er sich aber auch wieder in ein Bandgefüge integriert: The Neal Morse Band (aka NMB) formiert sich in ihrer jetzigen Form 2012, zu den langjährigen Mitstreitern Morse’, Mike Portnoy (dr, v) und Randy George (b), kommen Bill Hubauer (key, v) und Eric Gillette (g, v) hinzu. “The Grand Experiment”, das Debüt der Band aus dem Jahr 2015, zeigt eine in diesem Bereich lange nicht gehörte Frische und Reife, die mit den folgenden Alben “The Similitude Of A Dream” (2016) und “The Great Adventure” (2019) weiter perfektioniert wird. Nun erscheint am 27. August 2021 mit “Innocence & Danger” das vierte Werk einer Gruppe von Musikern, die in ihrem Genre, dem progressiven Rock, allesamt eine Ausnahmestellung einnehmen. Nach den beiden vorherigen Konzept-Alben ist es schon erstaunlich, dass “Innocence & Danger” diesmal keiner roten Linie folgt. -
I 100 Migliori Dischi Glam Metal
I TIFONI 5 www.tsunamiedizioni.com Web Tsunami Facebook Copyright © 2012 A.SE.FI. Editoriale Srl Tsunami Edizioni è un marchio registrato di proprietà di A.SE.FI. Editoriale Srl Via dell’Aprica, 8 - Milano www.tsunamiedizioni.com - [email protected] Prima edizione, ottobre 2012 - I Tifoni 5 Curatore: Federico Martinelli Progetto copertina: Moreno Lissoni Gra ca interna: Eugenio Monti Stampato in digitale nel mese di ottobre 2012 da Rotomail Italia S.p.A ISBN: 978-88-96131-46-6 Tutti i diritti riservati. È vietata la riproduzione, anche parziale, in qualsiasi formato, senza l’autorizzazione scritta dell’Editore Sebbenewww.tsunamiedizioni.com sia stato fatto ogni sforzo per rintracciare i titolari dei diritti delle foto pubblicate, ciò non è stato sempre possibile. L’editore rimane a disposizione per essere contattato dagli aventi diritto. i 100 migliori dischi glam metal www.tsunamiedizioni.com INDICE Introduzione ..........................................................................................................9 Aerosmith permanent vacation .......................................................... 14 Alice Cooper Trash .......................................................................................... 16 alleycat scratch deadboys in trash city .................................................... 18 almighty (the) soul destruction ................................................................20 asphalt ballet asphalt ballet .....................................................................22 Babysitters (THE) -
Tcu Daily Skiff
TCU DAILY SKIFF Vol. 84, No. 57 FRIDAY, JANUARY 23, 1987 Fort Worth, Texas Financial aid limited for foreign students By Jerry Madden former president of the International "It's like comparing apples and pay for schooling at TCU, Quinney from government sources, he said. scholarships especially for interna- Students Association. oranges," Brubaker said. "You have to said. "The thought is that American dol- tional students. Staff Writer "I'd rather live here under these look at the traditions behind each of "International students can't get lars should go to American students," "It's a lot cheaper for me to go to For most American college stu- conditions than over there," Quinney the systems." financial aid here," she said. Brubaker said. school in England," Quinney said. dent, school financial aid is a source said. He also said that in America, fami- The only aid foreign students are Brubaker said most international The cost of tuition in England is 500 of continuing headaches. It would Quinney, a native of England, said lies have the primary rcsponsiblity for eligible for, Quinney said, is a scho- students receive the majority of their pounds, or about $750, regardless of probably seem like a dream if they students in America live in better con- educating children. In Europe, larship of $1,000 per year given by the support from family sources. Some which university one goes to, Quin- didn't have to pay for tuition. ditions than do students in England. education is the state's responsibility. International Student Affairs Office. students work directly for the uni- ney said. -
LIT2013000004 - Andy Gibb.Pdf
•, \.. .. ,-,, i ~ .«t ~' ,,; ~-· ·I NOT\CE OF ENTR'Y.OF APPEARANCE AS AllORNE'< OR REPRESEN1' Al\VE DATE In re: Andrew Roy Gibb October 27, 1978 application for status as permanent resident FILE No. Al I (b)(6) I hereby enter my appearanc:e as attorney for (or representative of), and at the reQUest of, the fol'lowing" named person(s): - NAME \ 0 Petitioner Applicant Andrew Roy Gibb 0 Beneficiary D "ADDRESS (Apt. No,) (Number & Street) (City) (State) (ZIP Code) Mi NAME O Applicant (b)(6) D ADDRESS (Apt, No,) (Number & Street) (City} (ZIP Code) Check Applicable ltem(a) below: lXJ I I am an attorney and a member in good standing of the bar of the Supreme Court of the United States or of the highest court of the following State, territory; insular possession, or District of Columbia A;r;:ka.nsa§ Simt:eme Coy;ct and am not under -a (NBme of Court) court or administrative agency order ·suspending, enjoining, restraining, disbarring, or otherwise restricting me in practicing law. [] 2. I am an accredited representative of the following named religious, charitable, ,social service, or similar organization established in the United States and which is so recognized by the Board: [] i I am associated with ) the. attomey of record who previously fited a notice of appearance in this case and my appearance is at his request. (If '!J<?V. check this item, also check item 1 or 2 whichever is a1wropriate .) [] 4. Others (Explain fully.) '• SIGNATURE COMPLETE ADDRESS Willi~P .A. 2311 Biscayne, Suite 320 ' By: V ? Litle Rock, Arkansas 72207 /I ' f. -
Reaching for the First Blue Sky: New Record Reviews
Reaching For The First Blue Sky: New Record Reviews Music | Bittles’ Magazine: The music column from the end of the world With Brexit looming ever closer, those of us who live in the UK are preparing ourselves for the worst. If the hard-line Brexiteers get their way we will be dragged back to the dark ages, but with worse hair, clothes and hygiene. And even though, as I write this, hundreds of thousands march in London, while a petition to revoke Article 50 has reached over four million signatures, there is a feeling of powerlessness upon the people, that we are being forced off a cliff no matter what we do. With politics in this country destroying what little equilibrium we have, the escapism supplied by music and culture is more important than ever. This month I will be discussing some of the recent releases which have been easing my depression and taking my mind to a better place. We have the big hearted rave rush of Placid Angles, the bitter-sweet ruminations of Masha Qrella, the lush house grooves of Octo Octa and Jayda G, the widescreen ambiance of Mario Hammer And The Lonely Robot, Weval’s smooth downtempo jams, and lots more. BY JOHN BITTLES So, turn the news off and the volume up, and let us begin… Twenty-two years since its last appearance, John Beltran’s Placid Angles alias re-emerges this month with the delicate house majesty of First Blue Sky. Out now on Lone’s always fabulous Magicwire imprint, the album finds the celebrated producer mixing dreamy deep house, rave nostalgia, and melodic ambiance in style. -
Downloadable PDF Transcript
Episode 58 Transcript Release Date: Monday, December 10, 2018 Metal guitarist Nita Strauss on the Highway to Health Nick Collias: Welcome to The Bodybuilding.com Podcast. I'm Nick Collias, your host. To my right, as always, is Heather Eastman. We're snowed in today. Come help us, please. Send dogs, so we can eat them. Nita Strauss: It would be really funny if this aired in the middle of summer. Heather Eastman: Send coffee. Nick: Send coffee. On this frigid winter day, our guest is the fantastic guitarist, Nita Strauss, who braved the elements to come visit with us. Nita Strauss: It was seriously raving, because I'm from LA, so we don't have anything like this, even- Nick: She told me the tour bus got stuck this morning. Heather: No way! Nita Strauss: Yeah, we got stuck in the snow. We were supposed to arrive around 6:00. I mean, we're asleep. It's not like I'm driving it or anything, but we were supposed to arrive around 6:00, and we got in literally as our Uber was pulling up to pick us up to bring us here. Nick: Nice. bodybuilding.com-podcast-transcript-episode-58.pdf pg. 1 Heather: Wow. Nita Strauss: Like, the Uber pulled in behind the bus. Heather: All right... Nick: Now, I know what you're thinking, people, guitarist on the podcast, but stick with us. Heather: Just bear with us. Nick: The point will be clear quickly here, but Nita has shredded in the service of a whole bunch of bands. -
Personal Music Collection
Christopher Lee :: Personal Music Collection electricshockmusic.com :: Saturday, 25 September 2021 < Back Forward > Christopher Lee's Personal Music Collection | # | A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | | DVD Audio | DVD Video | COMPACT DISCS Artist Title Year Label Notes # Digitally 10CC 10cc 1973, 2007 ZT's/Cherry Red Remastered UK import 4-CD Boxed Set 10CC Before During After: The Story Of 10cc 2017 UMC Netherlands import 10CC I'm Not In Love: The Essential 10cc 2016 Spectrum UK import Digitally 10CC The Original Soundtrack 1975, 1997 Mercury Remastered UK import Digitally Remastered 10CC The Very Best Of 10cc 1997 Mercury Australian import 80's Symphonic 2018 Rhino THE 1975 A Brief Inquiry Into Online Relationships 2018 Dirty Hit/Polydor UK import I Like It When You Sleep, For You Are So Beautiful THE 1975 2016 Dirty Hit/Interscope Yet So Unaware Of It THE 1975 Notes On A Conditional Form 2020 Dirty Hit/Interscope THE 1975 The 1975 2013 Dirty Hit/Polydor UK import {Return to Top} A A-HA 25 2010 Warner Bros./Rhino UK import A-HA Analogue 2005 Polydor Thailand import Deluxe Fanbox Edition A-HA Cast In Steel 2015 We Love Music/Polydor Boxed Set German import A-HA East Of The Sun West Of The Moon 1990 Warner Bros. German import Digitally Remastered A-HA East Of The Sun West Of The Moon 1990, 2015 Warner Bros./Rhino 2-CD/1-DVD Edition UK import 2-CD/1-DVD Ending On A High Note: The Final Concert Live At A-HA 2011 Universal Music Deluxe Edition Oslo Spektrum German import A-HA Foot Of The Mountain 2009 Universal Music German import A-HA Hunting High And Low 1985 Reprise Digitally Remastered A-HA Hunting High And Low 1985, 2010 Warner Bros./Rhino 2-CD Edition UK import Digitally Remastered Hunting High And Low: 30th Anniversary Deluxe A-HA 1985, 2015 Warner Bros./Rhino 4-CD/1-DVD Edition Boxed Set German import A-HA Lifelines 2002 WEA German import Digitally Remastered A-HA Lifelines 2002, 2019 Warner Bros./Rhino 2-CD Edition UK import A-HA Memorial Beach 1993 Warner Bros.