Chapter 16 535 Pipe Bursting

Total Page:16

File Type:pdf, Size:1020Kb

Chapter 16 535 Pipe Bursting Chapter 16 535 Pipe Bursting Chapter 16 Pipe Bursting Introduction Underground service utilities in many American cities have been in place for over 100 years. While existing systems have functioned well beyond reasonably anticipated service life, underground systems are mostly deteriorated and need costly maintenance and repair. Common problems involve corrosion and deterioration of pipe materials, failure or leakage of pipe joints, and reduction of flow due to mineral deposits and debris build up inside the pipe. Damage to existing pipes can also occur by ground movements due to adjacent construction activity, uneven settlement or other ground instability. This leads to infiltration and inflow (I&I) increase in sewer systems. In water systems, it leads to flow and pressure reductions, persistent leakage (up to 30 percent of water provided in some systems), pipe bursts, and poor water quality. These problems tend to increase with the age of the network where maintaining this large network of underground sewer, water, and gas pipelines is difficult and costly. The above problems are compounded by the significant negative impacts (of open cut repair or replacement projects) on the daily life, traffic, and commerce of the area served by and along the pipeline in question. Pipe bursting is a well-established trenchless method that is widely used for the replacement of deteriorated pipes with a new pipe of the same or larger diameter. Pipe bursting is an economic pipe replacement alternative that reduces disturbance to business and residents when it is compared to the open cut technique. Pipe bursting is especially cost-effective if the existing pipe is out of capacity, deep, and/or below the ground water table (GWT). Replacing an old pipe with a larger one is termed upsizing. One-size upsizing is replacing the old pipe with a pipe one standard size larger, for example replacing 8” pipe with 10” one. Similarly, two-size upsizing is replacing the old pipe with a pipe two standard sizes larger, e.g. replacing 8” pipe with 12” one. 535-583.indd 535 1/16/09 10:22:25 AM 536 Chapter 16 Pipe Bursting Pipe bursting conventionally involves the insertion of a cone shaped bursting head into an old pipe. The base of the cone is larger than the inside diameter of the old pipe and slightly larger than the outside diameter of the new pipe to reduce friction and to provide space for maneuvering the pipe. The back end of the bursting head is connected to the new Polyethylene (PE) pipe and the front end is attached to a cable or pulling rod. The new pipe and bursting head are launched from the insertion shaft and the cable or pulling rod is pulled from the pulling shaft, as shown in Figure 1. The bursting head receives energy to break the old pipe from one of the following sources: a pulling cable or rod, a hydraulic source, or an air compressor. The energy breaks the old pipe into pieces and expands the diameter of the cavity. As the bursting head is pulled through the old pipe debris, it creates a bigger cavity through which the new pipe is simultaneously pulled from the insertion shaft. There are many variations to this conventional layout that are presented later in the chapter. History Pipe bursting was first developed in the UK in the late 1970s by D. J. yanR & Sons in conjunction with British Gas, for the replacement of small-diameter, 3- and 4-inch cast iron gas mains (Howell 1995). The process involved a pneumatically driven, cone- shaped bursting head operated by a reciprocating impact process. This method was patented in the UK in 1981 and in the United States in 1986; these patents expired in April, 2005. When it was first introduced, this method was used only in replacing cast iron gas distribution lines; it was later employed to replace water and sewer lines. By 1985, the process was further developed to install up to 16-inch outer diameter (OD) medium-density polyethylene (MDPE) sewer pipe. Replacement of sewers in the UK using sectional pipes as opposed to continuously welded PE pipe was described in a paper by Boot et al. (1987). Up to 2006, approximately 9,000 miles of PE pipe has been installed by bursting (Najafi, 2006). Currently, pipe bursting is used to replace water lines, gas lines, and sewer lines throughout the world. 535-583.indd 536 1/16/09 10:22:25 AM Chapter 16 537 Pipe Bursting Force Air Pressure/Hydraulic Hose New HDPE Pipe Bursting Head Ground Serface Pulling Pit Insertion Pit D Old Pipe d Pulling Cable/Rod D= Depth of cover d= Diameter of the existing pipe Figure 1 The Pipe Bursting Operation Layout Pipe Bursting and Trenchless Pipe Replacement Systems Existing old pipes can be replaced by one of several trenchless techniques developed up to date. There are three basic methods of pipe bursting: pneumatic, hydraulic, and static pull. In addition, there are proprietary trenchless pipe replacement systems that incorporate significant modifications to the basic pipe bursting technique. The basic difference among these systems is in the source of energy and the method of breaking the old pipe and some consequent differences in operation that are briefly described in the following paragraphs. The selection of a specific replacement method depends on soil conditions, groundwater conditions, degree of upsizing required, type of new pipe, construction of the existing pipeline, depth of the pipeline, availability of experienced contractors, and so on. Pneumatic Bursting Systems The most common pipe bursting method is the pneumatic system. In the pneumatic system, the bursting tool is a soil displacement hammer driven by compressed air and operated at a rate of 180 to 580 blows per minute. It is similar to a pile-driving operation going horizontally. The percussive action of the hammering cone-shaped head is also similar to hammering a nail into the wall; each hammer pushes the nail a short distance as shown in Figure 2. With each stroke, the bursting tool cracks and breaks the old pipe, the expander on the head - combined with the percussive action of the bursting tool, push the fragments and the surrounding soil providing space to pull in the new PE pipe. The expander can be frontend (attached to the frontend of the hammer) for pipes smaller than 12” or back-end (attached to the backend of the hammer) for pipes larger than 12”. The frontend expander allows withdrawing the hammer through the PE pipe after removing the expander from the existing manhole at the pulling shaft without damaging the manhole. The tension applied to the cable keeps the bursting head aligned with the old pipe, keeps the bursting tool pressed 535-583.indd 537 1/16/09 10:22:25 AM 538 Chapter 16 Pipe Bursting against the existing pipe wall, and pulls the new PE pipe behind the head. An air pressure supply hose is inserted through the PE pipe and connected to the bursting tool. The bursting starts once (1) the head is attached to the new pipe, (2) the winch cable is inserted through the old pipe and attached to the head, (3) the air compressor and the winch are set at a constant pressure and tension values. The process continues with little operator intervention until the head reaches the pulling shaft at which point it is separated from the PE Pipe. Figure 2 The Bursting Head of the Pneumatic System Static Bursting Systems The second common method of pipe bursting is the static pull system. In the static pull system, a larger tensile force is applied to the cone-shaped expansion head 535-583.indd 538 1/27/09 12:53:03 PM Chapter 16 539 Pipe Bursting through a pulling rod assembly or cable inserted through the existing pipe. The cone transfers the horizontal pulling force into a radial force -- breaking the old pipe and expanding the cavity providing space for the PE pipe as shown in Figure 3. The steel rods, each is about four feet long, are inserted into the old pipe from the pulling shaft. The rods are connected together using different types of connections. When the rods reach the insertion shaft, the bursting head is connected to the rods and the PE pipe is connected to the rear of the head. A hydraulic unit in the pulling shaft pulls the rods one rod at a time, and the rod sections are removed. The process continues until the bursting head reaches the pulling shaft, where it is separated from the PE pipe. If cable is used instead of rod, the pulling process continues with minimum interruption, but the tensile force of a cable compared to a rod section is limited. Pipe Splitting The North American Society for Trenchless Technology (NASTT) defines pipe splitting as a replacement method for breaking an existing pipe by longitudinal slitting. At the same time a new pipe of the same or larger diameter may be drawn in behind the splitting tool (NASTT 2008). Pipe splitting is used to replace ductile material pipes, which does not fracture using the above-cited bursting techniques. The system has a splitting wheel or cutting knives that slit the pipe longitudinally at two more lines along the side of the pipe. An example of splitting head is shown in Figure 4. Figure 3 The Static Pull Bursting Head with Accessories to Cut Reinforcing Steel in RCP 535-583.indd 539 1/16/09 10:22:25 AM 540 Chapter 16 Pipe Bursting Figure 4 Pipe Splitting Head (PIM Corporation 2007) Pipe Reaming Pipe reaming is pipe replacement technique that uses a horizontal directional drilling (HDD) machine with minor modification.
Recommended publications
  • A Don West Reader West End Press
    Lincoln Memorial University LMU Digital Commons Copyright-Free Books Collection Special Collections 1985 In a Land of Plenty: A Don West Reader West End Press Don West Constance Adams West Follow this and additional works at: https://digitalcommons.lmunet.edu/csbc Part of the Appalachian Studies Commons, and the Poetry Commons Recommended Citation End Press, West; West, Don; and West, Constance Adams, "In a Land of Plenty: A Don West Reader" (1985). Copyright-Free Books Collection. 1. https://digitalcommons.lmunet.edu/csbc/1 This Book is brought to you for free and open access by the Special Collections at LMU Digital Commons. It has been accepted for inclusion in Copyright-Free Books Collection by an authorized administrator of LMU Digital Commons. For more information, please contact [email protected]. With sketches Constance Adams West No Grants This book is not supported any grant, governmental, corporate or PS 3545 .E8279 16 1985 private. It is paid for, directly or indirectly, by the people who support and In a land of plenty have Don West's vision, and it both reflects and proves their best - The publisher No Purposely this book is not copyrighted. Poetry and other creative efforts should be levers, weapons to be used in the people's struggle for understanding, human rights, and decency. "Art for Art's Sake" is a misnomer. The poet can never be neutral. In a hungry world the struggle between oppressor and oppressed is unending. There is the inevitable question: "Which side are you on?" To be content with as they are, to be "neutral," is to take sides with the oppressor who also wants to keep the status quo.
    [Show full text]
  • A Graduate Recital Report
    Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 5-1970 A Graduate Recital Report Richard J. Muirhead Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Part of the Music Commons Recommended Citation Muirhead, Richard J., "A Graduate Recital Report" (1970). All Graduate Plan B and other Reports. 611. https://digitalcommons.usu.edu/gradreports/611 This Report is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. A GRADUATE RECITA L REFDRT by Richard J. Huirhead Rerort of a recital performed in partial fulfill"-ent of the requirements for the degree of ·l1AS TER OF BUSIC in Applied Husic UTAH STATE UNIVERSITY Logan, Utah 1970 ACKNO\VLEDGENEN'IS Sincere appreciation is given to the members of ~ co ~~ ttee, Dr. 1-lilliam Ramsey, Dr. Alma Dittmer and Dr. 11ax Dalby, for their unselfishly giving me of their time, including holidays and weekends, to assist me ;Qth ~ special needs. I would like to particularly thank Dr. Rams~y , ~major professor, "no has guided me to a new insight of sineing ar.d ·,rho has helped to open a ;rhole ne1·1 field of repertoire for me . Debbie Schoonmaker, nw accompanist, deserves special praise and appreciation for her skill and musicRl talent ;,hich helped to make this recitel a success. Host i mp ortant of all, I wish to thank ~ ;Qfe , Alke, for her assistance and encouragerr.e nt in the preparing of t he reci tR1 and this paper.
    [Show full text]
  • 1 2 | Lonestarmusic Lonestarmusic | 3
    LoneStarMusic | 1 2 | LoneStarMusic LoneStarMusic | 3 inside this issue SHOVELS AND ROPE pg 38 O’ What Two Can Do The triumphant union, joyful noise and crazy good times of Cary Ann Hearst and Michael Trent by Kelly Dearmore FEATUREs 34 Q&A: Paul Thorn — By Lynne Margolis 48 Sunny Sweeney finds the light — By Holly Gleason 52 Lee Ann Womack: When I come around — By Richard Skanse 56 Cory Branan: The wandering musical spirit of Americana’s free-ranging “No-Hit Wonder” — By Adam Daswon 58 Imagine Houston: An excerpt from Reverb, the new novel by Joe Ely Photo courtesy of All Eyes Media 4 | LoneStarMusic LoneStarMusic | 5 after awhile inside this issue Publisher: Zach Jennings Editor: Richard Skanse Notes from the Editor | By Richard Skanse Creative Director/Layout: Melissa Webb Cover Design: Melissa Webb Advertising/Marketing: Kristen Townsend Apart from the opportunity to work with a team of really good people Advertising: Tara Staglik, Erica — especially graphic designer Melissa Webb, who I’d already known and Brown greatly respected for years — one of the things that appealed most to me Artist & Label Relations: Kristen Townsend about joining this magazine five years ago was owner Zach Jennings’ vision that LoneStarMusic could be about more than just Texas music. Even more Contributing Contributing and Writers Photographers than Texas Red Dirt music. We all agreed that we would still focus on songwriters and roots and/or country(ish) music — pretty much anything Richard Skanse John Carrico that could directly or even indirectly fall under the category of “Americana” in Lynne Margolis Lynne Margolis Brian T.
    [Show full text]
  • All Audio Songs by Artist
    ALL AUDIO SONGS BY ARTIST ARTIST TRACK NAME 1814 INSOMNIA 1814 MORNING STAR 1814 MY DEAR FRIEND 1814 LET JAH FIRE BURN 1814 4 UNUNINI 1814 JAH RYDEM 1814 GET UP 1814 LET MY PEOPLE GO 1814 JAH RASTAFARI 1814 WHAKAHONOHONO 1814 SHACKLED 2 PAC CALIFORNIA LOVE 20 FINGERS SHORT SHORT MAN 28 DAYS RIP IT UP 3 DOORS DOWN KRYPTONITE 3 DOORS DOWN HERE WITHOUT YOU 3 JAYS IN MY EYES 3 JAYS FEELING IT TOO 3 THE HARDWAY ITS ON 360 FT GOSSLING BOYS LIKE YOU 360 FT JOSH PYKE THROW IT AWAY 3OH!3 STARSTRUKK ALBUM VERSION 3OH!3 DOUBLE VISION 3OH!3 DONT TRUST ME 3OH!3 AND KESHA MY FIRST KISS 4 NON BLONDES OLD MR HEFFER 4 NON BLONDES TRAIN 4 NON BLONDES PLEASANTLY BLUE 4 NON BLONDES NO PLACE LIKE HOME 4 NON BLONDES DRIFTING 4 NON BLONDES CALLING ALL THE PEOPLE 4 NON BLONDES WHATS UP 4 NON BLONDES SUPERFLY 4 NON BLONDES SPACEMAN 4 NON BLONDES MORPHINE AND CHOCOLATE 4 NON BLONDES DEAR MR PRESIDENT 48 MAY NERVOUS WRECK 48 MAY LEATHER AND TATTOOS 48 MAY INTO THE SUN 48 MAY BIGSHOCK 48 MAY HOME BY 2 5 SECONDS OF SUMMER GOOD GIRLS 5 SECONDS OF SUMMER EVERYTHING I DIDNT SAY 5 SECONDS OF SUMMER DONT STOP 5 SECONDS OF SUMMER AMNESIA 5 SECONDS OF SUMMER SHE LOOKS SO PERFECT 5 SECONDS OF SUMMER KISS ME KISS ME 50 CENT CANDY SHOP 50 CENT WINDOW SHOPPER 50 CENT IN DA CLUB 50 CENT JUST A LIL BIT 50 CENT 21 QUESTIONS 50 CENT AND JUSTIN TIMBERLAKE AYO TECHNOLOGY 6400 CREW HUSTLERS REVENGE 98 DEGREES GIVE ME JUST ONE NIGHT A GREAT BIG WORLD FT CHRISTINA AGUILERA SAY SOMETHING A HA THE ALWAYS SHINES ON TV A HA THE LIVING DAYLIGHTS A LIGHTER SHADE OF BROWN ON A SUNDAY AFTERNOON
    [Show full text]
  • International Torrance Legacy Creativity Awards International Torrance Legacy Creativity Awards
    2017 International Torrance Legacy Creativity Awards International Torrance Legacy Creativity Awards Creative Writing Visual Arts Music Composition Inventions Creative Writing 1 2 2016 International Torrance Legacy Creativity Awards Table of Contents 5 Overview 38 Land Beyond the Eye 73 Creative Writing: Ages 16-18 Hamza Hasan Winners List 7 Creative Writing 41 The Rising Sun 74 My Mama’s Roots 8 Creative Writing: Ages 8-10 Ella Guzman Sarah Baldino Winners List 43 Black Rain 75 An Overdue Spoon 9 Mathus Antonius Speaks Chere Low Angkana Annie Chotikul Tanmay Kulkarni 44 2000 76 A Mountain’s View 10 Change Vivien Le Qi Sue Haemaru Chung Priya Bartlett 46 Expectation 77 Letter to Oscillating Body 10 Staying in the Light Tham Yun Xin Cindy Song Maya Wylie 78 Serving Strokes 11 Over the Mountains 48 Creative Writing: Ages 13-15 Shelley Choi Hannah Story Steinberg Winners List 79 Mechanical Lake 12 The Cat-Sitting Calamity 49 All That I Need Stephanie Tom Nina Vigil Shriya Singh 80 Terra Forming 14 The Grasshopper and the Ant, 50 Lost in Evermore Emma Kim as Retold by the Grasshopper Jacqueline Lo Callum Wyer 82 31 Flavors, 31,000 Marching 51 Rice Dumplings Na Kyoung (Diana) Lee 15 Once in a Blue Moon Siu Ching Lee Sarah Franco-Vila 84 Into the Thunderstorm 52 infinitely unstoppable Haemaru Chung 17 Escape to Monaflorence Tonya Hu Molly Slupik 86 A Thousand Words 53 And After Nina Curran 22 Journal of My Visit to the Capital Kenny Kim Headquarters of Laboratories and Robotics 88 The Lost Key Institutes of Technology 54 Constantinople Amrita Bhasin Hudson Guzman Joel Kai-En Hoe 90 Last Night in Little Rock 24 A Monkey Tale 55 Shadow Paintings Matthew Fan Violetta Dacre Christina Wong 93 Any Cold Night 57 Fraying Constellation Jaeho Kim 26 Creative Writing: Ages 11-12 Rachel Liang Winners List 95 Promenade Beginnings 59 That Darn Rabbit Kyra Si-Chen Du 27 Night Surfing Cindy Wang Tyler A.
    [Show full text]
  • Robyn Sutherland Better Band | Artist Song List
    ROBYN SUTHERLAND BETTER BAND | ARTIST SONG LIST Pop Songs / Easy Listening New Music - Acoustic Covers A Thousand Years - Christina Perri - from the Twilight saga's Breaking Dawn part I All About Your Heart - Mindy Gledhill All of Me - John Legend Always on my Mind - Tiki Taane Bed Peace - Jhene Aiko Budapest - George Ezra Can't Help Falling in Love - Haley Reinhart Chasing Cars - Snow Patrol Crazier - Taylor Swift Fast Car - Tracy Chapman Full of Fire - Jess Chambers Here is A Heart - Jenny Owen Youngs Home - Edward Sharpe and the Magnetic Zeros Homesick - Duo Lipa How Long Will I Love You - Ellie Goulding I Wanna Grow Old With You - Westlife - from the movie Up Into The Wild - Lewis Watson Love Me Like You Do - Ellie Goulding Love Story - Taylor Swift Marry Me - Bruno Mars Maybe Tomorrow - Goldenhorse Me and You - Barry Louis Polisay Only Time - Enya Perfect - Ed Sheeran Pieces of Me - Penny Laybourne Storybook Love - Willy de Ville Talk To Me - Henry Hall You're the One That I Want - Julius and Angus Stone (cover from the movie 'Grease') When September Ends - Green Day Wild Horses - Susan Boyle Yellow - Coldplay Older Music - Acoustic Covers A Thousand Years - Sting Across the Universe - The Beatles All For Love - Rod Stewart, Bryan Adams and Sting All I Have to do is Dream All I Want is You - U2 Amarantine - Enya Annie's Song - John Denver Beauty and the Beast - Disney BETTER BAND | 021 1795953 | [email protected] Bursting Through - Bic Runga Come Away With Me - Norah Jones In the Arms of the Angels - Sarah McLaughlan I've Dreamed
    [Show full text]
  • Martin Obstinate.Pdf
    Other Titles by Richard Martin Boink! Dream of Long Headdresses: Poems from a Thousand Hospitals Marks Modulations Napkin Apologies Negation of Beautiful Words Sideways White Man Appears on Southern California Beach Richard Martin Obstinate Midgets Obscure Publications 2006 Copyright 0 2006 by Richard Martin All rights reserved. No part of this publication may be reproduced or transmitted in any form or by means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the copyright holder, except for quotes in reviews. Acknowledgments: A big “thanks” of appreciation to XJ Dailey (editor-for-life), of Fell Swoop - The All Bohemian Review, for publishing a number of these “flash fictions” in various Swoop issues. Thanks also to unarmed for publishing Freak-out Boy. Cover art by Tom Haines. Photograph by Bern Mulligan. for Eileen First Edition, 2006 OBSCURE PUBLICATIONS Paul Rosheim, Series Editor 307 River Street, Apt. 18 Black River Falls, Wisconsin 546 15 “Watch Out for Obscure Publications” Those Who Were Dead Did Not Respond Like her cat, Alice enjoyed stretching out on rugs in front of windows brimmed with warm and brilliant sunlight. And like her cat, Alice followed the sun horn room to room as it made its way from the back, eastside, upstairs bedrooms of her house to the dining and living rooms on the fust floor, westside, of the house. For Alice and her cat, the venerable Mr. Bo Gee, the sun-worship and outright dozing began in the middle of March and carried through to the somber and hopeless days of November.
    [Show full text]
  • Open House Welcomes Prospective Arrows Seb's New “Planet of the Apes” for Halloween
    The Walrus The time has come, the Walrus said, to talk of many things: Of shoes and ships and sealing wax, of cabbages and kings. - Lewis Carroll Vol LXIII, No. 2 St. Sebastian’s School November 2009 Open House Welcomes Unity Day Brings Seb’s Prospective Arrows Community Together By NED KINGSLEY ‘10 The day started in the Church, where ing and acting. He has performed Father Arens offered Mass. This was his one-man show throughout the The St. Sebastian’s School Community just the first step. Sitting in the pews, country, including shows at Yale, came together on Friday, November we listened to the Word of the Lord Cornell, MIT, and a number of other 6th, to participate in the second an- and reflected with Father Arens very well-known institutions nation- nual Unity Day. Unity Day is an unusal on the meaning of unity, diversity, wide. He was the 2008 and 2009 day for a number of reasons: there and togetherness. His passionate AISNE Students of Color Conference are no tests, quizzes, labs, or even any homily helped set the tone for a very Speaker, and now he has performed classes, and the day ordinarily ends successful day of both personal and at St. Sebastian’s, courtesy of MPA. around 11 o’clock in the morning. Yet group reflection. Mr. Tejada’s performance focused on even given the shortened sched- Following the service, we made our the struggles of a young man from ule, the day is both productive and way down to Ward Hall, where we the South Bronx.
    [Show full text]
  • Party Warehouse Karaoke & Jukebox Song List
    Party Warehouse Karaoke & Jukebox Song List Please note that this is a sample song list from one Karaoke & Jukebox Machine which may vary from the one you hire You can view a sample song list for digital jukebox (which comes with the karaoke machine) below. Song# ARTIST TRACK NAME 1 10CC IM NOT IN LOVE Karaoke 2 10CC DREADLOCK HOLIDAY Karaoke 3 2 PAC CALIFORNIA LOVE Karaoke 4 4 NON BLONDES WHATS UP Karaoke 5 50 CENT IN DA CLUB Karaoke 6 A HA TAKE ON ME Karaoke 7 A HA THE SUN ALWAYS SHINES ON TV Karaoke 8 A1 CAUGHT IN THE MIDDLE Karaoke 9 AALIYAH I DONT WANNA Karaoke 10 ABBA DANCING QUEEN Karaoke 11 ABBA WATERLOO Karaoke 12 ABBA THANK YOU FOR THE MUSIC Karaoke 13 ABBA SUPER TROUPER Karaoke 14 ABBA SOS Karaoke 15 ABBA ROCK ME Karaoke 16 ABBA MONEY MONEY MONEY Karaoke 17 ABBA MAMMA MIA Karaoke 18 ABBA KNOWING ME KNOWING YOU Karaoke 19 ABBA FERNANDO Karaoke 20 ABBA CHIQUITITA Karaoke 21 ABBA I DO I DO I DO I DO I DO Karaoke 22 ABC POISON ARROW Karaoke 23 ABC THE LOOK OF LOVE Karaoke 24 ACDC STIFF UPPER LIP Karaoke 25 ACE OF BASE ALL THAT SHE WANTS Karaoke 26 ACE OF BASE DONT TURN AROUND Karaoke 27 ACE OF BASE THE SIGN Karaoke 28 ADAM ANT ANT MUSIC Karaoke 29 AEROSMITH CRAZY Karaoke 30 AEROSMITH I DONT WANT TO MISS A THING Karaoke 31 AEROSMITH LOVE IN AN ELEVATOR Karaoke 32 AFROMAN BECAUSE I GOT HIGH Karaoke 33 AIR SUPPLY ALL OUT OF LOVE Karaoke 34 ALANIS MORISSETTE YOU OUGHTA KNOW Karaoke 35 ALANIS MORISSETTE THANK U Karaoke 36 ALANIS MORISSETTE ALL I REALLY WANT Karaoke 37 ALANIS MORISSETTE IRONIC Karaoke 38 ALANNAH MYLES BLACK VELVET Karaoke
    [Show full text]
  • Masters Thesis
    http://researchcommons.waikato.ac.nz/ Research Commons at the University of Waikato Copyright Statement: The digital copy of this thesis is protected by the Copyright Act 1994 (New Zealand). The thesis may be consulted by you, provided you comply with the provisions of the Act and the following conditions of use: Any use you make of these documents or images must be for research or private study purposes only, and you may not make them available to any other person. Authors control the copyright of their thesis. You will recognise the author’s right to be identified as the author of the thesis, and due acknowledgement will be made to the author where appropriate. You will obtain the author’s permission before publishing any material from the thesis. A MUSICOLOGICAL ANALYSIS OF NATURE’S BEST A thesis submitted in fulfillment of the requirements for the degree of Master of Arts at The University of Waikato by NICHOLAS BRAAE The University of Waikato 2012 Abstract Academic research on New Zealand popular music has primarily been conducted from historical and cultural perspectives. While asking important questions, these sources have rarely engaged with the musical details of New Zealand popular music. This thesis is a musicological analysis of the 100 songs from the three Nature’s Best albums. The musical perspective complements the socio-cultural research on New Zealand popular music. The Nature’s Best project was instigated by Mike Chunn in 2001 to celebrate the 75th anniversary of the Australasian Performing Right Association (APRA). All songwriting members of APRA and 100 celebrities and critics were invited to vote for their ten favourite New Zealand popular songs.
    [Show full text]
  • MLK Bibliography 2021: Truth, Reconciliation, & Healing Kent Library
    MLK Bibliography 2021: Truth, Reconciliation, & Healing Kent Library The library call numbers listed correspond with items in Kent Library’s collection and cataloging system. This collection is organized by author and grade level. Please note, there is overlap between the grade levels. Elementary Alexander, Kwame. The Undefeated. Boston, MA: Houghton Mifflin Harcourt, 2019. This poem is a love letter to black life in the United States. The text has references to the words of Martin Luther King, Jr., Langston Hughes, Gwendolyn Brooks, and others. Back matter provides historical context and additional details. Y-E Al272u Grades: 1-4 Alko, Selina. The Case for Loving: The Fight for Interracial Marriage. New York, NY: Arthur A. Levine Books, 2015. For most children these days it would come as a great shock to know that before 1967, they could not marry a person of a race different from their own. That was the year that the Supreme Court issued its decision in Loving v. Virginia. 306.846 Al49c Award: Notable Social Studies Trade Book 2016. Grades: PreK-3 Altman, Linda Jacobs. The Legend of Freedom Hill. New York, NY: Lee & Low Books, 2003. In California in the 1850s, an African American girl teams up with a Jewish girl in a search for gold to save the black girl's mother from a slave catcher. Through perseverance, the two friends find enough gold to buy the freedom of all the captured slaves. Using accurate details and lively language, this tale of love, bravery, and friendship evokes a colorful era. Y-E Al797l Award: Notable Social Studies Trade Books for Young People 2001.
    [Show full text]
  • Party Warehouse Jukebox Song List
    Party Warehouse Jukebox Song List Please note that this is a sample song list from one Party Warehouse Digital Jukebox. Each jukebox will vary slightly so we cannot gaurantee a particular song will be on your jukebox Song# ARTIST SONG TITLE 1 2 PAC CALIFORNIA LOVE 2 28 DAYS RIP IT UP 3 28 DAYS AND APOLLO FOUR FORTY SAY WHAT 4 3 DOORS DOWN BE LIKE THAT 5 3 DOORS DOWN HERE WITHOUT YOU 6 3 DOORS DOWN ITS NOT MY TIME 7 3 DOORS DOWN KRYPTONITE 8 3 DOORS DOWN LET ME GO 9 3 DOORS DOWN LOSER 10 3 JAYS FEELING IT TOO 11 3 JAYS IN MY EYES 12 3 THE HARDWAY ITS ON 13 30 SECONDS TO MARS CLOSER TO THE EDGE 14 3LW NO MORE 15 3O!H3 FT KATY PERRY STARSTRUKK 16 3OH!3 DONT TRUST ME 17 3OH!3 DOUBLE VISION 18 3OH!3 STARSTRUKK ALBUM VERSION 19 3OH!3 AND KESHA MY FIRST KISS 20 4 NON BLONDES CALLING ALL THE PEOPLE 21 4 NON BLONDES DEAR MR PRESIDENT 22 4 NON BLONDES DRIFTING 23 4 NON BLONDES MORPHINE AND CHOCOLATE 24 4 NON BLONDES NO PLACE LIKE HOME 25 4 NON BLONDES OLD MR HEFFER 26 4 NON BLONDES PLEASANTLY BLUE 27 4 NON BLONDES SPACEMAN 28 4 NON BLONDES SUPERFLY 29 4 NON BLONDES TRAIN 30 4 NON BLONDES WHATS UP 31 48 MAY BIGSHOCK 32 48 MAY HOME BY 2 33 48 MAY INTO THE SUN 34 48 MAY LEATHER AND TATTOOS 35 48 MAY NERVOUS WRECK 36 50 CENT 21 QUESTIONS 37 50 CENT CANDY SHOP 38 50 CENT IN DA CLUB 39 50 CENT JUST A LIL BIT 40 50 CENT PIMP 41 50 CENT STRAIGHT TO THE BANK 42 50 CENT WINDOW SHOPPER 43 50 CENT AND JUSTIN TIMBERLAKE AYO TECHNOLOGY 44 6400 CREW HUSTLERS REVENGE Party Warehouse Jukebox Songlist Song# ARTIST SONG TITLE 45 98 DEGREES GIVE ME JUST ONE NIGHT
    [Show full text]