To Download a Free, Low-Resolution

Total Page:16

File Type:pdf, Size:1020Kb

To Download a Free, Low-Resolution w This PDF of The Museum On Site's book, A Thousand Ships: A Ritual of Remembrance Marking the Bicentennial of the Abolition of the Transatlantic Slave Trade, is shared according to the conditions of a Creative Commons Attribution-noncommercial- noDerivs 3.0 unported License; no part of the document can be removed and distributed separate from the PDF without permission. To purchase a copy of the paperback book, please visit www.themuseumonline.com/book An event created by The Museum On Site and Barnaby Evans Book edited and written by Andrew Losowsky & Lyra Monteiro, designed by Jason Tranchida COnTenTS FOReWORD BY PROFeSSOR JAMeS T. CAMPBeLL ................................. i inTRODuCTiOn ..................................................................................... 1 A Thousand Ships was dedicated to the memory of Rhett S. Jones (1940-2008), one of the first professors of Africana Studies at Brown university, co-founder of the Rites and Reason Theater, and a distinguished scholar The LibatiOn ............................................................................. 3 of the history of slavery in the Americas, who passed away shortly before this event. The PROCeSSiOn ................................................................... 11 The ACTORS .............................................................................. 23 iSBn-10: ......................................................................... 77 0615579329 The TRiAngLe iSBn-13: The LuMinARiA ..................................................................... 91 978-0-615-57932-0 ReFLeCTiOnS On A ThOuSAnD ShiPS ................................................ 99 Copyright 2012 The Museum On Site ePiLOgue BY BARnABY evAnS ........................................................ 103 First Revised edition MeThODOLOgY OF A ThOuSAnD ShiPS BY LYRA MOnTeiRO ....... 111 The contents of this book are copyright their respective creators. CReDiTS .............................................................................................. 123 This work is licensed under a Creative Commons Attribution-nonCommercial-noDerivs 3.0 unported License. A free PDF of this book can be downloaded at www.themuseumonline.com FurtheR ReADing ............................................................................ 127 For more information, or to obtain copies of the book, please contact [email protected] SPOnSORS .......................................................................................... 129 by James T. Campbell Professor of united States history, Stanford university We are inured to statistics. They pervade our world, tidy measures of incalculable suffering: six million Jews murdered in the holocaust; a quarter million dead in the indian Ocean tsunamis of 2004; 5.4 million slaughtered in the continuing carnage “Shuttles in the rocking loom of history, in the great Lakes region of Africa. The figures wash over us, confirming the wisdom of novelist erich Maria Remarque, whose experience on the Western Front the dark ships move, the dark ships move, during the First World War taught him something about wholesale dying: “The their bright ironical names death of one man is a tragedy, the death of millions is a statistic.” like jests of kindness on a murderer’s mouth...” Yet when confronting the transatlantic slave trade, statistics are often all that we have. The names of those who traversed the Atlantic in slave ships are mostly lost to us. First-person accounts by individuals who made the passage and lived to write Robert hayden, Middle Passage (1962) about it are vanishingly few — the most recent scholarly investigation turned up just fifteen. But statistics we have, and in abundance.h ere are a few to ponder: in the 375 years after Columbus’s first voyage to the new World, more than 12.5 million Africans were loaded onto slave ships bound for the Americas. About 10.7 million of them survived the passage. About 1.8 million, roughly 15% of the total, did not. Though precise figures are elusive, it is likely that similar or even greater numbers died before leaving Africa, perishing in the coffles marching to the sea or in coastal forts and barracoons, or in their first six months in the Americas, during what contemporaries called the “seasoning” process. Putting these figures 8 A Thousand Ships Foreword i together, at least half of the Africans enslaved in the era of the transatlantic trade As such names suggest, slave ships flew the flags of many different nations. died within a year or two. Most of the rest would follow soon enough: average life About nine million Africans — three-fourths of the total — were transported expectancy on a new World sugar plantation was less than seven years. on Portuguese or British ships, but virtually every european nation participated in the trade, including France, Spain, the netherlands, Denmark and Sweden. About 5.5 million of those trafficked from Africa, or just under 45% of the Though they entered the trade belatedly, Americans also played their part. total, were bound for Brazil. Similar numbers were shipped to the islands of the According to the slave trade database—which is estimated to record only 80% of Caribbean — to Cuba, Jamaica, Barbados, Saint-Domingue, Martiniquez and a score all voyages—1,660 slaving voyages were launched from what is today the united of other sugar-producing colonies. The balance were carried to mainland colonies States. nearly 60% of those ships — at least 946 voyages — originated in a single in north and South America, including to what is today the united States, the colony and state: Rhode island. destination of just under half a million Africans, or about four percent of the total transatlantic traffic. Some people may be surprised to hear slavery invoked in the context of Rhode island. For most Americans, slavery conjures southern images - cotton fields and Precisely how many ships crossed the Atlantic during the era of the slave trade is pillared plantation homes. But the “Peculiar institution” flourished throughout impossible to say. Slavevoyages.org, a consolidated slave trade database, includes the Americas, including all thirteen mainland colonies and, for a time, all thirteen information about 34,948 distinct voyages, a figure that probably represents original states. About one in ten of the residents of Paul Revere’s Boston were something over eighty percent of the total. The first recorded voyage occurred in enslaved. in new York City, the figure was closer to one in four. Following the 1514; the last in 1866, nearly sixty years after the passage of slave trade abolition bills Revolution, all northern states moved to abolish slavery, but most did so gradually by the legislatures of great Britain and the united States. The peak of the traffic came and grudgingly. new York, Pennsylvania and new Jersey all took nearly a quarter in the eighteenth century, which saw more than seven million Africans transported century to enact gradual abolition laws, and decades longer to abolish the to the new World, but the trade continued well into the nineteenth century. About institution outright. new Jersey, in fact, never did: the last few enslaved men and three million Africans were carried to the Americas, mostly to Brazil and Cuba, after women in the state obtained their freedom only in 1865, following the adoption 1807, when great Britain and the united States declared the trade illegal. of the 13th Amendment to the u.S. Constitution. Slave ships’ names also lend themselves to statistical analysis. 981 ships sailed even as they abolished slavery within their own borders, most northern states under some variant of Mary or María. 1,130 ships’ names included Joseph (or Josef, remained economically dependent on the institution. northern firms supplied João, or José). 467 bore the name of Jesus. The roster also included 190 elizabeths, slave owners with shipping facilities, banking services, even insurance policies to 138 Sallys, 78 Providences (or Providencias), 210 Friendships (including Amistads, shield them against the death of their enslaved property. Textile mills wove slave- Amizades, Amites, vriendschaps, and venskabs), 535 hopes (including esperanças, produced cotton into cloth, some of which returned to plantations in the form esperancas, espoirs, hoops, and habs), and one Charity. of “negro cloth,” the cheap, coarse fabric used to clothe the enslaved. Factories ii A Thousand Ships Foreword iii produced the brogans that enslaved workers wore on their feet, the hoes with Over the last few years, the myth of northern innocence has begun to unravel. which they chopped cotton, the blankets beneath which they slept. “Peculiar” it The emergence of a vocal slavery reparations movement (including the filing in may have been, but slavery was more than a southern institution. 2002 of a series of well-publicized, though ultimately unsuccessful, class-action lawsuits seeking monetary damages from prominent northern corporations); nowhere was the north’s economic dependence on slavery more obvious and the unearthing of a forgotten African burial ground in Manhattan, just a stone’s long-lasting than in Rhode island. Rhode island ships dominated the north throw from Wall Street; the discovery, during construction of a new Liberty Bell American portion of the transatlantic slave trade, bearing 100,000 Africans into interpretive center in Philadelphia, of the buried foundations of the nation’s new World slavery, most to the plantation colonies of the Caribbean. Rhode first executive
Recommended publications
  • Dennis Hlynsky Education BFA RISD 1974 1970
    Dennis Hlynsky Education BFA RISD 1974 1970 - 1974 RISD 1971 A visit by Raindance Group stirs a curiosity in video as an art form 1971 Declares Photography as a major area of study at RISD 1972 Exhibited Inks BK Smith Gallery, Lake Eire College 1972 initial student of the video program at RISD 1973 Exhibited the Video Kitchen, Mercer Art Center, NYC 1974 Received Individual Artist Grant, RI State Council on the Arts 1974 BFA RISD concentration in video Performances, Exhibitions and Projects o 1974 - 1980 Electron Movers, Research in the Electronic Arts Inc. Upon graduation Electron Movers (501-C3) was incorporated. Founded by Dennis Hlynsky Laurie McDonald, Alan Powell, and Bob Jungles, Other members included Ed Tannenbaum, Philip Palombo, Connie Colman, Larry Hyle, and Randy Walters. The studio was located in Providence, RI and was purposed to provide facilities for research into the electronic arts. A recognized regional media center by the NEA Electron Movers quickly grew into a small art center, conducted workshops in video, maintained a gallery, and exhibited the artworks of members in museums, galleries, and videotape showcases Electron Movers Funded Projects 03 / 1976 RI Foundation video workshops with RI public school teachers 05 / 1976 Matching RI State Council on the Arts for media center activities 10 / 1977 RI State Council on the Arts lecture series for visiting video artists 02 / 1978 National Endowment for the Arts: Media Studies: Workshops: Alternative Spaces funding for stipends and exhibition of video works 10 / 1978
    [Show full text]
  • Artists and the Natural World – Urban Wildlife
    Artists and the Natural World – Urban Wildlife October 17, 2000, 3:00 p.m Moderator: Peter Spooner 0. Tweed Museum of Art Speakers: Karen Mueller 0. Institutional Support Program Associate, Minnesota State Arts Board Barnaby Evans 0. installation and public artist Seitu Jones 0. sculptor, designer, public artist, and gardener Deborah Karasov 0. public artist Godfrey: Hi, I am Marian Godfrey. I am on the board of Grantmakers in the Arts and I am here to welcome you, and to present Karen Mueller. Mueller: Thanks, Marian. I have had the pleasure to be a part of a planning committee on topics that focus on the work of artists during this conference. I just wanted to say a couple of things and to also introduce our panel moderator. This is part two of a topic area of theconference that began this weekend. I had the pleasure of going with fifteen of your colleagues to three different locations in greater Minnesota for a session that was called "Arts inthe Natural World: Art Making and the Environment." We stopped at St. John's Pottery and were able to participate in the annual wood firing of the largest wood-fired kiln in the United States under the auspices of artist-in-residence Richard Bresnahan. He let us stoke the fire, which was going on for twelve days. That was a kick-off to a very high standard of artists working to preserve nature, and comment on nature. He uses all indigenous materials; the kiln itself is a three-chamber, huge facility, etc. It was a great day.
    [Show full text]
  • Urban Studies Newsletter 2007-2008
    Brown University Urban Studies Newsletter 2007-2008 table of contents: letters from the editor and DUG leaders . 2 2008-09 course offerings . 3-4 spotlight on new faculty . 5 urban studies theses . 6-7 where are they now? . 8-9 35th aniversary of the urban studies program . 10. from the DUG leaders: Greetings! Last fall, we hosted an Open House at 29 Manning Walk for first-years and other undergraduates interested in learning more about the concentra- tion and classes offered in the spring semester. We had a great turnout from students and professors, who described their research and courses. Kathryn Kerrigan, Urban Studies ’99, met with a group of Urban Studies concen- trators in November to speak about life after Brown. Ms. Kerrigan works as Vice President of External Affairs at Alliance for Downtown New York, a consortium of businesses and interest groups dedicat- ed to improving Lower Manhattan. She spoke about the chaos after September 11th, her efforts to promote street art in 2007 - 2008 the district, and her fondness for her time urban studies at Brown. We met with the UCS representative to the Committee of Academic and Admin- then, now and tomorrow istrative Affairs and lobbied for greater resources for the Urban Studies Program. from the editor: Upcoming events for the spring include a mid-semester open house in prepara- It has been quite an exciting year for the to craft a research project based on their tion for pre-registration and declaration Urban Studies Program. Professor Mari- individual interests. of concentrations by sophomores; an on Orr has stepped up as the new Direc- This newsletter also includes profiles on architectural and historical tour of Provi- tor of Urban Studies.
    [Show full text]
  • 2009 Brown University Football Media Guide
    2009 Brown University Football Media Guide 2009 Brown Co-Captain Paul Jasinowski ’10, David Howard ’10, First Team All-Ivy First Team All-Ivy 2009 Brown Football Schedule Defending Ivy League Champions 9/19 Sat. at Stony Brook .......... 6:00 p.m. 10/24 Sat. at Cornell ............. 12:30 p.m. 9/25 Fri. at Harvard .............. 7:00 p.m. 10/31 Sat. PENN ................ 12:30 p.m. 10/3 Sat. *RHODE ISLAND ....... 12:30 p.m. 11/7 Sat. at Yale ................ 12:30 p.m. 10/10 Sat. HOLY CROSS ........... 12:30 p.m. 11/14 Sat. DARTMOUTH .......... 12:30 p.m. 10/17 Sat. #PRINCETON (TV –Versus) 12:30 p.m. 11/21 Sat. at Columbia ............ 12:30 p.m. *Homecoming # Family Weekend Head Coach: Phil Estes 2009 Brown Football 2008 Ivy League Champions Brown Facts Contents Location ....................................................... Providence, RI 1 . ..Brownfacts Founded ............................................................. 1764 2 . ..AboutBrown President ..................................................... Ruth J. Simmons 4 . World Class Student-Athletes Enrollment ............................................................ 5,874 5 . Brown In TheCommunity Nickname ............................................................ Bears 6 . Success After Graduation Colors ........................................... Seal Brown, Cardinal Red, White 8 . Prominent BrownAlumni Stadium ..................................... Brown Stadium (20,000), Natural Grass 9 . .TheIvyLeague Director of Athletics ..........................................
    [Show full text]
  • Download the Full Festival Schedule
    April 14-19 & 28, 2013 Roger Williams University | 1 Old Ferry Road, Bristol, RI | FREE ADMISSION From cutting-edge documentaries to narrative films whose stories have been ripped from the headlines, the eighth annual Roving Eye International Film Festival promises to be a portal for discovery to film-lovers across the region. The popular and acclaimed event, celebrating global cinema and artists, is presented though collaboration between FLICKERS: Rhode Island International Film Festival (RIIFF) and Roger Williams University (RWU). Students at the University spent the first part of the spring semester reviewing more than 600 films and create, curate and market the entire event through the Film Minor senior course, “Curation and Film Festival Production.” Roberta E. Adams, Ph.D., Associate Dean of Humanities and Performing Arts, is the Festival Chair, linking faculty adjudicators with students, RIIFF and the RWU administration in a unique collaboration. Sunday April 14, 2013 Location: Global Heritage Hall, Atrium 1:00 p.m. CELEBRATING A LIFE: JOSHUA B. STEIN Roger Williams University President Donald Farish and members of the Stein family will hold a service to celebrate the life and work of Professor Joshua Stein, who died Sept. 8, 2012. Stein, a former columnist for The Jewish Voice & Herald and longtime member of its editorial board, served in the university’s history department for 43 years. Open to all, the service will honor and remember Stein, who was a beloved RWU colleague, professor, friend and supporter of the Roving Eye Festival. About Josh Stein Joshua B. Stein, grew up in Brooklyn, New York, and was a devoted fan of the Brooklyn Dodgers.
    [Show full text]
  • Providence, Rhode Island
    the providence river providence the the providence river monika hedman 2016 riverwalk improvements made in collaboration with providence parks department downtown neighborhood association rhode island school of design waterfront parks rhode works cost: $9.2m on budget done: fall ‘19 on time “follow your heart” “we must… have compassion or “heart” for others, and complement this with action by enthusiastically participating in the world’s events… now is our opportunity to live out our education, promote positive change and act in the world to make it a better place” - francis j marx v a shopping cart a flyaway drawing an old shell of a boat old remnants of a dock three (maybe more) traffic cones many dirty ducks red solo cups (many) a shoe it is orange and looks rusty very shallow everything is covered in a thin film the project will involve dredging more than 6 million cubic yards of material to return a 7-mile stretch of the authorized federal navigation project to full authorized dimensions - 40 feet deep and 600 feet wide. this is a significant moment for the state of rhode island and the army corps of engineers. we're about to start the long-anticipated dredging of the providence river and harbor that will make the river and harbor more efficient to use, improve their navigation safety, and protect the environment shoaling has reduced depths in the channel by more than 8 feet in places creating draft restrictions and significant time delays for deep-draft vessels using the project. all pertinent issues and concerns were identified and that the public had ample opportunity to participate the remainder of the maintenance material and suitable cad cell material will be placed at an offshore disposal site in rhode island sound the cost of lighting it will be comparatively small, and the advantages to navigation will be very great.
    [Show full text]
  • Eventful Cities: Cultural Management and Urban Revitalisation
    Eventful Cities: Cultural Management and Urban Revitalisation Greg Richards Robert Palmer AMSTERDAM BOSTON HEIDELBERG LONDON NEW YORK OXFORD PARIS SAN DIEGO SAN FRANCISCO SINGAPORE SYDNEY TOKYO Butterworth-Heinemann is an imprint of Elsevier. Butterworth-Heinemann is an imprint of Elsevier. The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA Copyright Ó 2010 Elsevier Limited. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. Permissions may be sought directly from Elsevier’s Science & Technology Rights Department in Oxford, UK: phone: (+44) 1865 843830, fax: (+44) 1865 853333, E-mail: [email protected]. You may also complete your request online via the Elsevier homepage (http://elsevier.com), by selecting ‘‘Support & Contact’’ then ‘‘Copyright and Permission’’ and then ‘‘Obtaining Permissions.’’ Notice No responsibility is assumed by the publisher for any injury and/or damage to persons or property as a matter of products liability, negligence, or otherwise, or from any use or operation of any methods, products, instructions, or ideas contained in the material herein. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress. ISBN: 978-0-7506-6987-0 For information on all Butterworth-Heinemann publications visit our Web site at www.elsevierdirect.com Printed and bound in Great Britain 101112 10987654321 Preface The aim of this book is to analyse the ways in which events help cities become more dynamic and liveable places, and how cities can develop and manage eventfulness to achieve a wide range of cultural, economic and social objectives.
    [Show full text]
  • What's News at Rhode Island College Rhode Island College
    Rhode Island College Digital Commons @ RIC What's News? Newspapers 6-12-2004 What's News At Rhode Island College Rhode Island College Follow this and additional works at: https://digitalcommons.ric.edu/whats_news Recommended Citation Rhode Island College, "What's News At Rhode Island College" (2004). What's News?. 50. https://digitalcommons.ric.edu/whats_news/50 This Book is brought to you for free and open access by the Newspapers at Digital Commons @ RIC. It has been accepted for inclusion in What's News? by an authorized administrator of Digital Commons @ RIC. For more information, please contact [email protected]. Vol. 24 Issue 11 1854-2004 Commencement Issue 2004 Highlights Sesquicentennial commencements celebrate In the News Graduate and undergradu- the enduring value of knowledge ate commencements held May 13 and 15 On May 13 and 15, Rhode Island College awarded a total of 1,449 Original HBS entablature diplomas to graduate and under- unveiled graduate students who will now con- tribute to the community at large as Harlem Renaissance con- educators, entertainers, social work- ference attracts presenters ers, scientists, artists, and business from over 30 institutions of professionals. RIC's graduation tra- dition began 150 years ago. higher learning Dean's List announced Features Biology professor helps grow tree awareness on campus RIC becomes “home” to Cliff Rebelo ’04 SYMBOL OF RETURNING: Above, College President John Nazarian releases the first dove that will return to its nest, symbolizing that gradu- ating seniors will always be welcomed back to their alma mater. At left, a Foundation/Alumni grad rejoices after receiving her diploma.
    [Show full text]
  • Locally Grown Providence
    LOCALLY GROWN PROVIDENCE AIA COD Conference, Providence 2015 | | 1 2 | | AIA COD Conference, Providence 2015 LOCALLY GROWN PROVIDENCE 2015 AIA Committee on Design Fall Conference, October 1–4, 2015 Table of Contents Remarks 6 People 9 Introduction 6 Schedule 19 Welcome to Providence 7 Projects 27 Thank You 8 Introduction The theme for 2015 is ‘Locally Grown’. Norway – International Conference Providence – National Conference “To make a place, is to make a domain that Norway is a country with a small Providence, on the other hand, is forging helps people know where they are, and by population whose economy historically forward on a shoe-string, yet it too provides extension, know who they are.” relied on fishing and farming. Their rural, compelling examples of how locally-in- Charles W. Moore FAIA natural environment has been, and still is, spired architecture, planning, and design a dominant influence on Norwegians and can lead the rebirth of a place and help As a ‘progeny’ of Charles Moore, I have their architecture. Their recent oil boom define its spirit. been intrigued by place-making. I imagine has brought unprecedented wealth which you have similar aspirations: how does one has helped fund projects from cultural Jim Childress FAIA create something that is globally inspiring buildings to housing. We will see how their 2015 Chair - AIA Committee on Design and locally relevant? devotion to nature and recent international Partner - Centerbrook Architects attention is fueling Norwegian architects to develop their own distinct version of modern architecture. 6 | | AIA COD Conference, Providence 2015 Welcome to Providence We are thrilled to welcome the AIA Committee on Design to Providence, Rhode Island.
    [Show full text]
  • 2003 Creative Community Building
    INTRODUCTION Creative Community Building Creative Community Building: 2003 Rudy Bruner Award for Urban Excellence Bruner Foundation, Inc. Jay Farbstein FAIA, PhD with Emily Axelrod, MCP; Robert Shibley, AIA, AICP; and Richard Wener, PhD 2003 Rudy Bruner Award for Urban Excellence 2003 R U D Y BRUNER AWARD iii BRUNER FOUNDATION Creative Community Building Graphic Design CDG Caronchi Design Group 27500 Riverview Center 202 Bonita Springs, FL 34135 www.caronchi.com or [email protected] Library of Congress Control Number: 2002104398 ISBN: 1-890286-05-2 ᭧ Copyright 2004 by the Bruner Foundation 130 Prospect Street Cambridge, MA 02139 All rights reserved. No part of this book may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without the written permission from the publisher. iiiiii 2003 R U D Y BRUNER AWARD INTRODUCTION Creative Community Building CONTENTS PREFACE INTRODUCTION 1 CAMINO NUEVO CHARTER ACADEMY 1 GOLD MEDAL WINNER At a Glance 3 Project Description 5 Assessing Project Success 27 2 BRIDGEMARKET 31 SILVER MEDAL WINNER At a Glance 33 Project Description 38 Assessing Project Success 53 3 COLORADO COURT 57 SILVER MEDAL WINNER At a Glance 59 Project Description 61 Assessing Project Success 79 4 PROVIDENCE RIVER RELOCATION 83 SILVER MEDAL WINNER At a Glance 85 Project Description 91 Assessing Project Success 116 5 RED HOOK COMMUNITY JUSTICE CENTER 121 SILVER MEDAL WINNER At a Glance 123 Project Description 126 Assessing Project Success 147 6 LEARNING ABOUT URBAN EXCELLENCE 151 2003 R U D Y BRUNER AWARD iiiiiiiii BRUNER FOUNDATION Creative Community Building iviviv 2003 R U D Y BRUNER AWARD INTRODUCTION Creative Community Building PREFACE We at the Bruner Foundation play a silent role in the award Camino Nuevo Charter Academy and Red Hook Community selection.
    [Show full text]
  • Creative Capital” Branding: a Creative City Initiative Case Study on Providence, RI
    Cultural plan backs up “creative capital” branding: A creative city initiative case study on Providence, RI Anne Gadwa Nicodemus Metris Arts Consulting, Easton, PA, United States 230 Ferry Street, 2nd Floor, Suite 1, Easton, PA 18042, United States 612.709.0232, [email protected] October 31, 2012 Commissioned by the Hong Kong Institute of Contemporary Culture in conjunction with the Chinese Creative Industries Forum 2012 Cultural plan backs up “creative capital” branding: A creative city initiative case study on Providence, RI Case Study Summary Within the last five years Providence has adopted as explicit a creative city agenda as can be found in the U.S. This is evidenced in two ways—a creative city branding effort and a robust cultural plan. A minimal orange “P” logo and the slogan, “Providence: The Creative Capital,” now brand all city staff’s business cards, city websites, and official documents. Creative Providence: A Cultural Plan for the Creative Sector lent gravitas to the otherwise limited branding effort. These efforts build on Providence’s near 30-year legacy of political leaders that have strategically used arts and culture to build pride of place, attract residents and visitors downtown and foster economic development. The politically astute initiators of the cultural plan recognized that they had a limited window of opportunity to leverage the branding effort into more material support for the city’s creative sector and its overall cultural vitality. By harnessing a unique combination of skill sets (experienced cultural planners, talents for grassroots community engagement, event management, and public policy expertise), they executed a planning process with widespread and deep public participation.
    [Show full text]
  • Arts and Urban Revitalization from the Perspective of Providence's
    Arts and Urban Revitalization From the Perspective of Providence’s Arts Organizations A thesis submitted by Emma Heffern in partial fulfillment of the requirements for the degree of Master of Arts in Urban and Environmental Policy and Planning TUFTS UNIVERSITY FEBRUARY 2011 ADVISER: Laurie Goldman READER: Justin Hollander ABSTRACT This thesis explores the perspective of arts organizations in the context of Providence, Rhode Island. It looks at key claims about the arts as a catalyst for social, economic and physical benefits and asks whether revitalization benefits have extended beyond the downtown area to other neighborhoods and populations. The analysis includes a characterization of Providence’s local arts universe, (Filicko and Lafferty 2002) interviews with key actors, and a case study of AS220. AS220 is the ideal critical case for the project because it is one of the anchors of the city’s Arts and Entertainment District, it focuses on a wide variety of media, and it has demonstrated an ongoing commitment to the city and revitalization. This project found that Providence’s arts organizations are not all alike— some organizations are more dedicated to revitalization theories and efforts than others, and that level of dedication varies with respect to the types of contributions and the beneficiaries. ii! ACKNOWLEDGEMENTS Thank you Ben Johnson for all Family and friends for putting up with this for so long Laurie Goldman for patience and encouragement Bob Rizzo for the original inspiration Bert Crenca for tireless commitment to the
    [Show full text]