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MVRDV Created an Instant Hit in Rotterdam, with a Little Help from Artist Arno Coenen

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MVRDV Created an Instant Hit in Rotterdam, with a Little Help from Artist Arno Coenen Text Arthur Wortmann MVRDV created an instant hit in Rotterdam, with a little help from artist Arno Coenen. Photos Ossip van Duivenbode wwim • • « • HlVWfflPIH » » « • •HUT Tülil," » « 1 Inrpi • B " • HL«"^®" • • "B !^:iTlfl!.|*j i V fl • Iii? füll RPUHial II I iiiiiiíiiiiiliii-iiiiiiiiinBMKr , 'Tesas*1 . • •J^Œ1»11^ m NI iií i¡ íi ¡íiijiii iiiiiira '"^ • in« >ni> un I £ l'i KT! 3J r M|«i»J"«'B "•«• -itimi»- EI y J ^ i i li • lana • • 1 M li • H • h • • Hp "S S'8!¡Í!S¡| ÎilS i.ggllllMS ÍBIIRÍB 1 ¡ mil' ÜISIISI«! Two walls of apartments bow to each other and form an arch. ~~7 The Markthal's exterior walls are clad in natural stone, which is the same shade of grey as the paved square from which the building rises. As is true in many other European • A Provast, one of the selected devel- countries, you can't zap through TV Wk opers, asked MVRDV to collaborate channels in the Netherlands without on a design concept for its proposal. running into numerous culinary pro• Together they came up with a build• grammes. All day long you're invited ing typology that they claim exists to watch cooks - both amateurs and nowhere else in the world: a market professionals - competing against one hall within a shell composed of hous• another or simply having fun in the kitchen. Promoted by reality ing units. Provast won the pitch and received the go-ahead shows, restaurants find themselves in demand. Chefs evolve to develop its project. Completion of the building came into national celebrities. Food has become a vital aspect of the ten years later, owing to delays caused by a financial crisis, contemporary lifestyle. What we eat and where we eat is part archaeological excavation and the careful construction of an of what determines our identity. We want food that's authentic, accompanying underground parking garage that had to leave or local, or organic, or gluten-free, or easy-yet-haute cuisine. the nearby medieval church undamaged. Ironically, stricter We want shared dining; we want a tea sommelier. We want European regulations for the sale of fresh food in open-air superfoods. We want to cultivate our own vegetables and stuff markets - foreseen by Rotterdam authorities in 2004 - were our own sausages. We want nose to tail eating. Those of us not approved. Apparently, lobbyists from Southern European without a personal food blog still take (and post) pictures of countries exerted enough pressure to prevent their adop• the dishes brought to our tables when we go out to eat. The tion, and the laws now in place are considerably more lenient. opening of the Markthal in Rotterdam - the Netherlands' new Consequently, Rotterdam's open-air market is still operating, food Walhalla - could not have been better timed. although vendors are now required to sell fresh meat and fish from specially refrigerated market vans. No matter. Even a The story behind the Markthal began, nonetheless, in a 'superfluous' building can be an enrichment of the city. very different way in 2004. Anticipating the adoption of stricter European regulations for the sale of food in open-air mar• The new Markthal - with 96 fresh-food stalls open for kets, the municipality of Rotterdam came up with the idea of business daily, 20 specialist food stores and restaurants, 228 expanding the popular outdoor market in the heart of the city apartments, and parking for 1,200 cars - typifies the oeuvre - already comprising over 400 stalls - with a covered market• of MVRDV in particular and the architecture of Rotterdam in place. It would provide better hygienic conditions for the sale general. MVRDV has a track record of buildings that dazzle at of meat, fish and other fresh produce. Six property developers first glance and then put a smile on your face - despite the were invited to make a pitch. Because another of Rotterdam's gripes of certain criticasters who accuse the architects of aims is a higher level of residential density in the inner city, work that smacks of cheap sensationalism. Cantilevers are these developers were asked to incorporate housing in their alarmingly massive, functions and volumes strangely stacked, plans for the market hall. materials and colours often unconventional. Rotterdam is -> Mixed-Use Complex -> Rotterdam | Netherlands 107 108 Long Section -> MVRDV Shops, restaurants and cafés at ground level are accessible to those in the market hall and to pedestrians on the street outside. , i 1 HI 4 Mm m n • •! Mixed-Use Complex Rotterdam I Netherlands 109 <- proud of its 'roll up your sleeves and get busy' roots - a mind• ment. Delivery vans drive into the parking garage to load and set seemingly injected into the DNA of the city by generations unload market produce. There's space for refrigeration, stor• of dock-workers. Design an extraordinary piece of architecture, age and preparation. Six goods lifts transport the produce to and in Rotterdam they'll do their best to build it. The result is a the market floor at ground level.) How do you design satisfac• profusion of remarkable objects, some of which appear to have tory floor plans for apartments that receive daylight from one parachuted from the sky and landed hit or miss in the city. side only (as do most Markthal housing units), half of which What identifies the Markthal as a Rotterdam project have a northern orientation? (Answer: you accept the fact that is its conceptual, abstract - and brazen - character. These not all plans are suitable for every house hunter.) How do you architects did not aim for refinement. They developed their give occupants pleasant views in a building that faces a huge basic idea as simply as possible. Two walls of apartments bow office building on one side and is soon to face an even taller to each other and form an arch. Transparent walls at either residential complex on the other? (Answer: you accept the fact end of the hall, market stalls inside, a that the advantage of living in the inner parking garage underneath, a selection city often means waiving the right to a of shops and restaurants at the lower stunning view.) levels, and Bob's your uncle. You're barely Not every solution arrives with• The crux is that everything out a struggle. On opening day at the looks so plain and simple. In practice, out of the car Markthal, the architects recounted though, there were all sorts of prob• three important moments in the lems to solve. How do you ensure that before being design process, three points of conflict the two end walls, for instance, are between the practice and its client. as transparent as possible? (Answer: engulfed by The architects came out on top twice you make cable-net facades and fill and conceded one point to Provast. them with permanent glazing sup• the dynamics Ultimately, the results of those discus• ported by pre-tensioned cables; like sions were essential to the success of a tennis racket, these walls have a of the market' the project. maximum variance of 70 cm at the The first dispute concerned the middle, providing stability even during ceiling of the hall. The initial idea was storm-force winds.) How do you control to mount screens on the curved surface the climate in the hall? (Answer: rather than heating or cool• for showing videos. After two years of research, carried out in ing the vast space, you opt for an outdoor climate. Steel grid collaboration with Philips, this plan was deemed financially floors beneath the end walls allow outdoor air to enter the hall, infeasible. The following idea was to print a photographic image and you make openings in the roof to exploit natural draughts on aluminium panels. The property developer suggested that circulating within the towering space.) How do you design a they could 'grab an image from the internet' and be done with building that looks inviting from all directions and lures peo• it. The architects managed to convince Provast that a surface ple inside? (Answer: you make a 'logistic heart' in the base• of 11,000 m2 needed something different. Seven national and -¥ x~ Interior walls and ceiling cover a surface of about 11,000 mJ.They are clad in over 4,000 aluminium wall panels, each measuring 1.5x1.3 m.The artist's digital image required a 1.47-terabyte file, which was rendered with software from Pixar Animation Studios and developed on a 'computer farm'in New Zealand. For the sake of good acoustics, from a height of 10 m the hall's panels are perforated, and their rear surfaces are covered with a sound-absorbing material. The Markthal was erected at what is considered the birthplace of Rotterdam.The stairwell to the parking garage features display cases filled with archaeological artefacts that were discovered before and during construction. Some of these objects date back to around the year 1000. Because they are exhibited in the stairwell, they can be displayed at roughly the same depth where they were found. Mixed-Use Complex Rotterdam | Netherlands As darkness falls, a veritable 'big bang' of edibles animates the blank centre of the ceiling. The video projection features a cluster of fresh produce that rolls, rotates and bursts apart in a shower of fruit and veg that seems to fall from space. Visible not only from levels that accommodate lifts but also from apartments in the curved shell, market stalls have to be attractive when viewed from above. MVRDV used three types of roofs for market-hall units: glazed roofs, green roofs (for actual cultivation) and roof terraces (for restaurants).
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