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How long do I get to view the document? What type of case documents can I view, print or save? Can I get a certified copy of a case document through ECR Online? Can the clerk's office look up an old account ID or password for me? The Clerk's eService help desk may be able to look up an old account ID by the full name of the payer. However, they are not able to find password or secret question information. Please note, your account will be locked if you attempt to access the account multiple times without success. The EC Archives: War Against Crime Volume 1 by Lee J. Ames. I didn't really get into Charlton until later ( Joe Stanton's EMan early John Byrne(!) ). Aside from TV adaptations (Six Million Dollar Man, Space 1999, Korg 70,000 BC(!) ) I likely passed this one over the rack for a House of Mystery or House of Secrets back in the day. Missed some good stuff. Mr. Kim's work has definitely come into its own at this point. Jerry Colby should have been eaten by the mermaid. Talk about ingrates! I like how the mermaid's hair always manages to cover her assets (while I'm on the subject, a perennial question is why aquatic animals like mermaids should have hair at all, just like dolphins don't). By the way, is Colby colour blind? Or does he think greenish grey skin is a human trait? This is such a weird premise. A mysterious creepy old man lives alone in a decrepit old castle and takes a stranger in for the night. All sorts of cryptic warnings are given. Don't upset anything, don't open any of the other rooms, you must be gone by morning. Of course Jerry's going to break one of the rules. The one thing I'm not really happy about of course is the old guy tossing the mermaid his cat for her to munch on. Innocent animal murder always bothers me. The only thing I can guess at this point as to why Jerry has no idea that the woman held captive in his strange host's castle is a mermaid is that it must be pretty dark in there. He only saw her for a few minutes anyway. He certainly didn't notice or see the skulls in that room either. It's also odd that Jerry gets knocked out by the old man but isn't thrown to the mermaid in order to get rid of him. Also, how exactly does one acquire a "pet" mermaid? So 69 to 72 -- I think the art is slightly better but the style is certainly the same -- I think maybe he's just getting better inking, or printing, and the colors are much, much better. I liked the previous art, and I like this one. It's improved, I just can't exactly put my finger on it. Maybe without all the cobwebs it shines a bit better? There's a lot to love: every splash/pseudo-splash is very gothic and very flowing, the Mermaid on page 1 (the story obviously isn't hiding that fact from us), the rain/lighting splash on page 4 (the B&W shadowing is excellent there.). The cat and mermaid dumping sequences are very kinetic. I really like the coloring on this one, especially the use of blues. It's a really nice looking story. PART TWO coming up later today, stay tombed! (JMR: try resending you’re comment again, not sure where it went) I echo Bill's comments. Jerry may have a nice sense of justice but is sort of an idiot and makes a mess of things everywhere he goes. The old man and the policeman probably should've done like the innkeeper and turned him away. Granted, then there might not've been much story. The EC Archives: War Against Crime Volume 1 by Lee J. Ames. Charlton art regular, Sanho Kim , seemed to me to be a rather acquired taste. I remember as a kid and flipping through these poorly printed comics at the drug store and not finding Kim's style of eerie, otherworldly illustration at all to my liking. Coupled with the oddly cramped lettering and thin line technique, I typically chose to spend my hard earned allowance on an Eerie Pub or Marvel / Atlas reprint. But now in my half century of life, I look back on Sanho's silver age work with a much higher level of astonished analyzation, and find it fascinatingly spooky, even incredible, and highly atmospheric at times. See what you think with this spider-infested story from the July 1969 issue of Ghostly Tales #74 --plus, a great cover by DC legend, Jim Aparo . Wednesday, September 9, 2020. R.I.P. Bob Fujitani (1921 - 2020) The comic world loses yet another artist legend, Bob Fujitani passed away earlier this week, and today we honor his wonderful work with an encore presentation of two Atlas horror classics already found in the THOIA Archive. Our first selection is from the Spring 1952 issue of Suspense #16 , and the second originally featured in the September 1952 issue of Mystic #12 . R.I.P. Tuesday, September 8, 2020. Afraid! I'm sure many of you will be able to relate to this next story, as the reason we all gruesomely gravitate to this bloody blog in the first place is because of our undying love and insatiable lust for reading tales of terror and the macabre. See if you don't recognize a little bit of your own spooky selves, as this one draws to its funny little fraidy-cat finale! From the February 1953 issue of Strange Tales #15 . Can't get enough of these Frankie stories lately, can we? (Strange Tales #15 art excerpt by Bill Everett) Contributors. 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THE LAST DRIVE-IN. SILVER BOLO AWARD WINNER 2020. HAUNTED HORROR Vol. 7: Cry from the Coffin (Collecting issues #19, 20, and 21 + BONUSES) HAUNTED LOVE Volume One. THE RETURN OF THE ZOMBIES. DEVIL TALES (edited by Steve "Mr. Karswell" Banes) HAUNTED HORROR #27. HAUNTED HORROR #26. HAUNTED HORROR #25. ZOMBIES! GET IT NOW! JOIN MR. KARSWELL'S HAUNTED HORROR FACEBOOK GROUP NOW. Subscribe To THE HORRORS OF IT ALL. Follow THE HORRORS OF IT ALL by Antiquated Email. 100% PRE-CODERS. THOIA theme song! The FIRST Monster Fan Mag! Fango Frights Since '79. Take a trip down to the. CAPTURED AURAL PHANTASY THEATRE. IT'S ALIVE 2! Get it NOW!! THE HAPPY UNDERTAKER. MONDOPIECE THEATRE. Doug Randazzo Presents. ROMAN & MINNIE'S. WHAT THEY SAY ABOUT THE HORRORS OF IT ALL: ". incessantly awesome. a wealth of classic horror strips reproduced in all their crude, four-color glory. " ---Frankensteinia. ". an essential horror comics blog. Pre-code goodness through and through!" ---Mike Howlett (The Weird World of Eerie Publications) "I love your blog, I check it every single day!" ---Craig Yoe. ". the capital of online comic book horrors. saying "Not the best story THOIA has run" is a bit like saying "one of Beethoven's lesser symphonies!" ---Quasar Dragon. ". the object of all horror chicks' wet dreams. a comixkaze of awesome!" ---Killer Kittens. ". an online repository of vintage comic fear fare where individual stories from long out-of-print issues are posted in high resolution, page by page. For a fan of EC, Atlas and other Silver Age-era comic companies, it is pure heaven (and hell). " --- Bryan Reesman ( Attention Deficit Delirium ) ". a skeletal slew of complete scans of pre-code comics. " ---Sweet Skulls. "Karswell has turned his blog into the fantastic cult favorite it is. " ---Pappy's Golden Age Comics. ". kickass blog (and if you aren't a reader yet, whyever not? Do you know what you're missing out on?)" ---All Eyes & Ears. " Great for whiling away the hours between the start of the working day and home-time. " ---Igloo of the Uncanny. ". the master of vintage horror comics, and I bow to his general greatness." ---The Vault of Horror. "THOIA is THE blog for pre-code horror comics." --- The Big Blog of Kid's Comics. ". the premiere home on the web for amazing pre-code HORROR comic stories. the absolute best bastion of HORROR on the web!" ---Black 'n' White and Red All Over. ". fine selection of pre-code comics and quality scans. Karwell’s is the only one I can think of with the focus on great, old school horror stories." -- -Uranium Cafe. "Feverishly devoted to pre-Comics Code funny books. click any image for a full-size, readable version of the page and delve in. Horror history awaits." ---Rue Morgue Magazine. The EC Archives: War Against Crime Volume 1 by Lee J. Ames. Williamson's classic run on Star Wars: The Empire Strikes Back is legendary among fans of classic comic art. His heroic adventure style was perfectly suited for the Star Wars franchise-so much so that Williamson was George Lucas' first choice for the Star Wars newspaper comic strip (which he would later go on to draw). Of every comics story Alex Toth ever drew, the only one that he kept the complete original art to was Bravo for Adventure. This Artist's Edition is a virtual "how-to" course in drawing comics the Toth way. We see how he would draw all the detail in a scene, only to black it out in order to focus the reader's eye on what really counted. Alex Toth is considered to be one of the finest storytellers in the history of comics, and The Case of the Curious Classic is one of his absolute best. It is also one of the very few stories Toth both wrote and drew. Now this Curious Classic is being presented as an Artist's Edition Portfolio, a fitting tribute to one of the forms finest creators! ESTIMATED ARRIVAL: CANCELLED. Amanda Conner's amazing artwork showcasing some of DC's most iconic female characters is collected together for the first time in the large, deluxe-format GIRL POWER: AMANDA CONNER GALLERY EDITION. Sourced from the original art, this collection reflects the incredible diversity and power of Conner's style. Alan Moore was the braintrust behind America's Best Comics, one of the most acclaimed imprints in the history of comics. Comprised of four main titles: Tom Strong, Top10, Promethea, and the anthology Tomorrow Stories, the ABC line paired Moore with the finest artists in comics. Alan Moore was the braintrust behind America's Best Comics, one of the most acclaimed imprints in the history of comics. Comprised of four main titles: Tom Strong, Top10, Promethea, and the anthology Tomorrow Stories, the ABC line paired Moore with the finest artists in comics. Graphitti Designs proudly launches their new, large-format hardcover book series with BATMAN: KELLEY JONES GALLERY EDITION. For the first time ever, Dark Knight fans and collectors will have the opportunity to see and own museum-quality reproductions of memorable Batman art. as it was originally conceived by the artist. The Pulitzer Prize-winning creator of one of the most cherished and fondly remembered comic strips of all time showcases his art in this deluxe oversized edition. You've read all the strips, now see the art! Bernie Wrightson began his career in the late 1960s, just barely out of his teens, and within a decade rose to prominence as the preeminent horror artist of his generation. This loving tribute to comics' Master of the Macabre will showcase Wrightson's ground breaking work in the DC Comics Mystery books and his legendary artistic turn on Swamp Thing. Bernie Wrightson began his career in the late 1960s, just barely out of his teens, and within a decade rose to prominence as the preeminent horror artist of his generation. This loving tribute to comics' Master of the Macabre will showcase Wrightson's ground breaking work in the DC Comics Mystery books and his legendary artistic turn on Swamp Thing. IDW Publishing is pleased to announce the first Artist's Edition portfolio, and featuring the incredibly intricate detail of Bernie Wrightson's The Muck Monster. As with all Artist's Editions books or portfolios, the original art is meticulously scanned in color and from the actual original art. The second volume of Best of EC Artist's Edition is-remarkably-just as good as volume one! Includes what can arguably called the best stories by Harvey Kurtzman (Airburst), Al Williamson (Food for Thought, Lost in Space), Bernie Krigstein (Master Race, In the Bag) and more! Terror aficionados, prepare to be bewitched and bedeviled! Tales of is a glorious hardcover treasury of actual storyboard artwork from the heyday of horror comics, scanned in high-resolution color and printed at original size. ESTIMATED ARRIVAL: TBA. Bill Sienkiewicz is a modern master having worked on some of Marvel's most iconic comics of the 1980s: Moon Knight, The New Mutants, Elektra: Assassin, and much more! Forty years after its initial release, Genesis West brings you once again the classic 59-page Conan tale "Red Nails," as adapted by Roy Thomas and Barry (Windsor) Smith. Scanned in color and presented at the size of the original art, this oversize hardbound edition faithfully captures the appearance of the actual pages as drawn in 1973. ' latest Studio Edition turns the spotlight to the great Daniel Clowes, author of Ghost World, Patience, Wilson, David Boring, The Death Ray, Like a Velvet Glove Cast In Iron, and many other books. This collection features over 120 pages of exact facsimiles of the original art, at original size, to best showcase the artist's cartooning process. MARVEL AT THE BREATHTAKING ARTWORK BY ALAN QUAH IN THIS PHENOMENAL BLACK & WHITE OVERSIZED HARDCOVER EDITION OF DARK SOULS VOL 1: THE BREATH OF ANDOLUS! By 1975 the X-Men had been relegated to reprint status for a number of years, and the title was not a safe bet to become one of the most popular comic book franchises of all time-but with the launch that year of GIANT SIZE X-MEN #1, by Len Wein and Dave Cockrum, that is precisely what happened! The limited edition of 125 copies features a signature plate that is signed and numbered by Chris Claremont and is presented with a gorgeous “virgin” wraparound cover by Cockrum. Now, with the full assistance and cooperation of Dave Gibbons, comes Dave Gibbons' Watchmen: Artifact Edition, crammed full of high resolution scans shot directly from Gibbons' original art. Covers, interiors, advertisements, portfolio pieces, color guides-this is the ultimate collection of the ultimate graphic novel! IDW Publishing and the estate of Dave Stevens are pleased to announce a very special book honoring the work of this esteemed creator. Dave Stevens' The Rocketeer: Artist's Edition was the first Artist's Edition and it was a runaway hit, selling out in near-record time. Now, due to incredible demand from both fans and retailers, IDW is bringing this Eisner Award-winning book back with a snazzy new edition! This Artist's Edition collects both Rocketeer graphic novels in their entirely, nearly every page has been scanned from Dave Stevens' beautiful original art! Daredevil Born Again. That title strikes a chord with comic fans who know what it means. Fans who know that it represents two of the finest creators at the absolute peaks of their game. David Mazzucchelli's superhero work had reached an artistic apex when this series was released, and the same is true for Frank Miller's writing.