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Nine Night at the Trafalgar Studios
7 September 2018 FULL CASTING ANNOUNCED FOR THE NATIONAL THEATRE’S PRODUCTION OF NINE NIGHT AT THE TRAFALGAR STUDIOS NINE NIGHT by Natasha Gordon Trafalgar Studios 1 December 2018 – 9 February 2019, Press night 6 December The National Theatre have today announced the full cast for Nine Night, Natasha Gordon’s critically acclaimed play which will transfer from the National Theatre to the Trafalgar Studios on 1 December 2018 (press night 6 December) in a co-production with Trafalgar Theatre Productions. Natasha Gordon will take the role of Lorraine in her debut play, for which she has recently been nominated for the Best Writer Award in The Stage newspaper’s ‘Debut Awards’. She is joined by Oliver Alvin-Wilson (Robert), Michelle Greenidge (Trudy), also nominated in the Stage Awards for Best West End Debut, Hattie Ladbury (Sophie), Rebekah Murrell (Anita) and Cecilia Noble (Aunt Maggie) who return to their celebrated NT roles, and Karl Collins (Uncle Vince) who completes the West End cast. Directed by Roy Alexander Weise (The Mountaintop), Nine Night is a touching and exuberantly funny exploration of the rituals of family. Gloria is gravely sick. When her time comes, the celebration begins; the traditional Jamaican Nine Night Wake. But for Gloria’s children and grandchildren, marking her death with a party that lasts over a week is a test. Nine rum-fuelled nights of music, food, storytelling and laughter – and an endless parade of mourners. The production is designed by Rajha Shakiry, with lighting design by Paule Constable, sound design by George Dennis, movement direction by Shelley Maxwell, company voice work and dialect coaching by Hazel Holder, and the Resident Director is Jade Lewis. -
Lessons Learned from Justice Ruth Bader Ginsburg
LESSONS LEARNED FROM JUSTICE RUTH BADER GINSBURG Amanda L. Tyler* INTRODUCTION Serving as a law clerk for Justice Ruth Bader Ginsburg in the Supreme Court’s October Term 1999 was one of the single greatest privileges and honors of my life. As a trailblazer who opened up opportunities for women, she was a personal hero. How many people get to say that they worked for their hero? Justice Ginsburg was defined by her brilliance, her dedication to public service, her resilience, and her unwavering devotion to taking up the Founders’ calling, set out in the Preamble to our Constitution, to make ours a “more perfect Union.”1 She was a profoundly dedicated public servant in no small measure because she appreciated just how important her role was in ensuring that our Constitution belongs to everyone. Whether as an advocate or a Justice, she tirelessly fought to dismantle discrimination and more generally to open opportunities for every person to live up to their full human potential. Without question, she left this world a better place than she found it, and we are all the beneficiaries. As an advocate, Ruth Bader Ginsburg challenged our society to liber- ate all persons from the gender-based stereotypes that held them back. As a federal judge for forty years—twenty-seven of them on the Supreme Court—she continued and expanded upon that work, even when it meant in dissent calling out her colleagues for improperly walking back earlier gains or halting future progress.2 In total, she wrote over 700 opinions on the D.C. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath. -
Cinema Programme October 2017
Special Screenings Coming Up At Junction NT LIVE: HAMLET (Encore) Thursday 5 October, 7pm All tickets £11 Academy Award nominee Benedict Cumberbatch takes on the title role of Shakespeare’s great tragedy. Now seen by over 750,000 people worldwide, the original 2015 NT Live Cinema Programme broadcast returns to cinemas. As a country arms itself for war, a family tears itself apart. Forced to avenge his father’s death but paralysed by the task ahead, Hamlet rages against the October 2017 impossibility of his predicament, threatening both his sanity and the security of the state. RSC LIVE: CORIOLANUS Wednesday 11 October, 7pm All tickets £11 A full-throttle war play, Coriolanus transports us back to the emergence of the republic of Rome. Coriolanus is a fearless soldier but a reluctant leader who struggles to do what is required to achieve greatness. In this new city state struggling to find its feet, where the gap between rich and poor is widening every day, Coriolanus must decide who he really is and where his allegiances lie. Rome Season Director, Angus Jackson, completes the RSC’s collection of Shakespeare’s Roman plays. NT LIVE: FOLLIES Thursday 16 November, 7pm All tickets £11 Stephen Sondheim’s legendary musical is staged for the first time at the National Theatre and broadcast live to cinemas. New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves. -
This Transcript Was Exported on Sep 24, 2020 - View Latest Version Here
This transcript was exported on Sep 24, 2020 - view latest version here. support message: This podcast is supported by the Walton Family Foundation. The Walton Family Foundation is at its core, a family led foundation, working to create access to opportunity for people and communities. The foundation partners with others to make a difference in K-12 education, the environment and its home region of Northwest Arkansas in the Arkansas Mississippi Delta. Learn more at waltonfamilyfoundation.org. Tricia Johnson: It's Aspen Ideas to Go from the Aspen Institute. I'm Trisha Johnson. Today we're featuring a conversation with Supreme Court Associate Justice, Ruth Bader Ginsburg from our archives. She died Friday. Ginsburg served as the second woman on the nation's highest court and was a champion of justice and steadfast advocate for civil and human rights. Her musical love was opera, yet her late in life status as a powerful cultural icon to a younger generation is more akin to a rockstar than a diva. Tricia Johnson: In 2018, a law student dubbed her the notorious RBG and the moniker consumed the internet and popular culture. Her wit and playful sense of humor are on full display in this conversation. Ruth Bader Ginsburg: And sad for me, I am a monotone. So I sing in only two places, one is the shower and the other is my dreams. Tricia Johnson: Aspen Ideas to Go brings you compelling conversations from the Aspen Institute. Today's show features Ginsburg speaking to the Aspen Wye Fellows in 2017 about her book, My Own Words. -
The Singapore Grip Production Notes Low Res FINAL
THE SINGAPORE GRIP PRODUCTION NOTES Contents *** The content of this press pack is strictly embargoed until 0001hrs on Thursday 3 September *** Press Release 3-4 Interview with Jane Horrocks 29-31 Foreword by Sir Christopher Hampton 5 Interview with Charles Dance 33-35 Character Biographies 6-9 Interview with Colm Meaney 36-39 Interview with adaptor and executive producer Sir Christopher Hampton 10-12 Interview with Georgia Blizzard 40-43 Interview with producer Farah Abushwesha 13-16 Episodes One and Two Synopses 45-46 Interview with Luke Treadaway 17-20 Cast and Production Credits 50-52 Interview with David Morrissey 21-24 Publicity Contacts 53 Interview with Elizabeth Tan 25-28 2 Luke Treadaway, David Morrissey, Jane Horrocks, Colm Meaney and Charles Dance star in epic and ambitious adaptation of The Singapore Grip produced by Mammoth Screen Adapted from Booker Prize winner J.G. Farrell’s novel by Oscar winning screenwriter and playwright Sir Christopher Hampton (Atonement, Dangerous Liaisons), The Singapore grip stars Luke Treadaway, David Morrissey, Jane Horrocks, Colm Meaney and Charles Dance. Former Coronation Street actor Elizabeth Tan and rising star Georgia Blizzard will also star as leads in the highly anticipated series. An epic story set during World War Two, The Singapore Grip focuses on a British family living in Singapore at the time of the Japanese invasion. Olivier Award winning actor Luke Treadaway (The Curious Incident of the Dog in the Night-Time, Ordeal By Innocence, Traitors) plays the reluctant hero and innocent abroad Matthew Webb. Award winning actor, David Morrissey (The Missing, Britannia, The Walking Dead) takes the role of ruthless rubber merchant Walter Blackett, who is head of British Singapore’s oldest and most powerful firm alongside his business partner Webb played by Charles Dance OBE (Game of Thrones, And Then There Were None). -
Justice Ruth Bader Ginsburg
VOLUME 134 JANUARY 2021 NUMBER 3 © 2021 by The Harvard Law Review Association MEMORIAM: JUSTICE RUTH BADER GINSBURG The editors of the Harvard Law Review respectfully offer this collec- tion of tributes to Justice Ruth Bader Ginsburg. Brenda Feigen∗ Ruth Bader Ginsburg changed all our lives by profoundly influenc- ing the law that had encouraged sex discrimination in the United States for centuries. I am writing now in tribute to her. In the nineteenth century, the Supreme Court ruled that women had neither the right to practice law1 nor the right to vote.2 In the mid- twentieth century, the Court approved “beneficial” practices by states making women’s service on juries optional3 and approved Michigan’s law preventing women from working in bars unless a male relative was present when they were working.4 In 1970, while some of us were joining the call of the women’s liber- ation movement to march in protest of outrageous sex discrimination, Ruth and her husband Marty, a tax lawyer, decided to represent Charles Moritz, who lived alone with his elderly mother and had tried to obtain a tax deduction for wages paid to her caregiver.5 The Tax Court had said that type of deduction was available only “to a woman, a widower ––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– ∗ J.D. 1969, Harvard Law School. Ms. Feigen directed the ACLU’s Women’s Rights Project with then-Professor Ruth Bader Ginsburg. She was National Vice President for Legislation of NOW and a cofounder of the National Women’s Political Caucus and of Ms. Magazine. She au- thored Not One of the Boys: Living Life as a Feminist (2000), republished in electronic format twenty years later with a new edition forthcoming. -
1. UK Films for Sale Cannes 2021
UK Films For Sale CANNES 2021 10 Lives GFM Animation Director: Chris Jenkins Email Company Genre: Animation Status: Production 13 Graves Evolutionary Films Cast: Kevin Leslie, Morgan James, Jacob Anderton, Terri Dwyer, Email Company Michael McKell Director: John Langridge Genre: Horror Status: Completed 23 Walks Parkland Pictures Cast: Dave Johns, Alison Steadman Email Company Director: Paul Morrison Genre: Drama Status: Completed 512 Hours With Marina Abramovic Film Republic Cast: Marina Abramović Email Company Director: Adina Istrate Genre: Documentary Status: Post-Production Absolute Denial SC Films International Cast: Nick Eriksen, Jeremy J. Smith-Sebasto, Harry Dyer, Heather Email Company Gonzalez, Jef Leeson Director: Ryan Braund Genre: Animation Status: Post-Production Airline Wars Phoenix Worldwide Cast: Freddy Laker, Freddy Laker Jr, Richard Branson, Robert Entertainment McFarlene, Stelios Haji-iannou, Bjorn Kjos, Norman Tebbit Email Company Genre: Documentary Status: Post-Production Alfred ITN Distribution Cast: Jean-Paul Gates Email Company Director: Steven Smith Genre: Thriller Status: Completed Ali & Ava Altitude Film Entertainment Cast: Claire Rushbrook, Adeel Akhtar Email Company Director: Clio Barnard Genre: Drama Status: Post-Production Alien: Battlefield Earth Vision Films Cast: Derek Nelson, Scot Scurlock, Peter Cosgrove, Cameron Bass Email Company Director: Andrew Jones Genre: Science-fiction Status: Completed Cannes 2021: UK Films for Sale 1 Amulet AMP International Cast: Imelda Staunton, Carla Juri, Alec Secareanu -
And the Winner Is
And the Winner Is . • • Nation's Film Critics Find Few Hits, a Lot of Misses in '91 1 01 9 1 By Pat McGilligan and Mark Rowland Special in The Wa3hington Post ever mind that Hollywood had a bad year, finan- cially speaking. What kind of movie year was 1991, artistically speaking? NIt sucked," Owen Gleiberman, film critic for Entertainment Weekly, put it succinctly. "The worst movie year 1 can remember," echoed Tony Lucia of the Reading (Pa.) Eagle. "I had trouble putting together a Top 10." "Grim," agreed David Ansen of Newsweek. "The big studio product, with few exceptions, was timid, unimagi- native and dumb. And Hollywood is encouraging the au- dience to have the same attributes." No wonder audiences stayed away in droves. If there was any unanimity among the nation's film critics, it was that 1991 produced one of the all-time worst crops of movies. But the critics concur on little else. The Los Angeles Film Critics Association hailed the sweeping gangster saga "Bugsy" as Best Film of 1991. The New York Film Critics Circle tilted toward the chill- ing "The Silence of the Lambs." The National Society of Film Critics, also New York-based, gave its nod to "Life Is Sweet," a funny, oddball look at a British working-class family by director Mike Leigh. - To seek a more democratic consensus, we went out- side the big-city organizations and conducted a poll of 81 newspaper, magazine and television film critics—a sam- pling from across the country. Critics were asked to vote the best film achievements of 1991—in effect, "Critics' Oscars." The results showed some surprising winners— and the most splintered voting in the 12-year history of this poll. -
Night Manager Distribution Ltd
PRESS PACK For further information: Anna Hathaway: 020 7292 7372 / [email protected] Katy Ardagh: 020 7292 7358 / [email protected] © The Night Manager Distribution Ltd. CONTENTS LETTER FROM JOHN LE CARRÉ 3 SYNOPSIS 5 CHARACTERS 6 INTERVIEW: SUSANNE BIER, 24 EXECUTIVE PRODUCER/DIRECTOR EPISODES 26 CAST LIST 27 CAST BIOGRAPHIES 28 PRODUCTION BIOGRAPHIES 29 PRODUCTION CREDITS 31 LETTER BY It’s been one of the unexpected miracles of my writing to Panama City and the forested mountains of the life: a novel I had written more than twenty years ago, Darien. buried deep in the archive of a major movie company The purpose of these seemingly disconnected that had bought the rights but never got around to wanderings had been to frustrate the sale of a huge making the movie, suddenly spirited back to life and consignment of state-of-the-art weaponry to nervous re-told for our times. And how! drug barons of Central America. Their supplier? Mr. In the novel, my chief British spook had been a man Richard Roper, my villain. named Burr – a rough-cut, ponderous, no nonsense But by 2015 the war on drugs had run and run, endless fellow, but a man for all that, and a throwback to my movies had portrayed it, and the hot market for illegal own distant days in the secret world when female JOHN arms had in the meantime moved to the bloodlands of officers were, to say the very least, a rarity. the Middle East, to Syria, Libya and above all Egypt, But did we really want this in 2015: one white male where democracy even now is being shot down every middle-aged man pitched against another white time it lifts its head. -
CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint)
-Season Three- CAST BIOGRAPHIES TOBY STEPHENS (Captain Flint) Toby Stephens was born in London, England and trained at the London Academy of Music and Dramatic Art (LAMDA). He has gained critical acclaim as a stage and screen actor and upcoming work includes the feature film 13 Hours: The Secret Soldiers of Benghazi directed by Michael Bay, and And Then There Were None for the BBC. He will also star opposite Timothy Spall and John Hurt in Nick Hamm’s The Journey. Previous television roles include: “Vexed” (BBC), “Robin Hood” (BBC), “Wired” (ITV), “The Wild West” (BBC 1), “Jane Eyre” (BBC 1), “Sharpe’s Challenge” (ITV), “The Best Man” (ITV), “The Queen’s Sister” (Channel 4), “Waking the Dead” (BBC 1), “Poirot” (ITV), “Cambridge Spies” (BBC 2), “Perfect Strangers” (BBC 2), and “The Tenant of Wildfell Hall” (BBC 1). Recent film credits include: Believe with Natasha McElhone and Brian Cox, All Things to All Men alongside Gabriel Byrne and Rufus Sewell, and the lead role in The Machine for Content Film. Other film work includes: Severance, The Rising: Ballad of Mangal Pandey, Die Another Day, Possession, The Announcement, Onegin, Photographing Fairies, Sunset Heights, Cousin Bette, The Great Gatsby, Twelfth Night, and Orlando. Toby is an accomplished stage actor, both in London’s West End and on Broadway. Theater credits include ‘Elyot’ opposite Anna Chancellor in “Noel Coward’s Private Lives,” ‘Georges Danton’ in “Danton’s Death” (National Theatre Olivier), ‘Henry’ in “The Real Thing” (The Old Vic), ‘Thomas’ in “A Doll’s House,” ‘Jerry’ in