DOCSLIB.ORG

View of Literature

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
View of Literature Department of Environmental Studies DISSERTATION COMMITTEE PAGE The undersigned have examined the dissertation entitled: “Exploring Lifelong Influence of Participating in the Junior Audubon Club During Childhood,” presented by Amy Weidensaul, candidate for the degree of Doctor of Philosophy, and hereby certify that it is accepted* Committee Chair: Jimmy Karlan, Ph.D. Core Faculty, Antioch University New England Committee Member: Jean Kayira, Ph.D. Core Faculty, Antioch University New England Committee Member: Corrie Colvin Williams, Ph.D. Co-founder & Principal Consultant, Blue Lotus Consulting & Evaluation, LLC Defense Date: October 29, 2018 Date Approved by all committee members: December 10, 2018 Date Submitted to the Registrar’s Office: December 12, 2018 *Signatures are on file with the Registrar’s Office, Antioch University New England. Exploring Lifelong Influence of Participating in the Junior Audubon Club During Childhood by Amy Weidensaul A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Environmental Studies at Antioch University New England 2018 © 2018 by Amy Weidensaul All rights reserved Acknowledgements This dissertation is the result of a five-and-a-half year journey filled with challenges, successes and celebrations. It would not have been possible without the community of support that has been by my side throughout this entire journey, and to whom I am forever indebted. To my committee members, Jimmy Karlan, Jean Kayira, and Corrie Colvin Williams, thank you for sharing your expertise and knowledge, providing endless guidance and advice, and for challenging me to make my research better and strengthen myself as a practitioner. I especially want to thank Jimmy for being my advisor and committee chair. He has provided unwavering support, critical feedback, shared many laughs, and endless encouragement to keep me progressing on this journey. To my 19 research participants, thank you for sharing your stories, for allowing me to walk down memory lane with you, and for reflecting on your life paths. I owe tremendous thanks to my cohort of doctoral students at Antioch University New England. Thank you for always providing encouragement, celebrating our successes, small and large, together, and for your friendship. To Marcy Sieggreen, thank you for your friendship. Even with you gone, I heard your laughter and words of encouragement to finish the program. An incalculable amount of thanks goes to my family and dear friends, who were always willing to provide me with perspective, reassurance and love. Thank you to my parents, Ray and Jody Bourque, for fueling my love to learn and passion for the environment. And to my husband, Scott, who has never once wavered in his support for me, both during this research and throughout our years together. I honestly could never have done this without him by my side. iv Abstract There is limited research looking at the role that specific programs play in the formation of environmental identity, or lifelong influences of specific environmental programs. This study looks to address this gap by exploring the salient and memorable experiences of past Junior Audubon Club members who participated in the program as children, and how they describe the influences of the program on their environmental identities. Based on this study, there were specific components of the Junior Audubon Club that proved most influential and lasting for the participants, including active learning in nature, supportive adults who shared similar interest and passions, and establishment of a sense of community through social acceptance and group identity. This study suggests that childhood participation in programs can be particularly successful, and have a lasting impact, when a sense of community is created with peer acceptance, supportive adults, repeated experiences in nature and active learning. Findings from this study document the long-term impacts that participation in such a program as a child can have throughout an individual’s lifetime, and the results of this study can be applied to the development of potentially more impactful environmental education programs. The electronic version of this dissertation is accessible in the open access OhioLINK ETD Center (http://etd.ohiolink.edu). Table of Contents Acknowledgements ............................................................................................................ iv Abstract ............................................................................................................................... v Table of Contents ............................................................................................................... vi List of Figures .................................................................................................................... xi List of Tables .................................................................................................................... xii Chapter I: Introduction ........................................................................................................ 1 Statement of Purpose .................................................................................................... 5 Chapter II: Review of Literature ......................................................................................... 7 Environmental Education ............................................................................................ 7 Significant Life Experience ........................................................................................ 14 Environmental Identity............................................................................................... 16 Social Practice Theory ................................................................................................ 18 Research Framework .................................................................................................. 22 Chapter III: A Brief History of Junior Audubon Club 1910-1970 ................................... 27 Early Years of National Audubon Society ................................................................ 27 Audubon Brings ‘Bird Lore’ to Children ................................................................. 29 Dead Robins and the Launch of Junior Audubon Club (early years 1910–1920s) 31 Roaring Along in the Roaring '20s ............................................................................ 36 Peterson Takes the Helm (the 1930s)......................................................................... 38 Changing Names and Celebrating Milestones (the 1940s) ...................................... 40 The High-water Mark (the 1950s) ............................................................................. 42 The Beginning of the Organizational Shift: 1960–‘70s ........................................... 44 A Pioneering Program with Lasting Impact............................................................. 45 Chapter IV: Research Design............................................................................................ 48 Overall Approach and Rationale ............................................................................... 51 Study Participants ....................................................................................................... 55 Historical Archives ...................................................................................................... 58 Phase One Data Collection: Quantitative ................................................................. 59 Phase Two Data Collection: Qualitative ................................................................... 62 Data Analysis Methods ............................................................................................... 64 Validity Issues .............................................................................................................. 66 Limitations in Research Design ................................................................................. 68 Ethical Considerations ................................................................................................ 71 Chapter V: Study Findings................................................................................................ 74 Environmental Identity............................................................................................... 76 Select Participant Profiles .......................................................................................... 79 AnnMarie ................................................................................................................... 80 Forrest and Carol-Ann ............................................................................................... 83 Charles ....................................................................................................................... 85 Heinz .......................................................................................................................... 88 Tom ............................................................................................................................ 90 Summary of Participant Profiles ............................................................................... 93 Emergent Themes ........................................................................................................ 93 Memories .....................................................................................................................
Load more

Recommended publications
  • Making Pictures the Pinter Screenplays
    Joanne Klein Making Pictures The Pinter Screenplays MAKING PICTURES The Pinter Screenplays by Joanne Klein Making Pictures: The Pinter Screenplays Ohio State University Press: Columbus Extracts from F. Scott Fitzgerald, The Last Tycoon. Copyright 1941 Charles Scribner's Sons; copyright renewed. Reprinted with the permission of Charles Scribner's Sons. Extracts from John Fowles, The French Lieutenant's Woman. Copyright © 1969 by John Fowles. By permission of Little, Brown and Company. Extracts from Harold Pinter, The French Lieutenant's Woman: A Screenplay. Copyright © 1982 by United Artists Corporation and Copyright © 1982 by J. R. Fowles, Ltd. Extracts from L. P. Hartley, The Go-Between. Copyright © 1954 and 1981 by L. P. Hartley. Reprinted with permission of Stein and Day Publishers. Extracts from Penelope Mortimer, The Pumpkin Eater. © 1963 by Penelope Mortimer. Reprinted by permission of the Harold Matson Company, Inc. Extracts from Nicholas Mosley, Accident. Copyright © 1965 by Nicholas Mosley. Reprinted by permission of Hodder and Stoughton Limited. Copyright © 1985 by the Ohio State University Press All Rights Reserved Library of Congress Cataloging in Publication Data Klein, Joanne, 1949­ Making pictures. Bibliography: p. Includes index. 1. Pinter, Harold, 1930- —Moving-picture plays. I. Title. PR6066.I53Z713 1985 822'.914 85-326 Cloth: ISBN 0-8142-0378-7 Paper: ISBN 0-8142-0400-7 for William I. Oliver Contents Acknowledgments ix Chronology of Pinter's Writing for Stage and Screen xi 1. Media 1 2. The Servant 9 3. The Pumpkin Eater 27 4. The Quiller Memorandum 42 5. Accident 50 6. The Go-Between 77 1. The Proust Screenplay 103 8.
    [Show full text]
  • Harold Pinter's Transmedial Histories
    Introduction: Harold Pinter’s transmedial histories Article Published Version Creative Commons: Attribution 4.0 (CC-BY) Open Access Bignell, J. and Davies, W. (2020) Introduction: Harold Pinter’s transmedial histories. Historical Journal of Film, Radio & Television, 40. pp. 481-498. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778314 Available at http://centaur.reading.ac.uk/89961/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/01439685.2020.1778314 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Historical Journal of Film, Radio and Television ISSN: 0143-9685 (Print) 1465-3451 (Online) Journal homepage: https://www.tandfonline.com/loi/chjf20 Introduction: Harold Pinter’s Transmedial Histories Jonathan Bignell & William Davies To cite this article: Jonathan Bignell & William Davies (2020): Introduction: Harold Pinter’s Transmedial Histories, Historical Journal of Film, Radio and Television To link to this article: https://doi.org/10.1080/01439685.2020.1778314 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 18 Jun 2020. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=chjf20 Historical Journal of Film, Radio and Television, 2020 https://doi.org/10.1080/01439685.2020.1778314 INTRODUCTION: HAROLD PINTER’S TRANSMEDIAL HISTORIES Jonathan Bignell and William Davies This article introduces the special issue by exploring the transmediality of Harold Pinter's work.
    [Show full text]
  • In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
    BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire
    [Show full text]
  • The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More Information
    Cambridge University Press 0521651239 - The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More information The Cambridge Companion to Harold Pinter The Cambridge Companion to Harold Pinter provides an introduction to one of the world’s leading and most controversial writers, whose output in many genres and roles continues to grow. Harold Pinter has written for the theatre, radio, television and screen, in addition to being a highly successful director and actor. This volume examines the wide range of Pinter’s work (including his recent play Celebration). The first section of essays places his writing within the critical and theatrical context of his time, and its reception worldwide. The Companion moves on to explore issues of performance, with essays by practi- tioners and writers. The third section addresses wider themes, including Pinter as celebrity, the playwright and his critics, and the political dimensions of his work. The volume offers photographs from key productions, a chronology and bibliography. © Cambridge University Press www.cambridge.org Cambridge University Press 0521651239 - The Cambridge Companion to Harold Pinter Edited by Peter Raby Frontmatter More information CAMBRIDGE COMPANIONS TO LITERATURE The Cambridge Companion to Greek Tragedy The Cambridge Companion to the French edited by P. E. Easterling Novel: from 1800 to the Present The Cambridge Companion to Old English edited by Timothy Unwin Literature The Cambridge Companion to Modernism edited by Malcolm Godden and Michael edited by Michael Levenson Lapidge The Cambridge Companion to Australian The Cambridge Companion to Medieval Literature Romance edited by Elizabeth Webby edited by Roberta L. Kreuger The Cambridge Companion to American The Cambridge Companion to Medieval Women Playwrights English Theatre edited by Brenda Murphy edited by Richard Beadle The Cambridge Companion to Modern British The Cambridge Companion to English Women Playwrights Renaissance Drama edited by Elaine Aston and Janelle Reinelt edited by A.
    [Show full text]
  • Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 285 April Oxford’S Music Magazine 2019
    [email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 285 April Oxford’s Music Magazine 2019 “The mask probably is a defence mechanism. Focussing on this character of Tiger Mendoza rather than photo: Helen Messenger me as a person removes the notion of personality or race or even gender.” tiger mendoza Oxford’s collaboration king talks masks, movies & remixes Also in this issue: THE CELLAR - RIP WHEATSHEAF in peril? Introducing MEANS OF PRODUCTION FESTIVAL NEWS - the latest on Truck, Cornbury, Supernormal, Tandem & more plus all your Oxford music news, previews, reviews and five pages of gigs for April NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk THE CELLAR CLOSED ITS agreed, there were no guarantees doors for the last time on the 11th on the time frame of the building March. work, which required access to the The venue, which has been at the shop above and various structural heart of the Oxford music scene for considerations. Essentially, the 40 years under the ownership of the whole process took far longer than Hopkins family, was forced to shut we were expecting, and we simply after it failed to reach an agreement could not keep operating under these with landlords The St Michael’s and conditions. All Saints “charity”, over a new rent “We are grateful to the landlords for deal. recognising the cultural importance The closure comes at the end of of the venue, and we hope that an 18-month period that saw The we have saved this space from Cellar survive an application for a becoming a store room.
    [Show full text]
  • Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
    DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays.
    [Show full text]
  • 6 X 10.5 Long Title.P65 .P65
    Cambridge University Press 978-0-521-71373-3 - The Cambridge Companion to Harold Pinter, Second Edition Edited by Peter Raby Index More information MAIN INDEX Abrezkov, Maxim 191–2 213, 216–18, 223–4, 228, 250–4, 297, absurdism 74, 76, 123–4, 252 301, 303 Adams, Tim 272 All That Fall 77 Adler, Larry 269 Embers 77 Afsharov, Yuri 172, 182, 191 Krapp’s Last Tape 77, 204, 216–17, 219, Aldwych Theatre 166, 298 223–5 Allen, Keith 60 Murphy 199 Almeida Theatre 56, 127 Play 77 Althusser, Louis 284 That Time 77 Amis, Kingsley 28 Waiting for Godot 28, 74, 76–7, 190, Amnesty International 31, 107, 110, 112, 195, 198 116, 306 Watt 77, 198–9, 201, 204 Anderson, Lindsay 28–9 Belton, Cathy 211 Anderson, Michael 91 Benn, Tony 276 ‘Angry Young Men’ 28, 74–5 Bensky, Lawrence M. 91 Annan, Kofi 106 Bentley, Eric 28 Arden, John 39, 44, 74–5 Bernhardt, Sarah 147 Live Like Pigs 39, 75 Bertish, Suzanne 150, 157 Serjeant Musgrave’s Dance 39 Billington, Kevin 148 The Waters of Babylon 275 Billington, Michael 61, 63, 76, 80, 112, 116, Atwood, Margaret 123, 200, 217, 223, 246, 259, 266, 273, The Handmaiden’s Tale 89 277, 298 Auden, W. H. 162, 225–6, 309 The Birthday Party (band) 276 For the Time Being 225 black comedy 51, 54, 110, 136, 175 Austen, Jane 167 Blair, Tony 105, 117, 226, 269, 270 Ayckbourn, Alan 44, 150, 275 Bleasdale, Alan Ayer, A. J. 29 Jake’s Progress 276 Boal, Augusto 305 Barker, George 241 Bogarde, Dirk 91 Barker, Howard 242 Bolt, Robert 97 Barker-Caven, Michael 211 Bond, Edward 68, 138, 242, 298, 302 Baron, David (Harold Pinter’s stage Lear 242
    [Show full text]
  • The Dramatic World Harol I Pinter
    THE DRAMATIC WORLD HAROL I PINTER RITUAL Katherine H. Bnrkman $8.00 THE DRAMATIC WORLD OF HAROLD PINTER By Katherine H. Burkman The drama of Harold Pinter evolves in an atmosphere of mystery in which the surfaces of life are realistically detailed but the pat­ terns that underlie them remain obscure. De­ spite the vivid naturalism of his dialogue, his characters often behave more like figures in a dream than like persons with whom one can easily identify. Pinter has on one occasion admitted that, if pressed, he would define his art as realistic but would not describe what he does as realism. Here he points to what his audience has often sensed is distinctive in his style: its mixture of the real and sur­ real, its exact portrayal of life on the surface, and its powerful evocation of that life that lies beneath the surface. Mrs. Burkman rejects the contention of some Pinter critics that the playwright seeks to mystify and puzzle his audience. To the contrary, she argues, he is exploring experi­ ence at levels that are mysterious, and is a poetic rather than a problem-solving play­ wright. The poetic images of the play, more­ over, Mrs. Burkman contends, are based in ritual; and just as the ancient Greeks at­ tempted to understand the mysteries of life by drawing upon the most primitive of reli­ gious rites, so Pinter employs ritual in his drama for his own tragicomic purposes. Mrs. Burkman explores two distinct kinds of ritual that Pinter develops in counter­ point. His plays abound in those daily habit­ ual activities that have become formalized as ritual and have tended to become empty of meaning, but these automatic activities are set in contrast with sacrificial rites that are loaded with meaning, and force the charac­ ters to a painful awareness of life from which their daily routines have served to protect them.
    [Show full text]
  • Dragon Magazine
    D RAGON 1 Publisher: Mike Cook Editor-in-Chief: Kim Mohan We’ll say it again Editorial staff: Marilyn Favaro Contents From time to time in the past, this Gali Sanchez Vol. VII, No. 8 January 1983 Roger Raupp magazine has proclaimed its editorial Patrick L. Price independence. “We’re not a house or- SPECIAL ATTRACTION Business manager: Debra Chiusano gan,” we have stated before, beginning Office staff: Sharon Walton in a time when many of our competitors ARRAKHAR’S WAND. 45 Pam Maloney in the field could justifiably be called Product design: Eugene S. Kostiz that. We pointed this out because it Finders aren’t always keepers: Layout designer: Ruth M. Hodges A new fantasy boardgame seemed the point needed to be made. Contributing editors: Roger Moore We haven't talked about the subject Ed Greenwood OTHER FEATURES National advertising representative: lately because there didn’t seem to be a Robert LaBudde & Associates, Inc. need to. What we did backed up what we A special section: 2640 Golf Road said, and the turn of events in the gaming Glenview IL 60025 industry made the topic unimportant for Runes — in history . 6 Phone (312) 724-5860 Runestones — in fantasy. 12 comparative purposes; no sense beating Be Quest — and in fiction. 16 This issue’s contributing artists: a dead issue. Clyde Caldwell Jim Holloway Which brings us to the recent past — Castles by Carroll . 19 Roger Raupp Larry Elmore DRAGON™ issues #65 and #66, wherein II: Wawel Castle Mike Carroll Phil Foglio some opinionated remarks by E. Gary Jeff Easley Dave Trampier Gygax appeared.
    [Show full text]
  • Deutsche Nationalbibliografie 2017 T 04
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2017 T 04 Stand: 19. April 2017 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2017 ISSN 1613-8945 urn:nbn:de:101-201612065587 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.
    [Show full text]
  • The Other Side of the Story by the Same Author
    THE OTHER SIDE OF THE STORY BY THE SAME AUTHOR Ideas of Order in the Novels of Thomas Pynchon Class Porn ( ( ( (( ( $ %$% "(( $ $"( ($! '( #$( $&( 8C5%22O 5.L%CD.JNO C%DDO }pupÓ pwÓ wÓ Open access edition funded by the National Endowment for the Humanities/ Andrew W. Mellon Foundation Humanities Open Book Program. Copyright © 1989 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850, or visit our website at cornellpress.cornell.edu. First published 1989 by Cornell University Press First printing, Cornell Paperbacks, 1992 Library of Congress Cataloging-in-Publication Data Hite, Molly, 1947– The other side of the story : structures and strategies of contemporary feminist narrative / Molly Hite. p. cm. Includes index. ISBN-13: 978-0-8014-2164-8 (cloth) — ISBN-13: 978-0-8014-8017-1 (pbk.) 1. English fiction—Women authors—History and criticism. 2. English fiction—20th century—History and criticism. 3. Feminism and literature— History—20th century. 4. Narration (Rhetoric) 5. Rhys, Jean—Technique. 6. Lessing, Doris May, 1919– Golden notebooks. 7. Walker, Alice, 1944– Color purple. 8. Atwood, Margaret Eleanor, 1939– Lady Oracle. I. Title. PR888.F45H58 1989 823'.914'099287—dc19 89-776 The text of this book is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License: https://creativecommons.org/licenses/by-nc-nd/4.0/ For Patricia G. Hite and F.
    [Show full text]
  • Marketing on a Budget
    BROUGHT TO YOU COURTESY OF 05–06 Tools ActiveCampaign 07–08 Campaigns Passenger, BTS, Madonna, Ajunabeats 09–14 Behind The Campaign- Circa Waves IN ASSOCIATION WITH sandbox MAY 01 2019 MUSIC MARKETING FOR THE DIGITAL ERA ISSUE 227 Shoestrings of life MARKETING ON A BUDGET Sandbox Summit 2019 NYC After the huge success of last year’s inaugural Sandbox Summit in the US, Music Ally returns to NYC again next month with the only dedicated marketing conference for the music industry on May 23. Sandbox Summit is an essential forum for cutting edge and creative thinking in music marketing: a day full of practical tips, refreshing discussions and interviews, insightful presentations, and of course, lots of networking. Brought to you in association with Linkfre, we are delighted to also announce our supporting sponsors, The Orchard and Vevo. Some of the program we have in store for you includes: • FlighthouseSandbox TikTok channel Summitfounder Jacob Pace is on marketing to Gen Z, and Sony Music’sa music Jose marketing Abreu discussing conference how to target Superfans. • Secretly Group’s Robby Morris and Laura Sykes explain the secrets behind the Khruangbin campaignseries which organised included a Spotify by playlist that tapped into Flight APIs • ‘Dry StreamsMusic Paradox’ Ally, panel the with global Pandora’s leader Heather in Ellis, Island Records’ Cindy James, Artist Manager Naveed Hassan (MDDN)digital and The Orchard’smarketing Amanda training Suriani for • Panel on how to bring together the various data silos around an artist hosted by Linkfre’s Jeppethe Faurfelt music industry • International marketingand the panel publisher focused on India, of the China and the African markets AT THE • Podcasting anddigital music panel marketing-focused chaired by Cherie Hu, featuring Atlantic Records’ podcast guru Tom MullenSandbox and KevinReports.
    [Show full text]