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Glen Dudbridge
Glen Dudbridge 2 July 1938 – 5 February 2017 elected Fellow of the British Academy 1984 by WILT L. IDEMA Biographical Memoirs of Fellows of the British Academy, XVII, 1–18 Posted 18 June 2018. © British Academy 2018 GLEN DUDBRIDGE Born in 1938 in Clevedon, Somerset, Glen Dudbridge attended Bristol Grammar School. Following his National Service, he read Chinese at Cambridge, where he was taught by H. C. Chang, who is probably best known for his substantial and densely annotated anthology of Chinese vernacular literature which appeared in 1973 as Chinese Literature: Popular Fiction and Drama (Edinburgh). He also greatly benefited from the expertise of Piet van der Loon, who would remain a major source of inspir ation throughout his life. As well as Chang, van der Loon must have drilled him in philology and bibliography. Following his years at Cambridge, Dudbridge continued his studies at the New Asia College in Hong Kong. In 1965, he was appointed as Lecturer in Modern Chinese at Oxford. Twenty years later, in 1985, he was made Professor of Chinese at Cambridge, but returned to Oxford in 1989 when he was appointed in the same function there. He served as Chair of the European Association of Chinese Studies from 1998 to 2002, and was a visiting professor at Yale University, University of California, Berkeley, and the Chinese University of Hong Kong. He was elected a fellow of the British Academy in 1984 and was awarded an Honorary Membership of the Chinese Academy of Social Sciences in 1996. Following retire ment from his Oxford Chair, he remained actively involved in academic life and research. -
CHAPTER 3 Hong Kong Music Ecosphere
Abstract The people of Hong Kong experienced their deepest sense of insecurity and anxiety after the handover of sovereignty to Beijing. Time and again, the incapacity and lack of credibility of the SAR government has been manifested in various new policies or incidents. Hong Kong people’s anger and discontent with the government have reached to the peak. On July 1, 2003, the sixth anniversary of the hand-over of Hong Kong to China, 500,000 demonstrators poured through the streets of Hong Kong to voice their concerns over the proposed legislation of Article 23 and their dissatisfaction to the SAR government. And the studies of politics and social movement are still dominated by accounts of open confrontations in the form of large scale and organized rebellions and protests. If we shift our focus on the terrain of everyday life, we can find that the youth voice out their discontents by different ways, such as various kinds of media. This research aims to fill the gap and explore the relationship between popular culture and politics of the youth in Hong Kong after 1997 by using one of the local bands KingLyChee as a case study. Politically, it aims at discovering the hidden voices of the youth and argues that the youth are not seen as passive victims of structural factors such as education system, market and family. Rather they are active and strategic actors who are capable of negotiating with and responding to the social change of Hong Kong society via employing popular culture like music by which the youth obtain their pleasure of producing their own meanings of social experience and the pleasure of avoiding the social discipline of the power-bloc. -
Making Pictures the Pinter Screenplays
Joanne Klein Making Pictures The Pinter Screenplays MAKING PICTURES The Pinter Screenplays by Joanne Klein Making Pictures: The Pinter Screenplays Ohio State University Press: Columbus Extracts from F. Scott Fitzgerald, The Last Tycoon. Copyright 1941 Charles Scribner's Sons; copyright renewed. Reprinted with the permission of Charles Scribner's Sons. Extracts from John Fowles, The French Lieutenant's Woman. Copyright © 1969 by John Fowles. By permission of Little, Brown and Company. Extracts from Harold Pinter, The French Lieutenant's Woman: A Screenplay. Copyright © 1982 by United Artists Corporation and Copyright © 1982 by J. R. Fowles, Ltd. Extracts from L. P. Hartley, The Go-Between. Copyright © 1954 and 1981 by L. P. Hartley. Reprinted with permission of Stein and Day Publishers. Extracts from Penelope Mortimer, The Pumpkin Eater. © 1963 by Penelope Mortimer. Reprinted by permission of the Harold Matson Company, Inc. Extracts from Nicholas Mosley, Accident. Copyright © 1965 by Nicholas Mosley. Reprinted by permission of Hodder and Stoughton Limited. Copyright © 1985 by the Ohio State University Press All Rights Reserved Library of Congress Cataloging in Publication Data Klein, Joanne, 1949 Making pictures. Bibliography: p. Includes index. 1. Pinter, Harold, 1930- —Moving-picture plays. I. Title. PR6066.I53Z713 1985 822'.914 85-326 Cloth: ISBN 0-8142-0378-7 Paper: ISBN 0-8142-0400-7 for William I. Oliver Contents Acknowledgments ix Chronology of Pinter's Writing for Stage and Screen xi 1. Media 1 2. The Servant 9 3. The Pumpkin Eater 27 4. The Quiller Memorandum 42 5. Accident 50 6. The Go-Between 77 1. The Proust Screenplay 103 8. -
C O N T R I B U T O R S ARAKI KENGO Is a Graduate of Kyushu
CONTRIBUTORS ARAKI KENGO is a graduate of Kyushu University and is now Professor of Chinese Philosophy in its Faculty of Letters, specializing in Sung-Ming thought and Bud- dhism. His principal works include Buddhism and Confucianism (Bukkyo to jukyo) (1963); and Studies in Ming Thought (Mindai shiso kenkyu) (1972). WILLIAM s. ATWELL is completing a doctorate in East Asian Studies at Princeton University with a dissertation on the scholar-official Ch'en Tzu-lung (1608-47). His particular interest is in the social and intellectual history of sixteenth- and seventeenth-century China. WING-TSIT CHAN is Professor Emeritus of Chinese Philosophy and Culture at Dartmouth College and Anna R. D. Gillespie Professor of Philosophy at Chatham College. Representative of his numerous works on Chinese philosophy are his Source Book in Chinese Philosophy (1963), his translation Instructions for Practical Living and Other Neo-Confucian Writings by Wang Yang-ming (1963), and his translation of Chu Hsi's Reflections on Things at Hand (1967). CHUNG-YING CHENG is Professor of Philosophy at the University of Hawaii and works in the fields of Chinese philosophy, comparative philosophy, and Ameri- can logical philosophy. He has published studies in classical Chinese logic, Con- fucianism, and Neo-Confucianism, including a book, Tai Chen's Inquiry into Goodness (1969). He is the founder and editor of the Journal of Chinese Philoso- phy and is currently working on a book dealing with the philosophies of Chu Hsi and Wang Yang-ming. EDWARD T. CH'IEN is a Ph.D. candidate at Columbia University and is working on a full-scale study of Chiao Hung to be entitled "The Late Ming Neo-Confucian Synthesis in Chiao Hung." He has taught at Sam Houston State University in Texas. -
Discourse, Social Scales, and Epiphenomenality of Language Policy: a Case Study of a Local, Hong Kong NGO
Discourse, Social Scales, and Epiphenomenality of Language Policy: A Case Study of a Local, Hong Kong NGO Item Type text; Electronic Dissertation Authors Tso, Elizabeth Ann Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 27/09/2021 12:25:43 Link to Item http://hdl.handle.net/10150/623063 DISCOURSE, SOCIAL SCALES, AND EPIPHENOMENALITY OF LANGUAGE POLICY: A CASE STUDY OF A LOCAL, HONG KONG NGO by Elizabeth Ann Tso __________________________ Copyright © Elizabeth Ann Tso 2017 A Dissertation Submitted to the Faculty of the GRADUATE INTERDISCIPLINARY PROGRAM IN SECOND LANGUAGE ACQUISITION AND TEACHING In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2017 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Elizabeth Tso, titled Discourse, Social Scales, and Epiphenomenality of Language Policy: A Case Study of a Local, Hong Kong NGO, and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. _______________________________________________ Date: (January 13, 2017) Perry Gilmore _______________________________________________ Date: (January 13, 2017) Wenhao Diao _______________________________________________ Date: (January 13, 2017) Sheilah Nicholas Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. -
Thomé H. Fang, Tang Junyi and the Appropriation of Huayan Thought
Thomé H. Fang, Tang Junyi and the Appropriation of Huayan Thought A thesis submitted to the University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2014 King Pong Chiu School of Arts, Languages and Cultures TABLE OF CONTENTS Table of Contents 2 List of Figures and Tables 4 List of Abbreviations 5 Abstract 7 Declaration and Copyright Statement 8 A Note on Transliteration 9 Acknowledgements 10 Chapter 1 - Research Questions, Methodology and Literature Review 11 1.1 Research Questions 11 1.2 Methodology 15 1.3 Literature Review 23 1.3.1 Historical Context 23 1.3.2 Thomé H. Fang and Huayan Thought 29 1.3.3 Tang Junyi and Huayan Thought 31 Chapter 2 – The Historical Context of Modern Confucian Thinkers’ Appropriations of Buddhist Ideas 33 2.1 ‘Ti ’ and ‘Yong ’ as a Theoretical Framework 33 2.2 Western Challenge and Chinese Response - An Overview 35 2.2.1 Declining Status of Confucianism since the Mid-Nineteenth Century 38 2.2.2 ‘Scientism’ as a Western Challenge in Early Twentieth Century China 44 2.2.3 Searching New Sources for Cultural Transformation as Chinese Response 49 2.3 Confucian Thinkers’ Appropriations of Buddhist Thought - An Overview 53 2.4 Classical Huayan Thought and its Modern Development 62 2.4.1 Brief History of the Huayan School in the Tang Dynasty 62 2.4.2 Foundation of Huayan Thought 65 2.4.3 Key Concepts of Huayan Thought 70 2.4.4 Modern Development of the Huayan School 82 2.5 Fang and Tang as Models of ‘Chinese Hermeneutics’- Preliminary Discussion 83 Chapter 3 - Thomé H. -
Hong Kong Walkability Analysis IQP Project Proposal
Hong Kong Walkability Analysis IQP Project Proposal Sponsoring Agencies: Designing Hong Kong and Harbour Business Forum Submitted to: Project Advisor: Zhikun Hou, WPI Professor Project Co‐advisor: Robert Kinicki, WPI Professor On‐Site Liaison: Paul Zimmerman, Designing Hong Kong On‐Site Co‐Liaison: Dr. Sujata S. Govada, Harbour Business Forum Submitted by: Michael Audi Kathryn Byorkman Alison Couture Suzanne Najem Date Submitted: 15 December 2010 Creighton Peet ID 2050 Instructor Table of Contents Title Page .............................................................................................................................................. i Table of Contents ................................................................................................................................. ii Table of Figures .................................................................................................................................. iv Table of Tables ..................................................................................................................................... v Executive Summary ............................................................................................................................ vi 1.0 Introduction ................................................................................................................................... 1 2.0 Background .................................................................................................................................... 4 -
Harold Pinter's Transmedial Histories
Introduction: Harold Pinter’s transmedial histories Article Published Version Creative Commons: Attribution 4.0 (CC-BY) Open Access Bignell, J. and Davies, W. (2020) Introduction: Harold Pinter’s transmedial histories. Historical Journal of Film, Radio & Television, 40. pp. 481-498. ISSN 1465-3451 doi: https://doi.org/10.1080/01439685.2020.1778314 Available at http://centaur.reading.ac.uk/89961/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/01439685.2020.1778314 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Historical Journal of Film, Radio and Television ISSN: 0143-9685 (Print) 1465-3451 (Online) Journal homepage: https://www.tandfonline.com/loi/chjf20 Introduction: Harold Pinter’s Transmedial Histories Jonathan Bignell & William Davies To cite this article: Jonathan Bignell & William Davies (2020): Introduction: Harold Pinter’s Transmedial Histories, Historical Journal of Film, Radio and Television To link to this article: https://doi.org/10.1080/01439685.2020.1778314 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 18 Jun 2020. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=chjf20 Historical Journal of Film, Radio and Television, 2020 https://doi.org/10.1080/01439685.2020.1778314 INTRODUCTION: HAROLD PINTER’S TRANSMEDIAL HISTORIES Jonathan Bignell and William Davies This article introduces the special issue by exploring the transmediality of Harold Pinter's work. -
2016-2017 CCKF Annual Report
2016-2017 INTRODUCTION The Chiang Ching-kuo Foundation for International Scholarly Exchange (the Foundation) was established in 1989 in memory of the outstanding achievements of the late President of the Republic of China, Chiang Ching- kuo (1910-1988). The Foundation’s mission is to promote the study of Chinese culture and society, as well as enhance international scholarly exchange. Its principal work is to award grants and fellowships to institutions and individuals conducting Sinological and Taiwan-related research, thereby adding new life to Chinese cultural traditions while also assuming responsibility for the further development of human civilization. Operational funds supporting the Foundation’s activities derive from interest generated from an endowment donated by both the public and private sectors. As of June 1, 2017, the size of this endowment totaled NT$3.62 billion. The Foundation is governed by its Board of Directors (consisting of between 15 and 21 Board Members), as well as 3 Supervisors. Our central headquarters is located in Taipei, Taiwan, with a regional office near Washington D.C. in McLean, Virginia. In addition, the Foundation currently maintains four overseas centers: the Chiang Ching-kuo International Sinological Center at Charles University in Prague (CCK-ISC); the Chiang Ching-kuo Foundation Inter-University Center for Sinology at Harvard University (CCK-IUC); the Chinese University of Hong Kong – Chiang Ching-kuo Foundation Asia-Pacific Centre for Chinese Studies (CCK-APC); and the European Research Center on Contemporary Taiwan – A CCK Foundation Overseas Center at Eberhard Karls Universität Tübingen (CCKF-ERCCT). There are also review committees for the five regions covering the geographic scope of the Foundation’s operations: Domestic, American, European, Asia-Pacific and Developing. -
Building a New Music Curriculum: a Multi-Faceted Approach
Action, Criticism and Theory for Music Education The scholarly electronic journal of Volume 3, No. 2 July, 2004 Thomas A. Regleski, Editor Wayne Bowman, Associate Editor Darryl Coan, Publishing Editor Electronic Article Building a New Music Curriculum A Multi-faceted Approach Chi Cheung Leung © Leung, C. 2004, All rights reserved. The content of this article is the sole responsibility of the author. The ACT Journal, the MayDay Group, and their agents are not liable for any legal actions that may arise involving the article's content, including but not limited to, copyright infringement. ISSN 1545-4517 This article is part of an issue of our online journal: ACT Journal: http://act.maydaygroup.org MayDay Site: http://www.maydaygroup.org Action, Criticism & Theory for Music Education Page 2 of 28 ___________________________________________________________________________________ Building a New Music Curriculum A Multifaceted Approach Chi Cheung Leung, The Hong Kong Institute of Education Introduction This paper addresses one of the four questions of the MayDay Group Action Ideal No. 7 (see http://www.nyu.edu/education/music/mayday/maydaygroup/index.htm): To what extent and how can music education curriculums take broader educational and social concerns into account? A multifaceted music curriculum model (MMC Model)—one that addresses relevant issues, criteria, and parameters typically involved or often overlooked—is proposed for consideration in designing a music curriculum. This MMC Model and the follow up discussion are based on the results of a larger study entitled The role of Chinese music in secondary school education in Hong Kong (Leung, 2003a; referred to here as the “original study”), and one of its established models, the Chinese Music Curriculum Model, which was developed in connection with research concerning curriculum decisions for the teaching of Chinese music. -
Ever in My Heart 金 耀 基 教 授 與 中 大 Professor Ambrose Y.C
Ever in My Heart 金 耀 基 教 授 與 中 大 Professor Ambrose Y.C. King and The Chinese University 香港中文大學 The Chinese University of Hong Kong 中文大學校刊 特刊 Chinese University Bulletin Special Supplement 目 錄 Chinese University Bulletin C ONTENTS 特刊 • 二零零七年春 Special Supplement • Spring 2007 © 二零零七年 香港中文大學 © The Chinese University of Hong Kong 2007 《中文大學校刊》為半年刊 由中文大學資訊處出版 贈予大學友好和教職員 The Chinese University Bulletin is published biannually by the Information Services Office and is distributed to friends and staff of CUHK Ever in My Heart 通訊處 中華人民共和國 香港特別行政區 新界 沙田 2 序言 香港中文大學資訊處 Preface Address all correspondence to Information Services Office, CUHK, Shatin, N.T., Hong Kong SAR, 5 中大歲月 The People’s Republic of China Years at The Chinese University 電郵 E-mail 11 就職講辭 [email protected] Inaugural Address 網址 Website www.cuhk.edu.hk/iso/bulletin/ 15 訪問金耀基教授 Interviewing Prof. Ambrose King 大學校刊諮詢委員會 Advisory Committee on Chinese University Bulletin 26 頒授榮譽學位 李介明先生 Mr. Li Kai-ming • 榮譽法學博士讚辭 梁少光先生 Mr. Jacob Leung • 榮譽法學博士領受人講辭 梁素珍女士 Ms. Conita S.C. Leung 陳文教授 Prof. Joseph M. Chan Conferment of Honorary Degree 蔣英豪教授 Prof. Chiang Ying-ho • Citation of Prof. King Yeo Chi Ambrose, 羅炳良教授 Prof. Daniel P.L. Law Doctor of Laws, honoris causa 蘇基朗教授 Prof. Billy K.L. So • Address by Prof. King Yeo Chi Ambrose, Prof. David Parker Doctor of Laws, honoris causa 編輯 Editor 35 惜別晚宴 左冠輝 K.F. Chor • 惜別晚宴講辭 助理編輯 Farewell Dinner Assistant Editor • Speech by Prof. Ambrose King 陳思祥 Piera Chen 編輯助理 42 金耀基教授主要中文著作 Editorial Assistant 吳嬋珍 Wendy Ng 製作 Production 中文題字:金耀基教授 林綺媚 Ada Lam Chinese calligraphy courtesy of Prof. -
In Hong Kong the Political Economy of the Asia Pacific
The Political Economy of the Asia Pacific Fujio Mizuoka Contrived Laissez- Faireism The Politico-Economic Structure of British Colonialism in Hong Kong The Political Economy of the Asia Pacific Series editor Vinod K. Aggarwal More information about this series at http://www.springer.com/series/7840 Fujio Mizuoka Contrived Laissez-Faireism The Politico-Economic Structure of British Colonialism in Hong Kong Fujio Mizuoka Professor Emeritus Hitotsubashi University Kunitachi, Tokyo, Japan ISSN 1866-6507 ISSN 1866-6515 (electronic) The Political Economy of the Asia Pacific ISBN 978-3-319-69792-5 ISBN 978-3-319-69793-2 (eBook) https://doi.org/10.1007/978-3-319-69793-2 Library of Congress Control Number: 2017956132 © Springer International Publishing AG, part of Springer Nature 2018 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication.