Aquatic Center Teaches Kids Water Wisdom
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Folsom Telegraph
THURSDAY, FEBRUARY 20, 2020 Kitchen & Bath Top Five Newspaper Remodeling CNPA California Journalism Awards Painting THE FOLSOM Cabinets Counters Flooring Remodeling Jobs completed before April 1, 2020 * only while openings last * not to be combined with any other offer Your community news by a dam site since 1856 Serving the communities of Folsom and El Dorado Hills 916.774.6416 www.PerrymanPainting.com FOLSOMTELEGRAPH.COM Lic # 948889 (C33 & B) Exoneration, new arrest in 1985 EDH murder case BY BILL SULLIVAN The 1985 case went “This is the first case in occurred on July 7, 1985. OF THE FOLSOM TELEGRAPH unsolved for 14 years before California and only the For all these years, investigators said DNA second in this country Davis has been behind Since his conviction, evidence and an incrim- where investigative genetic bars awaiting retrial, for Ricky Davis continued inating statement by a genealogy has not only led a crime he didn’t commit. to plead his innocence resident of the home tied to the freeing on an individ- El Dorado Superior Court in an El Dorado Hills Davis to the slaying back in ual from prison for a crime Judge Kenneth Mele- murder that took place 35 November of 1999. He was he did not commit, but the kian ended that when he years ago. Last Thursday, then sentenced in 2005 to identification of the true threw out his second-de- 54-year-old Davis walked 16 years-to-life, accused of source,” said Sacramento gree murder conviction in out of El Dorado County stabbing Hylton 29 times County District Attorney the emotional court hear- Superior Court a free man in what was described as a Anne Marie Schubert. -
Ladies and Gentlemen ... the Circus I
6 REVIEW February 12, 2019 Ladies and gentlemen ... the circus is back in town No circus like Cirque du Soleil to hold its breath while watching one of the Cirque du Soleil, in its big blue and yellow goddesses as she balanced 13 palm leaf ribs. tent, opened a five-week run at Lone Star Park There is no music playing. The only sound in Grand Prairie. This time the circus presents is the heavy breathing of the artist as she the tale “Amaluna,” based on Shakespeare’s concentrates. “The Tempest.” The show opened Jan. 23 and One of the most touching acts involves a runs through March 3. scene between Miranda and her lover. Romeo “Amaluna” is the story of a magical island watched Miranda enjoy herself in choreogra- ruled by goddesses. Miranda, the daughter of phy that moved between playing in the water the Queen and shaman Prospera, is a happy bowl and displaying her strength skills in a dreamer and a romantic young girl who is difficult hand-balancing routine. The artists about to reach womanhood. also excel in their acting as the audience The queen creates a big storm that brings a watches the couple share a first kiss. group of young men to the island. The leader, “Amaluna” combines the theatrical story Prince Romeo and his men are trapped. with remarkable acrobatic acts. Watching the The show evolves into a love story between show likely gives viewers hope that dreams Romeo and Miranda. can come true. The couple confronts challenges to be The spectacle is one of more than 23 shows together, including dealing with the jealousy of by Cirque du Soleil. -
The History of the Jamestown Colony: Seventeenth-Century and Modern Interpretations
The History of the Jamestown Colony: Seventeenth-Century and Modern Interpretations A Senior Honors Thesis Presented in Partial Fulfillment of the Requirements for graduation with research distinction in History in the undergraduate colleges of the Ohio State University By Sarah McBee The Ohio State University at Mansfield June 2009 Project Advisor: Professor Heather Tanner, Department of History Introduction Reevaluating Jamestown On an unexceptional day in December about four hundred years ago, three small ships embarked from an English dock and began the long and treacherous voyage across the Atlantic. The passengers on board envisioned their goals – wealth and discovery, glory and destiny. The promise of a new life hung tantalizingly ahead of them. When they arrived in their new world in May of the next year, they did not know that they were to begin the journey of a nation that would eventually become the United States of America. This summary sounds almost ridiculously idealistic – dream-driven achievers setting out to start over and build for themselves a better world. To the average American citizen, this story appears to be the classic description of the Pilgrims coming to the new world in 1620 seeking religious freedom. But what would the same average American citizen say to the fact that this deceptively idealistic story actually took place almost fourteen years earlier at Jamestown, Virginia? The unfortunate truth is that most people do not know the story of the Jamestown colony, established in 1607.1 Even when people have heard of Jamestown, often it is with a negative connotation. Common knowledge marginally recognizes Jamestown as the colony that predates the Separatists in New England by more than a dozen years, and as the first permanent English settlement in America. -
Discord, Order, and the Emergence of Stability in Early Bermuda, 1609-1623
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1991 "In the Hollow Lotus-Land": Discord, Order, and the Emergence of Stability in Early Bermuda, 1609-1623 Matthew R. Laird College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the History Commons Recommended Citation Laird, Matthew R., ""In the Hollow Lotus-Land": Discord, Order, and the Emergence of Stability in Early Bermuda, 1609-1623" (1991). Dissertations, Theses, and Masters Projects. Paper 1539625691. https://dx.doi.org/doi:10.21220/s2-dbem-8k64 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. •'IN THE HOLLOW LOTOS-LAND": DISCORD, ORDER, AND THE EMERGENCE OF STABILITY IN EARLY BERMUDA, 1609-1623 A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Matthew R. Laird 1991 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Matthew R. Laird Approved, July 1991 -Acmy James Axtell Thaddeus W. Tate TABLE OP CONTENTS Page ACKNOWLEDGMENTS....................................... iv ABSTRACT...............................................v HARBINGERS....... ,.................................... 2 CHAPTER I. MUTINY AND STARVATION, 1609-1615............. 11 CHAPTER II. ORDER IMPOSED, 1615-1619................... 39 CHAPTER III. THE FOUNDATIONS OF STABILITY, 1619-1623......60 A PATTERN EMERGES.................................... -
JUNE 27–29, 2013 Thursday, June 27, 2013, 7:30 P.M. 15579Th
06-27 Stravinsky:Layout 1 6/19/13 12:21 PM Page 23 JUNE 2 7–29, 2013 Two Works by Stravinsky Thursday, June 27, 2013, 7:30 p.m. 15, 579th Concert Friday, June 28, 2013, 8 :00 p.m. 15,580th Concert Saturday, June 29, 2013, 8:00 p.m. 15,58 1st Concert Alan Gilbert , Conductor/Magician Global Sponsor Doug Fitch, Director/Designer Karole Armitage, Choreographer Edouard Getaz, Producer/Video Director These concerts are sponsored by Yoko Nagae Ceschina. A production created by Giants Are Small Generous support from The Andrew W. Mellon Foundation, Clifton Taylor, Lighting Designer The Susan and Elihu Rose Foun - Irina Kruzhilina, Costume Designer dation, Donna and Marvin Matt Acheson, Master Puppeteer Schwartz, the Mary and James G. Margie Durand, Make-Up Artist Wallach Family Foundation, and an anonymous donor. Featuring Sara Mearns, Principal Dancer* Filming and Digital Media distribution of this Amar Ramasar , Principal Dancer/Puppeteer* production are made possible by the generos ity of The Mary and James G. Wallach Family This concert will last approximately one and Foundation and The Rita E. and Gustave M. three-quarter hours, which includes one intermission. Hauser Recording Fund . Avery Fisher Hall at Lincoln Center Home of the New York Philharmonic June 2013 23 06-27 Stravinsky:Layout 1 6/19/13 12:21 PM Page 24 New York Philharmonic Two Works by Stravinsky Alan Gilbert, Conductor/Magician Doug Fitch, Director/Designer Karole Armitage, Choreographer Edouard Getaz, Producer/Video Director A production created by Giants Are Small Clifton Taylor, Lighting Designer Irina Kruzhilina, Costume Designer Matt Acheson, Master Puppeteer Margie Durand, Make-Up Artist Featuring Sara Mearns, Principal Dancer* Amar Ramasar, Principal Dancer/Puppeteer* STRAVINSKY Le Baiser de la fée (The Fairy’s Kiss ) (1882–1971) (1928, rev. -
By Peter Hinton and August Schellenberg
Master List of CASP 2012 Database Entries King Lear (2012) by Peter Hinton and August Schellenberg Hamlet (2012) by Kevin O’Day - National Ballet of Canada Shakespeare’s Will (2007 & 2011) by Vern Thiessen [updated] MacHomer (2012 )by Rick Miller [updated] Henry V (2012) by Company of Fools Mr. Shakespeare’s Bastard (2010) by Richard B. Wright When That I Was (2008 & 2012) by John Mortimer and Edward Atienza [updated] DEADLY SIN, Macbeth: A Cabaret (2011) by Paul Hopkins Love’s Labour’s Lost (2005) by Corinne Jaber and Stephen Landrigan Hamlet: An Opera (2007) by Mark Richards Lucrece (2007) by Angus McLellan and Grayden Laing Tout Shakespeare Pour Les Nuls (2005) by Jean-Guy Legault Prospero (?) by NSJ The Comedy of Errors (2010) by Peter Hinton BASH’d: A Gay Rap Opera (2007) by Chris Craddock and Nathan Cuckow The Other, Haitian Macbeth (2010) by Stacey Christodoulou Romeo and Juliet (2005) Twelfth Night (2007) Macbeth (2006) A Midsummer Night’s Dream (2006) King Lear (2006) Othello (2006) Hamlet (2005) by Paul Illidge No Beast So Fierce: A Retelling of William Shakespeare’s Tragedy of King Richard the Third (2011) Crowns and Roses: Shakespeare’s Tales of the Lancasters and the Yorks (2011) Plantagenet Plots: Shakespeare’s Stories of the Middle Ages (2010) God’s Chosen King?: A Retelling of William Shakespeare’s Tragedy of King Richard II (2010) Foreign Wars: A Retelling of William Shakespeare’s History of King Henry V (2010) The Education of a Prince: A Retelling of William Shakespeare’s History of King Henry IV Part One (2010) The -
ISC Program 16 Web Version+One
RICHARD GRIFFITH PARK FREE SHAKESPEARE FESTIVAL JUNE 25 - SEPT 4 the TEMPEST INDEPENDENT SHAKESPEARE CO. SHAKESPEARE SET FREE INDEPENDENT SHAKESPEARE CO. / GRIFFITH PARK FREE SHAKESPEARE FESTIVAL Recently, a long time audience member, Frank Lopes, shared a celebrates Shakespeare’s stories and language, the natural beauty sonnet that he wrote about a tree. of the park, and the communion between the audience and the players that takes place night after night. It’s a lovely tree--in fact, you can see it right now, from where you It is a gift to create theater for the Los Angeles community, and our are sitting. If you’re looking towards the Festival stage, it’ s just to efforts are reciprocated tenfold. You really are the engine that pow- the left. Before a performance, you’ll often find actors and audi- ers the Festival. Your financial donations keep the Festival running. ence members sitting under it, enjoying the shade: Your generosity of spirit when we meet you after performances (or Into the sky towards providence do reach onstage at intermission) is deeply moving. We love taking pictures The wise and solemn bows of mighty tree. with you, chatting with you season after season--and in some And when night’s air of summer words do breech, cases, watching you grow up! Those magic words of past set people free. Oh,Tree! What beauty hast thou witnessed here? Every so often a pizza is delivered to us backstage, or a plate of Of lives, of loves, of kingdoms lost to dust, cookies, or a bottle of champagne. -
Shakespeare Uncovered Viewing Guide
© 2013 WNET. All rights reserved. Teaching Colleagues, Shakespeare Uncovered, a six-part series airing on PBS beginning on January 25 th , is a teacher’s dream come true. Each episode gives us something that we teachers almost never get: a compelling, lively, totally accessible journey through and around a Shakespeare play, guided by brilliant and plain-spoken experts--all within one hour. I’m not given to endorsements, but oh, I love this series. Why will we teachers love it and why do we need it? • Because, as we learned from the very start of the Folger Library’s Teaching Shakespeare Institute, teachers tend to be more confident, better teachers if they have greater and deeper knowledge of the plays themselves. • Because no matter what our relationship with the plays – we love them, we struggle with them, we’re tired of teaching the same ones, we’re afraid of some of them – we almost never have the time to learn more about them. We are teachers, after all: always under a deadline, we’re reading, grading, prepping, mindful of the next deadline. (And then there’s the rest of our lives . ) Shakespeare Uncovered is your chance to take a deep, pleasurable dive into a handful of plays—ones you know well, others that may be less familiar to you. In six episodes, Shakespeare Uncovered takes on eight plays: Macbeth, Hamlet, The Tempest, Richard II, Twelfth Night and As You Like It, Henry IV, Part I, and Henry V . The host of each episode has plenty of Shakespeare cred--Ethan Hawke, Jeremy Irons, Joely Richardson and her mom, Vanessa Redgrave, for example--but each wants to learn more about the play. -
Tempest Pdf, Epub, Ebook
TEMPEST PDF, EPUB, EBOOK Mercedes Lackey | 394 pages | 06 Dec 2016 | DAW BOOKS | 9780756409036 | English | United States Tempest PDF Book Restoration: Studies in English Literary Culture, — The chastity of the bride is considered essential and greatly valued in royal lineages. Pure singleplayer Want to be a lone sea wolf? HeroCraft PC. Sign In Sign in to add your own tags to this product. National Council of Teachers of English. In , Derek Jarman produced the homoerotic film The Tempest that used Shakespeare's language, but was most notable for its deviations from Shakespeare. The Tempest was one of the staples of the repertoire of Romantic Era theatres. Ariel was—with two exceptions—played by a woman, and invariably by a graceful dancer and superb singer. Tempest is for anyone who is done with alcohol or wants to be done with alcohol, for anyone who wants to change how they see themselves and their possibilities in life. Without these features the characters of the new fonts are similar each other. Pick a Plan Choose the level of support you need from our three membership options. Pirate cooperation Share the world of Tempest between you and your friends. This article is about the Shakespeare play. Shakespeare remakes. Upon the restoration of the monarchy in , two patent companies —the King's Company and the Duke's Company —were established, and the existing theatrical repertoire divided between them. Gonzalo's description of his ideal society 2. At least two other silent versions, one from by Edwin Thanhouser , are known to have existed, but have been lost. -
Dress for Success to Partner with Amaluna by Cirque Du Soleil to Showcase Empowered Women
FOR IMMEDIATE RELEASE Directed by Tony Award Winning Director Diane Paulus DRESS FOR SUCCESS TO PARTNER WITH AMALUNA BY CIRQUE DU SOLEIL TO SHOWCASE EMPOWERED WOMEN Atlanta, GA - Monday October 13 – Amaluna by Cirque du Soleil will partner with the local branch of Dress for Success to celebrate the strength, beauty and grace of women; while raising donations for the local organization. This exclusive event will take place from 12:00Pm to 1:30Pm on Wednesday October 22, under Cirque du Soleil’s iconic Blue and Yellow Big Top at Atlantic Station. Guests will be encouraged to donate an item of gently used or new professional clothing to be granted access. Attendees will be treated to a special preview performance by the cast of Amaluna, followed by a Q&A forum featuring members of Amaluna in collaboration with some of Atlanta’s most well-respected businesswomen and personalities – Mara Davis, Melissa Long and Mary Moore. The mission of Dress for Success is to promote the economic independence of disadvantaged women by providing professional attire, a network of support and the career development tools to help women thrive in work and in life. The forum will explore the individual stories of the panelists, discussing career goals, empowerment and overcoming obstacles to achieve success in the workplace. ABOUT THE PANELISTS A personality known for her humor, honesty and love of pop culture, Mara Davis is the Executive Producer for Tastemade Atlanta, a global community connecting the world through food. She also is the co-host of the Atlanta Eats TV and radio shows all about dining in Atlanta. -
LATE 20Th and EARLY 21St CENTURY CLOWNING's
CLOWNING ON AND THROUGH SHAKEPEARE: LATE 20th AND EARLY 21st CENTURY CLOWNING’S TACTICAL USE IN SHAKESPEARE PERFORMANCE by David W Peterson BA, University of Michigan, 2007 Masters, Michigan State University, 2009 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by David W Peterson It was defended on April 16, 2014 and approved by Dr. Attilio “Buck” Favorini, Professor Emeritus, Theatre Arts Dr. Bruce McConachie, Professor, Theatre Arts Dr. Jennifer Waldron, Associate Professor, English Dissertation Advisor: Dr. Lisa Jackson-Schebetta, Assistant Professor, Theatre Arts ii Copyright © by David Peterson 2014 iii CLOWNING ON AND THROUGH SHAKEPEARE: LATE 20th AND EARLY 21st CENTURY CLOWNING’S TACTICAL USE IN SHAKESPEARE PERFORMANCE David Peterson, PhD University of Pittsburgh, 2014 This dissertation argues that contemporary clown performance (as developed in the latter half of the 20th century) can be understood in terms of three key performance practices: the flop, interruption, and audience play. I further argue that these three features of flop, interruption, and audience play are distinctively facilitated by Shakespeare in both text and performance which, in turn, demonstrates the potential of both clown and Shakespeare to not only disrupt theatrical conventions, but to imagine new relationships to social and political power structures. To this end, I ally the flop with Jack Halberstam’s sense of queer failure to investigate the relationship between Macbeth and 500 Clown Macbeth. -
A Weekly Virtual Engagement Schedule Will Be Distributed Each Tuesday
A weekly Virtual Engagement schedule will be distributed each Tuesday. Wednesday, November 11 - Veterans Day • 8:00 AM - Christ and St. Luke’s Sunday Sermon (52 minutes) • 9:15 AM - Guided Meditation with Janet (10 minutes) • 9:30 AM - Service of Holy Communion with Old Donation Clergy (45 minutes) • 10:15 AM - US Military Songs: United States Armed Forces Medley (4 minutes) • 10:20 AM - The Unites States Marines Band Compilation: o SOUSA The Stars and Stripes Forever (5 minutes) o SOUSA Semper Fidelis (4 minutes) o WILLIAMS The Cowboys Overture (10 minutes) • 10:40 AM - The United States Navy Band Compilation: o America the Beautiful (4 minutes) o Spirit of the USN (4 minutes) o All Those Endearing Young Charms (8 minutes) • 11:00 AM - Zumba with Karen (29 minutes) • 11:30 AM - The United States Army Band Compilation: o "Taps" performed in Arlington National Cemetery (3 minutes) o The U.S. Army Chorus performs a popular running cadence "They Say That in the Army" (5 minutes) o The Battle Hymn of the Republic - The United States Army Chorus (5 minutes) • 11:45 AM - The United States Air Force Band Compilation: o "The Chief of Staff" March (3 minutes) o “Molly on the Shore" (4 minutes) o "Florentiner March" (6 minutes) • 12:00 PM - The Unites States Coast Guard Band Compilation: o Notezart (5 minutes) o Against the Rain - Roshanne Etezady (5 minutes) o When the Saints Go Marching In (11 minutes) • 12:20 PM - Trans-Siberian by Private Train (36 minutes) • 1:00 PM - Grace Episcopal Church Sunday Service (8 minutes) • 1:15 PM - Challenge