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Nicl\ Renbour:Rz, D~Vey Graham, Ralpl1 Mcte/1 and Donovan, to Be Followed by Fair Port Conventzon, John Martyn, Pentangle and the Incredible String Band
. Tlze En~lish fol~ scene has always seemed obscure and mysterious from tlzis J szd~ of the. Atlantzc Ocean. _Tize traditional music of the British Isles began a re I nmssance ~n tlze 1950s and 60s witlz Ewan MacCo/1 A .L. Lloyd, Imz Campbell and Ma.rtm Carthy. Tlzey paved the way for the singer/songwriter/guitarist, who, w>tll a nod towards Bob Dylan, updated the traditional folk style and syn thesized it with blues and jazz. The early '60s wave was led by Bert Jansch, John Nicl\_ Renbour:rz, D~vey Graham, Ralpl1 McTe/1 and Donovan, to be followed by Fair port Conventzon, John Martyn, Pentangle and the Incredible String Band. ~orne .of thes~ people r~ached llationwide, even worldwide, success. Many re r:zamed m relatzve obscunty, rarely if ever playing ill the States. They remained m the folk club and small concert scene in Englmzd. Tlzeir music was often intri Drake cate, introsp~ctive and unlike tlze )olk mu~ic" we were accustomed to. One of them .wa~ Nzck Drake, who remams to thzs. day all almost anonymous figure, even m hzs own country. already established himself through Witch season Productions, recording LPs by Fair port, John Martyn and the Incredible String Band (as well as being the latter's mentor/manager). He called Nick and asked for a tape, which Nick obliged. Joe described his initial impression of Drake's music as "melodically unusual and sophisti cated." There was no doubt that Nick had to be nurtured and recorded. Five Leaves Left was begun in mid-1968. -
Memories of Nick Drake (1969-70)
Counterculture Studies Volume 2 Issue 1 Article 18 2019 Memories of Nick Drake (1969-70) Ross Grainger [email protected] Follow this and additional works at: https://ro.uow.edu.au/ccs Recommended Citation Grainger, Ross, Memories of Nick Drake (1969-70), Counterculture Studies, 2(1), 2019, 137-150. doi:10.14453/ccs.v2.i1.17 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Memories of Nick Drake (1969-70) Abstract An account of Australian Ross Grainger's meetings with the British singer songwriter guitarist Nick Drake (1948-74) during the period 1969-70, including discussions at London folk clubs. Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License. This journal article is available in Counterculture Studies: https://ro.uow.edu.au/ccs/vol2/iss1/18 Memories of Nick Drake (1969-70) Ross Grainger Nick Drake, 29 April 1969. Photograph: Keith Morris. I first met Nick Drake when I arrived in London after attending the Isle of Wight Pop Festival in 1969, which featured as its curtain-closer a very different Bob Dylan to the one I had seen in Sydney in March 1966. However, on thinking about it, Dylan’s more scaled down eclectic country music approach - which he revealed for the first time - kind of prepared me for what I was about to experience in London. The day after I arrived at my temporary London lodgings with friends living in Warwick Avenue, I went to Les Cousins in Greek Street. -
Pink Moon, a Story About Nick Drake Free
FREE PINK MOON, A STORY ABOUT NICK DRAKE PDF Gorm Henrik Rasmussen,Bent Sorensen | 176 pages | 24 Jan 2012 | Essential Works Ltd | 9781906615291 | English | London, United Kingdom ShieldSquare Captcha Pink Moon is a personal, original, and moving retelling of the life, death, and posthumous rise of Nick Drake from Danish poet Gorm Henrik Rasmussen. This is the only account of Nick's life to include extensive interviews with Nick's parents as well as others of his close friends. It is now available in English for the first time. Pink Moon explores how Nick Drake's third and final album has puttered and purred its way into a new millennium. Features interviews with producer Joe Boyd, string arranger Robert Kirby, and even the marketing team behind the VW Cabrio commercial that launched the album to platinum status more than thirty Pink Moon after its release. Nick Drake was barely 26 years old when he died in All are now recognized as classics. It provides an insight into the life and work of Nick Drake, and also the music scene of the s that formed his backdrop. In the book, he draws on a long letter from Nick's father to Dr Lusk, in which he describes how Nick's mother, discovered Nick's body during the morning of 25 Novemberfollowing an accidental overdose of prescribed drugs. Since his death in at the age of twenty-six, singer-songwriter Nick Drake has gained a huge international audience and come to be thought of as the epitome of English romanticism. In this book, Nathan Wiseman-Trowse unravels the myths surrounding Drake and his work and explores how ideas of Englishness have come to be intimately associated with the cult musician. -
Joe Boyd There Was an Interesting Moment When I Was Nick Drake Loves the Music
ISSUE #29 MMUSICMAG.COM ISSUE #29 MMUSICMAG.COM PRODUCER How’d the Drake tribute come about? my head. With the Nick record, because I’d worked on a recent spate of live tribute the arrangements are quite formal and the concerts—the first happened about five audiences were respectful, people seemed years ago. I did a tribute concert after [Pink to let the last note die away and then erupt Floyd founding member] Syd Barrett died, in cheers and such, so we felt that we could and I thought it turned out wonderfully. That do it. Also, somebody told us that BBC tilted my psychology about the idea of live Radio 2—the most important outlet in Britain tribute concerts, so when I was asked to for this kind of music—has a rule where they put together a celebration of Nick’s music don’t play tracks with applause. Sometimes at Birmingham Town Hall four years ago, I they dial it out themselves, but we chose to said, “Let’s try it.” And the audience thought take it out instead. it was fantastic, the musicians had a great Maria Muldaur time, and the singers loved getting their teeth If you were back working again with Pink into these songs—and they sounded so good yeah, I love him!” When I asked if she would Floyd in 1967, what would you change? singing them. sing that song, she said that she loved that The main thing I’d do differently would be one as well. She does it quite differently from to somehow make sure that I could get a How did that become an album? how Nick did it, but it’s exactly what I heard, bigger advance from Polydor Records to We’ve done about 15 of these concerts, imagined and wanted. -
Jubilee Pack3
Contents The Queen’s Golden Jubilee 2002 Introduction . .2 BBC Television Documentaries . 4 News . 7 Celebrations and Ceremonials . 8 The Queen’s Concerts . 9 Children’s . 10 Entertainment . 11 Religion . 12 BBCi . 13 BBC Radio BBC Radio 2 . 13 BBC Radio 3 . 14 BBC Radio 4 . 15 Jubilee 2002 Introduction The Queen’s Golden Jubilee 2002 This year, Her Majesty The Queen celebrates The BBC brings powerful documentaries, telling her 50th year on the British Throne. From the story of The Queen and of the evolution of dedicated programmes commemorating the life the Monarchy during her reign. The landmark of one of the longest-reigning monarchs, to documentary series Queen & Country on BBC coverage of all the major ceremonial events and One, written and presented by William two unique concerts at Buckingham Palace, the Shawcross, the award-winning writer and Royal BBC has a wide range of programmes to mark commentator, tells the definitive history of The this important occasion and examine the role of Queen’s 50-year reign. With rare access to the Monarchy in the 21st century. senior Royals, close friends and colleagues, Shawcross explores the complex public roles BBC cameras will be at all the major ceremonial The Queen plays, as well as uncovering her events during the Jubilee celebrations, beginning private passions to present a compelling picture with The Queen’s Address To Parliament on 30 of the woman behind the Monarch. April. Over the Jubilee weekend itself, the BBC brings viewers and listeners the hottest ticket in Other programmes take a more nostalgic view town, with full coverage of all the celebrations. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Acoustic Sounds Catalog Update
WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet. -
Special Edition Mediation & Arbitration
A publication of the Collier County Bar Association Vol. 190 • May 2020 SPECIAL EDITION MEDIATION & ARBITRATION COURT REPORTING Page 2 Adverse Witness, May 2020 May 2020 - Special Edition Adverse Witness A special look at living, working and staying healthy Editorial Board during the coronavirus pandemic. Publication Deadline: 10th day of month preceding publication Letter from the Editor Officers President The Collier County Bar Association was chartered in 1948. Richard Montecalvo During these past 72 years our members have continuously President Elect provided quality legal services through wars, hurricanes, Travis Hayes recessions, and even epidemics. Treasurer Andrew Reiss Now, as the worst pandemic in modern times grips Secretary / AW Editor the world, our members and the Judiciary are finding Edward Larsen innovative ways to continue to provide the quality legal Executive Director Lisa A. Terwilliger services and guaranteeing access to justice that they are so well known for. Immediate Past President In many instances legal advice is being provided pro bono, due to massive Kimberly Spiker unemployment in Southwest Florida. Directors In an effort to keep our members abreast of the latest developments and Christopher Donovan Robin Doyle best practices being utilized under these extraordinary circumstances, Rachel Kerlek the Collier County Bar Association has asked several of our Judges, elected Patrick Neale officials, and members to provide updates and share their best practices in Jamie Schwinghamer this Covid-19 Special Edition of the Adverse Witness. Rebecca Vaccariello Charles Whittington I am sure that each one of our members will find something of interest and Section Chairs: useful in this Special Edition. -
UC Merced UC Merced Electronic Theses and Dissertations
UC Merced UC Merced Electronic Theses and Dissertations Title Sound Guides Action and Action Scaffolds Sound Perception Permalink https://escholarship.org/uc/item/3ss7j34v Author Ross, Jessica Marie Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, MERCED Sound Guides Action and Action Scaffolds Sound Perception A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Cognitive & Information Sciences by Jessica Marie Ross Committee in charge: Professor Ramesh Balasubramaniam, Ph.D., Chair Cognitive & Information Sciences University of California, Merced Professor Rick Dale, Ph.D. Department of Communication University of California, Los Angeles Professor Michael J. Spivey, Ph.D. Cognitive & Information Sciences University of California, Merced 2018 The work presented in this thesis was carried out in the Cognitive & Information Sciences (CIS) program at the University of California, Merced, U.S.A. Multiple chapters are the results of collaborations with John R. Iversen and Scott Makeig at the Swartz Center for Computational Neuroscience, a center of the Institute for Neural Computation at the University of California, San Diego, U.S.A. Chapter 1 (Frontiers Media) © 2014 Jessica Marie Ross Chapter 2 © 2015 Springer Berlin Heidelberg. Reproduced with permission. Chapter 3 © 2016 Elsevier. Reproduced with permission. Chapter 4 © 2015 American Psychological Association. Reproduced with permission. Chapter 5: Manuscript in preparation (2018) Wiley-Blackwell. Chapter 6 © 2018 Massachusetts Institute of Technology. Reproduced with permission. Chapter 7: Manuscript Submitted (2018) Nature Publishing Group. Chapter 8 © 2016 Taylor & Francis. Reuses for dissertation contingent on resubmission of permission request if work is published. -
Joe Boyd, Nfs
JOE BOYD geluid van de jaren zestig Het afgelopen jaar wederwaardigheden van The Incredible String Band met Robin verscheen van voormalig Williamson en Mike Heron als producer en labeleigenaar opvallend ongelijksoortige drij- vende krachten (zie New Folk Joe Boyd een boek Sounds 108) - van hun oorsprong in de Incredible Folk Club van getiteld White bicycles - Clive Palmer in Glasgow tot hun making music in the desastreus uitpakkende aandeel in het Woodstock Festival en hun 1960s. Tegelijkertijd werd creatieve afbrokkeling in de dubi- een gelijknamige cd uit- euze omarming van de Scientology organisatie. Respect- gebracht die hij samen- volle aandacht is er verder voor Sandy Denny, de roemruchte zan- stelde uit opnamen waar geres van Fairport Convention, net hij de hand in had gehad. als Drake vroegtijdig overleden. Alles bij elkaar geeft Boyd een In november was hij te intrigerend kijkje in de keuken van een organisator die zich niet laat gast in Muziekcentrum vastpinnen op één muzikale rich- Frits Philips in Eindhoven ting en één duidelijk omschreven rol in de muziekindustrie. Het is voor een publiek inter- een merkwaardige wereld waar hij je deelgenoot van maakt. Ener- view. Zijn werk in de zijds is er de koortsachtige creati- jaren zestig heeft mede viteit, de ontdekkingsdrang die veel van de muziek uit de jaren het gezicht bepaald van zestig zo aantrekkelijk maakte. Hij de muziek uit die periode. vertelt over de studiotechnicus met wie hij steevast werkte, John Wood. Wood was bepalend voor Tekst: René van Peer podium bij de openingsavond) en Soft het warme en directe geluid van de platen die Machine waren daar in het eerste jaar Procol Boyd onder de vlag van Witchseason produ- Midden jaren zestig stak Amerikaan Joe Boyd Harum en The Move te horen - en The ceerde. -
On the Craft of Fiction—EL Doctorow at 80
Interview Focus Interview VOLUME 29 | NUMBER 1 | FALL 2012 | $10.00 Deriving from the German weben—to weave—weber translates into the literal and figurative “weaver” of textiles and texts. Weber (the word is the same in singular and plural) are the artisans of textures and discourse, the artists of the beautiful fabricating the warp and weft of language into everchanging pattterns. Weber, the journal, understands itself as a tapestry of verbal and visual texts, a weave made from the threads of words and images. This issue of Weber - The Contemporary West spotlights three long-standing themes (and forms) of interest to many of our readers: fiction, water, and poetry. If our interviews, texts, and artwork, as always, speak for themselves, the observations below might serve as an appropriate opener for some of the deeper resonances that bind these contributions. THE NOVEL We live in a world ruled by fictions of every kind -- mass merchandising, advertising, politics conducted as a branch of advertising, the instant translation of science and technology into popular imagery, the increasing blurring and intermingling of identities within the realm of consumer goods, the preempting of any free or original imaginative response to experience by the television screen. We live inside an enormous novel. For the writer in particular it is less and less necessary for him to invent the fictional content of his novel. The fiction is already there. The writer’s task is to invent the reality. --- J. G. Ballard WATER Anything else you’re interested in is not going to happen if you can’t breathe the air and drink the water. -
Selling Or Selling Out?: an Exploration of Popular Music in Advertising
Selling or Selling Out?: An Exploration of Popular Music in Advertising Kimberly Kim Submitted to the Department of Music of Amherst College in partial fulfillment of the requirements for the degree of Bachelor of Arts with honors. Faculty Advisor: Professor Jason Robinson Faculty Readers: Professor Jenny Kallick Professor Jeffers Engelhardt Professor Klara Moricz 05 May 2011 Table of Contents Acknowledgments............................................................................................................... ii Chapter 1 – Towards an Understanding of Popular Music and Advertising .......................1 Chapter 2 – “I’d Like to Buy the World a Coke”: The Integration of Popular Music and Advertising.........................................................................................................................14 Chapter 3 – Maybe Not So Genuine Draft: Licensing as Authentication..........................33 Chapter 4 – Selling Out: Repercussions of Product Endorsements...................................46 Chapter 5 – “Hold It Against Me”: The Evolution of the Music Videos ..........................56 Chapter 6 – Cultivating a New Cultural Product: Thoughts on the Future of Popular Music and Advertising.......................................................................................................66 Works Cited .......................................................................................................................70 i Acknowledgments There are numerous people that have provided me with invaluable