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PDF EN Für Web Ganz VIENNA MOZART´S STAY Vienna was the seat of the Habsburg monarchy's court. This earmarked it as a primary destination for Mozart's journeys and later for his permanent residency. He was very well accepted among the Viennese, but he never found a permanent job. So Mozart went on travelling through Europe. On one day in 1780, at the age of 24, he decided to stay in Vienna, leaving a lonesome father at home: "Often when I come nearer to our home, I feel a certain melancholy, imagination I must hear you playing the violin". In the Viennese St. Stephan's cathedral, W.A. Mozart married Contanze Weber. They had and raised children, and when Mozart died in December 1791, he was buried in the same church. Ultimately, Vienna played host to Mozart and his family for over 10 years. During those Viennese years, he composed and presented to the public many of his greatest masterpieces. As the residency of the Mozarts changed frequently (in accordance with their income), we can find many authentic Mozart sites all over Vienna. PLACES OF INTEREST St. Michael’s Church Michaelerplatz, 1010 Wien On 10 December 1791, some days after Mozart’s death, an office for the dead was read in St. Michael’s Church “for the great musician Mozart”. Those who commissioned these “solemn exequies” for the musician, whose funeral was ranked far beneath his importance to the musical life of Vienna, included the theatre director Emanuel Schikaneder, for whom Mozart had composed The Magic Flute. This was perhaps the very first time that parts of the Requiem were performed. Mozart Fountain Mozartplatz, 4th district The memorial, a group of bronze figures by Otto Schönthal unveiled in 1905, and also known as the Magic Flute Fountain, is a Jugendstil (art nouveau) masterpiece depicting two of the main characters in the opera Tamino playing the flute, and Pamina nestling up to him. Daily round the clock Mozart Memorial Burggarten, 1st district The front of the memorial to the great composer, created by Viktor Tilgner in 1896, depicts a scene from Don Giovanni – the invitation to the Stone Guest and the latter’s arrival – and the rear shows six year-old Mozart playing the piano and his father the violin, and his sister Nannerl singing. Mozarthaus Vienna Domgasse 5, 1st district Domgasse 5 is the only one of Mozart’s apartments that still exists today. The composer lived in Mozarthaus Vienna from 1784 to 1787 in grand style, with four large rooms, two small ones and a kitchen. The life and works of this musical genius are presented here on four exhibition levels. In addition to Mozart’s apartment, which has been adapted by Wien Museum, visitors can find out about the times in which Mozart lived and his most important works. The exhibition focuses on his years in Vienna, which marked a high point in his creativity. The tour starts on the 3rd floor of the building with details of Mozart’s time in Vienna: where he lived and performed, who his friends and supporters were, his relationship to the Freemasons, his passion for games and much more. The presentation on the 2nd floor deals with Mozart’s operatic works, and the apartment on the 1st floor, the real heart of the building, focuses on the two and a half years that Mozart lived there. The offer is round off by café on the ground floor, a museum shop and an event area in the basement of Domgasse 5. Mozarthaus Vienna and the Wien Museum Mozart apartment (A-1010 Vienna, Domgasse 5) are open every day from 10 am to 7pm. Further information is available at www.mozarthausvienna.at in six languages. An audio guide – in German, English, French, Italian, Spanish, Czech, Slovak, Hungarian, Polish, Russian or Japanese – is included in the price. Mozart’s last residence Rauhensteingasse 8, 1st district Mozart’s last residence was in a house which no longer exists today, having been replaced by the Steffl department store. Mozart composed one of his most famous works there, The Magic Flute and worked on the Requiem until his death on 5 December 1791. The latter was a commission for a nobleman who intended to pass it off as his own work. National Library Josefsplatz, 1st district In 1786, when Mozart was at the peak of his success, he was invited by Gottfried van Swieten to perform at his concerts (described as “Sunday Academies”) in the Court Library (now the National Library) of which he was the director. There were probably also performances in the magnificent Baroque stateroom, with Mozart singing in his wonderful alto voice and accompanying himself on the piano. Van Swieten, the son of Empress Maria Theresa’s doctor, became Mozart’s patron and remained relatively loyal even in the last years of his life when the glory of the once well-to-do musician had long since faded. The Schönbrunn Palace Orangey Schönbrunner Schlossstrasse, 13th district It was in the Orangey that a “musical contest” took place between Mozart and the court composer Salieri in 1786 at the behest of Maria Theresa’s son, Emperor Joseph II. Mozart performed: "The Impressario, and Salieri Prima la musica e poi le parole". The Emperor’s predilection for Italian opera gave an advantage to Salieri. Although Mozart, then 30, was at the height of his career, he still had to sell his services at a knockdown price. He earned half Salieri’s fee for performing his works at court, and his application for admission to the Tonkünstler-Sozietät (Musicians’ Society) was never accepted. PALAIS: Palais Auersperg Auerspergstrasse 1, 8th district Palais Harrach Freyung 3, 1st district Palais Kinsky Freyung 4, 1st district Palais Palffy Mozart’s father took advantage of his two-and-a-half month stay in 1762 to present his son to the nobility of the city. His efforts bore fruit, and the child prodigy the little gentleman with a powdered wig and miniature sword was the talk of the town. For instance, Mozart performed before Prince Joseph von Sachsen Hildburghausen and his guests at the Auersperg Palace, then outside the city walls. In 1786, by which time the palace was already owned by the Auersperg princes, a private performance of Idomeneo took place, rehearsed and conducted by Mozart himself. The Mozart children appeared before Count Harrach in the Harrach Palace, and performed immediately next door in the Kinsky Palace for Countess Maria Theresia Kinsky. And on the day after their second performance in Schönbrunn, the Mozart children entertained the Hungarian Court Chancellor, Count Pálffy, at the palace of that name. Today, the four Baroque palaces still serve as venues for events such as concerts, exhibitions and art auctions. Church and Monastery of the Piarist Order Piaristengasse 45, A–1080 Vienna The Church of the Piarist Order is the centrepiece of a Baroque architectural ensemble — one of the few memorial sites that has remained unchanged since Mozart frequented it. In letters dating from 1791, Mozart describes his visits to the Piarists, whose monastery school had been an elite institution for the aristocracy since the reign of Empress Maria Theresia and still has an excellent reputation today. Mozart intervened personally to secure a place at the Piarist School for his oldest son Karl Thomas. On Sunday, 9 October 1791 he sent a letter to his wife Constanze, who was at the spa in Baden, recounting his attendance at Sunday mass and his meal with the Piarist monks: “…at 10 o’clock I shall be going to the Piarist office because Leitgeb has told me that I can talk to the headmaster — I shall also be staying there for a meal...” The same weekend, Mozart reports in another letter: “I slept exceedingly well, and hope that you have also had a good night’s rest – I thoroughly enjoyed my "Kapaundl". "Kapaundl" was the term affectionately used by Mozart to describe a speciality of court cuisine to which he was particularly partial, namely, “jeunes chapons à la morille” (roast capon with morels). This delicacy will be served at the Piaristenkeller restaurant as a culmination of private tours of the monastery featuring Mozart concerts in the basilica. Café Mozart Albertinaplatz 2, 1 st district The Café Mozart is a traditional Viennese coffee house. Mozart never had a chance of to recharging recharge his batteries with a cup of coffee there, as today’s café dates back to 1929; but the first coffee-house at the site opened in 1794. Besides the Café Mozart – a strong blend with whipped cream, almond chips and chocolate liqueur – the Mozart Cake, made of dark sponge pastry with pistachio cream and chocolate mousse is well worth trying. Daily 8.00am to 12 midnight, Groups of up to 15 persons Schönbrunn Palace In 1762, the Mozart children’s first concert tours took them to Vienna, accompanied by their father – an ambitious manager of his offspring’s careers. The then six-year-old Wolfgang and his elder sister played the clavichord for Empress Maria Theresa and her large family in the Hall of Mirrors at the Habsburgs’ Baroque summer residence. According to Mozart’s father, after his performance the prodigy jumped up on to the Empress’ lap, threw his arms around her neck and kissed her. One of Maria Theresa’s daughters then demonstrated her piano skills in the Pink Room – the actual music room at the palace. All 16 princes and princesses received artistic training, and played instruments, painted, and appeared and sang in theatrical performances. These and other staterooms at Schönbrunn Palace – the building has a total of 1,441 rooms – can be admired on the Imperial Tour.
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