Boston Symphony Orchestra Concert Programs, Season 121, 2001-2002, Subscription, Volume 01
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THE SURVIVAL and MUTATION of Utoi
PHOENIX RENEWED: THE SURVIVAL AND MUTATION OF UTOi’IAN THOUGHT IN NORTH AMERICAN SCIENCE FICTION, 1965—1982 A DISSERTATION SUBMITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR TEE DEGREE OF DOCTOR OF PHILOSOPHY BY HODA MOUKHTAR ZAKI DEPARTMENT OF POLITICAL SCIENCE ATLANTA, GEORGIA DECEMBER 1984 ABS TRACT POLITICAL SCIENCE ZAKI, H01P4 MOURHIAR B.A. , American University in Cairo, 1971 N.A., Atlanta University, Atlanta, Georgia, 1974 Phoenix Renewed: The Survival and_Mutation_of Utopian Thought in ~urth American Science Fiction, 1965—1982 Adviser: Dr. Alex Hillingham The&is d~tei Decenber, 1984 This dissertation is concerned with the status of utoni en in rwdcra timas. As such it is concerned with a historic problem ir pci tial :hearv, i.e., how to visualize a perfect human community. Since the turn of the 20th century, we have seen a decline in utopian ~i tera.ture. A variety of commentators, including Mannhein: and Mumford, noted and decried this trend. It seemed ironic to those observers that utopia~s demise would occur when humanity was closest to realizing material abundance for all. My research evaluates this irony. The primary data of my work are drawn from the genre of science fiction. The new locus for utopian thought seems natural enough. Science fiction is a speculative activity and, in its emphasis on science and technology, concerns itself with an area of human activity that has been intimately connected with the idea of progress since the European Enlightenment. A number of scholars including Mumford, Sargent, Suvin, and Williams, have asserted that contemporary utopian thought could be found in science fiction. -
Vail Daily Column Musically Speaking on New York Philharmonic's
Vail Daily column Musically Speaking on New York Philharmonic’s Thirteenth Residency at Bravo! Vail by Sandra Pearson, Assistant Principal Librarian, New York Philharmonic An orchestra's season has a certain flow to it. When we finish our winter season, the shirt sleeves get shorter, and our summer festival wardroBe is donned. Our thoughts also turn towards a change of scenery that takes us from the concrete confines of New York to the pine-scented fresh mountain air of Colorado. Along with the other orchestras who get to enjoy a summer season such as Blossom or Tanglewood, we too get to enjoy our summer residency hiking and making music in the Beautiful surroundings of the Rocky Mountains. We are happy to once again Be sharing music By some our greatest composers with our enthusiastic audiences in the Vail Valley. We enjoy our collaBoration with the amicaBle and witty Bramwell Tovey, and judging from past audience reactions, so do our fans in Vail. The first program on July 24th showcases the pianist Jon Kimura Parker playing Edvard Grieg's classic Piano Concerto in A minor. This concert will also showcase the suBliminal overture to Fingal's Cave By Felix Mendelssohn and Edward Elgar's Enigma Variations. Maestro Tovey's second program on July 26th features Bravo! Vail's artistic director and talented pianist Anne-Marie McDermott playing Rachmaninoff's romantic Rhapsody on a Theme of Paganini. Balancing out the rest of the program are Le Corsair Overture By Berlioz, The Emperor Waltzes by Johann Strauss, Jr., and the prismatic Suite from Der Rosenkavalier by Richard Strauss. -
Boston Symphony Orchestra Concert Programs, Season
Mffi — - ,„ :{ ^. ;/j ' "'^/FWS5Sj_£gj. QUADRUM The Mali. At Chkstnut Hill 617-965-5555 Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Eighth Season, 1988-89 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman George H. Kidder, President J. P. Barger, Vice-Chairman Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Eugene B. Doggett Mrs. Robert B. Newman David B. Arnold, Jr. Mrs. John H. Fitzpatrick Peter C. Read Mrs. Norman L. Cahners Avram J. Goldberg Richard A. Smith James F. Cleary Mrs. John L. Grandin Ray Stata Julian Cohen Francis W. Hatch, Jr. William F. Thompson William M. Crozier, Jr. Harvey Chet Krentzman Nicholas T. Zervas Mrs. Michael H. Davis Mrs. August R. Meyer Trustees Emeriti Philip K. Allen E. Morton Jennings, Jr. Mrs. George R. Rowland Allen G. Barry Edward M. Kennedy Mrs. George Lee Sargent Leo L. Beranek Albert L. Nickerson Sidney Stoneman Mrs. John M. Bradley Thomas D. Perry, Jr. John Hoyt Stookey Abram T. Collier Irving W. Rabb John L. Thorndike Mrs. Harris Fahnestock Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. W&iles, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager of Tanglewood Michael G. McDonough, Director of Finance and Business Affairs Anne H. Parsons, Orchestra Manager Costa Pilavachi, Artistic Administrator Caroline Smedvig, Director of Promotion Josiah Stevenson, Director of Development Robert Bell, Data Processing Manager Marc Mandel, Publications Coordinator Helen P. -
Boston Symphony Orchestra Concert Programs
m fl ^ j- ? i 1 9 if /i THE GREAT OUTDOORS THE GREAT INDOORS Beautiful, spacious country condominiums on 55 magnificent acres with lake, swimming pool and tennis courts, minutes from Tanglewood and the charms of Lenox and Stockbridge. FOR INFORMATION CONTACT (413) 443-3330 1136 Barker Road (on the Pittsfield-Richmond line) GREAT LIVING IN THE BERKSHIRES Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Kidder, President Nelson J. Darling, Jr., Chairman George H. T Mrs. John M. Bradley, Vice-Chairman J. P. Barger, V ice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Michael H. Davis Roderick M. MacDougall David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Mrs. Norman L. Cahners Mrs. John H. Fitzpatrick David G. Mugar James F. Cleary Avram J. Goldberg Mrs. George R. Rowland William M. Crozier, Jr. Mrs. John L. Grandin Richard A. Smith Mrs. Lewis S. Dabney Francis W. Hatch, Jr. Ray Stata Harvey Chet Krentzman Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W. Rabb Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr. John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc. -
Boston Symphony Orchestra Concert Programs, Summer, 1991, Tanglewood
/JQL-EWOOD . , . ., An Enduring Tradition ofExcellence In science as in the lively arts, fine performance is crafted with aptitude attitude and application Qualities that remain timeless . As a worldwide technology leader, GE Plastics remains committed to better the best in engineering polymers silicones, superabrasives and circuit board substrates It's a quality commitment our people share Everyone. Every day. Everywhere, GE Plastics .-: : ;: ; \V:. :\-/V.' .;p:i-f bhubuhh Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President T Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, V ice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A. Smith Julian Cohen Mrs. BelaT. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Mrs. Eugene B. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr. -
Summer Guide
@summerboston 2011 Summer Guide City of Boston Thomas M. Menino, Mayor It is my great pleasure to welcome you to another exciting summer in the City of Boston. From traditional favorites like the Swan Boats and the Freedom Trail, to newer attractions like the Boston Cyberarts Festival and the Extreme Sailing Series at Boston Harborfest, our city has something for everyone. Boston is where history meets innovation. To keep up with our unique cultural landscape, I invite you to follow us @summerboston. There, you will find the the latest Thomas M. Menino information on free events, parades, festivals and more. Mayor of Boston For those who prefer more traditional methods of receiving information, please call 617-635-3911 or visit www.cityofboston.gov/summer. I hope to see you this summer! Thomas M. Menino Mayor of Boston Mayor Menino is excited to launch @summerboston! Follow it for continuous updates about all the fun summer summerboston activities for the whole family to enjoy here in Boston. @ Thank you to our sponsors: 2. May 1st - August 7th May 1st Chihuly, Through the GREASE --May-- Looking Glass Wang Theatre, World-famous glass artist Citi Performing Arts Center, Dale Chihuly, has revolution- 270 Tremont St., Boston. 1 p.m and 6 p.m. $. ized the art of blown glass Various Dates in May 617-482-9393 Frog Pond Yoga and moving it into the realm of www.citicenter.org Tai Chi Classes large-scale sculpture and Honoring the tranquility of establishing the use of glass, May 1st the reflecting pool, weekly an inherently fragile but also B.B. -
Danish String Quartet Frederik Øland, Violin Rune Tonsgaard Sørensen, Violin Asbjørn Nørgaard, Viola Fredrik Schøyen Sjölin, Cello
Sunday, February 28, 2016, 3pm Hertz Hall Danish String Quartet Frederik Øland, violin Rune Tonsgaard Sørensen, violin Asbjørn Nørgaard, viola Fredrik Schøyen Sjölin, cello PROGRAM Per NØRGÅRD (b. 1932) Quartetto Breve (1952) Leoš JANÁČEK (1854 –1928) String Quartet No. 1, “Kreutzer” (1923) Adagio; Con Moto Con Moto Con Moto; Vivo Con Moto INTERMISSION Ludwig van BEETHOVEN (1770 –1827) String Quartet No. 14 in C-sharp minor, Op. 131 (1825-1826) Adagio, ma non troppo e molto espressivo Allegro molto vivace Allegro moderato Andante, ma non troppo e molto cantabile Presto Adagio quasi un poco andante Allegro Cal Performances’ – season is sponsored by Wells Fargo. 15 PROGRAM NOTES String Quartet No. 1, “Quartetto Breve” very nature of the strings — has always had a PER NØRGÅRD (B. 1932) central place in my output, demonstrated by the string quartets, concertos with string Composed in 1952. soloist, chamber, and solo works. The interest dates back to my school years, when I was for - Per Nørgård, Denmark’s leading musical tunate to be able to compose for a cello-playing modernist, was born on July 13, 1932 in the schoolmate and to accompany him on the Copenhagen suburb of Gentofte, began study - piano. I discovered then the innumerable nu - ing piano when he was eight and composition ances of sound and playing varieties offered by a few years later, and took his professional just one bow, four strings and five fingers.” The training at the Copenhagen Conservatory as Quartet No. 1 is in two sections played without a student of Vagn Holmboe. After graduating pause, the first ( Lento, poco rubato ) spacious in 1955, he studied with Nadia Boulanger in and intensely expressive, the second ( Allegro Paris before returning to Denmark in 1958 to resoluto ) agitated and intricately conversational. -
Leopold and Wolfgang Mozart's View of the World
Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World by Thomas McPharlin Ford B. Arts (Hons.) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy European Studies – School of Humanities and Social Sciences University of Adelaide July 2010 i Between Aufklärung and Sturm und Drang: Leopold and Wolfgang Mozart’s View of the World. Preface vii Introduction 1 Chapter 1: Leopold Mozart, 1719–1756: The Making of an Enlightened Father 10 1.1: Leopold’s education. 11 1.2: Leopold’s model of education. 17 1.3: Leopold, Gellert, Gottsched and Günther. 24 1.4: Leopold and his Versuch. 32 Chapter 2: The Mozarts’ Taste: Leopold’s and Wolfgang’s aesthetic perception of their world. 39 2.1: Leopold’s and Wolfgang’s general aesthetic outlook. 40 2.2: Leopold and the aesthetics in his Versuch. 49 2.3: Leopold’s and Wolfgang’s musical aesthetics. 53 2.4: Leopold’s and Wolfgang’s opera aesthetics. 56 Chapter 3: Leopold and Wolfgang, 1756–1778: The education of a Wunderkind. 64 3.1: The Grand Tour. 65 3.2: Tour of Vienna. 82 3.3: Tour of Italy. 89 3.4: Leopold and Wolfgang on Wieland. 96 Chapter 4: Leopold and Wolfgang, 1778–1781: Sturm und Drang and the demise of the Mozarts’ relationship. 106 4.1: Wolfgang’s Paris journey without Leopold. 110 4.2: Maria Anna Mozart’s death. 122 4.3: Wolfgang’s relations with the Weber family. 129 4.4: Wolfgang’s break with Salzburg patronage. -
Alumni Update
Jazz, Classical, Opera, Gospel, Ballet, Tap, Modern, Hip-Hop, Concertos, Oratorio, Drama, Musical Theater, Film, Video, Set Design, Lighting, Sculpture, Painting, Watercolor, Pastels, Photography, Drawing, Jazz, Classical, Opera, Gospel, Ballet, Tap, Modern, Hip-Hop, Concertos, Oratorio, Drama, Musical Theater, Film, Video, Set Design, Lighting, Sculpture, Painting, Watercolor, Pastels, Photography, Drawing, Jazz, Classical, Opera, Gospel, Ballet, Tap, Modern, Hip-Hop, Concertos, Oratorio, Drama, Musical Theater, Film, Video, Set Design, Lighting, Sculpture, Painting, Watercolor, Pastels, Photography, Drawing, Jazz, Classical, Opera, Gospel, Ballet, Tap, Modern, Hip-Hop, Concertos, Oratorio, Drama, Musical Theater, Film, Video, Set Design, Lighting, Sculpture, Painting, Watercolor, Pastels, Photography, Drawing, Jazz, Classical, Opera, Gospel, Ballet, Tap, Modern, Hip-Hop, Concertos, Oratorio, Drama, Musical Theater, Film, Video, Set Design, Lighting, Sculpture, Painting, Watercolor, Pastels, Photography, Drawing, Jazz, Classical, Opera, Gospel, Ballet, Tap, Modern, Hip-Hop, Concertos, Oratorio, Drama, Musical Theater, Film, Video, Set Design, Lighting, Sculpture, Painting, Watercolor, Pastels, Photography, Drawing, Jazz, Classical, Opera, Gospel, Ballet, Tap, Modern, Hip-Hop, Concertos, Oratorio, Drama, Musical Theater, Film, Video, Setcreate Design, Lighting, Sculpture, Painting, Watercolor, Pastels, Photography, Drawing, Jazz, Classical, Opera, Gospel, Ballet, Tap, Modern, Hip-Hop, Concertos, Oratorio, Drama, Musical Theater, Film, -
A Pictoral History of the Boston Music Hall and the Great Organ
A PICTORIAL HISTORY OF THE BOSTON MUSIC HALL AND THE GREAT ORGAN by Ed Sampson, President, Methuen Memorial Music Hall, Inc. 2018 Few instruments in the history of pipe organs in America have had as long, or as distinguished, a career as the Boston Music Hall Organ. The first concert organ in the country, it remains today one of the outstanding organs in America. The need for a large and centrally-located concert hall for Boston was discussed at the annual meeting of the Harvard Musical Association, founded in 1837 (Henry White Pickering (1811-1898), President) on January 31, 1851. A "Music Hall Committee", comprised of members Robert East Apthorp (1812-1882), George Derby (1819-1874), John Sullivan Dwight (1813-1893), Charles Callahan Perkins (1822-1886), and Dr. Jabez Baxter Upham (1820- 1902), was appointed to address the matter. The Boston Music Hall was built in 1852 by the Boston Music-Hall Association, founded in 1851 (Jabez Baxter Upham, President) and by the Harvard Musical Association, that contributed $100,000 towards its construction. It stood in the center of a block that sloped downward from Tremont Street to Washington Street; and was between Winter Street on the south and Bromfield Street on the north. Almost entirely surrounded by other buildings, only glimpses of the hall's massive granite block foundation and plain brick walls could be seen. There were two entrances to the Music Hall: the Bumstead Place entrance, (named after Thomas Bumstead (1740-1828) a Boston coachmaker), off Tremont Street (later Hamilton Place) opposite the Park Street Church; 1 and the Central Place or Winter Place (later Music Hall Place) entrance off Winter Street. -
ASIAN SYMPHONIES a Discography of Cds and Lps Prepared By
ASIAN SYMPHONIES A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis KOMEI ABE (1911-2006, JAPAN) Born in Hiroshima. He studied the cello with Heinrich Werkmeister at the Tokyo Music School and then studied German-style harmony and counterpoint with Klaus Pringsheim, a pupil of Gustav Mahler, as well as conducting with Joseph Rosenstock. Later, he was appointed music director of the Imperial Orchestra in Tokyo, and the musicians who played under him broadened his knowledge of traditional Japanese Music. He then taught at Kyoto's Elizabeth Music School and Municipal College of the Arts. He composed a significant body of orchestral, chamber and vocal music, including a Symphony No. 2 (1960) and Piccolo Sinfonia for String Orchestra (1984). Symphony No. 1 (1957) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) Sinfonietta for Orchestra (1964) Dmitry Yablonsky/Russian National Philharmonic ( + Sinfonietta and Divertimento) NAXOS 8.557987 (2007) NICANOR ABELARDO (1896-1934, PHILIPPINES) Born in San Miguel, Bulacan. He studied at the University of the Philippines Diliman Conservatory of Music, taking courses under Guy Fraser Harrison and Robert Schofield. He became head of the composition department of the conservatory in 1923. He later studied at the Chicago Musical College in 1931 under Wesley LaViolette. He composed orchestral and chamber works but is best-known for his songs. Sinfonietta for Strings (1932) Ramon Santos/Philippine Philharmonic Orchestra UNIVERSITY OF THE PHILIPPINES PRESS (2004) YASUSHI AKUTAGAWA (1925-1989, JAPAN) He was born in the Tabata section of Tokyo. He was taught composition by Kunihiko Hashimoto and Akira Ifukube at the Tokyo Conservatory of Music. -
Still on the Road: 1974 Tour of America with the Band
STILL ON THE ROAD 1974 TOUR OF AMERICA WITH THE BAND JANUARY 3 Chicago, Illinois Chicago Stadium 4 Chicago, Illinois Chicago Stadium 6 Philadelphia, Pennsylvania The Spectrum – Afternoon 6 Philadelphia, Pennsylvania The Spectrum – Evening 7 Philadelphia, Pennsylvania The Spectrum 9 Toronto, Ontario, Canada Maple Leaf Gardens 10 Toronto, Ontario, Canada Maple Leaf Gardens 11 Montreal, Quebec, Canada Forum de Montreal 12 Montreal, Quebec, Canada Forum de Montreal 14 Boston, Massachusetts Boston Gardens – Afternoon 14 Boston, Massachusetts Boston Gardens – Evening 15 Largo, Maryland Capital Centre 16 Largo, Maryland Capital Centre 17 Charlotte, North Carolina Coliseum 19 Hollywood, Florida Hollywood Sportatorium – Afternoon 19 Hollywood, Florida Hollywood Sportatorium – Evening 21 Atlanta, Georgia The Omni 22 Atlanta, Georgia The Omni 23 Memphis, Tennessee Mid-South Coliseum 25 Fort Worth, Texas Tarrant County Convention Center Arena 26 Houston, Texas Hofheinz Pavilion – Afternoon 26 Houston, Texas Hofheinz Pavilion – Evening 28 Nassau, New York Nassau County Coliseum 29 Nassau, New York Nassau County Coliseum 30 New York City, New York Madison Square Garden 31 New York City, New York Madison Square Garden – Afternoon 31 New York City, New York Madison Square Garden – Evening FEBRUARY 2 Ann Arbor, Michigan Crisler Arena, University Of Michigan 3 Bloomington, Indiana Assembly Hall, Indiana University 4 St. Louis, Missouri Missouri Arena – Afternoon 4 St. Louis, Missouri Missouri Arena – Evening 6 Denver, Colorado Coliseum – Afternoon 6 Denver,