T-Mobile's Binge on Violates Key Net Neutrality Principles
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2017 American Advertising Awards - ADDY Winners by Club
2017 American Advertising Awards - ADDY Winners by Club AAFAmarillo Award Agency/Company Client/Company Title Silver Estacar Companies Arborlogical Inc. Arborlogical Inc. Pens Silver Lemieux Company Circles Company Trek Volume 2 Student Bronze West Texas A&M University - Mass Communication Story, Johnny WT Homecoming Silver Visual Communications / Amarillo College Weathersbee, Derek Badger Bronze Visual Communications / Amarillo College Weathersbee, Derek Tascosa Drive-in Bronze Visual Communications / Amarillo College Weathersbee, Derek Gig Posters AAFAustin Award Agency/Company Client/Company Title Silver Alamo Drafthouse Alamo Drafthouse, Birth.Movies.Death Birth.Movies.Death Tim Burton Issue Silver Archer Malmo Archer Malmo Archer Malmo Tortilla Bendita Gold archer malmo Archer Malmo Tortilla Bendita Gold archer malmo Yaktrax Yaktrax Oh Slip Gold Backstage Design Studio Reckless Kelly "Sunset Motel" Reckless Kelly CD Gold Backstage Design Studio Reckless Kelly "Sunset Motel" Reckless Kelly Vinyl Silver Dell Blue Alienware Alienware “We’re Game” Silver Dell Blue Alienware Alienware Brand Evolution Silver Dell Blue Dell Dell Monitor Wallpaper Photography Gold EnviroMedia Washington Regional Alcohol Program #CelebrateDD Campaign Bronze Greatest Common Factory The Salt Lick Whiskey Barrel Aged BBQ Sauce Silver GSD&M United States Air Force Air Force Special Operations Bronze GSD&M United States Air Force Air Force Special Operations Gold GSD&M United States Air Force Air Force Special Operations Gold GSD&M United States Air Force Airforce.com -
Press Release
[2020-34] Press Release Request For Immediate Release Pages : 4 Date of 9.30.2020 (Wednesday) Contact Hannah Cho 323-936-3015 Release Join us on 10/3 for a virtual art festival in celebration of the most traditional Asian holiday, Moon Festival Under the Same Moon Multicultural Art Festival Premiere on YouTube, Vimeo, and Bilibili |Saturday, Oct 3, 6:30pm ▶ Event : Under the Same Moon: Multicultural Art Festival ▶ Premiere: Saturday, October 3, 2020, 6:30p.m.(PDT) ▶ Platform: Premiere on YouTube, Vimeo, and Bilibili at SINOUSART ▶ Presenters : Korean Cultural Center LA, Sino US Performing Arts Organization, Storrier Stearns Japanese Garden ▶ For more Info: [email protected] or 323-936-3015 Hannah Cho The Korean Cultural Center, Los Angeles (Wijin Park, Director) as a co-present partner in cooperation with Sino US Performing Arts Organization (SINOUS) and the Storrier Stearns Japanese Garden (Garden) will present a special virtual Festival, Under the Same Moon: Multicultural Art Festival on Saturday, October 3, 2020. It’s premiering on the Sino US Performing Arts Organization (SINOUS) YouTube, Vimeo, and Bilibili channel (search "sinousarts" and watch on our video channels for free). Similar to Thanksgiving with the theme of harvest and reunion, Moon Festival has enjoyed a long tradition and wide popularity among the Asian communities and beyond. This virtual event will connect the multicultural communities as we embrace unity, festivity, creativity, and diversity. The show will present a wide range of amazing performances of Korean, Chinese, Japanese, Hawaiian, and American styles and genres, with exciting fusions of East and West, now and then, performed and recorded by artists mostly from home. -
Infinite Setlist: Analyzing Pioneer DJ's Catalogue Streaming Partnerships
Cybaris® Volume 12 Issue 1 Article 2 2021 Infinite Setlist: Analyzing Pioneer DJ’s Catalogue Streaming Partnerships with Beatport and SoundCloud Nicholas Rivera Follow this and additional works at: https://open.mitchellhamline.edu/cybaris Part of the Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Rivera, Nicholas (2021) "Infinite Setlist: Analyzing Pioneer DJ’s Catalogue Streaming Partnerships with Beatport and SoundCloud," Cybaris®: Vol. 12 : Iss. 1 , Article 2. Available at: https://open.mitchellhamline.edu/cybaris/vol12/iss1/2 This Article is brought to you for free and open access by the Law Reviews and Journals at Mitchell Hamline Open Access. It has been accepted for inclusion in Cybaris® by an authorized administrator of Mitchell Hamline Open Access. For more information, please contact [email protected]. © Mitchell Hamline School of Law CYBARIS®, AN INTELLECTUAL PROPERTY LAW REVIEW INFINITE SETLIST: ANALYZING PIONEER DJ’S CATALOGUE STREAMING PARTNERSHIPS WITH BEATPORT AND SOUNDCLOUD Nicholas Rivera1 Table of Contents Introduction ................................................................................................................................... 36 The Story Thus Far ................................................................................................................... 38 The Rise of Streaming .............................................................................................................. 39 Brief History of DJing -
LJMU Research Online
LJMU Research Online Yang, P, Fan, Q, Yin, H, Min, G, Luo, Y, Lyu, Y, Huang, H and Jiao, L Video Delivery Networks: Challenges, Solutions and Future Directions http://researchonline.ljmu.ac.uk/id/eprint/6324/ Article Citation (please note it is advisable to refer to the publisher’s version if you intend to cite from this work) Yang, P, Fan, Q, Yin, H, Min, G, Luo, Y, Lyu, Y, Huang, H and Jiao, L (2017) Video Delivery Networks: Challenges, Solutions and Future Directions. Computers and Electrical Engineering, 66. pp. 332-341. ISSN 0045-7906 LJMU has developed LJMU Research Online for users to access the research output of the University more effectively. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LJMU Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. The version presented here may differ from the published version or from the version of the record. Please see the repository URL above for details on accessing the published version and note that access may require a subscription. For more information please contact [email protected] http://researchonline.ljmu.ac.uk/ Video Delivery Networks: Challenges, Solutions and Future Directions Qilin Fan1, Hao Yin1, Geyong Min2, Po Yang3, Yan Luo4, Yongqiang Lyu1, Haojun Huang5 and Libo Jiao1 1Research Institute of Information Technology (RIIT), Tsinghua University 2Department of Mathematics and Computer Science, University of Exeter 3Department of Computer Science, Liverpool John Moores University 4Department of Electrical and Computer Engineering, University of Massachusetts Lowell 5Department of Communication Engineering, Wuhan University ABSTRACT ing higher definition video streams, requesting more and Internet video ecosystems are faced with the increasing re- more bandwidth. -
Who Pays for Music?
Who Pays For Music? The Honors Program Senior Capstone Project Meg Aman Professor Michael Roberto May 2015 Who Pays For Music Senior Capstone Project for Meg Aman TABLE OF CONTENTS ABSTRACT ....................................................................................................................... 3 LITERATURE REVIEW ................................................................................................ 4 INTRODUCTION ................................................................................................................. 4 MUSIC INDUSTRY BACKGROUND ...................................................................................... 6 THE PROBLEM .................................................................................................................. 8 THE MUSIC INDUSTRY ..................................................................................................... 9 THE CHANGING MUSIC MARKET .................................................................................... 10 HOW CAN MUSIC BE FREE? ........................................................................................... 11 MORE OR LESS MUSIC? .................................................................................................. 12 THE IMPORTANCE OF SAMPLING ..................................................................................... 14 THE NETWORK EFFECTS ................................................................................................. 16 WHY STREAMING AND DIGITAL MUSIC STORES ............................................................ -
WTX Microstream EN Manual-1
WTX MicroStream First Multiroom Plug & Play Audiophile Streamer What is the WTX-MicroStream The WTX-Microstream is an innovative wireless HiFi streamer which can be used with any amplier, HiFi sytem, soundbar, home theater into your home wi network. This system is multiroom. You can play your own music (PC/MAC, NAS), enjoy streaming services like Spotify, Tidal, Qobuz, etc... or radio service. The WTX-Microstream has an open interface with upgradable capability for future services and evolutions. Android and IOS apps will be available soon. What you will nd in the gift box - The WTX MicroStream x1 - The power adapter x1 - The EC plug x1 - The UK plug x1 - The US plug x1 Interface Wi-Fi led WPS button indicator for association Left channel Power supply To plug on your HiFi, active speaker, soundbar... Right channel Download your App / Android or Apple - To control your WTX-Microstreamer, please download on the App Store (if you are using Apple devices) or on Google Play (if you you are using an Android device). The name of the App is ADVANCE PLAYSTREAM How to connect your WTX MicroStream with WPS - Make sure your phone connect to your Wi-Fi home network. - Run ADVANCE PLAYSTREAM App and choose Add Device. - Type your password of your router in ADVANCE PLAYSTREAM App. - Press WPS button on WTX MicroStream How to connect your WTX MicroStream without WPS - Make sure your phone connect to your Wi-Fi home network. - Run ADVANCE PLAYSTREAM App and choose Add Device. - Enter “Setting” ->”WLAN” ->directly connect WTX MicroStreamer - Type your password of your router in ADVANCE PLAYSTREAM App. -
Who Pays Soundexchange: Q1 - Q3 2017
Payments received through 09/30/2017 Who Pays SoundExchange: Q1 - Q3 2017 Entity Name License Type ACTIVAIRE.COM BES AMBIANCERADIO.COM BES AURA MULTIMEDIA CORPORATION BES CLOUDCOVERMUSIC.COM BES COROHEALTH.COM BES CUSTOMCHANNELS.NET (BES) BES DMX MUSIC BES ELEVATEDMUSICSERVICES.COM BES GRAYV.COM BES INSTOREAUDIONETWORK.COM BES IT'S NEVER 2 LATE BES JUKEBOXY BES MANAGEDMEDIA.COM BES MEDIATRENDS.BIZ BES MIXHITS.COM BES MTI Digital Inc - MTIDIGITAL.BIZ BES MUSIC CHOICE BES MUSIC MAESTRO BES MUZAK.COM BES PRIVATE LABEL RADIO BES RFC MEDIA - BES BES RISE RADIO BES ROCKBOT, INC. BES SIRIUS XM RADIO, INC BES SOUND-MACHINE.COM BES STARTLE INTERNATIONAL INC. BES Stingray Business BES Stingray Music USA BES STORESTREAMS.COM BES STUDIOSTREAM.COM BES TARGET MEDIA CENTRAL INC BES Thales InFlyt Experience BES UMIXMEDIA.COM BES SIRIUS XM RADIO, INC CABSAT Stingray Music USA CABSAT MUSIC CHOICE PES MUZAK.COM PES SIRIUS XM RADIO, INC SDARS 181.FM Webcasting 3ABNRADIO (Christian Music) Webcasting 3ABNRADIO (Religious) Webcasting 8TRACKS.COM Webcasting 903 NETWORK RADIO Webcasting A-1 COMMUNICATIONS Webcasting ABERCROMBIE.COM Webcasting ABUNDANT RADIO Webcasting ACAVILLE.COM Webcasting *SoundExchange accepts and distributes payments without confirming eligibility or compliance under Sections 112 or 114 of the Copyright Act, and it does not waive the rights of artists or copyright owners that receive such payments. Payments received through 09/30/2017 ACCURADIO.COM Webcasting ACRN.COM Webcasting AD ASTRA RADIO Webcasting ADAMS RADIO GROUP Webcasting ADDICTEDTORADIO.COM Webcasting ADORATION Webcasting AGM BAKERSFIELD Webcasting AGM CALIFORNIA - SAN LUIS OBISPO Webcasting AGM NEVADA, LLC Webcasting AGM SANTA MARIA, L.P. -
1 January ACC AHA HRS 2014 Afib Guidelines.Pdf
JOURNAL OF THE AMERICAN COLLEGE OF CARDIOLOGY VOL.64,NO.21,2014 ª 2014 BY THE AMERICAN HEART ASSOCIATION, INC., ISSN 0735-1097/$36.00 THE AMERICAN COLLEGE OF CARDIOLOGY FOUNDATION, http://dx.doi.org/10.1016/j.jacc.2014.03.022 AND THE HEART RHYTHM SOCIETY PUBLISHED BY ELSEVIER INC. CLINICAL PRACTICE GUIDELINE: FULL TEXT 2014 AHA/ACC/HRS Guideline for the Management of Patients With Atrial Fibrillation A Report of the American College of Cardiology/American Heart Association Task Force on Practice Guidelines and the Heart Rhythm Society Developed in Collaboration With the Society of Thoracic Surgeons Writing Craig T. January, MD, PHD, FACC, Chair William G. Stevenson, MD, FACC, FAHA, FHRS*{ Committee L. Samuel Wann, MD, MACC, FAHA, Vice Chair* Patrick J. Tchou, MD, FACCz Members* Cynthia M. Tracy, MD, FACC, FAHAy Joseph S. Alpert, MD, FACC, FAHA*y Clyde W. Yancy, MD, FACC, FAHAy Hugh Calkins, MD, FACC, FAHA, FHRS*zx Joaquin E. Cigarroa, MD, FACCy *Writing committee members are required to recuse themselves from Joseph C. Cleveland JR, MD, FACCjj voting on sections to which their specific relationships with industry and Jamie B. Conti, MD, FACC, FHRS*y other entities may apply; see Appendix 1 for recusal information. Patrick T. Ellinor, MD, PHD, FAHAz yACC/AHA Representative. zHeart Rhythm Society Representative. x k Michael D. Ezekowitz, MB, CHB, FACC, FAHA*y ACC/AHA Task Force on Performance Measures Liaison. Society of { Michael E. Field, MD, FACC, FHRSy Thoracic Surgeons Representative. ACC/AHA Task Force on Practice Guidelines Liaison. Katherine T. Murray, MD, FACC, FAHA, FHRSy Ralph L. -
Download Android Os for Phone Open Source Mobile OS Alternatives to Android
download android os for phone Open Source Mobile OS Alternatives To Android. It’s no exaggeration to say that open source operating systems rule the world of mobile devices. Android is still an open-source project, after all. But, due to the bundle of proprietary software that comes along with Android on consumer devices, many people don’t consider it an open source operating system. So, what are the alternatives to Android? iOS? Maybe, but I am primarily interested in open-source alternatives to Android. I am going to list not one, not two, but several alternatives, Linux-based mobile OSes . Top Open Source alternatives to Android (and iOS) Let’s see what open source mobile operating systems are available. Just to mention, the list is not in any hierarchical or chronological order . 1. Plasma Mobile. A few years back, KDE announced its open source mobile OS, Plasma Mobile. Plasma Mobile is the mobile version of the desktop Plasma user interface, and aims to provide convergence for KDE users. It is being actively developed, and you can even find PinePhone running on Manjaro ARM while using KDE Plasma Mobile UI if you want to get your hands on a smartphone. 2. postmarketOS. PostmarketOS (pmOS for short) is a touch-optimized, pre-configured Alpine Linux with its own packages, which can be installed on smartphones. The idea is to enable a 10-year life cycle for smartphones. You probably already know that, after a few years, Android and iOS stop providing updates for older smartphones. At the same time, you can run Linux on older computers easily. -
Mediadata 2019
International Synthpop Magazine MEDIADATA 2019 Last Update: January 29th, 2019 Statistics: Q4/2019 (October 1st - December 31st), Source: Google Analytics with Spam Filter Benefits Your advert banner will not get blocked by AdBlocker Electrozombies don’t use advertising software. By this, almost no AdBlocker can identify the adverts on the site and the banner will not get blocked. The chance that a visitor will see your advert is much higher than on any other channel with installed advertising software. Very flexible, no long term contracts We don’t want to offer advertising placements only for the major players on the market. Especially small bands, labels, online stores and other interested companies are close to our hearts. An example: A banner can appear only for a week without any further obligation. The perfect solution if you’ve a small marketing budget. Fixed prices, no surprising invoice We offer fixed prices, because the price will only be calculated by the time it’s online. We don’t offer ‘cost per click’ or ‘cost per impression’. With this strategy you can easily calculate your marketing budget without an unknown price factor. Additionally, no broken promises will be made: You can check the success in your referral traffic section of your own statistics. Exclusive placement opportunity When more than one banner is booked on a position at Electrozombies, then the banners are in a random rotation. The banners will be updated and displayed after each reload of the page. If you prefer an exclusive positioning, then send us your precise idea via email. We will gladly prepare an individual offer without liabilities. -
The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry
UCLA UCLA Entertainment Law Review Title The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry Permalink https://escholarship.org/uc/item/7n4322vm Journal UCLA Entertainment Law Review, 22(1) ISSN 1073-2896 Author Richardson, James H. Publication Date 2014 DOI 10.5070/LR8221025203 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry James H. Richardson* I. INTRODUCTION �����������������������������������������������������������������������������������������������������46 II. ILLEGAL DOWNLOADING LOCALLY STORED MEDIA, AND THE RISE OF STREAMING MUSIC ����������������������������������������������������������������������������������������������������������������47 A. The Digitalization of Music, and the Rise of Locally Stored Content. ......47 B. The Road to Legitimacy: Digital Media in Light of A&M Records, Inc. ..48 C. Legitimacy in a Sea of Piracy: The iTunes Music Store. ...........................49 D. Streaming and the Future of Digital Music Service. ���������������������������������50 III. THE COPYRIGHT AND DIGITALIZATION �������������������������������������������������������������������51 A. Statutory Background ................................................................................51 B. Digital Performance Right in Sound Recordings Act ................................52 -
Throttle Me Not: 2015 Open Internet Order Protects Unlimited Data Plan Users
American University Business Law Review Volume 5 | Issue 2 Article 6 2017 Throttle eM Not: 2015 Open Internet Order Protects Unlimited Data Plan Users Shawn Marcum American University Washington College of Law Follow this and additional works at: http://digitalcommons.wcl.american.edu/aublr Part of the Business Organizations Law Commons, Commercial Law Commons, and the Communications Law Commons Recommended Citation Marcum, Shawn "Throttle eM Not: 2015 Open Internet Order Protects Unlimited Data Plan Users," American University Business Law Review, Vol. 5, No. 2 () . Available at: http://digitalcommons.wcl.american.edu/aublr/vol5/iss2/6 This Note is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in American University Business Law Review by an authorized editor of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. COMMENTS THROTTLE ME NOT: 2015 OPEN INTERNET ORDER PROTECTS UNLIMITED DATA PLAN USERS SHAWN MARCUM* Cellphone carriers, also known as mobile broadband Internet access service ("BIAS') providers, often implement throttlingpolicies to avoid investing in infrastructuraldevelopment and to save on their bottom line. Throttling is an intentional action to degrade or limit one's access to the Internet, and speed limits are a great analogy to throttling policies. The most visible throttlingpolices affect unlimited data plan users, where mobile BIAS providers choose to severely degrade unlimited data users' access speed to the Internet once they reach a specified data cap-a limit on the amount of data a user may use within a pay period However, by definition, an unlimited data plan cannot have a data cap.