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In Young India Young in Gold’ Is ‘Old
downloaded from : www.visionias.net downloaded from : https://t.me/Material_For_Exam follow us: friday, february 2, 2018 Delhi City Edition thehindu.com 36 pages ț 10.00 facebook.com/thehindu twitter.com/the_hindu Printed at . Chennai . Coimbatore . Bengaluru . Hyderabad . Madurai . Noida . Visakhapatnam . Thiruvananthapuram . Kochi . Vijayawada . Mangaluru . Tiruchirapalli . Kolkata . Hubballi . Mohali . Malappuram . Mumbai . Tirupati . lucknow In a preelection Budget, Finance Minister Arun Jaitley serves up a mix of populism and prudence FARMER SUTRA Special Correspondent <> The focus of the litre has been levied to fund NEW DELHI Budget is farmers, projects. Unlike excise du With a clear eye on the Lok rural India, ties, the Centre is not re Sabha election, Union Fi healthcare and quired to share cess receipts nance Minister Arun Jaitley with the States. education pulled out all the stops in The government’s inabili Arun Jaitley the Narendra Modi govern Finance Minister ty to give away too many ment’s last full Budget to goodies were largely due to promise a better deal for show that individual busi its scal constraints, with farmers, boost the rural nesspersons paid less aver this year’s scal decit over economy and make the age tax than the salaried shooting the 3.2% of GDP poor less vulnerable to class, he reintroduced a at target and likely to touch health exigencies. 40,000 deduction from 3.5% on account of the GST Responding to the dis taxable income for the latter related issues. Instead of a tress in the agriculture in lieu of the existing tax ex 3% decit in the coming sector that has reared its emptions for transport and year, the Centre settled to head in various States medical allowance and ex target the 3.3% mark, defer over the past year, the tended this relief to pen ring the glide path to 3% to government has decid sioners. -
Understanding Meaningful Cinema
[ VOLUME 5 I ISSUE 3 I JULY– SEPT 2018] E ISSN 2348 –1269, PRINT ISSN 2349-5138 Understanding Meaningful Cinema Dr. Debarati Dhar Assistant Professor, Vivekananda School of Journalism and Mass Communication Vivekananda Institute of Professional Studies, New Delhi. Received: June 23 , 2018 Accepted: August 03, 2018 Introduction: Cinephilia Cineastes say that films help the audience to reflect on the divergent cultures and justify the presence of multi-cultural, multi-ethnic audience in view of this divergence. The language of cinema continues to evolve in a living tradition and the filmmakers trace the ever-changing language of this medium from the silent era to the talkies, from the days when screen went from black and white and got colorized. Emotional appeal, subtlety in its communication and most importantly throwing a new light on the world, as we know it counted a lot to the audience. Filmmakers now work across the spectrum of media including painting, novels, theatre and opera. In the global cinema, in general, the production has become more accessible today, the qualitative aspects have sadly given way to quantity and so, films often miss emotional and spiritual richness. The world is a closer place today. Perhaps it is cinema that helps to blur the boundaries. The concept of film as a commercial art form started in fifties. The fifties and sixties are generally known as the golden period of Indian cinema not only because masterpieces were being made, but because of the popularity of the songs of that era. One of the distinctive features of Indian cinema is its narrative structure. -
New and Bestselling Titles Sociology 2016-2017
New and Bestselling titles Sociology 2016-2017 www.sagepub.in Sociology | 2016-17 Seconds with Alice W Clark How is this book helpful for young women of Any memorable experience that you hadhadw whilehile rural areas with career aspirations? writing this book? Many rural families are now keeping their girls Becoming part of the Women’s Studies program in school longer, and this book encourages at Allahabad University; sharing in the colourful page 27A these families to see real benefit for themselves student and faculty life of SNDT University in supporting career development for their in Mumbai; living in Vadodara again after daughters. It contributes in this way by many years, enjoying friends and colleagues; identifying the individual roles that can be played reconnecting with friendships made in by supportive fathers and mothers, even those Bangalore. Being given entrée to lively students with very little education themselves. by professors who cared greatly about them. Being treated wonderfully by my interviewees. What facets of this book bring-in international Any particular advice that you would like to readership? share with young women aiming for a successful Views of women’s striving for self-identity career? through professionalism; the factors motivating For women not yet in college: Find supporters and encouraging them or setting barriers to their in your family to help argue your case to those accomplishments. who aren’t so supportive. Often it’s submissive Upward trends in women’s education, the and dutiful mothers who need a prompt from narrowing of the gender gap, and the effects a relative with a broader viewpoint. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
The Serpent Power by Woodroffe Illustrations, Tables, Highlights and Images by Veeraswamy Krishnaraj
The Serpent Power by Woodroffe Illustrations, Tables, Highlights and Images by Veeraswamy Krishnaraj This PDF file contains the complete book of the Serpent Power as listed below. 1) THE SIX CENTRES AND THE SERPENT POWER By WOODROFFE. 2) Ṣaṭ-Cakra-Nirūpaṇa, Six-Cakra Investigation: Description of and Investigation into the Six Bodily Centers by Tantrik Purnananda-Svami (1526 CE). 3) THE FIVEFOLD FOOTSTOOL (PĀDUKĀ-PAÑCAKA THE SIX CENTRES AND THE SERPENT POWER See the diagram in the next page. INTRODUCTION PAGE 1 THE two Sanskrit works here translated---Ṣat-cakra-nirūpaṇa (" Description of the Six Centres, or Cakras") and Pādukāpañcaka (" Fivefold footstool ")-deal with a particular form of Tantrik Yoga named Kuṇḍalinī -Yoga or, as some works call it, Bhūta-śuddhi, These names refer to the Kuṇḍalinī-Śakti, or Supreme Power in the human body by the arousing of which the Yoga is achieved, and to the purification of the Elements of the body (Bhūta-śuddhi) which takes place upon that event. This Yoga is effected by a process technically known as Ṣat-cakra-bheda, or piercing of the Six Centres or Regions (Cakra) or Lotuses (Padma) of the body (which the work describes) by the agency of Kuṇḍalinī- Sakti, which, in order to give it an English name, I have here called the Serpent Power.1 Kuṇḍala means coiled. The power is the Goddess (Devī) Kuṇḍalinī, or that which is coiled; for Her form is that of a coiled and sleeping serpent in the lowest bodily centre, at the base of the spinal column, until by the means described She is aroused in that Yoga which is named after Her. -
Stk7rocmumbai 28122018.Pdf
Sr No CIN Company Name 1 U70100MH1988PTC047470 ATAN DWEEP PROPERTIES AND RESORTSPRIVATE LIMITED 2 U99999MH1986PTC039423 0HRI SWAMI SAMARTHAICE PRODUCTS PRIVATE LTD 3 U65990MH1990PLC058141 20TH CENTURY CAPITAL VENTURE CORPORATION LIMITED 4 U99999MH1981PTC024821 20TH CENTURY-ORIENTLEASING PVT LTD 5 U65990MH1993PTC075614 3RIYESHA LEASING AND FINANCE P.LTD. 6 U74990MH2012PTC227156 5 GEN INTERNATIONALPRIVATE LIMITED 7 U40101MH2010PTC201852 A B J POWER GEN PRIVATE LIMITED 8 U45208MH2009PTC197088 A C BUSINESS PRIVATE LIMITED 9 U99999MH1955PTC009548 A ISMAIL AND COMPAYPRIVATE LIMITED 10 U92200MH1959PTC011358 A J PRIVATE LIMITED 11 U74140MH2003PTC138956 A M PROJECTS AND SERVICES PRIVATELIMITED 12 U99999MH1953PTC008983 A RAMSON AND CO PVTLTD 13 U99999MH1951PTC008623 A SHANKARLAL AND COPVT LTD 14 U74140PN1989PTC052484 A V BHAT MANAGEMENTAND CONSULTANCYSERVICES PVT LTD. 15 U74900MH2010PTC209161 A. J. BEAUTY AND HEALTH PRIVATE LIMITED 16 U92120MH2007PTC168557 A. J. ENTERTAINMENTPRIVATE LIMITED 17 U70102MH2012PTC229595 A. S. A. R. PROPERTIES & ESTATES PRIVATE LIMITED 18 U26260MH1960PLC011560 A. T. E. LIMITED 19 U99999MH1997PTC106970 A.B.V. EXIM (INDIA)PRIVATE LIMITED 20 U45400MH2012PTC229003 A.D REALTY PRIVATE LIMITED 21 U51216MH1995PTC092639 A.DANIF AND COMPANYLEATHERS PRIVATELIMITED 22 U50100MH1997PTC109748 A.G. MOTORS PRIVATELIMITED 23 U51900MH1995PTC093677 A.K.MERCANTILE PRIVATE LIMITED 24 U24132MH1983PLC031623 A.K.STRUCTURAL FOAMLIMITED 25 U99999MH1997PTC109211 A.M.FINCONS PRIVATELIMITED 26 U51396MH1941PTC003382 A.MACRACE AND COMPANY PRIVATE LIMITED -
Women in Higher Education in India
Women in Higher Education in India Women in Higher Education in India: Perspectives and Challenges Edited by Hari Ponnamma Rani and Madhavi Kesari Women in Higher Education in India: Perspectives and Challenges Edited by Hari Ponnamma Rani and Madhavi Kesari This book first published 2018 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2018 by Hari Ponnamma Rani, Madhavi Kesari and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-0854-4 ISBN (13): 978-1-5275-0854-5 CONTENTS Chapter One ................................................................................................ 1 Streeling-Punling-Samething H.P. Rani, G. Siranjeevi, B. Sai Krishna Chapter Two ................................................................................................ 8 Transforming the Identity of Women—From Tradition to Modernity— Through Cinema: Towards Gender Equality Madhavi Kesari Chapter Three ............................................................................................ 14 Gender Discrimination in India: A Fly in the Ointment Suneetha Yedla, Sailaja Mukku Chapter Four ............................................................................................. -
January 2020
Library, MIM New Titles Arrived between: July – January 2020 Super Memory ; it can 153.122 23399 Devi Shakuntala 1 be yours DEV Doing simple math in 23400 513.9 HOW Howard W J 1 your head Stay smart : 100 23401 exercises to keep your 153.1 PHI Phillips Charles 1 brain sharp 23402 The yellow elephant 153.14 ALI Ali Tansel 1 Compensation 658.322 Bhattacharyya, Dipak 23403 2 management BHA Kumar. 23405 Economics 330 LIP Lipsey & Chrystal 2 Innovation 658.4063 23407 Afuah, Allan. 2 management AFU 658.81 23409 Sales management Mallik, Pradip Kumar. 2 MAL E- Business : A 23411 management 006.8 REY Reynolds, Jonathan. 2 perspective Online marketing a 658.872 23413 Gay Richard. and others 1 customer-led approach GAY Supply chain 23414 management : Process, 658.5 CHA Chandrasekaran, N. 2 system, and practice Accounting for 23416 657 RAM Ramanathan, S. 2 management Advertising : Jethwaney, Jaishri. and 23418 659.1 JET 2 management Shruti Jain An introduction to 332.015195 23420 Blyth, Stephen. 1 quantitative finance BLY Corporate 658.408 Blowfield, Michael. and 23423 2 responsibility BLO Alan Murray Brand management : 658.827 23425 principles and practices Dutta, Kirti. 2 DUT - With CD Business Raman, Meenakshi. and 23427 651.7 RAM 2 communication Prakash Singh 658.4012 23429 Business environment Ghosh, B N. 2 GHO Business ethics : 23431 Principles and 174.4 ALB Albuquerque Daniel . 1 practices Business research 001.4265 23432 Mishra, Prahlad. 2 methods MIS Business statistics using 519.502465 23434 Davis, Glyn. and others 1 excel DAV Kumar, Sanjay. and 23435 Communication skills 651.7 KUM 2 others 658.8342 23437 Consumer behaviour Kumar, Dinesh. -
Nation, Fantasy, and Mimicry: Elements of Political Resistance in Postcolonial Indian Cinema
University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA Aparajita Sengupta University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sengupta, Aparajita, "NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA" (2011). University of Kentucky Doctoral Dissertations. 129. https://uknowledge.uky.edu/gradschool_diss/129 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Aparajita Sengupta The Graduate School University of Kentucky 2011 NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Aparajita Sengupta Lexington, Kentucky Director: Dr. Michel Trask, Professor of English Lexington, Kentucky 2011 Copyright© Aparajita Sengupta 2011 ABSTRACT OF DISSERTATION NATION, FANTASY, AND MIMICRY: ELEMENTS OF POLITICAL RESISTANCE IN POSTCOLONIAL INDIAN CINEMA In spite of the substantial amount of critical work that has been produced on Indian cinema in the last decade, misconceptions about Indian cinema still abound. Indian cinema is a subject about which conceptions are still muddy, even within prominent academic circles. The majority of the recent critical work on the subject endeavors to correct misconceptions, analyze cinematic norms and lay down the theoretical foundations for Indian cinema. -
MSM-513 MEDIA LAW Directorate of Distance Education
M.A. MASS COMMUNICATION 2nd SEMESTER MSM-513 MEDIA LAW ITY ERS OF IV SC N IE U N R C A E W & H T S E E C B H M N A O J L O U G R Y U G Directorate of Distance Education Guru Jambheshwar University of Science & Technology, HISAR-125001 Media Law MSM-513 CONTENTS LESSON TITLE OF THE LESSON PAGE NO. NO. 1 Freedom of Press, Reasonable Restrictions & Right to Information 3 Act 2 Laws of Defamation, Contempt of Court & Contempt of Legislature 19 3 Official Secrets Acts & Press and Books Registration Act 28 4 Copy Right Act 41 5 First Press Commission 51 6 Second Press Commission 61 7 Press Council of India 69 8 Broadcasting Code for News for AIR & DD 85 9 Broadcasting Code for Advertising for AIR & DD 93 10 Cable TV Regulations Act 100 11 Prasar Bharati Act, Film Censorship & Cinematograph Act 110 12 Reports of Various Committees & Commissions-I 124 13 Reports of Various Committees & Commissions-II 134 14 Code of ethics for journalist and Advertisements 142 15 Regulations for Public Relations (IPRA Code of Ethics) 166 DDE, GJUS&T, Hisar 2 | Media Law MSM-513 SUBJECT: MEDIA LAW COURSE CODE: MSM-513 AUTHOR: PROF. MANOJ DAYAL LESSON NO.: 01 FREEDOM OF PRESS, REASONABLE RESTRICTIONS & RIGHT TO INFORMATION ACT STRUCTURE 1.0 Learning Objectives 1.1 Introduction 1.2 Freedom of Press 1.3 Reasonable Restrictions 1.4 Right to Information Act 1.5 Check Your Progress 1.6 Summary 1.7 Keywords 1.8 Self-Assessment Test 1.9 Answer to Check Your Progress 1.10 References/Suggested Readings 1.0 LEARNING OBJECTIVES After reading this lesson you will be able to: Understand the Freedom of the Press. -
Social Science TABLE of CONTENTS
2015 Social Science TABLE OF CONTENTS Academic Tools 79 Labour Economics 71 Agrarian Studies & Agriculture 60 Law & Justice 53 Communication & Media Studies 74-78 Literature 13-14 Counselling & Psychotherapy 84 7LHJL *VUÅPJ[:[\KPLZ 44-48 Criminology 49 Philosophy 24 Cultural Studies 9-13 Policy Studies 43 Dalit Sociology 8 Politics & International Relations 31-42 Development Communication 78 Psychology 80-84 Development Studies 69-70 Research Methods 94-95 Economic & Development Studies 61-69 SAGE Classics 22-23 Education 89-92 SAGE Impact 72-74 Environment Studies 58-59 SAGE Law 51-53 Family Studies 88 SAGE Studies in India’s North East 54-55 Film & Theatre Studies 15-18 Social Work 92-93 Gender Studies 19-21 Sociology & Social Theory 1-7 Governance 50 Special Education 88 Health & Nursing 85-87 Sport Studies 71 History 25-30 Urban Studies 56-57 Information Security Management 71 Water Management 59 Journalism 79 Index 96-100 SOCIOLOGY & SOCIAL THEORY HINDUISM IN INDIA A MOVING FAITH Modern and Contemporary Movements Mega Churches Go South Edited by Will Sweetman and Aditya Malik Edited by Jonathan D James Edith Cowan University, Perth Hinduism in India is a major contribution towards ongoing debates on the nature and history of the religion In A Moving Faith by Dr Jonathan James, we see for in India. Taking into account the global impact and the first time in a single coherent volume, not only that influence of Hindu movements, gathering momentum global Christianity in the mega church is on the rise, even outside of India, the emphasis is on Hinduism but in a concrete way, we are able to observe in detail as it arose and developed in sub-continent itself – an what this looks like across a wide variety of locations, approach which facilitates greater attention to detail cultures, and habitus. -
Personal Profile ~ Sridhar Rangayan
Sridhar Rangayan profile A Graduate in Engineering and Post-graduate in Design from IIT, Bombay, Sridhar Rangayan switched tracks from designing carpets to apprenticing with eminent Indian directors like Sai Paranjpye, Kalpana Lajmi and Dev Benegal. Setting off as an independant writer / director in 1999 he has scripted and directed television content covering various genres - comedy, romance, drama and thrillers. His latest serial was the first Indian serial to be shot on a luxury cruiseliner and in Singapore & Malaysia. His award winnng debut short film ‘The Pink Mirror’, produced by his own company Solaris Pictures, has screened at a record number of 56 international film festivals till date. It also garnered global attention for being the first film on Indian drag queens and is one of the very few independent films from India to acquire distribution in US and Europe. His first 35mm feature, a children film that combines breezy fun-filled adventure with social values, won the Bronze Remi Award at WorldFest, Houston and has been screened at international children film festivals. Apart from filmmaking, he is also actively involved with human rights issues and the disability sector. awards Jury Award for Best Film at ‘Fire Island Film Festival 2004, New York, USA (for film “Gulabi Aaina) Bronze Remi Award at WorldFest 2004, Houston (for children film “Yeh Hai Chakkad Bakkad Bumbe Bo’ – CFSI ) Best Film of the Festival award at ‘Question de Genre’ film festival 2003, Lille, France (for film “Gulabi Aaina) RAPA award for Best Comedy Episode,