STUDY QUESTIONS--FIFTEENTH CENTURY NORTHERN ART

ANSWER THE FOLLOWING QUESTIONS AS COMPLETELY AS POSSIBLE USING SPECIFIC EXAMPLES. In your answer be sure to include A. A brief description of the example (including artistic characteristics) B. Context C. Iconography

1. The Dukes of Burgundy were powerful and influential leaders of 15th century Europe. Two of them were also great patrons of the arts. Discuss the patronage of Philip the Bold, and Jean, Duc du Berry in terms of the: A. principal artists who worked for them B. significance of the art or architecture that was produced for them C. stylistic innovations that were introduced by the artists

2. Robert Campin used ordinary objects to add to the meaning of the Merode Altarpiece. Discuss the iconography of the altarpiece by discussing the symbolic meaning of the following objects and how they relate to the central theme of the altarpiece: A. Extinguished candle B. Water-basin C. Mousetrap D. Rose bush

3. Rogier van der Weyden and Jan van Eyck were important northern European artists who painted both portraits and religious works of art. Compare and contrast the work of these artists by discussing the Ghent Altarpiece (van Eyck) and the Descent from the Cross (van der Weyden) in terms of: A. Iconography B. Style C. Influence on other artists of their time

4. Hugo van der Goes was an innovative 15th century artist who, none-the-less, maintained some older traditions in his work. Explain the iconography of the Portinari Altarpiece, the medieval traditions it continued, and the innovations that were introduced. What did Italian artists most admire about this altarpiece?