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PRINTS & MULTIPLES FEATURING PROPERTY FROM A PARK AVENUE COLLECTION Wednesday, November 11, 2020 DOYLE.COM PRINTS & MULTIPLES AUCTION Wednesday, November 11, 2020 at 10am Eastern EXHIBITION Saturday, November 7, Noon – 5pm Sunday, November 8, Noon – 5pm Monday, November 9, Noon – 5pm And by Appointment at other times Safety protocols will be in place with limited capacity. Please maintain social distance during your visit. LOCATION Doyle Auctioneers & Appraisers 175 East 87th Street New York, NY 10128 212-427-2730 This Gallery Guide was created on (date) Please see addendum for any changes The most up to date information is available On DOYLE.COM Sale Info View Lots and Place Bids Doyle New York 1 4 Pierre Bonnard (1867-1947) Pierre Bonnard (1867-1947) LE SALON DES CENT (BOUVET 39) RUE, LE SOIR, SOUS LA PLUIE Color lithograph, 1896, on wove (BOUVET 68) paper, laid on linen, printed by Color lithograph, 1899, on thin Chaix, Paris, with margins, framed. wove paper, signed in pencil, from Sheet 23 x 16 3/8 inches; the edition of 100, from Quelques 583 x 417 mm. Aspects de la Vie de Paris, printed C Property from a by Auguste Clot, published by Park Avenue Collection Ambroise Vollard, Paris, with wide $2,000-4,000 margins, framed. Image 10 x 13 3/4 inches; 254 x 349 mm. 2 Sheet 14 3/8 x 18 3/4 inches; Pierre Bonnard (1867-1947) 365 x 476 mm. MAISON DANS LA COUR C Property from a (BOUVET 61) Park Avenue Collection Color lithograph, 1899, on wove $800-1,200 China paper, signed and numbered no. 80 in pencil, from the edition of 100, from Quelques Aspects 5 de la Vie de Paris, printed by Mary Cassatt (1844-1926) Auguste Clot, published by REFLECTION (BREESKIN 131) Ambroise Vollard, Paris, with full Drypoint, circa 1890, on cream margins, framed. laid paper, signed in pencil, from Image 13 5/8 x 10 1/4 inches; the second state of four, with full 346 x 260 mm. margins, unframed. Sheet 20 1/4 x 15 1/4 inches; Plate 10 3/8 x 7 inches; 514 x 387 mm. 264 x 178 mm. C Property from a Sheet 15 7/8 x 10 inches; Park Avenue Collection 403 x 254 mm. $5,000-7,000 C Property from a Park Avenue Collection $5,000-7,000 3 Pierre Bonnard (1867-1947) LE MARCHAND DES QUATRE- 6 SAISONS (BOUVET 65) Paul Cézanne (1839-1906) Color lithograph, 1899, on thin LES BAIGNEURS wove paper, signed in pencil, from (PETITE PLANCHE) (VENTURI 1156; the edition of 100, from Quelques CHERPIN 6; DRUICK 111) Aspects de la Vie de Paris, printed Lithograph printed in black, by Auguste Clot, published by 1896-97, on thin laid China paper, Ambroise Vollard, Paris, with (full?) from Cherpin’s first state of two, margins, framed. Druick’s first state of four, from the Image 11 5/8 x 13 1/2 inches; edition of approximately 10, 295 x 343 mm. with full margins, framed. Sheet 16 x 19 inches; Image 8 1/2 x 11 1/2 inches; 406 x 483 mm. 216 x 292 mm. C Property from a Sheet 13 13/16 x 17 5/8 inches; Park Avenue Collection 351 x 448 mm. $1,000-1,500 C Property from a Park Avenue Collection $4,000-6,000 Sale Date - 11/11/2020 4 Doyle New York 7 10 After Paul Cézanne (1839-1906) Pierre-Auguste Renoir LE DÉJEUNER SUR L’HERBE (1841-1919) (CHERPIN 9) L’ENFANT AU BISCUIT (JEAN Color lithograph, circa 1914, on RENOIR) (DELTEIL, STELLA 31) China paper, from the edition of Color lithograph, 1899, on Ingres unknown size, printed Auguste D’Arches laid paper with MBM Clot, Paris, with full margins, watermark, from the edition of 100, unframed. printed by Auguste Clot, Paris, with Image 13 x 15 inches; 330 x 380 mm. full margins, framed. Sheet 14 x 18 1/8 inches; Image 12 5/8 x 10 5/8 inches; 355 x 460 mm. 321 x 270 mm. C Property from a Sheet 24 5/8 x 18 3/4 inches; Park Avenue Collection 625 x 476 mm. $800-1,200 C Property from a Park Avenue Collection $2,000-3,000 8 Paul Gauguin (1848-1903) TE PO (MONGAN/KORNFELD/ JOACHIM 21) 11 Woodcut printed in orange, yellow Alfred Sisley (1839-1899) and black, 1893-4, on heavy cream LES BORDS DE RIVIÈRE (LES OIES) Japan paper, from the edition of 25 (DELTEIL 6) to 30 impressions, from Noa Noa, Color lithograph, 1897, on Chine printed by Louis Roy, with good or appliqué on wove paper, signed in full margins, framed. pencil, from L’Album d’Estampes Image 8 1/8 x 14 1/8 inches; Originales de la Galerie Vollard, 205 x 359 mm. published by Ambroise Vollard, Sheet 9 7/8 x 15 3/4 inches; Paris, with wide margins, framed. 250 x 399 mm. Image 8 3/8 x 12 1/2 inches; C Property from a 213 x 318 mm. Park Avenue Collection Wove sheet 15 7/8 x 21 7/8 inches; $10,000-15,000 404 x 556 mm. C Property from a Park Avenue Collection 9 $2,000-3,000 Pierre-Auguste Renoir (1841- 1919) BAIGNEUSE DEBOUT, EN PIED 12 (DELTEIL, STELLA 28) Henri de Toulouse-Lautrec Color lithograph, 1896, on cream (1864-1901) laid paper, with the printed MADEMOISELLE MARCELLE signature and inscription, from the LENDER, EN BUSTE edition of 100, printed by (D. 102; ADR. 115; W. 99) Auguste Clot, published by Color lithograph, 1895, on wove Ambroise Vollard, Paris, with full paper, Wittrock’s fourth state of margins, framed. four, from the edition of 1100, Sheet 25 3/8 x 19 1/4 inches; published by Pan, Berlin, with 645 x 489 mm. the letterpress text in the bottom C Property from a margin, with full margins, framed. Park Avenue Collection Image 13 x 9 3/4 inches; $4,000-6,000 330 x 248 mm. Sheet 14 5/8 x 11 inches; 371 x 279 mm. C Property from a Park Avenue Collection $6,000-8,000 Sale Date - 11/11/2020 5 Doyle New York 13 15 Henri de Toulouse-Lautrec Henri de Toulouse-Lautrec (1864-1901) (1864-1901) ELLES (FRONTISPIECE) (D.179; MADEMOISELLE MARCELLE ADR. 200; W. 155) LENDER EN BUSTE, Color lithograph, 1896, inscribed DE TROIS QUARTS Serie no 15 in ink by the published (D. 261; ADR. 302; W. 294) by Gustave Pellet and with Lithograph printed in sanguine, his paraphe (Lugt 1194) and 1898, on blue-gray laid paper, monogram ink stamp (L. 1190), signed in black pencil, stamp from the edition of 100, the full numbered 45, from the edition of sheet, framed. 45, published by Boussod, Manzi, Sheet 20 3/8 x 15 3/4 inches; 518 x Joyant & Cie., Paris, with good 400 mm. margins, framed. C Property from a Park Avenue Image 9 7/8 x 8 5/8 inches; 251 x Collection 219 mm. $4,000-6,000 Sheet 18 3/8 x 9 3/4 inches; 467 x 248 mm. C Property from a Park Avenue Collection $4,000-6,000 14 Henri de Toulouse-Lautrec (1864-1901) FEMME AU LIT, PROFIL, AU PETIT 16 LEVER (D. 187; ADR. 208; W. 163) Henri de Toulouse-Lautrec Color lithograph, 1896, on wove (1864-1901) paper with the G. Pellet/ T. Lautrec LE JOCKEY watermark, inscribed Serie no 52 in (D. 279; ADR. 345; W. 308) ink by the publisher, Gustave Pellet Color lithograph, 1899, on China and with his paraphe (Lugt 1194) paper, from the second state and monogram ink stamp (faded) of two, from the edition of 112, (L. 1190, from the edition of 100, printed by Henri Stern, Paris, from Elles, the full sheet, framed. published by Pierrefort, Paris, Sheet 15 3/4 x 20 1/2 inches; the full sheet, framed. 400 x 521 mm. Sheet 20 3/8 x 14 5/16 inches; C Property from a 518 x 363 mm. Park Avenue Collection C Property from a $6,000-8,000 Park Avenue Collection $30,000-40,000 Sale Date - 11/11/2020 6 Doyle New York 17 20 Jacques Villon (1875-1963) Georges Braque (1882-1963) LA PARISIENNE (TOURNÉE À NATURE MORTE III (VERRE ET GAUCHE, PETITE PLANCHE) FRUITS) (VALLIER 12) (GINESTET/POUILLON E93) Color lithograph, 1921, on laid Color etching and aquatint, 1904, China paper, signed in pencil, on cream Japan paper, signed numbered 31, from the edition of and numbered No 33 in pencil, 120, published by Daniel-Henry from the edition of 100, published Kahnweiler, Paris, with (full?) by E. Sagot, Paris and with their margins, framed. blindstamp, with good margins, Image 8 x 15 7/16 inches; framed. 203 x 392 mm. Plate 9 1/2 x 6 3/4 inches; Sheet 13 1/2 x 23 5/8 inches; 241 x 171 mm. 343 x 600 mm. Sheet 15 1/2 x 10 1/2 inches; C Property from a 394 x 267 mm. Park Avenue Collection C Property from a $1,000-1,500 Park Avenue Collection $700-1,000 21 Georges Braque (1882-1963) 18 L’OISEAU DE FEU (OISEAU XIII) Jacques Villon (1875-1963) (VALLIER 121) LE POTIN Color etching with varnish, 1958, (GINESTET/POUILLON E96) on laid Van Gelder Zonen paper, Drypoint and aquatint printed in signed and numbered 50/75 in green, 1904, on Arches paper, pencil, published by Maeght, Paris, signed and numbered 32 in pencil, with good margins, framed. from the edition of 50, published Plate 14 9/16 x 13 3/4 inches; by E.
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  • Jim Dine's Etchings

    Jim Dine's Etchings

    Jim Dine's etchings Author Museum of Modern Art (New York, N.Y.) Date 1978 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/1817 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art JIM DINES ETCHINGS The Museum of Modern Art An exhibition organized by The Museum of Modern Art, New York, with the generous support of the National Endowment for the Arts, Washington, D.C., a federal agency About five years after they attended Ohio University in Athens together, Andrew Stasik invited his friend Jim Dine to make a print at Pratt Graphics Art Center in New York. A program at Pratt funded by the Ford Foundation had been established to encourage American artists to col laborate with professional European printers in the creation of lithographs and etchings. Even in the mid-twentieth century the word "etching" meant, to most people, the ubiquitous black-and-white views of famous buildings, homes, and landscapes, or to the connoisseur, the important images of Rembrandt and Whistler. Contemporary works by S. W. Hayter and his followers, because of the complex techniques utilized, were bet ter known by the generic term "intaglio" prints. After making a few litho graphs, Dine worked on his first intaglio prints in 1961 with the Dutch woman printmaker Nono Reinhold. They were simple drypoints of such familiar objects as ties, apples, and zippers.