Sweet Baby James -Page 7

Total Page:16

File Type:pdf, Size:1020Kb

Sweet Baby James -Page 7 ------------------ , , , Sweet Baby James -page 7 Vol. XV, No. 95 an independent student newspaper serving notre dame and saint mary's Thursday, February 19, 1981 Cicely Tyson speaks Students to capacity cro-wd .( plead By MARY FRAN CAllAHAN She contended, however, Senior Copy Editor that a dream is not elusive if one ''wants it bad enough and A two-hour delay did not works for it." not guilty deter a capaciry crowd last "Deep down inside, if you night from hearing Emmy really want it and you work By MARY AGNES CAREY Award winning actress Cicdy toward it, you'll get it. But you Staff reporte1· Tyson speak in the Library really haye to want it.'' ' Auditorium. The actress spoke at length Eight Saint Mary's students Ms. Tyson, who appeared at about the present state of the pleaded not guilry yesterday in 9:30p.m., apologetically greet­ film industry. She said it is at St. ] oseph County Trafic Mis­ ed a patient crowd, who re­ "a very low ebb" and "going to meanor Court to charges of cieved her with a standing get worse" due to more strikes, underage drinking. Disposition ovation. The actress could not threatened by writers and di­ of the case is scheduled for fly to South Bend because of fog rectors. She said finding work March 18. which closed the Michiana Re­ as a black woman in film right Attorneys Michael Cotter and gional Airport, and consequent­ now is very difficult and added John]. Muldoon, representing ly, she had to drive. she was lucky to have worked the defendants, and James Holdin~ a q_uestion and an­ the past year. Korpal, of the counry prose­ swer session w1th her audience, Ms. Tyson portrayed Marva cutor's office, met with Judge Ms. Tyson fielded and dodged Collins, who has been dubbed William C. Whitman. questions involving her race, Chicago's Miracle Teacher, in a ~otter mt;t with Ciry Attorney sex, personal life and acting television special airing next R1chard Hdl yesterday to dis­ career. November. Ms. Collins, inci­ cuss the case, but would not Audience members ques­ dentally, will also speak in the comment on the possibiliry of tioned the actress about her Black Cultural Arts Festival-­ further litigation against the acting career and the impact appearing next Wednesday at 8 ciry surrounding the strip­ her race has had on her life. p.m. in the Memorial Library searching of the students. The actress explained that she Auditorium. "The Ciry's position is that had worked as a secretary and The actress stressed her sel­ they've made a mistake," one day realized, "God didn ectivity regarding prospective Cotter said, "(but it has made) put me on the face of the earth roles. Actress Cicely Tyson addressed a capacity crowd last night to bang a rypewriter. There "I know there as part of the annual Black Cultural Arts Festival. See STUDENTS, page 3 must be something more.'' is a lot more to my race than Ms. Tyson then began mod­ pimps, prostitutes and drug eling and received her 'lucky add1cts. I made up my mind break' into show business when then that I would not be a part Address to Congress an actress spotted her and of that. I had certain statements offered her work. The Emmy to make. I chose to make them Award winner said she found throu~h my work,'' she said. overcoming "blackness" a Ciung her roles in Sounder, Reagan jor111ally proposes cuts much more difficult task than The Autobiography of Miss overcoming sexual discrimina­ jane Pittman, and Roots, Ms. WASHINGTON (AP) -­ '(_o the applause of a political­ functions of ~overnment and tion. Tyson said, "If I were to leave President Reagan urged Con­ ly divided Congress, Reagan stimulate busmess growth. In ''Whites tend to deal with here tomorrow, I would believe gress last night to "act forceful­ proposed the most drastic set of declaring war on the costs and blacks before they deal with that I have made a contribution ly, and now," to cut $41 billion budget cuts ever recommended purposes of federal regulations, sex. I am dealt with as a black to mankind. " in spending and enact tax by a president, saying they he said, "Government will not first, then I am dealt with as a Ebony magazme recently reductions worth $1,500 to a were necessary to reverse the continue to subsidize individ­ woman," the actress comment­ middle-income family of four course of a _government "some­ uals or particular business in­ ed. See TYSON, page 8 over the next three years. what out of control.'' terests where real need cannot Reagan said his proposal, if be demonstrated.'' enacted in full, would halve the Reagan met yesterday morn­ inflation rate, create 3 million ing with Senat and House jobs and balance the budget by leaders to brief them on his first Enveloped in Manila 1984. formal address to Congress. e Reagan's "program for econ­ promised the bipartisan group omic recovery" would put the that the rich and poor would be Pope brings message to Philippines government upon an untested treated equally under his pro­ path leading away from spend­ gram. MANILA Philippines (AP) -­ through a securiry cordon and thoritarian President Ferdinand mg and regulatory trends that His proposed cuts in the Pope ] ohn Paul II urged Chma dashed toward him. Securiry E. Marcos on Tuesday that date back almost 50 years to fiscal 1982 budget, which takes yesterday to resume ties with agents grabbed him but Calug­ human rights violations cannot Franklin Roosevelt and the New effect October 1, represent the the Roman Catholic Church, cug said he got a papal em­ be justified. Deal. greatest reduction any presi­ bore a message of comfort to brace. The pope's plea to China to ''There is nothing wrong with dent has recommended in fed­ Manila's poorest slum dwellers "I kissed his hand and told forget the past and re-estab­ America that we can't fix," he eral spending, although the and watched panicked securiry him I loved him very much," lish friendly relations with the declared. budget of $695. 5 billion would guards subdue a young man the engineering student said. Roman Catholic Church was Reagan needs congressional be the largest in the nation's who rushed up to h1m. The incident, televised nation­ coupled with assurances that approval for almost all his history. During the second hectic ally, appeared to some as an the Vatican "desires no privi­ proposals: Republicans, pre­ The president forcasts an day of his six-day visit to the attack on the pope and many leges'' and has no political or dictably, said they will push for inflation rate of 6.2 percent in Philippines, the pontiff also thought the young man had a economic goals in China or any quick action; Democrats, who 1983. It was 12.4 percent last honored the country's 42 mill­ knife. He said he was carrying other country. control the House, promised year. ion Roman Catholics by giving only a rosary and police re­ Peking and the Vatican bro~e close scrutiny, but nothing Reagan's proposals would: them their first candidate for leased him after seven hours of relations after the commumst more. --Reduce individual income sainthood in a moving cere­ questioning. takeover in 1949 and restric­ The president was greeted by tax rates by 10 percent a year mony police said was attended The pope stuck to his sched­ tions on Christian worship in a prolonged standing ovation for three years beginning July by 3 million people. ule after the incident, but China were lifted only tow years from Congress, his Cabinet, his 1. This would save a famify of In a series of appearanced, switched from a limosine to a ago. Catholic churches have wife Nancy and spectators who four, with wages of $20,000, the pope told the country's bus enroute to the notorious reopened in major cities but watched from the House galler­ 28.7 percent on their tax bill, or professiOnal elite to serve the Tondo slum area. He didn't they are under- control of an ies. His speech was interrupted $1,456, by the end of 1984, a poor and not to worry about stop to talk to any of the slum association sanctioned by Pe­ 14 times by applause, when he Treasury official said. money and power. He then dwellers as he customarily does king with no ties to the Vatican. mentioned budget cuts and also --Rev1se business deprecia­ advised students of the Univer­ and his chief bodyguard, Bish­ The Vatican is thought to when he promised to boost tion schedules to provide siry of Santo Tomas that the op paul C. Marcinkus, pushed have carried out informal dis­ defense spending. There was speedier tax writeoffs, at a cost "pent-up energy" of youth photographers from the stand. cussions with the Chinese gov­ only silence when Reagan to the treasury of $9.7 billion in doesn't frighten the church and Since his arrival here on a ernment, but there have been pledged to save major social fiscal 1982. told them to observe self-disci­ 12-day Asian tour that will also no firm signs that Peking is pr<,>grams from the budget --Project a budget deficit of pline and "aim high." take him to Guam, ] apan and ready for reconciliation. The kmfe. $45 billion in 1982 and $22.9 As the pope was leaving the Alaska, the pope has spoken Vatican believes there are Reagan's far-reaching fiscal stage, 19-year-old universiry out strongly against human 500,000 to 2 million baptized program is designed to trim the See CUTS, page 4 student Lou Calugcug broke rights violations and told au- Catholics in China.
Recommended publications
  • Songs About Joni
    Songs About Joni Compiled by: Simon Montgomery, © 2003 Latest Update: Dec. 28, 2020 Please send comments, corrections or additions to: [email protected] © Ed Thrasher, March 1968 Song Title Musician Album / CD Title 1967 Lady Of Rohan Chuck Mitchell Unreleased 1969 Song To A Cactus Tree Graham Nash Unreleased Why, Baby Why Graham Nash Unreleased Guinnevere Crosby, Stills & Nash Crosby, Stills & Nash Pre-Road Downs Crosby, Stills & Nash Crosby, Stills & Nash Portrait Of The Lady As A Young Artist Seatrain Seatrain (Debut LP) 1970 Only Love Can Break Your Heart Neil Young After The Goldrush Our House Crosby, Stills, Nash & Young Déjà Vu 1971 Just Joni Mitchell Charles John Quarto Unreleased Better Days Graham Nash Songs For Beginners I Used To Be A King Graham Nash Songs For Beginners Simple Man Graham Nash Songs For Beginners Love Has Brought Me Around James Taylor Mudslide Slim & The Blue Horizon You Can Close Your Eyes James Taylor Mudslide Slim & The Blue Horizon 1972 New Tune James Taylor One Man Dog 1973 It's Been A Long Time Eric Andersen Stages: The Lost Album You'’ll Never Be The Same Graham Nash Wild Tales Song For Joni Dave Van Ronk songs for ageing children Sweet Joni Neil Young Unreleased Concert Recording 1975 She Lays It On The Line Ronee Blakley Welcome Mama Lion David Crosby / Graham Nash Wind On The Water 1976 I Used To Be A King David Crosby / Graham Nash Crosby-Nash LIVE Simple Man David Crosby / Graham Nash Crosby-Nash LIVE Mama Lion David Crosby / Graham Nash Crosby-Nash LIVE Song For Joni Denise Kaufmann Dream Flight Mellow
    [Show full text]
  • Jack Kerouac's on the Road & How That Influenced the Road Movie
    Sheldon 1 Matthew A. Sheldon Introduction to the Road Film Midterm Exam 12/15/12 Midterm Exam 1. One of the main films that focused it‟s themes on rebellious critique and conservative authority was Bonnie and Clyde. The film was less about historical accuracy and more a direct reflection of the late 1960‟s ideology with the rise of the Vietnam War, the assassination of President Kennedy and the horrific Charles Mansion murders. In David Laderman‟s essay he explains how the cultural roots of the road film seemed to step from three different genres which are the western, the gangster and the film noir which also are very similar to Jack Kerouac‟s 1955 novel On the Road. “All three of these genres predated On the Road, and Sal and Dean Affectionately invoke western and gangster films throughout. On the Road‟s basic themes and style also highlight the ideological contradiction between rebellion and tradition.” (3) Right in the opening shot of Bonnie and Clyde you can see a close-up of Bonnie Parker become bored and restless on her bed, wanting to escape the imprisonment of traditional lifestyle. When she catches Clyde trying to break into her mother‟s car, his dangerous character fascinates her and gives her an emotional sensual excitement of rebellion and risk that she never felt before. Clyde talks Bonnie into leaving with him not just because of the liberating crime life he is offering her but because he seems to be insightful in who she is as a person and what her Sheldon 2 needs and desires are.
    [Show full text]
  • October 25Th 2011
    + HIGH ENERGY/DANCE Brick House, Commodores All Night Long, Lionel Ritchie 1999, Prince Le Freak, CHIC Can’t feel my face, The Weeknd We Are Family, Sister Sledge Shut up and dance with me, Walk the YMCA, The Village People moon Crazy Little Thing Called Love, Queen Uptown Funk, Bruno Mars Love Song, The Cure Footloose, Blake Shelton I'm So Excited, Pointer Sisters Shake it off, Taylor Swift Girls Just Want To Have Fun, Cindy Cupid Shuffle, Cupid Lauper Happy, Pharrell Williams Keep Your Hands To Yourself, Georgia Moves like Jagger, Maroon 5 Satellites I Know You Want Me, Pitbull The House is Rockin', Stevie Ray Vaughn Let's Dance, Lady Gaga 867-5309 (Jenny, Jenny), Tommy Firework, Katy Perry Tutone Let's Go Crazy, Prince The Future's So Bright (I Gotta Wear Blurred Lines, Robin Thicke Shades), Timbuk 3 Get Lucky, Daft Punk Jungle Love, Steve Miller Party Rock Anthem, LMFAO Old Time Rock n' Roll, Bob Seger Gingham Style, Psy Feel Like Makin' Love, Bad Company Don't Stop The Party, Pitbull La Grange, ZZ Top I Gotta Feeling, The Black-Eyed Peas Hotel California, The Eagles Play That Funky Music, Wild Cherry Volcano, Jimmy Buffet Love Shack, B-52s Margaritaville, Jimmy Buffet Hey Ya, Outkast Satisfaction, The Rolling Stones Tubthumpin', Chumbawamba Sweet Caroline, Neil Diamond I Will Survive, Gloria Gaynor She Loves You, The Beatles Brick House, Commodores Twist and Shout, The Beatles California Sun, The Rivieras Jailhouse Rock, Elvis Presley Celebration, Kool and the Gang La Bamba, Richie Valens Hot, Hot, Hot, Buster Poindexter Pretty Woman, Roy Orbison I Feel Good, James Brown Mustang Sally, Wilson Pickett I'm A Believer, Smashmouth Boot Scootin' Boogie, Brooks and Dunn Turn The Beat Around, Vicky Sue Steamroller Blues, James Taylor Robinson Proud Mary, Tina Turner That's The Way I Like It, K.C.
    [Show full text]
  • Michael Brecker Chronology
    Michael Brecker Chronology Compiled by David Demsey • 1949/March 29 - Born, Phladelphia, PA; raised in Cheltenham, PA; brother Randy, sister Emily is pianist. Their father was an attorney who was a pianist and jazz enthusiast/fan • ca. 1958 – started studies on alto saxophone and clarinet • 1963 – switched to tenor saxophone in high school • 1966/Summer – attended Ramblerny Summer Music Camp, recorded Ramblerny 66 [First Recording], member of big band led by Phil Woods; band also contained Richie Cole, Roger Rosenberg, Rick Chamberlain, Holly Near. In a touch football game the day before the final concert, quarterback Phil Woods broke Mike’s finger with the winning touchdown pass; he played the concert with taped-up fingers. • 1966/November 11 – attended John Coltrane concert at Temple University; mentioned in numerous sources as a life-changing experience • 1967/June – graduated from Cheltenham High School • 1967-68 – at Indiana University for three semesters[?] • n.d. – First steady gigs r&b keyboard/organist Edwin Birdsong (no known recordings exist of this period) • 1968/March 8-9 – Indiana University Jazz Septet (aka “Mrs. Seamon’s Sound Band”) performs at Notre Dame Jazz Festival; is favored to win, but is disqualified from the finals for playing rock music. • 1968 – Recorded Score with Randy Brecker [1st commercial recording] • 1969 – age 20, moved to New York City • 1969 – appeared on Randy Brecker album Score, his first commercial release • 1970 – co-founder of jazz-rock band Dreams with Randy, trombonist Barry Rogers, drummer Billy Cobham, bassist Doug Lubahn. Recorded Dreams. Miles Davis attended some gigs prior to recording Jack Johnson.
    [Show full text]
  • Download This List As PDF Here
    QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op.
    [Show full text]
  • American Road Movies of the 1960S, 1970S, and 1990S
    Identity and Marginality on the Road: American Road Movies of the 1960s, 1970s, and 1990s Alan Hui-Bon-Hoa Art History and Communication Studies McGill University, Montreal March 2012 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts in Communication Studies. © Alan Hui-Bon-Hoa 2012 Table of Contents Abstract ………………………………………………………………………………………….. 3 Abrégé …………………………………………………………………………………………… 4 Acknowledgements …..………………………………………………………………………….. 5 Introduction ……………………………………………………………………………………… 6 Chapter One: The Founding of the Contemporary Road Rebel …...………………………...… 23 Chapter Two: Cynicism on the Road …………………………………………………………... 41 Chapter Three: The Minority Road Movie …………………………………………………….. 62 Chapter Four: New Directions …………………………………………………………………. 84 Works Cited …………………………………………………………………………………..... 90 Filmography ……………………………………………………………………………………. 93 2 Abstract This thesis examines two key periods in the American road movie genre with a particular emphasis on formations of identity as they are articulated through themes of marginality, freedom, and rebellion. The first period, what I term the "founding" period of the road movie genre, includes six films of the 1960s and 1970s: Arthur Penn's Bonnie and Clyde (1967), Dennis Hopper's Easy Rider (1969), Francis Ford Coppola's The Rain People (1969), Monte Hellman's Two-Lane Blacktop (1971), Richard Sarafian's Vanishing Point (1971), and Joseph Strick's Road Movie (1974). The second period of the genre, what I identify as that
    [Show full text]
  • 012521-DRAFT-Bothsidesnow
    Both Sides Now: Singer-Songwriters Then and Now An Etz Chayim Fifth Friday SHABBAT SERVICE Kabbalat Shabbat • Happy • Shower the People You Love With Love L’Cha Dodi (to Sweet Baby James) Bar’chu • Creation: Big Yellow Taxi • Revelation: I Choose Y0u Sh’ma • Both Sides Now + Traditional Prayer • V’ahavta: All Of Me • Redemption: Brave Hashkiveynu / Lay Us Down: Beautiful Amidah (“Avodah” / Service) • Avot v’Imahot: Abraham’s Daughter • G’vurot: Music To My Eyes • K’dushat haShem: Edge Of Glory • R’Tzeih: Chelsea Morning • Modim: The Secret Of LIfe • Shalom: Make You Feel My Love (instrumental & reflection) D’Var Torah • Miriam’s Song Congregation Etz Chayim Healing Prayer: You’ve Got a Friend Palo Alto, CA Aleynu Rabbi Chaim Koritzinsky Mourners’ Kaddish: Fire And Rain + Traditional Prayer Birchot Hamishpachah / Parents Bless their Children: Circle Game + Inclusive Blessing of Children Closing Song: Adon Olam (to Hallelujah) Both Sides Now Shabbat, 1/29/21 • Shabbat Evening Service, page 1 Kavannah for Our Service For this Fifth Friday Shabbat service we will experience songs by a diverse array of singer- songwriters in place of many of our traditional prayers. The intent is to lift up the prayers by viewing them through a new lens, and perhaps gain new insight into beloved, contemporary songs, whether familiar or new to us. “Both Sides Now” speaks to several relevant themes in our service and in our hearts: • This week’s Torah portion, B’Shallah, begins with our Israeilite ancestors in slavery, on one side of the Sea of Reeds and ends with them as a newly freed people on the other side.
    [Show full text]
  • Scenic Design for the Musical Godspell
    Scenic design for the musical Godspell Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts in the Graduate School of The Ohio State University By Sarah Sugarbaker Graduate Program in Theatre The Ohio State University 2009 Master’s Examination Committee: Professor Dan Gray, M.F.A. Advisor Professor Mandy Fox, M.F.A. Professor Kristine Kearney, M.F.A. Copyright by Sarah Sugarbaker 2009 Abstract In April of 2009 the Ohio State University Theatre Department produced Godspell, a musical originally conceived by John‐Michael Tebelak with music by Stephen Schwartz. This production was built and technically rehearsed in the Thurber Theatre, and then moved to the Southern Theatre in downtown Columbus, OH. As the scenic designer of this production I developed an environment in which the actors and director created their presentation of the text. Briefly, the director’s concept (Appendix A) for this production was to find a way to make the production relevant to the local population. Godspell centers around the creation and support of a community, so by choosing to reference the City Center Mall, an empty shopping center in downtown Columbus, the need for making a change as a community was emphasized. This environment consisted of three large walls that resembled an obscured version of the Columbus skyline, inspired by advertisements within the shopping center. Each wall had enlarged newspapers that could be seen under a paint treatment of vibrant colors. The headlines on these papers referenced articles that the local paper has written about the situation at the shopping center, therefore making the connection more clear.
    [Show full text]
  • Acoustic Sounds Catalog Update
    WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet.
    [Show full text]
  • James Taylor
    JAMES TAYLOR Over the course of his long career, James Taylor has earned 40 gold, platinum and multi- platinum awards for a catalog running from 1970’s Sweet Baby James to his Grammy Award-winning efforts Hourglass (1997) and October Road (2002). Taylor’s first Greatest Hits album earned him the RIAA’s elite Diamond Award, given for sales in excess of 10 million units in the United States. For his accomplishments, James Taylor was honored with the 1998 Century Award, Billboard magazine’s highest accolade, bestowed for distinguished creative achievement. The year 2000 saw his induction into both the Rock ‘n’ Roll Hall of Fame and the prestigious Songwriter’s Hall of Fame. In 2007 he was nominated for a Grammy Award for James Taylor at Christmas. In 2008 Taylor garnered another Emmy nomination for One Man Band album. Raised in North Carolina, Taylor now lives in western Massachusetts. He has sold some 35 million albums throughout his career, which began back in 1968 when he was signed by Peter Asher to the Beatles’ Apple Records. The album James Taylor was his first and only solo effort for Apple, which came a year after his first working experience with Danny Kortchmar and the band Flying Machine. It was only a matter of time before Taylor would make his mark. Above all, there are the songs: “Fire and Rain,” “Country Road,” “Something in The Way She Moves,” ”Mexico,” “Shower The People,” “Your Smiling Face,” “Carolina In My Mind,” “Sweet Baby James,” “Don’t Let Me Be Lonely Tonight,” “You Can Close Your Eyes,” “Walking Man,” “Never Die Young,” “Shed A Little Light,” “Copperline” and many more.
    [Show full text]
  • September 1988
    Cover photo by Ebet Roberts 18 AIRTO He calls himself the "outlaw of percussion" because he breaks all the rules, but that's what has kept Airto in demand with musicians such as Miles Davis, Chick Corea, and Weather Report for almost two decades. His latest rule-breaking involves the use of electronics, but as usual, he has come up with his own way of doing it. by Rick Mattingly 24 GILSON LAVIS Back when Squeeze was enjoying their initial success, drummer Gilson Lavis was becoming increasingly dependent on alcohol. After the band broke up, he conquered his problem, and now, with the re-formed Squeeze enjoying success once again, Lavis is able to put new energy into his gig. by Simon Goodwin 28 BUDDY Photo by Ebet Roberts MILES He made his mark with the Electric Flag, Jimi Hendrix's Band of Gypsies, and his own Buddy Miles Express. Now, active once again with Santana and the California Raisins, Buddy Miles reflects on the legendary music that he was so much a part of. by Robert Santelli 32 DAVE TOUGH He didn't have the flash of a Buddy Rich or a Gene Krupa, but Dave Tough made such bands as Benny Goodman's, Artie Shaw's, and Woody Herman's play their best through his driving timekeeping and sense of color. His story is a tragic one, and it is thus even more Roberts Ebet remarkable that he accomplished so much in his by relatively short life. Photo by Burt Korall VOLUME 12, NUMBER 9 ROCK BASICS PERSPECTIVES Heavy Metal Power Warming Up: Part 1 Fills: Part 1 by Kenny Aronoff by Jim Pfeifer 38 90 UP AND COMING DRUM SOLOIST ROCK'N'JAZZ David Bowler Max Roach: "Jordu" CLINIC by Bonnie C.
    [Show full text]
  • 1 THERESA WERNER: (Sounds Gavel.) Good Afternoon, and Welcome to the National Press Club. My Name Is Theresa Werner, and I Am T
    NATIONAL PRESS CLUB LUNCHEON WITH JAMES TAYLOR SUBJECT: ELECTION REFORM: LIFE AS A POLITICAL SURROGATE MODERATOR: THERESA WERNER, PRESIDENT, NATIONAL PRESS CLUB LOCATION: NATIONAL PRESS CLUB BALLROOM, WASHINGTON, D.C. TIME: 12:30 P.M. EDT DATE: FRIDAY, DECEMBER 7, 2012 (C) COPYRIGHT 2008, NATIONAL PRESS CLUB, 529 14TH STREET, WASHINGTON, DC - 20045, USA. ALL RIGHTS RESERVED. ANY REPRODUCTION, REDISTRIBUTION OR RETRANSMISSION IS EXPRESSLY PROHIBITED. UNAUTHORIZED REPRODUCTION, REDISTRIBUTION OR RETRANSMISSION CONSTITUTES A MISAPPROPRIATION UNDER APPLICABLE UNFAIR COMPETITION LAW, AND THE NATIONAL PRESS CLUB RESERVES THE RIGHT TO PURSUE ALL REMEDIES AVAILABLE TO IT IN RESPECT TO SUCH MISAPPROPRIATION. FOR INFORMATION ON BECOMING A MEMBER OF THE NATIONAL PRESS CLUB, PLEASE CALL 202-662-7505. THERESA WERNER: (Sounds gavel.) Good afternoon, and welcome to the National Press Club. My name is Theresa Werner, and I am the 105th President of the National Press Club. We are the world’s leading professional organization for journalists committed to our profession’s future through our programming and events such as this while fostering a free press worldwide. For more information about the National Press Club, please visit our website, www.press.org. To donate to programs offered to the public through our National Press Club Journalism Institute, please visit press.org/institute. On behalf of our members worldwide, I'd like to welcome our speaker and those of you attending today’s event. Our head table includes guests of our speaker as well as working journalists who are National Press Club members. And if you hear applause in our audience, we would note that members of the general public are attending so it is not necessarily a lack of journalistic objectivity.
    [Show full text]