the great escape album download The Great Escape [Original Motion Picture Score] Elmer Bernstein's music for John Sturges' movie The Great Escape proved to be one of the most enduring of all action film soundtracks, rivaling his earlier work on Sturges' The Magnificent Seven in quality if not popularity. The main title theme was never used in a cigarette ad campaign the way The Magnificent Seven's was, but it was one of the most memorable and widely heard marches written for a movie, and was so familiar (and so closely attached to the film in the minds of even casual listeners and viewers) that it became an essential ingredient of a Monty Python sketch a decade or so later. The rest of the score is surprisingly rich in both musical and dramatic content, beautifully capturing elements of the action and the characters -- Bernstein devised leitmotifs associated with characters such as Ives the Mole and Blythe the Forger that vividly recall them for the listener who has seen the movie, and it is easy to listen to this music on two levels at once, as superb music in its own right and also as evocative of the panorama of the film itself. THE REAL GREAT ESCAPE. LARRY CORYELL The Real Great Escape ratings distribution. LARRY CORYELL The Real Great Escape reviews. Collaborators/Experts Reviews. After three fantastic albums such as LaVG, BB & Offering, would LC manage to get one more under his belt? Unchanged line-up, still the usual Danny Weiss on the production stool, the main ingredients changing here would seem to be the return of wife Julie and the return of frequent singing from both spouses. Oh yeah, we get to see the ARP synth's first appearance, toyed by both LC and Mandel. Taking its name on a track from Barefoot Boy, and sporting an appropriate artwork, the album fails to pay homage to the BB track. Indeed, TRGE is a sub-par album that ranges from almost country rock with brass/horns arrangements ala BS&T as in the closing PF Sloan or semi Savoy Brown boogie of the title track, the only long song that allows a bit of an escape from basic song structures. Wife Julie signs two tracks, while hubby Larry signs four, the rest being covers, two of them from Jim Webb. The Scotland II track might just be the album's only "highlight" (if we can call it that), with the presence of the afore-mentioned ARP synth, but one can't say it is used that wisely, but at least it allows the track to blow over the tight structures of the songs present on this album, and give LC a bit of space to expand. But the break is not big enough to allow the escape. Don't get me wrong, not everything is bad on this album, there are moments of brilliance, the thing being that they are much fewer and farther apart. But overall this album is best fleed away from, partly because of the frequent vocals, but also from under-average songwriting. TRGE is really not recommended unless you're a die-hard fan. Latest members reviews. This is a real escape but not so great. Coryell perhaps wanted to revive the psychedelic late 60's spirit and give more space to his vocals, after all, the first album handled them well. The result is a mediocre and forgettable blend of rock, blues-rock and jazz-rock that is very different from t . (read more) Post a review of LARRY CORYELL "The Real Great Escape" You must be a forum member to post a review, please register here if you are not. MEMBERS LOGIN ZONE. As a registered member (register here if not), you can post rating/reviews (& edit later), comments reviews and submit new albums. You are not logged, please complete authentication before continuing (use forum credentials). The Great Escape - Complete. 3-CD set includes classic original 1963 United Artists re-recorded album prepared by Elmer Bernstein when film was new, plus two-disc presentation of actual soundtrack. John Sturges directs legendary WWII POW classic with Steve McQueen leading cast, solidifying status as iconic loner character on screen. James Garner, Richard Attenborough, Charles Bronson, James Coburn amongst fellow POWs. Motorcycle sequence with McQueen outriding pursuers is an action cinema landmark - Bernstein's music throughout sequence is unparalled display of rhythmic orchestral energy! Intrada presents soundtrack from same 1/4" two-track stereo session elements as earlier Varese Sarabande limited release but newly re-masters them to remove annoying tape print-through that plagued loud sections of earlier version. 1963 UA album mastered from original 1/2" three-channel stereo masters. Informative notes from Nick Redman illuminate impact of McQueen on film & audience plus offer details about real escape incident film is based on. A genuine film and score classic back in print for new generations. Elmer Bernstein conducts both recordings. great escape. Tatoeba ore ga orejanai to shite, omae wa omaeda to ii kireru no ka? Suna no utsuwa o kowashite, koboreta kokoro o hirotte atsume rareru ka? Dareka no yobu koe ga miminari ni kawatta. Toki ga tomatta mitaida. Sā, me o samase. Fukai yami o ore wa nukedashita. Hayate mitai ni nigedashita. Ikita shikabane mitaidatta oretachi wa, kabe no soto e. Tatoeba sekai ni hikari ga nai to shite, omae wa omae o mitsuke rareru ka? Surōmōshon de utsutta keshiki no pīsu o kazoete tsunage rareru ka? Dareka no nakigoe ga jihibiki ni kawatta. Zero kara hajimeyou. Saraba, saigo no yoru. Nagai yume o ore wa nukedashita. Akai karada de nigedashita. Ueta keda mono mitaidatta, oretachi no me. Arashi no kanata e fumikomi, te o nobashi, Sasatta ha yaiba o omoikiri nuite itta. 'Ore wa omaeda' Fukai yami o ore wa nukedashita. Hayate mitai ni nigedashita. Ikita shikabane mitaidatta oretachi wa, kabe no soto e. Mata aou ze, chizu ni nai basho de. Let's say I am not who I say I am, can you then say whether you are you? When your heart breaks into pieces, like a sand glass, can you pick them up one-by-one? The voice of someone calling has changed into ringing in my ears It seems like time has stopped Now then, open your eyes. I slipped out of the deep darkness Like the swift wind, I broke free Looking like that of a living corpse, let us go outside of these Walls. If the light in this world were to disappear, would you still be able to find the true you? Could you then piece together the scenery projected in slow motion? The voice of someone crying is trembling like an earthquake Let's start from zero and bid goodbye to our final night. I slipped away from a long dream and with this (red) body I escaped Our eyes were like that of a starved beast. Beyond the storm, I step in extending my hand piercing through with all my strength, the sword slices. I slipped out of the deep darkness Like the swift wind, I broke free Looking like that of a living corpse, let us meet again outside of these Walls at someplace that's unmapped. Ending Animation. An unseen figure in the robes of the Order of the Walls drops a walnut to the ground, which rolls away rapidly over a brick surface bearing images from the Attack on Titan manga, which descends to reveal a wall bearing imagery of two armies fighting around a green coordinate symbol. Eren and Mikasa stand against a wall bearing imagery of humanity's exodus to the Walls while fleeing the Titans. Beside them is Armin speaking with Sasha with food, and further down Jean argues with Conny. Around the corner beside a similar wall, Annie stands alone. Reiner stands with a soldierly stance beside Bertholdt, who places his hand on the wall. Further down, Christa argues with her friend. Beside a ruined and crumbled wall, Mikasa stands with her palms cupped to catch the falling rain. Elsewhere in the rain, Eren rests motionless with sinews and strands of muscle linking his unclothed body to the image of his Titan form on a brick wall. The stones of the wall turn around to reveal the front of Eren's Titan, which begins to move. A hand bursts through the wall, sending debris flying as Armin, Mikasa, Jean, Sasha, and Conny fight against a Titan in a dark void. Eren's Titan charges the creature as Mikasa comes in for a strike, her blades forming a streak of light which fades to reveal a row of human-like figures forming a wall. Before a blue sky, the top ten cadets of the 104th Cadet Corps stand in salute, with Armin standing where Marco had been placed. Their image rests on the wall where the walnut continues to rapidly roll downwards, returning to the image of the armies surrounding the green coordinate symbol, now covered in long yellow flowers. Video Clips.

HD Shingeki no Kyojin 進撃の巨人 ED Ending 2 - 「望郷」Great Escape ATTACK ON TITAN. The Great Escape. With world War II games still proving popular, and a burgeoning trend for old film licences, an adaptation of the 1963 classic might seem a salient move. However, as anyone who has managed to stay awake during the perennial Boxing Day outing will confirm, there isn't actually a great deal of action to go on. Steve 'The Cooler King' McQueen bouncing a baseball against the walls of a solitary confinement cell might make for an intense study in macho defiance, but not necessarily a thrilling interactive experience. As such, this is more a case of a game inspired by the film, and as the title sequence states, features 'certain audiovisual components,' primarily McQueen's gob and the timeless theme tune, as appropriated by a generation of England supporters. Shadow Man. Essentially a 3D version of Commandos, missions are split between four characters-including McQueen - each with an array of different, albeit barely discernible, skills. Escaping from places naturally plays a large part in the proceedings, as does stealthily sneaking about. As such, there's a lot of hiding in the shadows, cunningly avoiding searchlights and crawling around on your belly to avoid the 'Goons', as the Axis forces are constantly referred to as. All the WWII movie cliches are present and correct, with Germans speaking English in absurd accents while displaying a limited degree of (artificial) intelligence in keeping with their Hollywood portrayal. As such, they can be thrown off the scent by such ploys as dressing up in a German uniform, forging documents, and in one case simply hiding in the bogs of a train (if it can foil British Rail ticket collectors, it'll do for the Gestapo). Kill All Dogs. Not being detected is key to success, and there are some genuine moments of suspense, with guards seemingly discovering you before dismissing it as the wind. And if you are spotted, there is always the option to make a comic bid for freedom, punching armed guards in the face and running for it. You are almost always shot or caught, but it at least provides some entertainment amid the constant skulking. That said, there are a few action- oriented missions, featuring vehicles, weapons and, impressively, strangling dogs. Interface-wise, it is a bit clunky, utilising a pseudoadventure game inventory that effectively pauses the game whenever it is opened. And only having a limited number of saves per level may irk quick-save happy PC gamers, although it does ensure that you give it your full attention rather than running in gung-ho. But despite the game's shortcomings, there is a stiff-upper-lip charm that encourages you to continue, if only to see what happens next. And it will take you a while to get through the 18 missions, culminating in the famous motorbike scene. Providing of course that you're still awake.