Florence Unveiled
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Best of Renaissance Florence April 28 – May 6, 2019
Alumni Travel Study From Galleries to Gardens The Best of Renaissance Florence April 28 – May 6, 2019 Featuring Study Leader Molly Bourne ’87, Professor of Art History and Coordinator of the Master’s Program in Renaissance Art at Syracuse University Florence Immerse yourself in the tranquil, elegant beauty of Italy’s grandest gardens and noble estates. Discover the beauty, drama, and creativity of the Italian Renaissance by spending a week in Florence—the “Cradle of the Renaissance”—with fellow Williams College alumni. In addition to a dazzling array of special openings, invitations into private homes, and splendid feasts of Tuscan cuisine, this tour offers the academic leadership of Molly Bourne (Williams Class of ’87), art history professor at Syracuse University Florence. From the early innovations of Giotto, Brunelleschi, and Masaccio to the grand accomplishments of Michelangelo, our itinerary will uncover the very best of Florence’s Renaissance treasury. Outside of Florence, excursions to delightful Siena and along the Piero della Francesca trail will provide perspectives on the rise of the Renaissance in Tuscany. But the program is not merely an art seminar—interactions with local food and wine experts, lunches inside beautiful private homes, meanders through stunning private gardens, and meetings with traditional artisans will complement this unforgettable journey. Study Leader MOLLY BOURNE (BA Williams ’87; PhD Harvard ’98) has taught art history at Syracuse University Florence since 1999, where she is also Coordinator of their Master’s Program in Renaissance Art History. A member of the Accademia Nazionale Virgiliana, she has also served as project researcher for the Medici Archive Project and held a fellowship at Villa I Tatti, the Harvard Center for Renaissance Studies. -
Notes on a Florence Visit
Notes on A Florence Visit For Great Views of Florence without the Steps Frescoes of the Last Supper in Florence Roof of the Rinascente Department store Roof of the Ospedele degli Innocenti Upper floor of the Orsanmichele Church Recectory at San Marco Piazzale Michelangelo – take the #12 or #13 bus Refectory at St. Maria del Carmine Roof of the Oblate Library – 2 blocks from Duomo Refectory of Ognissante Church Take the bus from San Marco up to Fisole Refectory at Santa Maria Novella -painted by a nun- Sister Trattoria Le Mossacce Nelli Refectory at Santa Croce Videos to View Refectory of San Salvi Refectory at Sant’Apollonia Cenacolo of Fuligno The Medicis – on Netflick Rick Ruggiero on Road Scholar’s Virtual Lecture Medici: Godfathers of the Renaissance -PBS YouTube – 3 hour walking tour of Florence Room With a View Secrets of Florence (on Hoopla) Books To Read Brunelleschi’s Dome – Ross King The Lives of the Artists – Vasari The Stones of Florence – McCarthy Birth of Venus – Dunant Looking at Painting in Florence – Paterson The Light in the Piazza - Spencer Places Not to Miss Mercato Centrale –Market, Food Court, Cooking School Grom Gelato Badia Fiorentina - for Night Vespers Duomo – inside without line – side entrance for English Mass on Sat. PM or Sun. Amici Card at the Uffizi for immediate entry Officina Profumo-Farmaceutica di Santa Maria Novella Ognissante Church – tomb of Botticello Giotto Crucifix Pazzi Chapel next to Santa Croce Leather School and Factory behind Santa Croce Vasari Corridor – expected to be opened this year Galileo Museum San Miniato Church Santissima Annunziata Church – painting of Mary completed by an angel Museum of Precious Stones Riccardo- Medici Palace – Chapel of the Magi San Maria dell Carmine Church -Brabcacci Chapel Santo Spirito Church – Michelangelo’s Crucifix . -
1 Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the Universi
Santo Spirito in Florence: Brunelleschi, the Opera, the Quartiere and the Cantiere Submitted by Rocky Ruggiero to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Art History and Visual Culture In March 2017. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. (Signature)…………………………………………………………………………….. 1 Abstract The church of Santo Spirito in Florence is universally accepted as one of the architectural works of Filippo Brunelleschi (1377-1446). It is nevertheless surprising that contrary to such buildings as San Lorenzo or the Old Sacristy, the church has received relatively little scholarly attention. Most scholarship continues to rely upon the testimony of Brunelleschi’s earliest biographer, Antonio di Tuccio Manetti, to establish an administrative and artistic initiation date for the project in the middle of Brunelleschi’s career, around 1428. Through an exhaustive analysis of the biographer’s account, and subsequent comparison to the extant documentary evidence from the period, I have been able to establish that construction actually began at a considerably later date, around 1440. It is specifically during the two and half decades after Brunelleschi’s death in 1446 that very little is known about the proceedings of the project. A largely unpublished archival source which records the machinations of the Opera (works committee) of Santo Spirito from 1446-1461, sheds considerable light on the progress of construction during this period, as well as on the role of the Opera in the realization of the church. -
A Private Chapel As Burial Space: Filippo Strozzi with Filippino Lippi and Benedetto Da Maiano in Santa Maria Novella, Florence
A PRIVATE CHAPEL AS BURIAL SPACE 215 A Private Chapel as Burial Space: Filippo Strozzi with Filippino Lippi and Benedetto da Maiano in Santa Maria Novella, Florence ITO Takuma Keywords: Renaissance art, Medieval art, private chapels, funeral monu- ments, fresco painting Introduction Chapel decoration as burial space in Renaissance Florence had two dis- tinct tendencies, apparently opposing but not necessarily mutually exclu- sive. On the one hand, there was a growing demand for spatial coherence in religious buildings, especially in churches newly built in the Renaissance style, such as San Lorenzo and Santo Spirito. Chapels in these churches indeed generally entailed commissioning a few choice objects, such as an altarpiece or a painted window, and the funeral monuments were rather modest, comprised in many cases only of simple tomb-slabs. Chapels with a greater degree of spatial independence, on the other hand, permitted the patrons to develop highly personalized burial settings. One such example is the Sagrestia Vecchia in San Lorenzo, where Cosimo de’ Medici had a sarcophagus installed under the table at the center of the space as a funeral monument for his parents. In traditional gothic churches, too, family cha- . See for example E. Capretti, “La cappella e l’altare: evoluzione di un rapporto,” in C. Acidini Luchinat ed., La chiesa e il convento di Santo Spirito a Firenze (Florence, 996), 229-238. Research Fellow of the Japan Society for the Promotion of Science 216 pels, especially those in transepts, were decorated with lesser regard for the cohesion and unity of the church structures, and often involved sumptuous funeral monuments. -
Questa Speciale Pubblicazione Permette Di Seguire Un Itinerario Tra Luoghi Di Firenze E Della Toscana Per Celebrare Una Stagione Unica Per La Storia Dell’Arte
Questa speciale pubblicazione permette di seguire un itinerario tra luoghi di Firenze e della Toscana per celebrare una stagione unica per la storia dell’arte. This special booklet is designed to offer you an Con Verrocchio, il maestro itinerary embracing sites di Leonardo, Palazzo in Florence and Tuscany, Strozzi celebra Andrea del to celebrate a truly unique Verrocchio, artista simbolo del season in the history of art. Rinascimento, attraverso una grande mostra che ospita oltre With Verrocchio, Master of 120 opere tra dipinti, sculture Leonardo, Palazzo Strozzi e disegni provenienti dai più celebrates Andrea del importanti musei e collezioni Verrocchio, an emblematic artist del mondo. L’esposizione, of the Florentine Renaissance, con una sezione speciale al in a major exhibition showcasing Museo Nazionale del Bargello, over 120 paintings, sculptures raccoglie insieme per la prima and drawings from the volta celebri capolavori di world’s leading museums and Verrocchio e opere capitali dei collections. The exhibition, più famosi artisti della seconda with a special section at the metà del Quattrocento Museo Nazionale del Bargello, legati alla sua bottega, come brings together for the first time Domenico del Ghirlandaio, both Verrocchio’s celebrated Sandro Botticelli, Pietro masterpieces and capital works Perugino e Leonardo da Vinci, by the best-known artists il suo più famoso allievo, di associated with his workshop in cui sarà possibile ricostruire la the second half of the 15th century formazione e lo scambio con il such as Domenico Ghirlandaio, maestro attraverso eccezionali Sandro Botticelli, Pietro Perugino prestiti e inediti confronti. and Leonardo da Vinci, his most famous pupil, reconstructing Leonardo’s early artistic career and interaction with his master thanks to outstanding loans and unprecedented juxtapositions. -
Passaporto Per Denaro E Bellezza Passport to Money and Beauty Passaporto Per Denaro E Bellezza
PASSAPORTO PER DENARO E BELLEZZA PASSPORT TO MONEY AND BEAUTY PASSAPORTO PER DENARO E BELLEZZA Le banche rappresentano una parte talmente importante del mondo moderno che è impossibile immaginarlo senza di esse; tuttavia sono un’invenzione relativamente recente, nata dalla crescente mobilità e dal commercio sviluppatosi a partire dalla fne del XII secolo. Le grandi famiglie toscane di mercanti-banchieri – Bardi, Peruzzi e, molto più tardi i Medici – hanno lasciato durevoli testimonianze del proprio talento in campo fnanziario, non solo accumulando enormi fortune, ma traducendole in opere d’arte che sono divenute parte del patrimonio culturale mondiale. La più antica banca al mondo ancora operante – il Monte dei Paschi – fu fondata a Siena nel 1472, solo 25 anni prima dei “roghi delle vanità” del predicatore integralista Savonarola, per i quali i forentini consegnarono per essere bruciate le “cose vane” preziose come gioielli, specchi e opere d’arte possedute. Denaro e Bellezza. I banchieri, Botticelli e il rogo delle vanità non è una mostra su un singolo artista, sebbene si chiuda con molti dipinti di Botticelli e presti particolare attenzione all’infuenza esercitata su di lui da Savonarola. È qualcosa di anche più interessante: una mostra sulla nascita in Toscana del moderno sistema bancario. James M. Bradburne PASSPORT TO MONEY AND BEAUTY Banks are such an important part of the modern world that it is almost impossible to imagine the world without them. Nevertheless, banks are a relatively recent invention, born from increased mobility and growing European trade in the late 12th century. The great Tuscan banking families—the Bardi, the Peruzzi, and of course much later, the Medici—created lasting monuments to their fnancial ingenuity, not only by amassing vast fortunes, but by translating those fortunes into the works of art that have become a part of the world’s cultural heritage. -
STUDENT HANDBOOK a GUIDE to MAXIMIZE YOUR SACI EXPERIENCE Front and Back Cover Images: Details of Michelangelo’S Sistine Chapel
STUDIO ARTS COLLEGE INTERNATIONAL STUDENT HANDBOOK A GUIDE TO MAXIMIZE YOUR SACI EXPERIENCE Front and back cover images: details of Michelangelo’s Sistine Chapel. SACI STUDENT HANDBOOK A Guide to Maximize Your SACI Experience Studio Arts College International Palazzo dei Cartelloni Via Sant’Antonino 11 50123 Florence - ITALY T (+39) 011 055 289948 F (+39) 011 055 2776408 [email protected] www.saci-florence.edu 4 CONTENTS Welcome..................................................7 SACI Mission Statement............................8 SACI Facilities.............................................9 School Regulations and Policies.............10 Housing................................................14 Other SACI Services..................................17 Visitors...............................................18 SACI Academic Information.....................20 Course Information....................20 Financial Information...............22 SACI Field Trips.........................................24 Florence’s Schedule.................................26 Health and Safety ...................................27 Fitness Facilities.......................27 Medical Information.................28 Safety Information....................31 Communication.....................................35 Telephone...............................35 Faxes, Photocopies, and IDs......37 Email and Internet....................37 Mail.....................................38 Money Transactions.................................39 Getting Around in Florence.....................41 -
'Private Mythologies' Presentation of the Restoration of Chaplin's the Three Sisters Notab
Women Artists of the 1900s Rediscovering Expat Women CHAPLIN and COSTA Painters in Tuscany INAUGURATION OF THE EXHIBITION ‘PRIVATE MYTHOLOGIES’ Monday, April 28, 6pm Villa Il Palmerino, Via del Palmerino 8/10, Florence Cristina Acidini Superintendent for Florence’s Historical, Artistic and Ethno-anthropological Heritage and its Polo Museale Giovanna Giusti Director of Department for Nineteenth-century and Contemporary Art, Uffizi Gallery Marilena Mosco Former Director of the Pitti Palace’s Silver Museum and Porcelain Museum Linda Falcone Advancing Women Artists Foundation, Director Margherita Ciacci New York University in Florence PRESENTATION OF THE RESTORATION OF CHAPLIN’S THE THREE SISTERS Tuesday, April 29, 5pm Sala del Fiorino, Pitti’s Modern Art Gallery, Florence Cristina Acidini Superintendent for Florence’s Historical, Artistic and Ethno-anthropological Heritage and its Polo Museale Sarah C. Morrison Consul General of the United States of America in Florence Jane Fortune Founder and Chair, Advancing Women Artists Foundation Giuliano Serafini Art historian Simonella Condemi Director of the Modern Art Gallery, Pitti Palace Alessandra Griffo Vice Director of the Modern Art Gallery, Pitti Palace Rossella Lari Restorer NOTABLE WOMEN: ARTISTS, PHOTOGRAPHERS, CREATORS Wednesday, May 7, 6pm Villa Il Palmerino, Via del Palmerino 8/10, Florence Martha Ladly Professor at OCAD University, Toronto This seminar and round-table discussion features several outstanding women photographers: Julia M. Cameron, Claude Cahun, Marcel Moore, and Francesca Woodman. Special focus on the eras of Vernon Lee and Lola Costa at Il Palmerino. Event in English. Limited places; please RSVP. PRIVATE MYTHOLOGIES – STORYTELLING WALK / WORKSHOP Saturday, May 10, 9am to 4pm Villa Il Palmerino - Via del Palmerino 8/10, Florence Martha Ladly Professor at OCAD University, Toronto Gianandrea Facchini Founder and CEO at Buzzdetector, Web and Social Media Listening Stefania Chipa Cultural Marketing and Social Media Consultant. -
A Palace and the City
A PALACE AND THE CITY 150 years since Florence was named An exhibition created and curated by the Capital of Italy Stefania Ricci and Riccardo Spinelli Palazzo Spini Feroni opens its doors Design to the city in a fascinating exhibition Maurizio Balò on its centuries of history in collaboration with Davide Amadei Museo Salvatore Ferragamo Exhibition organised by Florence, Palazzo Spini Feroni Museo Salvatore Ferragamo 8 May 2015- 3 April 2016 in collaboration with inauguration 7 May Soprintendenza Speciale per il Patrimonio Storico, Artistico ed Etnoantropologico e per il Polo Museale della Città di Firenze Fondazione Ferragamo With the sponsorship of Ministero dei Beni e delle Attività Culturali e del Turismo Regione Toscana Comune di Firenze 1 A PALACE AND THE CITY “Long before I ever moved into the Palazzo Spini Feroni it was one of the buildings of Florence that I most admired and loved.” Salvatore Ferragamo From 8 May 2015 to 3 April 2016, at Palazzo Spini Feroni, via Tornabuoni, Florence, Museo Salvatore Ferragamo will hold an exhibition on the building’s centuries of history, commemorating the 150 years since Florence was named capital of the Kingdom of Italy (1865-1870), and Palazzo Spini Feroni became the city hall in 1865. Curated by Stefania Ricci and Riccardo Spinelli, the exhibition will include prestigious works of art and documents from museums and private collections and will tell the intricate stories behind the palace and its residents, in captivating displays created by stage designer Maurizio Balò, thus sharing one of the most important buildings in the city’s urban landscape with Florence, Florentines and travellers. -
Management Plan Men Agement Plan Ement
MANAGEMENTAGEMENTMANAGEMENTEMENTNAGEMENTMEN PLAN PLAN 2006 | 2008 Historic Centre of Florence UNESCO WORLD HERITAGE he Management Plan of the His- toric Centre of Florence, approved T th by the City Council on the 7 March 2006, is under the auspices of the Historic Centre Bureau - UNESCO World Heritage of the Department of Culture of the Florence Municipality In charge of the Management Plan and coordinator of the project: Carlo Francini Text by: Carlo Francini Laura Carsillo Caterina Rizzetto In the compilation of the Management Plan, documents and data provided di- rectly by the project managers have also been used. INDEXEX INDEX INTRODUCTIONS CHAPTER V 45 Introduction by Antonio Paolucci 4 Socio-economic survey Introduction by Simone Siliani 10 V.1 Population indicators 45 V.2 Indicators of temporary residence. 46 FOREWORD 13 V.3 Employment indicators 47 V.4 Sectors of production 47 INTRODUCTION TO THE MANAGEMENT 15 V.5 Tourism and related activities 49 PLANS V.6 Tourism indicators 50 V.7 Access and availability 51 FIRST PART 17 V.8 Traffi c indicators 54 GENERAL REFERENCE FRAME OF THE PLAN V.9 Exposure to various sources of pollution 55 CHAPTER I 17 CHAPTER VI 56 Florence on the World Heritage List Analysis of the plans for the safeguarding of the site I.1 Reasons for inclusion 17 VI.1 Urban planning and safeguarding methods 56 I.2 Recognition of Value 18 VI. 2 Sector plans and/or integrated plans 60 VI.3 Plans for socio-economic development 61 CHAPTER II 19 History and historical identity CHAPTER VII 63 II.1 Historical outline 19 Summary -
Advisory Mission to the World Heritage Site of the Historic Centre of Florence, Italy
REPORT JOINT UNESCO WORLD HERITAGE CENTRE/ ICOMOS ADVISORY MISSION TO THE WORLD HERITAGE SITE OF THE HISTORIC CENTRE OF FLORENCE, ITALY 22-25 May 2017 Cover: View across the city towards Santa Croce, from the belvedere of the Bardini Garden This report is jointly prepared by the mission members: Ms Isabelle Anatole-Gabriel (UNESCO World Heritage Centre) and Mr Paul Drury (ICOMOS International). 2 CONTENTS ACKNOWLEDGEMENTS ...................................................................................................................... 5 EXECUTIVE SUMMARY AND RECOMMENDATIONS ................................................................. 6 1. BACKGROUND TO THE MISSION ........................................................................................... 8 2. NATIONAL AND LOCAL POLICY FOR PRESERVATION AND MANAGEMENT ...... 9 3. IDENTIFICATION AND ASSESSMENT OF ISSUES .............................................................. 10 3.1. Introduction ............................................................................................................................. 10 3.2. Airport expansion ................................................................................................................... 11 3.3. The High Speed Rail Link ...................................................................................................... 12 3.4. Mobility in the historic centre and the developing tram system .................................. 13 Context ................................................................................................................................................ -
New Acquisition-Printed View of Florence.Pub
Firenze, April 27, 2020 Exceptional acquisition by the Uffizi - Rare ancient view of Florence A rare print by Hieronymus Cock dating back to 1557, representing a complete view of Renaissance Florence surrounded by its intact ancient walls and fields, was bought in California by the Uffizi and added to the Department of Prints and Drawings collection. The print is a snapshot of Florence in the mid-1500s with its main monuments all perfectly visible and recognazible today, even if not with their present aspect: the Duomo and Baptistery, Palazzo Vecchio, the Bargello, Santa Maria Novella, Palazzo Pitti, the Fortezza da Basso. Next to Palazzo Vecchio there is the structure of the ancient church of San Pier Scheraggio, which later became part of the Uffizi, not yet commissioned by Cosimo I to Giorgio Vasari. This is the second oldest existing printed view of Florence, and the most complete. Composed of three sheets of paper, the print is 36 centimeters high and 1.30 meters wide. A combination of engraving and etching, it was executed in 1557 at the Antwerp printing house of Hieronymus Cock and republished in Paris in 1601. From the original plate only one other print survives, that previously belonged to the pub- lisher Leo Olschki and is now conserved in the Kungliga Biblioteket in Stockholm, Sweden. ''The galleries are happy to have succeeded in buying this extremely rare print'', said Uffizi director Eike Schmidt, who called the artwork ''extremely refined'' as well as ''a document of great sentimental value: in fact it shows us, in all its splendor, the aspect of Medieval and Renaissance Florence''.