Dreaming City.Pdf
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
The Normal Heart
THE NORMAL HEART Written By Larry Kramer Final Shooting Script RYAN MURPHY TELEVISION © 2013 Home Box Office, Inc. ALL RIGHTS RESERVED. No portion of this script may be performed, published, reproduced, sold or distributed by any means or quoted or published in any medium, including on any website, without the prior written consent of Home Box Office. Distribution or disclosure of this material to unauthorized persons is prohibited. Disposal of this script copy does not alter any of the restrictions previously set forth. 1 EXT. APPROACHING FIRE ISLAND PINES. DAY 1 Masses of beautiful men come towards the camera. The dock is full and the boat is packed as it disgorges more beautiful young men. NED WEEKS, 40, with his dog Sam, prepares to disembark. He suddenly puts down his bag and pulls off his shirt. He wears a tank-top. 2 EXT. HARBOR AT FIRE ISLAND PINES. DAY 2 Ned is the last to disembark. Sam pulls him forward to the crowd of waiting men, now coming even closer. Ned suddenly puts down his bag and puts his shirt back on. CRAIG, 20s and endearing, greets him; they hug. NED How you doing, pumpkin? CRAIG We're doing great. 3 EXT. BRUCE NILES'S HOUSE. FIRE ISLAND PINES. DAY 3 TIGHT on a razor shaving a chiseled chest. Two HANDSOME guys in their 20s -- NICK and NINO -- are on the deck by a pool, shaving their pecs. They are taking this very seriously. Ned and Craig walk up, observe this. Craig laughs. CRAIG What are you guys doing? NINO Hairy is out. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
It's a Wonderful Life
It’s a Wonderful Life KIOWA COUNTY 4 Watch the Table of Contents Movie Online 2 Reflections on a Small Town 4 Becoming George Bailey Three Journeys to One 10 Destination Three Poems by Two 14 Campbells 16 The Signature of a Life 22 Rural Free Delivery Holiday Tournament Defines 24 Christmas in Southeast CO 28 Eva’s Christmas Story “You see, George, you really 30 do have a wonderful life” Kiowa County Independent Publisher Betsy Barnett Advertising Cindy McLoud 1316 Maine Street Editor Priscilla Waggoner Web Page Kayla Murdock PO Box 272 Layout and Design William Brandt Distribution Denise Nelson Eads, CO 81036 Advertising John Contreras Special thanks to Sherri Mabe for use of [email protected] her photos: sherrimabeimages.com. Kiowa Countykiowacountyindependent.com Independent © December 2018 It’s a Wonderful Life | 1 ne morning not long ago, a prominent, local are, nonetheless, the things he does. What he is… man came into the newspaper office. He’s is a thinker. And he’d clearly been thinking about Odone that a few times before. He might be something that morning because he clearly had on his way to Denver, or he might have come to something to say. town on business. Whatever the circumstance or, “I’ve been all around the world,” he began. he’s stopped by the office just to say hello, just to “Russia. Asia. All sorts of different places in Eu- make sure we’re continuing to do what we do and, rope—I’ve been there. I’ve been very lucky to sometimes, just to let us know he’s glad we’re do- have opportunities present themselves that just ing it. -
Comics Original Graphic Novels Collected Editions
Store info: FILL OUT THIS INTERACTIVE CHECKLIST AND RETURN TO YOUR RETAILER TO MAKE SURE YOU DON’T MISS THE LATEST FROM DC! (Tuesday availability at participating stores) TO VIEW CATALOG, VISIT: DCCOMICS.COM/CONNECT COMICS M V M = Main V = Variant M V M = Main V = Variant Check with your retailer for variant cover details. Check with your retailer for variant cover details. Available Tuesday, November 3, 2020 _ _ Detective Comics #1031 _ _ Batman #102 _ _ The Flash #766 _ _ Batman: The Adventures Continue #6 _ John Constantine: Hellblazer #12 _ _ DC Classics: The Batman Adventures #6 _ Justice League Dark #28 _ _ DCeased: Dead Planet #5 _ The Last God #10 MOVIE HOMAGE VARIANT _ _ Legion of Super-Heroes #11 _ _ The Dreaming: Waking Hours #4 _ _ The Other History of the DC Universe #1 _ _ Hellblazer: Rise and Fall #2 _ _ Red Hood #51 _ _ Justice League #56 _ _ Suicide Squad #11 _ _ Strange Adventures Director’s Cut #1 _ _ Wonder Woman #767 _ _ Sweet Tooth: The Return #1 _ _ Tales from the Dark Multiverse: Batman: Hush #1 ORIGINAL GRAPHIC NOVELS _ _ Young Justice #20 Available Tuesday, January 5, 2021 Available Tuesday, November 10, 2020 _ House of El Book One: The Shadow Threat TP _ _ American Vampire 1976 #2 Available Tuesday, January 12, 2021 _ _ The Batman’s Grave #12 _ We Found a Monster TP _ _ Dark Nights: Death Metal Infinite Hour Exxxtreme! #1 _ _ Detective Comics #1030 COLLECTED EDITIONS _ _ The Flash #765 _ _ The Green Lantern Season Two #9 Available Tuesday, December 1, 2020 _ _ Hawkman #29 _ The Green Lantern Season Two Vol. -
Copy UPDATED KAREOKE 2013
Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M. -
DC Comics Jumpchain CYOA
DC Comics Jumpchain CYOA CYOA written by [text removed] [text removed] [text removed] cause I didn’t lol The lists of superpowers and weaknesses are taken from the DC Wiki, and have been reproduced here for ease of access. Some entries have been removed, added, or modified to better fit this format. The DC universe is long and storied one, in more ways than one. It’s a universe filled with adventure around every corner, not least among them on Earth, an unassuming but cosmically significant planet out of the way of most space territories. Heroes and villains, from the bottom of the Dark Multiverse to the top of the Monitor Sphere, endlessly struggle for justice, for power, and for control over the fate of the very multiverse itself. You start with 1000 Cape Points (CP). Discounted options are 50% off. Discounts only apply once per purchase. Free options are not mandatory. Continuity === === === === === Continuity doesn't change during your time here, since each continuity has a past and a future unconnected to the Crises. If you're in Post-Crisis you'll blow right through 2011 instead of seeing Flashpoint. This changes if you take the relevant scenarios. You can choose your starting date. Early Golden Age (eGA) Default Start Date: 1939 The original timeline, the one where it all began. Superman can leap tall buildings in a single bound, while other characters like Batman, Dr. Occult, and Sandman have just debuted in their respective cities. This continuity occurred in the late 1930s, and takes place in a single universe. -
Melancholia and Conviviality in Modern Literary Scots: Sanghas, Sengas and Shairs1
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Salford Institutional Repository Melancholia and Conviviality in Modern Literary Scots: Sanghas, Sengas and Shairs1 Sometimes I wonder if I belong to a country of the imagination. Outside it, I’m expected to explain, dismantle stereotypes, or justify my claim to being Scottish. […] These folk make me explain my species of Scottishness. A Hebridean, Gaelic-speaking mother and Lowland, Scots-speaking father, who both spoke English. […] They raised four children between two cultures, three languages, surrounded by a wealth of domestic, social, religious, cultural and political paradoxes. (Bennett 2002: 18–19) In Postcolonial Melancholia, Paul Gilroy argues that ‘though the critical orientation toward our relation with our racial selves is an evasive thing, often easier to feel than to express, it does have important historical precedents’ (2005: 38). As Margaret Bennett’s remark above demonstrates, attempting to define one’s racial and cultural origins may quickly raise further questions about language, religion, socio-economic status and how those things came to be. Gilroy articulates a post-imperial Britain in which ‘a variety of complicated subnational, regional and ethnic factors has produced an uneven pattern of national identification, of loss and of what might be called an identity-deficit’ (2011: 190). Responses to this situation are observable in society and in the arts, and although Gilroy’s critiques are often scathing, he also recognises ‘spontaneous, convivial culture’ through which Britain has been able to ‘discover a new value in its ability to live with alterity without becoming anxious, fearful or violent’ (Gilroy 2005: xv). -
From Diderot to Keats and Shelley
THE POLITICS OF DREAMING – FROM DIDEROT TO KEATS ming AND SHELLEY [ Dreaming, seemingly a private activity, can exhibit political and ideological dimensions. ALAN RICHARDSON ABSTRACT The first part of this article looks at the ideological significance, within late Enlighten- ment and Romantic-era culture, of the very activity of dreaming, with particular reference to Diderot’s Le Rêve de d’Alembert. Nocturnal dreaming and the somnambulistic behaviors closely associated with dreaming can and did challenge orthodox notions of the integral ] subject, of volition, of an immaterial soul, and even of the distinction between humans and animals. The second half of the article looks at two literary dreams, from the poetry of Shelley and Keats, considering how represented dreams can have pronounced ideological and political valences. The article as a whole illustrates the claims and methods of cognitive historicist literary critique. KEYWORDS Poetry, dreams, neurology, John Keats, P. B. Shelley. ‘In Dreams Begin Responsibilities’, Delmore Schwartz’s oblique and compact coming of age narrative, remains one of the most compelling American short stories of the last century. Its coolly seductive hold on the reader begins with its title, which Schwartz borrowed from an epigraph to W. B. Yeats’s poetic volume Responsibilities, ‘in dreams begins responsibility’, attributed by Yeats in turn to an ‘Old Play’ (98). Whatever the title’s ultimate provenance, its juxtaposition of dream and responsibility instantly sets us pondering: how could dreams, invol- untary, cryptic and unpredictable, generate anything like duties and obligations? The juxtaposition of politics and dreaming in this essay’s title seeks to pro- voke a similar unsettling of categories and rethinking of conceptual boundaries. -
Our Infinite Scotland Scottish Literature As “Scottish”, “English” and “World” Literature
our multiform, our infinite Scotland Scottish Literature as “Scottish”, “English” and “World” Literature Ian Brown Visit the Scottish Writing Exhibition MLA, Seattle 2012, Booth #229–231 Association for Scottish Literary Studies Scottish Literature, 7 University Gardens University of Glasgow Glasgow g12 8qh www.asls.org.uk ASLS is a registered charity no. sc006535 © Ian Brown 2011 The Association for Scottish Literary Studies is supported by Creative Scotland ‘Our multiform, our infinite Scotland’: Scottish Literature as ‘Scottish’, ‘English’ and ‘World’ Literature IAN BROWN Writing in 2007, Richard Butt noted that, by that year, there had been twenty- three adaptations of The Strange Case of Dr Jekyll and Mr Hyde for the cinema. He went on: Stevenson’s novel is not only the most frequently adapted work of Scottish literature in world cinema, it is probably the third most adapted of any works of literature, falling just behind Macbeth and Hamlet.1 So much are the characters of Jekyll and Hyde absorbed into the imaginations of readers and audiences worldwide that it is sometimes a surprise to be reminded that they are the literary creation of a Scot. In effect, Stevenson’s Scottishness becomes airbrushed from the picture almost in proportion as his work has become perceived as part of English literature. If one accepts that world literature may be defined in terms of its commodification in production, publication, appro- priation and circulation, then the global promulgation of Stevenson’s novel, not to mention its many adaptations for – besides film – stage, television, radio and comics, marks it not only as a key text of ‘English’ literature, but also a key text of world literature. -
Rewriting in Neil Gaiman´S Graphic Novel Sandman
Masaryk University Faculty of Education Department of English Language and Literature Rewriting in Neil Gaiman´s Graphic Novel Sandman Bachelor thesis Šárka Nygrýnová Brno, April 2009 Supervisor: Mgr. Pavla Buchtová Hereby I declare that I have worked on my thesis on my own and that no other sources except for those enumerated in bibliography were used. ................................................... Šárka Nygrýnová 2 I would like to thank Mgr. Pavla Buchtová for her kind guidance and valuable advice she provided to me. 3 Table of contents Introduction ................................................................................................................5 Opening.......................................................................................................................6 1. Postmodernisms......................................................................................................7 1.1 The beginning of postmodernisms............................................................7 1.2 The history of postmodernisms.................................................................8 1.3 Basic distinction between modernism and postmodernisms...................10 1.4 Devices of postmodernisms......................................................................11 1.4.1 Reading and interpretation.............................................11 1.4.2 Distribution....................................................................11 1.5 The death of postmodernisms...................................................................12 -
1927/28 - 2007 Гг
© Роман ТАРАСЕНКО. г. Мариуполь 2008г. Украина. [email protected] Лауреаты премии Американской Академии Киноискусства «ОСКАР». 1927/28 - 2007 гг. 1 Содержание Наменование стр Кратко о премии………………………………………………………. 6 1927/28г……………………………………………………………………………. 8 1928/29г……………………………………………………………………………. 9 1929/30г……………………………………………………………………………. 10 1930/31г……………………………………………………………………………. 11 1931/32г……………………………………………………………………………. 12 1932/33г……………………………………………………………………………. 13 1934г……………………………………………………………………………….. 14 1935г……………………………………………………………………………….. 15 1936г……………………………………………………………………………….. 16 1937г……………………………………………………………………………….. 17 1938г……………………………………………………………………………….. 18 1939г……………………………………………………………………………….. 19 1940г……………………………………………………………………………….. 20 1941г……………………………………………………………………………….. 21 1942г……………………………………………………………………………….. 23 1943г……………………………………………………………………………….. 25 1944г……………………………………………………………………………….. 27 1945г……………………………………………………………………………….. 29 1946г……………………………………………………………………………….. 31 1947г……………………………………………………………………………….. 33 1948г……………………………………………………………………………….. 35 1949г……………………………………………………………………………….. 37 1950г……………………………………………………………………………….. 39 1951г……………………………………………………………………………….. 41 2 1952г……………………………………………………………………………….. 43 1953г……………………………………………………………………………….. 45 1954г……………………………………………………………………………….. 47 1955г……………………………………………………………………………….. 49 1956г……………………………………………………………………………….. 51 1957г……………………………………………………………………………….. 53 1958г……………………………………………………………………………….. 54 1959г……………………………………………………………………………….. 55 1960г………………………………………………………………………………. -
Katherine Ashley IRSS 36 (2011) 129
Katherine Ashley IRSS 36 (2011) 129 “AE THOOSAND TONGUES”: LANGUAGE AND IDENTITY IN PSYCHORAAG Katherine Ashley* With the twirl of my tongue I encompass words and volumes of worlds.1 One of the most distinctive features of Scottish literature is its multilingual tradition. Many bilingual or trilingual Scottish writers have drawn on the resources of the country’s indigenous languages—Gaelic, Scots, and English—either publishing in more than one language, like Iain Crichton Smith, or incorporating several languages into one text, as Kevin MacNeil does in The Stornoway Way (2005). In recent years, Gaelic, Scots, and English have been joined by the languages of Scotland’s immigrant communities, and authors like Suhayl Saadi have made full use of the country’s linguistic situation in order to renegotiate Scottish identity at the turn of the twenty-first century. Saadi’s Psychoraag (2004), one of the first Asian-Scots novels, takes place in Glasgow during the final transmission of a short-lived community radio station, * Katherine Ashley has a PhD in French from the University of Edinburgh, and has taught French, English, and Humanities courses at universities in Canada and Scotland. Her research interests lie in nineteenth- and twentieth-century French and British (particularly Scottish) literature. She is the author of Edmond de Goncourt and the Novel: Naturalism and Decadence, the editor of Prix Goncourt, 1903-2003: essais critiques, and the co-editor of Carver Across the Curriculum: Interdisciplinary Approaches to Teaching the Fiction and Poetry of Raymond Carver. 130 “Ae Thoosand Tongues” Radio Chaandni. The main character, Zaf, is a Scots- Pakistani disc jockey with a degree in ethnology.