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It's All Good
SEPTEMBER 2014—ISSUE 149 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JASON MORAN IT’S ALL GOOD... CHARLIE IN MEMORIAMHADEN 1937-2014 JOE • SYLVIE • BOBBY • MATT • EVENT TEMPERLEY COURVOISIER NAUGHTON DENNIS CALENDAR SEPTEMBER 2014 BILLY COBHAM SPECTRUM 40 ODEAN POPE, PHAROAH SANDERS, YOUN SUN NAH TALIB KWELI LIVE W/ BAND SEPT 2 - 7 JAMES CARTER, GERI ALLEN, REGGIE & ULF WAKENIUS DUO SEPT 18 - 19 WORKMAN, JEFF “TAIN” WATTS - LIVE ALBUM RECORDING SEPT 15 - 16 SEPT 9 - 14 ROY HARGROVE QUINTET THE COOKERS: DONALD HARRISON, KENNY WERNER: COALITION w/ CHICK COREA & THE VIGIL SEPT 20 - 21 BILLY HARPER, EDDIE HENDERSON, DAVID SÁNCHEZ, MIGUEL ZENÓN & SEPT 30 - OCT 5 DAVID WEISS, GEORGE CABLES, MORE - ALBUM RELEASE CECIL MCBEE, BILLY HART ALBUM RELEASE SEPT 23 - 24 SEPT 26 - 28 TY STEPHENS (8PM) / REBEL TUMBAO (10:30PM) SEPT 1 • MARK GUILIANA’S BEAT MUSIC - LABEL LAUNCH/RECORD RELEASE SHOW SEPT 8 GATO BARBIERI SEPT 17 • JANE BUNNETT & MAQUEQUE SEPT 22 • LOU DONALDSON QUARTET SEPT 25 LIL JOHN ROBERTS CD RELEASE SHOW (8PM) / THE REVELATIONS SALUTE BOBBY WOMACK (10:30PM) SEPT 29 SUNDAY BRUNCH MORDY FERBER TRIO SEPT 7 • THE DIZZY GILLESPIE™ ALL STARS SEPT 14 LATE NIGHT GROOVE SERIES THE FLOWDOWN SEPT 5 • EAST GIPSY BAND w/ TIM RIES SEPT 6 • LEE HOGANS SEPT 12 • JOSH DAVID & JUDAH TRIBE SEPT 13 RABBI DARKSIDE SEPT 19 • LEX SADLER SEPT 20 • SUGABUSH SEPT 26 • BROWN RICE FAMILY SEPT 27 Facebook “f” Logo CMYK / .eps Facebook “f” Logo CMYK / .eps with Hutch or different things like that. like things different or Hutch with sometimes. -
The Keywi: an Expressive and Accessible Electronic Wind Instrument
The KeyWI: An Expressive and Accessible Electronic Wind Instrument Matthew Caren,a Romain Michon,a;b and Matthew Wrighta aCCRMA, Stanford University, USA bGRAME-CNCM, Lyon, France [email protected] ABSTRACT be used as a platform for development and be replicated by This paper presents the KeyWI, an electronic wind instru- anyone with access to sufficient tools. ment based on the melodica that improves upon limitations in current systems and is general and powerful enough to support a variety of applications. Four opportunities for growth are identified in current electronic wind instrument systems, which then are used to focus the development and evaluation of the instrument. The KeyWI features a breath pressure sensor with a large dynamic range, a keyboard that allows for polyphonic pitch selection, and a completely in- tegrated construction. Sound synthesis is performed with Faust code compiled to the Bela Mini, which offers low- latency audio and a simple yet powerful development work- flow. In order to be as accessible and versatile as possible, the hardware and software is entirely open-source, and fab- rication requires only common maker tools. Figure 1: A KeyWI (without cover), including a Author Keywords Bela Mini, custom PCB, enclosure, and sensors electronic wind instruments, breath controller, digital mu- sical instruments, development platform The KeyWI's design is based on the melodica, a handheld wind instrument where pitches are selected using a piano- style keyboard and dynamics are controlled by blowing into CCS Concepts a mouthpiece attached to the side of the instrument. •Applied computing ! Sound and music comput- The use of a keyboard as a pitch controller rather than the ing; Performing arts; •Hardware ! Sensor devices more common woodwind-key-inspired designs aims to be and platforms; accessible to users who may not have prior experience with the specialized fingerings required for wind instruments, as 1. -
Monterey Jazz Festival
DECEMBER 2018 VOLUME 85 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; -
Eolos: a Wireless MIDI Wind Controller
Eolos: a wireless MIDI wind controller Juan Mariano Ramos Desarrollos Tecnológicos Aplicados a las Artes Escuela Universitaria de Artes – Universidad Nacional de Quilmes Buenos Aires, Argentina [email protected] ABSTRACT wireless operation, but retail at $8301 and $11302 (USD) This paper presents a description of the design and usage of respectively. Eolos' estimated total cost is less than $200 Eolos, a wireless MIDI wind controller. The main goal of Eolos (USD), although it's difficult to establish a precise value due to is to provide an interface that facilitates the production of music component availability, or even the fact that some parts were for any individual, regardless of their playing skills or previous hand crafted. musical knowledge. Its features are: open design, lower cost There are also many well documented non-commercial, open than commercial alternatives, wireless MIDI operation, or DIY related electronic wind instruments. An early initiative rechargeable battery power, graphical user interface, tactile which predates the MIDI era is the Electronic Valve Instrument keys, sensitivity to air pressure, left-right reversible design and (EVI) [3], created by Nyle Steiner in the 1970's, who later two FSR sensors. There is also a mention about its participation helped to design the Akai EWI. in the 1st Collaborative Concert over the Internet between Other more recent products include the Epipe [4] (which Argentina and Cuba "Tradición y Nuevas Sonoridades". features continuous tonehole coverage capacitive sensing), MiniWI3 (based on the EWI), or the CyberWhistle [2]. Eolos, in addition to common characteristics such as breath and finger Author Keywords sensing, features an open design that focuses on the ease of use NIME, Eolos, Wind, Wireless, MIDI Controller, Digital (both for novices and experienced wind players), a low building Musical Instrument cost, and offers a wireless MIDI communication. -
Department of Music Programs 2011 - 2012 Department of Music Olivet Nazarene University
Olivet Nazarene University Digital Commons @ Olivet School of Music: Performance Programs Music 2012 Department of Music Programs 2011 - 2012 Department of Music Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/musi_prog Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Department of Music, "Department of Music Programs 2011 - 2012" (2012). School of Music: Performance Programs. 45. https://digitalcommons.olivet.edu/musi_prog/45 This Book is brought to you for free and open access by the Music at Digital Commons @ Olivet. It has been accepted for inclusion in School of Music: Performance Programs by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. Department of Music 2011-2012 Program s | OLIVET NAZAKENE UNIVERSITY presents Tim Zimmerman a n d th e King’s Brass featuring Ollid Youflfl S' nday, June 5, 2011 Betty and Kenneth Hawkins A Jun. Centennial Chapel A free will offering will be taken. MEMBERS OF THE 2011-2012 KING’S BRASS TOUR | TIM ZIMMERMAN - Director of The King’s Brass, Tim received his graduate degree from the Peabody Conservatory of Music of the Johns Hopkins University, in Baltimore, Md. He has been a member of the Annapolis Symphony Orchestra and often assists with the Ft. Wayne Philharmonic. For thirteen years, Tim served as artist-in-residence and chairman of the music department at Grace College in Winona Lake, Ind. Presently, he teaches at Indiana Wesleyan University in Marion, Ind. He and his wife, Gina, and their three college-aged children live in Ft. -
The Birl: an Electronic Wind Instrument Based on an Artificial
Proceedings of the International Conference on New Interfaces for Musical Expression The Birl: An Electronic Wind Instrument Based on an Artificial Neural Network Parameter Mapping Structure Jeff Snyder Danny Ryan Princeton University Princeton University Princeton, NJ Princeton, NJ [email protected] [email protected] ABSTRACT handful of boutique controllers, such as the Morrison Digital 3 4 5 The Birl is an electronic wind instrument developed by the Trumpet , the Synthaphone , and the Eigenharp . authors, which uses artificial neural nets for the mapping of fingering systems and embouchure position. The design 3.2 Experimental Wind Controllers features of the instrument are described, and the selected In addition to the established commercial instruments, the machine-learning mapping strategy is discussed. NIME research community has also been working on wind- style control of electronic music for decades. Several impor- tant papers have pushed the field in new directions. Perry Keywords Cook’s HIRN controller[3] is the most directly related to Wind, controller, instrument, machine learning, neural net, our project. Cook focuses on increasing the amount of sens- capacitive sensing, embouchure, fingering, breath, physical ing data that is collected from the controller and foreshad- modeling ows our work in the last paragraph by suggesting machine- learning techniques as a possible solution to the difficulties 1. INTRODUCTION of mapping multidimensional sensor data to synthesis pa- Although the keyboard paradigm has dominated electronic rameters. Gary Scavone’s PIPE[11] is also related, as well music interfaces since the 1960s, researchers have designed as the wealth of other wind control research he has gen- many alternative musical interfaces. -
September 2021 Downbeat 1
SEPTEMBER 2021 DOWNBEAT 1 SEPTEMBER 2021 VOLUME 88 / NUMBER 9 President Kevin Maher Editor & Publisher Frank Alkyer Contributing Editor Ed Enright Contributing Editor Daniel Margolis Creative Director Žaneta Čuntová Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Hawkins ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Mai Agan Word
Kurs: Examensarbete, master, jazz BA1002 30 hp 2017 Konstnärlig masterexamen i musik 180 hp Institutionen för jazz Handledare: Klas Nevrin Mai Agan MaiGroup - You From composing the music to album release tour Skriftlig reflektion inom självständigt, konstnärligt arbete Det självständiga, konstnärliga arbetet finns dokumenterat på inspelning: CD Contents Introduction ........................................................................................................... 4 Purpose................................................................................................................... 4 Creative process .................................................................................................... 5 Philosophy of my art ................................................................................................................. 7 Inspiration ................................................................................................................................. 8 MaiGroup .............................................................................................................. 9 Gathering the band together ...................................................................................................... 9 Björn Arkö - saxophone .......................................................................................................... 10 Simon Berggren – piano ......................................................................................................... 10 Jonathan Lundberg - drums ................................................................................................... -
Interaction Design for Digital Musical Instruments
Interaction Design for Digital Musical Instruments A dissertation submitted for the degree of Doctor of Philosophy by Patrick McGlynn, BA, MA. Supervisors: Dr. Victor Lazzarini & Dr. Gordon Delap Department of Music National University of Ireland, Maynooth Ollscoil na hÉireann, Má Nuad May 2014 Table of contents Table of contents .......................................................................................................... 2 Table of figures ............................................................................................................ 7 Acknowledgments ........................................................................................................ 8 Abstract ...................................................................................................................... 10 Chapter 1. Introduction .............................................................................................. 13 1.1 Context of research .......................................................................................... 14 1.2 Summary of hypotheses ................................................................................... 16 1.3 Original contribution of thesis ......................................................................... 17 Chapter 2. A century of electronic musical controllers.............................................. 20 2.1 Keyboard based instruments ............................................................................ 21 2.1.1 The Musical Telegraph ............................................................................ -
MIDI Electronic Wind Instrument: a Study of the Instrument and Selected Works
Graduate Theses, Dissertations, and Problem Reports 2016 MIDI Electronic Wind Instrument: A Study of the Instrument and Selected Works Matthew J. Swallow Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Swallow, Matthew J., "MIDI Electronic Wind Instrument: A Study of the Instrument and Selected Works" (2016). Graduate Theses, Dissertations, and Problem Reports. 6750. https://researchrepository.wvu.edu/etd/6750 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. MIDI Electronic Wind Instrument: A Study of the Instrument and Selected Works Matthew J. Swallow Doctoral Essay submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music Performance Michael Ibrahim, D.M.A., Chair Nina Assimakopoulos, M.M. Travis D. Stimeling, Ph. D. Andrew Kohn, Ph. D. Kofi Opoku, M.F.A. School of Music Morgantown, West Virginia 2016 Keywords: EWI, Yamaha WX, Wind Synthesizer, Tone Generator, MIDI Copyright © 2016 by Matthew J. -
Download That Comes with the Vinyl Recording, Born, New York-Based Bassist Does Not Like to Ence
JULY 2017 VOLUME 84 / NUMBER 7 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Kevin R. Maher 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin Tolleson; Philadelphia: David Adler, Shaun Brady, Eric Fine; San Francisco: Mars Breslow, Forrest Bryant, Clayton Call, Yoshi Kato; Seattle: Paul de Barros; Tampa Bay: Philip Booth; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: Greg Buium, James Hale, Diane Moon; Denmark: Jan Persson; France: Jean Szlamowicz; Germany: Detlev Schilke, Hyou Vielz; Great Britain: Brian Priestley; Japan: Kiyoshi Koyama; Portugal: Antonio Rubio; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Ewi4000s, Read These Instructions
REFERENCE MANUAL IMPORTANT SAFETY INSTRUCTIONS 1. Before you operate the EWI4000s, read these instructions. 2. Keep these instructions. 3. Heed all warnings. 4. Follow all instructions. 5. Do not use this apparatus near water. 6. Clean only with a dry cloth. 7. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions. 8. Do not install near any heat sources such as radiators, heat register, stoves, or other apparatus (including amplifiers) that produce heat. 9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong is provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. Where the mains plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable. 10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. 11. Only use attachment/accessories specified by the manufacturer. 12. Use only the cart, stand, tripod, bracket or table specified by the manufacturer, or sold with the PORTABLE CART WARNING apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over. 13. Unplug this apparatus during lightning storms or when unused for long periods of time. 14. Refer all servicing to qualified service personnel.