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Oral History T-0001 Interviewees: Chick Finney and Martin Luther Mackay Interviewer: Irene Cortinovis Jazzman Project April 6, 1971
ORAL HISTORY T-0001 INTERVIEWEES: CHICK FINNEY AND MARTIN LUTHER MACKAY INTERVIEWER: IRENE CORTINOVIS JAZZMAN PROJECT APRIL 6, 1971 This transcript is a part of the Oral History Collection (S0829), available at The State Historical Society of Missouri. If you would like more information, please contact us at [email protected]. Today is April 6, 1971 and this is Irene Cortinovis of the Archives of the University of Missouri. I have with me today Mr. Chick Finney and Mr. Martin L. MacKay who have agreed to make a tape recording with me for our Oral History Section. They are musicians from St. Louis of long standing and we are going to talk today about their early lives and also about their experiences on the music scene in St. Louis. CORTINOVIS: First, I'll ask you a few questions, gentlemen. Did you ever play on any of the Mississippi riverboats, the J.S, The St. Paul or the President? FINNEY: I never did play on any of those name boats, any of those that you just named, Mrs. Cortinovis, but I was a member of the St. Louis Crackerjacks and we played on kind of an unknown boat that went down the river to Cincinnati and parts of Kentucky. But I just can't think of the name of the boat, because it was a small boat. Do you need the name of the boat? CORTINOVIS: No. I don't need the name of the boat. FINNEY: Mrs. Cortinovis, this is Martin McKay who is a name drummer who played with all the big bands from Count Basie to Duke Ellington. -
Owlspade 2020 Web 3.Pdf
Owl & Spade Magazine est. 1924 MAGAZINE STAFF TRUSTEES 2020-2021 COLLEGE LEADERSHIP EXECUTIVE EDITOR Lachicotte Zemp PRESIDENT Zanne Garland Chair Lynn M. Morton, Ph.D. MANAGING EDITOR Jean Veilleux CABINET Vice Chair Erika Orman Callahan Belinda Burke William A. Laramee LEAD Editors Vice President for Administration Secretary & Chief Financial Officer Mary Bates Melissa Ray Davis ’02 Michael Condrey Treasurer Zanne Garland EDITORS Vice President for Advancement Amy Ager ’00 Philip Bassani H. Ross Arnold, III Cathy Kramer Morgan Davis ’02 Carmen Castaldi ’80 Vice President for Applied Learning Mary Hay William Christy ’79 Rowena Pomeroy Jessica Culpepper ’04 Brian Liechti ’15 Heather Wingert Nate Gazaway ’00 Interim Vice President for Creative Director Steven Gigliotti Enrollment & Marketing, Carla Greenfield Mary Ellen Davis Director of Sustainability David Greenfield Photographers Suellen Hudson Paul C. Perrine Raphaela Aleman Stephen Keener, M.D. Vice President for Student Life Iman Amini ’23 Tonya Keener Jay Roberts, Ph.D. Mary Bates Anne Graham Masters, M.D. ’73 Elsa Cline ’20 Debbie Reamer Vice President for Academic Affairs Melissa Ray Davis ’02 Anthony S. Rust Morgan Davis ’02 George A. Scott, Ed.D. ’75 ALUMNI BOARD 2019-2020 Sean Dunn David Shi, Ph.D. Pete Erb Erica Rawls ’03 Ex-Officio FJ Gaylor President Sarah Murray Joel B. Adams, Jr. Lara Nguyen Alice Buhl Adam “Pinky” Stegall ’07 Chris Polydoroff Howell L. Ferguson Vice President Jayden Roberts ’23 Rev. Kevin Frederick Reggie Tidwell Ronald Hunt Elizabeth Koenig ’08 Angela Wilhelm Lynn M. Morton, Ph.D. Secretary Bridget Palmer ’21 Cover Art Adam “Pinky” Stegall ’07 Dennis Thompson ’77 Lara Nguyen A. -
Charlie Christian
Prof. Jeff Campbell Trevor de Clercq 03/05/07 CHARLIE CHRISTIAN CHRONOLOGICAL BIOGRAPHY (based on Broadbent 2003) July 29, 1916: Charlie Christian (hereafter CC) born in Bonham, TX Father is a compressor operator in cotton mill; Mother is a hotel maid c.1918 (age 2): Father loses eyesight; Family moves to Oklahoma City, OK; Father works as a busker on the streets of the city as a guitar player 1926 (age 10): Father dies; CC inherits his father's two guitars 1928 (age 12): CC begins high school; Takes classes with Zelia N. Breaux Oil discovered in Oklahoma City 1930's (teenager): Oklahoma City is a major stopover for bands traveling east and west Deep Deuce area of Oklahoma City becomes a popular jazz neighborhood Older brother Edward becomes an established band leader Western Swing bands feature electric guitar with single-note solos 1932 (age 16): CC meets and jams with Lester Young 1933 (age 17): T-Bone Walker returns to Oklahoma City and jams with CC CC takes bass lessons with Chuck Hamilton 1934 (age 18): CC amplifies his acoustic guitar during gigs with brother Edward 1935 (age 19): CC jams with Cootie Williams as Duke Ellington comes through town CC has a regular gig with Leslie Sheffield and the Rhythmaires 1936 (age 20): CC begins touring the Plains States with various ensembles 1937 (age 21): CC acquires his first electric guitar and amp (Gibson ES150) 1938 (age 22): First recordings of jazz on an electric guitar are made Charlie Parker sees CC play in Kansas City 1939 (age 23): CC returns to Oklahoma City and fronts his own small group Benny Goodman begins recording with various electric guitarists Benny Goodman offers guitar-player Floyd Smith a contract, which is turned down by Smith's manager John Hammond, Goodman's manager, offers CC the job Aug. -
Funk Is Its Own Reward": an Analysis of Selected Lyrics In
ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K. -
Sunday Morning Grid 2/8/15 Latimes.Com/Tv Times
SUNDAY MORNING GRID 2/8/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Major League Fishing (N) College Basketball Michigan at Indiana. (N) Å PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å News (N) Hockey Chicago Blackhawks at St. Louis Blues. (N) Å Skiing 5 CW News (N) Å In Touch Hour Of Power Paid Program 7 ABC Outback Explore This Week News (N) NBA Basketball Clippers at Oklahoma City Thunder. (N) Å Basketball 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday Midday Paid Program Larger Than Life ›› 13 MyNet Paid Program Material Girls › (2006) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Cooking Chefs Life Simply Ming Ciao Italia 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Biz Healthy Hormones Aging Backwards BrainChange-Perlmutter 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY) Doki (TVY7) Dive, Olly Dive, Olly The Karate Kid Part II 34 KMEX Paid Program Al Punto (N) Fútbol Central (N) Mexico Primera Division Soccer: Pumas vs Leon República Deportiva 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written B. -
Mi M®, 7273 the FUNCTION of ORAL TRADITION in MARY LOU's MASS by MARY LOU WILLIAMS THESIS Presented to the Graduate Counci
37? mi M®, 7273 THE FUNCTION OF ORAL TRADITION IN MARY LOU'S MASS BY MARY LOU WILLIAMS THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By France Fledderus, B.C.S. Denton, Texas August, 1996 37? mi M®, 7273 THE FUNCTION OF ORAL TRADITION IN MARY LOU'S MASS BY MARY LOU WILLIAMS THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By France Fledderus, B.C.S. Denton, Texas August, 1996 Fledderus, France. The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams. Master of Music (Musicology), August, 1996,141 pp., 44 titles. The musical and spiritual life of Mary Lou Williams (1910 - 1981) came together in her later years in the writing of Mary Lou's Mass. Being both Roman Catholic and a jazz pianist and composer, it was inevitable that Williams would be the first jazz composer to write a setting of the mass. The degree of success resulting from the combination of jazz and the traditional forms of Western art music has always been controversial. Because of Williams's personal faith and aesthetics of music, however, she had little choice but to attempt the union of jazz and liturgical worship. After a biography of Williams, discussed in the context of her musical aesthetics, this thesis investigates the elements of conventional mass settings and oral tradition found in Mary Lou's Mass. -
Presidents and Baseball in Dc
TEAM UP JANUARY TOUCH BASE 2021 PRESIDENTS AND BASEBALL IN DC Across the country, Opening Day marks the beginning of a new Major League Baseball season. In Washington, DC, Opening Day is truly unique because it often makes history. Major League Baseball’s ceremonial first pitch goes back to April 14, 1910. William Howard Taft, the 27th president of the United States, attended the home opener of the Washington Senators against the Philadelphia Athletics. A sold out crowd of 12,226 fans—the largest baseball crowd in Washington at that time—gave President Taft a standing ovation as he made his way to his seats along the first-base line. Just prior to the start of the game, umpire Billy Evans walked over to President Taft’s box and presented him with a new baseball. Evans instructed President Taft that he was to throw the ball from his seat in the stands to Senators pitcher Walter Johnson to officially start the season. With Taft’s on-target throw, the ceremonial first pitch was born. The president watched the whole game, a 3-0 Washington win in which Johnson threw a one-hit, complete-game shutout. From 1910 through 1972, when the Washington Senators left for Texas, 11 presidents threw a ceremonial first pitch 45 times on Opening Day, or at the team’s home opener if they began the season on the road. In those games the Senators won 23 and lost 22. Prior to the Senators move, every president since Taft was in attendance for a Washington Senators home opener at least once. -
2019 Panini Flawless Baseball Checklist
Card Set Number Player Team Seq. All-Stars 41 Mike Trout Los Angeles Angels 20 All-Stars 42 Aaron Judge New York Yankees 20 All-Stars 43 Cody Bellinger Los Angeles Dodgers 20 All-Stars 44 Kirby Puckett Minnesota Twins 20 All-Stars 45 Mickey Mantle New York Yankees 20 All-Stars 46 Roger Maris New York Yankees 20 All-Stars 47 Roy Campanella Brooklyn Dodgers 20 All-Stars 48 Pedro Martinez Boston Red Sox 20 All-Stars 49 Ken Griffey Jr. Seattle Mariners 20 All-Stars 50 Joe Cronin Boston Red Sox 20 All-Stars 51 Mariano Rivera New York Yankees 20 All-Stars 52 Randy Johnson Arizona Diamondbacks 20 All-Stars 53 Ted Williams Boston Red Sox 20 All-Stars 54 Babe Ruth New York Yankees 20 All-Stars 55 Bob Gibson St. Louis Cardinals 20 All-Stars Black 41 Mike Trout Los Angeles Angels 1 All-Stars Black 42 Aaron Judge New York Yankees 1 All-Stars Black 43 Cody Bellinger Los Angeles Dodgers 1 All-Stars Black 44 Kirby Puckett Minnesota Twins 1 All-Stars Black 45 Mickey Mantle New York Yankees 1 All-Stars Black 46 Roger Maris New York Yankees 1 All-Stars Black 47 Roy Campanella Brooklyn Dodgers 1 All-Stars Black 48 Pedro Martinez Boston Red Sox 1 All-Stars Black 49 Ken Griffey Jr. Seattle Mariners 1 All-Stars Black 50 Joe Cronin Boston Red Sox 1 All-Stars Black 51 Mariano Rivera New York Yankees 1 All-Stars Black 52 Randy Johnson Arizona Diamondbacks 1 All-Stars Black 53 Ted Williams Boston Red Sox 1 All-Stars Black 54 Babe Ruth New York Yankees 1 All-Stars Black 55 Bob Gibson St. -
2014-All-State-Music-Festival-Program.Pdf
Welcome to the Festival Welcome to the 2014 ASAA/First National Bank It is no small task when trying to gather the Alaska All-State High School Music Festival. participants and to coordinate this weekend’s re- hearsals and concert. Many, many thanks go to Our Mission Statement: “The existence of this those who have been involved in the process of Music Festival enables outstanding high school getting these students from that first recording ses- musicians to participate as members of a select sion to the stage of West Anchorage High School statewide band, choral or orchestra music Auditorium in Anchorage, Alaska. Each of ensemble and promotes the highest stan- these students have been encouraged dards of musicianship. It is the goal by a host of parents, music directors, of this activity to foster and inspire private music teachers, adjudicators, technical achievement, aesthetic un- peers, siblings, school administra- derstanding, and critical listening tions and school boards who all real- skills that allow for the culmination of ize the power and influence that qual- a final creative musical performance ity music can have in a young person’s of the highest artistic level.” life. They have taken that extra effort to insure that this musical experience can Beginning with 885 individual auditions continue for yet another generation of young from 57 schools throughout the State of Alaska, musicians by presenting this concert this evening. the 351 students that you will see and hear this evening represent the finest of Alaska’s young Thank you, thank you! musicians. These accomplished young students, taught by 83 dedicated and equally capable school music directors, have gathered for three days of intense rehearsals with four outstanding Cam Bohman professional conductors to provide this final con- ASAA Music Festival Coordinator cert for you. -
Star Channels, Feb. 17-23
FEBRUARY 17 - 23, 2019 staradvertiser.com NOT-SO-FAKE NEWS John Oliver hosts a sixth season of HBO’s hard-hitting and hilarious newsmagazine Last Week Tonight with John Oliver. This unique mix of comedy and news is known for taking deep dives into important issues that are often overlooked by mainstream news outlets. This series has proven itself capable of infl uencing the political and cultural discourse, and Season 6 promises to shake things up even more. Premiering Sunday, Feb. 17, on HBO. WEEKLY NEWS UPDATE LIVE @ THE LEGISLATURE Join Senate and House leadership as they discuss upcoming legislation and issues of importance to the community. TUESDAY, 8:30AM | CHANNEL 49 | olelo.org/49 olelo.org ON THE COVER | LAST WEEK TONIGHT WITH JOHN OLIVER Oliver slays ‘Last Week Tonight’ is a perfect fit, and a mere three months after his stint as set his show apart from similar series in a few temporary host, it was announced that Oliver specific ways. Rather than rushing through a blend of news and humor would be creating a brand new show for the number of diverse topics, he chose to produce premium cable network. longer, more in-depth segments about issues By Kenneth Andeel In April 2014, “Last Week Tonight with John he and his writers felt strongly about. The fact TV Media Oliver” premiered, and in the time since its that “Last Week Tonight” is a weekly show also debut, the show has become a cultural touch- influenced its tone and content. Oliver and his hen John Oliver accepted corre- stone and a critical darling. -
November 16Th 2009
California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 11-16-2009 November 16th 2009 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "November 16th 2009" (2009). Coyote Chronicle (1984-). 3. https://scholarworks.lib.csusb.edu/coyote-chronicle/3 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. THE INDEPENDENT STUDENT VOICE MONDAY com OF CALIFORNIA STATE UNIVERSITY, SAN BERNARDINO FOR 43 YEARS. 11.16.09 . As the CSU nears the brink of collapse, many are looking to Chancellor Charles Reed for change, hoping he doesn’t deliver... Empty promises By ERIC BROWN Opinion Editor SU Chancellor Charles in either the short-term or the long run. Reed stated that the Reed outlined a preview of next CSU system aims to year’s budget request, which included Cguarantee quality in asking Sacramento for up to $884 mil- higher education amidst swirling lion. deficits-- but perhaps at the cost of Next year’s budget was described slashing enrollment by 40,000 stu- by Reed as a “recover and reinvest” dents for the coming year. budget in which he hopes to restore On Nov. 10, Reed held a confer- CSUs to an operating order that will ence with the college media from produce more graduates to fuel the campuses across the CSU to discuss California economy, while still pro- the progress of his financial plan for viding quality service at a reasonable the CSU thus far, the future budget price. -
Northwest Enterprise-January 31, 1941
Portland State University PDXScholar Northwest Enterprise Historic Black Newspapers of Portland 1-31-1941 Northwest Enterprise-January 31, 1941 Follow this and additional works at: https://pdxscholar.library.pdx.edu/northwestenterprise Let us know how access to this document benefits ou.y Recommended Citation "Northwest Enterprise-January 31, 1941" (1941). Northwest Enterprise. 9. https://pdxscholar.library.pdx.edu/northwestenterprise/9 This Book is brought to you for free and open access. It has been accepted for inclusion in Northwest Enterprise by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Under Special Dispensation Puget Sound Lodge Elks No. 109 will receive new members at $3.50 each. Former mell!bers may rein state for $2.50 each. This dispensation will expire March 1, 1941. Be an Elk and join the March of Progress. ---:; E. R. Chainey, Ex• . Ruler W. E. Vrooman, Sec. SEATTLE, WASIITNGTON, FRIDAY, JANUARY 31, 1941 PRICE: 5c Per Copy !.,__-----------~ Andy 1\ir~ Plays To Packed 23 States Protest Japan Has Rights Tennessee Protest NAACP Rushes Congressional Probe House At Comet Theatre Jim Crow Defense (Washington Afro-American) Wired Washington jOf Discrimination In National Defense According to news reports, Ja Andy Kirk and his famous , pan expects this year or· next to New York-Mass meetings pro Chattanooga, Tenn.-Scores of New York-Plans for obtaining Clouds of Joy took over the mam-1 take over the Dutch East Indies. I testing government-sponsored