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Science and the Sacred Telescopes, Microscopes, and Hierophanies
Chapter 3 Science and the Sacred Telescopes, Microscopes, and Hierophanies The sacred is equivalent to a power and in the last analysis to reality. The sacred is saturated with Being. Mircea Eliade, The Sacred and the Profane The true mystery of the world is the visible, not the invisible. Oscar Wilde, The Picture of Dorian Grey For an instant I thought of Wre; the next, I knew that the Wre was within myself. R. M. Bucke, quoted in William James, The Varieties of Religious Experience It’s the fourth day of a weeklong conference on star formation. More than one hundred Wfty astronomers from around the world are packed into a lecture hall on the campus of the University of California, Santa Cruz. Outside the day is blinding in its perfection. If you face west you can see the PaciWc Ocean. Face east, and you stare into a redwood forest. The sunlight is sharp in the cloudless sky. It would all be won- derful if any of us actually went outside to admire it. While the day is warm and bright and graced with a mild paciWc 57 UUC-Frank-1st_pps.inddC-Frank-1st_pps.indd 5577 66/8/2008/8/2008 111:00:421:00:42 AAMM 58 / The Map breeze, we are hunkered down in a stuVy room with the lights turned oV. For the past four days we have all but lived in the dark lecture hall as one PowerPoint slide after another clicks by. The paradox of the beautiful day outside and the darkened room inside is not lost on us. -
Week 4: Jesus Christ and Human Existence • 1
Week 4: Jesus Christ and human existence • 1. Rudolf Bultmann (1884-1976) • R.B., Jesus and the Word, 1926 (ET: 1952) • R.B., The Gospel of John. A Commentary, 1941 (ET: 1971) • D. Ford (ed.), Modern Theologians, ch. on Bultmann • J.F. Kay, Christus praesens. A Reconsideration of Bultmann’s Christology, Grand Rapids 1994 Bultmann II • At the same time NT scholar and systematic theologian. • Exegetically under the influence of Wrede’s ‘radical scepticism’: • Jesus existed historically, but we have no knowledge of his personality. • We do know his teaching, the kerygma. Bultmann III • ‘I never felt uncomfortable in my critical radicalism, indeed I have been quite comfortable with it. … I let it burn, for I see that what is burning are all the fanciful notions of the Life-of-Jesus theology, and that it is the Christos kata sarka himself.’ • Cf. Paul’s dichotomies: ‘according to the flesh’ – ‘according to the spirit’ etc. • Interest in ‘human’ Jesus is no more relevant than that in other human beings. Bultmann III • Important about Jesus is his Word which at once exposes the wrongness of our existence and points a way out of it (sin – forgiveness of sins). • This happens through faith which as in Kierkegaard is miraculous. • NT witnesses this faith of the early Christians → the one miracle that matters. Bultmann IV • Bultmann’ consequence from radical dichotomy God – World is radically different from Barth’s: • Theology can only study the human response to the Word of God. • For Barth this meant moving back to ‘liberal theology’. • Bultmann saw maintaining divine transcendence as central. -
Rudolf Bultmann's Demythologizing of the New Testament
RUDOLF BULTMANN'S DEMYTHOLOGIZING OF THE NEW TESTAMENT A theological debate of major importance was begun in 1941 by Rudolf Bultmann's conference "Neues Testament und Mythologie," and for almost twenty years it has been carried on by theologians, exegetes, and philosophers of the most diverse backgrounds and convictions. The five volumes edited by Hans Werner Bartsch under the title Kerygma und Mythos,1 a collection containing the conference of Bultmann, and many of the contributions to the debate from Bultmann himself and others, are evidence of the interest which has been aroused. It is gratifying that Catholic scholars have taken their part; the fifth volume of Kerygma und Mythos is made up of some of their discussions of the problem. One finds there the names of Karl Adam, R. Schnackenburg, J. de Fraine, and J. Hâmer, among others. The fullest treatments given thus far by Catholics are Leopold Malevez's Le Message Chrétien et le Mythe,2 and Rene Marlé's Bültmann et l'Interprétation du Nouveau Testament? Among the works in English which should be specially mentioned are Reginald Fuller's Kerygma and Myth? a translation of much of the first volume of Kerygma und Mythos, and a small part of the second, together with an essay by the Eng- lish theologian, Austin Farrer; also, Ian Henderson's Myth in the New Testament.B The essay of Amos Wilder, "Mythology and New Testament,"6 and that of Kendrick Grobel, "Bultmann's Problem of New Testament 'Mythology' " 7 are of interest, since both were 1 Hamburg: Vol. I, 2 ed., 19S1; II, 1952; III, 1954; IV, 1955; V, 1955. -
~Tate of M:Enne~~Ee
~tate of m:enne~~ee HOUSE JOINT RESOLUTION NO. 695 By Representative Shepard and Senators Crowe, Herron A RESOLUTION to honor the professional achievements of musician John Rich. WHEREAS, it is fitting that the members of this body should pause to honor those exemplary citizens who contribute significantly to the reputation of Tennessee throughout the world as the center of the music industry universe and home of the most generous and compassionate citizenry by helping to reinforce the "Volunteer State" nickname; and WHEREAS, one such citizen is John Rich who has garnered high acclaim as a singer, songwriter, record producer, and television personality over the course of his illustrious and storied career in the music and entertainment industry; and WHEREAS, Mr. Rich, born on January 7, 1974, in Amarillo, Texas, moved to middle Tennessee in the early 1990s, where he attended and graduated from Dickson County Senior High School with the class of 1992, making lifelong friends and ties with the community; and WHEREAS, after high school, Mr. Rich chose to forego college to pursue his dream of becoming a country music recording artist. In the summer of 1992, he was chosen by executives at Opryland USA to be a performer in the Nashville-based theme park's daily variety show entitled "Country Music USA," wherein Mr. Rich performed songs by country music superstars such as George Jones, Garth Brooks, George Strait, and Vince Gill; and WHEREAS, during his time at Opryland USA, Mr. Rich met fellow performer Dean Sams, who along with Mr. Rich and two other fellow Texans formed a band named Texassee. -
The Discourses of the Secular Sublime and the Concepts of the Numinous and Mysterium Tremendum in the Work of Rudolf Otto
THE DISCOURSES OF THE SECULAR SUBLIME AND THE CONCEPTS OF THE NUMINOUS AND MYSTERIUM TREMENDUM IN THE WORK OF RUDOLF OTTO Thesis submitted for the degree of Doctor of Philosophy at the University of Leicester by Mary Catherine Theresa Bridget Jones Department of English University of Leicester July 2017 The Discourses of the Secular Sublime and the Concepts of the Numinous and Mysterium Tremendum in the Work of Rudolf Otto Mary Catherine Theresa Bridget Jones Abstract This thesis explores historical and postmodern ideas of the sublime and the numinous, and finds similarities and differences between the two concepts. Consideration is given to notions of the sublime, from its appearance in Longinus’s treatise Peri Hypsous, through to its historical development and reception by philosophers, theologians, and eighteenth- century theorists. The thesis discusses how the sublime is conceived in contemporary thought. Alongside this concept, and in order to examine similarities and differences between that and the numinous, Rudolf Otto’s work Das Heilige is used, in which the author argues for consideration of a non-rational element in religion and pleads for an original understanding of the holy. He shows how traditional representations of the deity lead to restrictions and limitations, and introduces his understanding of the mysterium tremendum et fascinans which, like the sublime, leads to awe and dread. Further analysing the sublime, the thesis discusses critical theories presented by John Dennis, Joseph Addison, John Baillie, Immanuel Kant, and Edmund Burke. I show how Otto was influenced by these writers, and how Friedrich Schleiermacher’s ideas on the essence of religion and the sensus numinis paved the way for Otto’s thinking. -
Schleiermacher and Otto
Jacqueline Mariña 1 Friedrich Schleiermacher and Rudolf Otto Two names often grouped together in the study of religion are Friedrich Schleiermacher (1768-1884) and Rudolf Otto (1869-1937). Central to their understanding of religion is the idea that religious experience, characterized in terms of feeling, lies at the heart of all genuine religion. In his book On Religion Schleiermacher speaks of religion as a “sense and taste for the Infinite.”1 It is “the immediate consciousness of the universal existence of all finite things, in and through the infinite” and is “to know and to have life in immediate feeling” (OR, p. 36). In The Christian Faith Schleiermacher grounds religion in the immediate self-consciousness and the “feeling of absolute dependence.”2 Influenced by Schleiermacher, Otto too grounds religion in an original experience of what he calls “the numinous,” which “completely eludes apprehension in terms of concepts” and is as such “ineffable;” it can only be grasped through states of feeling. (The Idea of the Holy, p. 5). In this paper I will critically examine their views on religion as feeling. The first part of the paper will be devoted to understanding how both men conceived of feeling and the reasons why they believed that religion had to be understood in its terms. In the second and third parts of the paper I will develop the views of each thinker individually, contrast them with one another, and discuss the peculiar problems that arise in relation to the thought of each. Common Elements in Schleiermacher and Otto Both Schleiermacher and Otto insist that religion cannot be reduced to ethics, aesthetics or metaphysics. -
Theological Criticism of the Bible
Currents FOCUS Reformation Heritage and the Question of Sachkritik: Theological Criticism of the Bible Paul E. Capetz Professor of Historical Theology United Theological Seminary of the Twin Cities New Brighton, Minnesota new era in Protestant theology was inaugurated with the publication of Karl Barth’s ground-breaking commentary ince Bultmann was a Lutheran on Paul’s Epistle to the Romans (1919, 1922).1 This his- Atorical judgment is in keeping with the impact that Barth himself Swhereas Barth was a Calvinist, their hoped the book would have on his contemporaries. Negatively, debate in the matter of Sachkritik can he intended it to signal a break with the regnant historical-critical method of biblical exegesis (“historicism”) that had characterized be viewed as a modern reprise of the liberal Protestant theology in the nineteenth century. Positively, he aspired to recover the sort of “theological exegesis” of Scrip- earlier difference between Luther and ture exemplified by Luther and Calvin in the sixteenth century. Calvin. Distinctively twentieth-century Protestant theology thus began with Barth’s critique of one approach to biblical exegesis coupled with his call for retrieval of another approach. Both critique and mann perceived an inconsistency in Barth’s practice, since Barth retrieval stood in the service of his overriding concern to make had opened the door to Sachkritik in his Romans commentary the Bible central again to the preaching and theology of his own (even if he himself refused to walk through it, a point to which day much as it had been to that of the Reformers. Bultmann drew attention in his review). -
Dialogues in Philosophy, Mental and Neuro Sciences Crossing Dialogues ORIGINAL ARTICLE
Dialogues in Philosophy, Mental and Neuro Sciences Crossing Dialogues ORIGINAL ARTICLE Association The roots of psychopathological understanding: Karl Jaspers’ Verstehen and the infl uence of Moritz Geiger’s empathy Crossing Dialogues Association, Rome (Italy) M This paper presents the main contents of Geiger’s 1910 lecture on empathy and focuses on its possible infl uence on Jaspers’ General Psychopathology. In particular, some key methodological distinctions traced by Jaspers (explaining vs. understanding, static vs. genetic understanding, understandability vs. non-understandability) are compared to Geiger’s similar concepts. Geiger’s role in shaping Jaspers’ concept of understanding (and non-understandability) is still neglected and it is time to recognize it. In particular, Geiger’s distinction between the direct empathy for the other’s expressions at one side, and the ‘reliving after the event’ of the ‘inner correlation of the psyche’ on the other side had a major role in shaping Jaspers’ similar distinction between static and genetic understanding. Keywords: psychopathology, phenomenology, hermeneutics, history of psychiatry, Einfühlung. DIAL PHIL MENT NEURO SCI 2016; 9(2): 36-42 INTRODUCTION Understanding (Verstehen) is a crucial issue the psychological ground: in hermeneutics since Schleiermacher’s claim “a sensuous object distinct from me ‘expresses’ that its task is “to understand the discourse [ausdruckt] something interior or soul-like” (Lipps, just as well and even better than its creator” 1906, p.1). (Schleiermacher, 1819/1978, p.9). Empathy was the instrument humans have Through the epistemological debate that took in order to grasp the psychological level, and place in the second half of the nineteenth century according to Lipps there was a projection (known as the Methodenstreit), the following of the observer’s feelings onto the observed distinctions were fi nally imported into Karl Jaspers’ expressions. -
Humanities the Issue of the Religious Dimension Of
PERIODYK NAUKOWY AKADEMII POLONIJNEJ 37 (2019) nr 6 HUMANITIES THE ISSUE OF THE RELIGIOUS DIMENSION OF HUMAN NATURE Jan Mazur Prof. PhD, Pontifical University of John Paul II in Kraków, e-mail: [email protected], http://orcid.org/0000-0002- 0548-0205, Poland Abraham Kome PhD, John Paul II International University of Bafang, e-mail: [email protected], orcid.org/0000-0001-7326-227X, Cameroon Abstract. This text is an attempt to answer the question of whether human nature needs religion. The author begins by presenting two concepts that are key in this discourse. These are the terms: religion and human nature. Then he undertakes an analysis of the problem, referring to the thoughts of religious experts: Rudolf Otto and Mircea Eliade and the philosopher Max Scheler. The subject of reflection is the definition of man as 'homo religiosus'. Questioning God's existence has a negative effect on human nature. This situation is illustrated by the views of two known philosophers, existentialists - Friedrich Nietzsche and Jean-Paul Sartre. Their vision of the world was marked by unbelief in God. Life experience teaches that human nature strives for transcendent reality, longs for God. Any departure from this tendency does not, however, invalidate the religious nature of man, but certainly falsifies it. It results in the conversion of an authentic sacrum into its substitutes. In conclusion, the author draws attention to the mystery of man and God, which should be recognized. It is only in this perspective that the problem indicated in the title can be considered. The inspiration for such thinking is the famous phrase of Saint Augustine of Hippo: 'The human soul is restless until it rests in God'. -
Íngrid Vendrell Ferran1 Geiger and Wollheim on Expressive Properties and Expressive Perception
Studi di estetica, anno XLVII, IV serie, 2/2019 Sensibilia ISSN 0585-4733, ISSN digitale 1825-8646, DOI 10.7413/18258646094 Íngrid Vendrell Ferran1 Geiger and Wollheim on expressive properties and expressive perception Abstract The aim of this paper is to reconstruct Geiger’s realist and Wollheim’s projection- ist accounts on expressive properties and expressive perception by considering them within the larger contexts from which they emerged, by using as far as pos- sible a common language and by focusing on the questions of the nature of ex- pressive properties and of how we grasp them. My aim is to show that it is possi- ble to put into dialogue phenomenological and Anglo-American aesthetics and that this dialogue might lead to new insights about how we engage with art. Keywords Aesthetics, Realism, Projectionism 1. A dialogue between phenomenological and Anglo-American aesthetics In recent years, philosophers working in the field of aesthetics have become increasingly interested in explaining how we are able to per- ceive qualities expressing emotional states in both nature and works of art. We speak of the cheerfulness of a landscape, the serenity of a poem, the melancholy of a painting, the sadness of a film, and so on. These examples do not refer to the emotional expressions of particu- lar humans, or human-like figures or animals appearing in these works, but to properties which seem to be expressed by natural ob- jects and by art works themselves. Contemporary philosophers em- ploy different names to refer to this phenomenon. On the one hand, authors inspired by the phenomenological tradition deploy the con- cepts of “moods”, “atmospheres” and “characters”; they also speak of “quasi objective feelings” and of “half-things”. -
“Baptized Mysticism”: an Exploration of Paul Tillich’S Theology of Mysticism and Its Spiritual Theological Implications
“BAPTIZED MYSTICISM”: AN EXPLORATION OF PAUL TILLICH’S THEOLOGY OF MYSTICISM AND ITS SPIRITUAL THEOLOGICAL IMPLICATIONS by Sanghoon Baek A Thesis submitted to the Faculty of Knox College And the Pastoral Department of the Toronto School of Theology in partial fulfillment of the requirements for the degree of Doctor of Theology awarded by Knox College and the University of Toronto © Copyright by Sanghoon Baek 2014 “BAPTIZED MYSTICISM”: AN EXPLORATION OF PAUL TILLICH’S THEOLOGY OF MYSTICISM AND ITS SPIRITUAL THEOLOGICAL IMPLICATIONS Sanghoon Baek Doctor of Theology Pastoral Department Knox College and the University of Toronto 2014 ABSTRACT This thesis explores Paul Tillich’s theology of mysticism and its spiritual theological implications. It argues that Tillich’s concept of “baptized mysticism” weaves together his thoughts on mysticism and expresses a dialectical unity of Tillich’s two essential elements of religion, the mystical and the prophetic. The thesis begins in Chapter 1 with an overview of Tillich’s own experiences of the mystical and his definitive expressions of mysticism, then investigates his major writings in drawing out essential features of baptized mysticism in Chapter 2. In Chapter 3, various appraisals of Tillich’s theory of mysticism from different vantage points and denominational backgrounds are presented to sharpen and enhance the understanding of his thoughts on mysticism and their spiritual theological implications. Finally, in conversation with some contemporary theorists of Christian spirituality, the thesis provides a modest proposal for Tillichian spirituality and prayer in Chapter 4. Paralleling aspects of the thought of Philip Sheldrake, Tillichian spirituality concerns the life oriented towards a sense of the “eternal now” and promotes not so much an ideal of a perfected state of being, but the “belief-ful” and courageous encounter of ontological threats and radical doubt in a condition of ever- increasing awareness, freedom, relatedness, and transcendence. -
Muzikmafia: Community, Identity, and Change from the Nashville Scene to the Popular Mainstream David B
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Muzikmafia: Community, Identity, and Change from the Nashville Scene to the Popular Mainstream David B. Pruett Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MUZIKMAFIA: COMMUNITY, IDENTITY, AND CHANGE FROM THE NASHVILLE SCENE TO THE POPULAR MAINSTREAM BY DAVID B. PRUETT A dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded Fall Semester, 2007 © 2007 David B. Pruett All Rights Reserved The members of the Committee approve the dissertation of David B. Pruett defended on Thursday, 23 August 2007. ______________________________ Frank Gunderson Professor Directing Dissertation ______________________________ Barry Faulk Outside Committee Member ______________________________ Dale A. Olsen Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii “Love Everybody…” Kenny Alphin – at least once in most conversations that we have shared since June 2004 iii ACKNOWLEDGEMENTS There are many people whom I would like to thank for their assistance with and guidance through this project. First and foremost, I would like to express sincere thanks to my new friends and family within the MuzikMafia’s inner circle: Cory, John, Kenny, Jon, James, Rachel, Pino, Chance, Max, Dean, Troy, Shannon, Mandy, Fred, Shanna, Damien, Adam, Brian, Ethan, SWJ, Alaska Dan, Sean, Jerry, D.D., Gretchen, Jules W., Paul, Ashley, Marc, Greg, Bill, Charlie, Jon A., Jeff, Deanna, “Mama” Alphin, Shawna P., Butter, Isaac, Virginia D., and Vicky M.