The Moisture-Excluding Effectiveness of Finishes on Wood Surfaces
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Bulls-Eye® Sealcoat™ Universal Sanding Sealer
TECHNICAL DATA BEY-07 BULLS-EYE® SEALCOAT™ UNIVERSAL SANDING SEALER .DESCRIPTION AND USES . PRODUCT APPLICATION (cont.) . Zinsser ® Bulls-Eye® SealCoat Universal Sanding Sealer is WARNING! If you scrape, sand or remove old paint, you a 100% de-waxed shellac-based sanding sealer designed may release lead dust. LEAD IS TOXIC. EXPOSURE TO for use as an undercoat to prepare new or previously LEAD DUST CAN CAUSE SERIOUS ILLNESS, SUCH AS finished interior wood surfaces or as a pre-stain sealer and BRAIN DAMAGE, ESPECIALLY IN CHILDREN. wood conditioner. The absence of any wax in SealCoat PREGNANT WOMEN SHOULD ALSO AVOID makes it compatible with all clear finish topcoats including EXPOSURE. Wear a NIOSH-Approved respirator to oil-based polyurethanes. control lead exposure. Clean up carefully with a HEPA vacuum and a wet mop. Before you start, find out how to It is recommended for doors, trim, baseboards, paneling, protect yourself and your family by contacting the National wainscoting, cabinets, shelves, furniture, interior shutters, Lead Information Hotline at 1-800-424-LEAD or log on to floors, stairs and spindles. It may also be used to seal www.epa.gov/lead. wood turnings, figurines, wicker, plaster and other hobby or craft items. It is not recommended for use as a sealer APPLICATION on exterior surfaces. Apply only when air, material, and surface temperatures MPI #88 Certified* are between 50-90ºF (10-32ºC) and the relative humidity is below 85%. Do not thin this product when using as a PERFORMANCE CHARACTERISTICS . sealer or bond/barrier coat. Apply evenly and consistently Compatible with all clear finishes, including oil-based and allow to dry 45 minutes before sanding with #120 or and water-based polyurethane, lacquer and shellac finer grit sandpaper. -
The Maiwa Guide to NATURAL DYES W H at T H Ey a R E a N D H Ow to U S E T H E M
the maiwa guide to NATURAL DYES WHAT THEY ARE AND HOW TO USE THEM WA L NUT NATURA L I ND IG O MADDER TARA SYM PL O C OS SUMA C SE Q UO I A MAR IG O L D SA FFL OWER B U CK THORN LIVI N G B L UE MYRO B A L AN K AMA L A L A C I ND IG O HENNA H I MA L AYAN RHU B AR B G A LL NUT WE L D P OME G RANATE L O G WOOD EASTERN B RA ZIL WOOD C UT C H C HAMOM IL E ( SA PP ANWOOD ) A LK ANET ON I ON S KI NS OSA G E C HESTNUT C O C H I NEA L Q UE B RA C HO EU P ATOR I UM $1.00 603216 NATURAL DYES WHAT THEY ARE AND HOW TO USE THEM Artisans have added colour to cloth for thousands of years. It is only recently (the first artificial dye was invented in 1857) that the textile industry has turned to synthetic dyes. Today, many craftspeople are rediscovering the joy of achieving colour through the use of renewable, non-toxic, natural sources. Natural dyes are inviting and satisfying to use. Most are familiar substances that will spark creative ideas and widen your view of the world. Try experimenting. Colour can be coaxed from many different sources. Once the cloth or fibre is prepared for dyeing it will soak up the colour, yielding a range of results from deep jew- el-like tones to dusky heathers and pastels. -
Star-K Kosher Certification - Kosher Consumer
Star-K Kosher Certification - Kosher Consumer back Facts on Wax: Are Vegetable and Fruit Waxes Kosher? Rabbi Dovid Heber, Star-K Kashrus Administrator You may notice at your favorite supermarket the following statement next to the prominent "Summer Fruits from California" banner: "Coated with food grade vegetable, petroleum, and/or shellac-based wax or resin to maintain freshness" on their favorite fruits and vegetables. What are waxes? Are there any Kashrus concerns? Let us examine some of the Kosher facts on wax. Waxes are not a new phenomenon, as they have been used domestically for over 60 years, on a wide variety of fruits and vegetables (see list). Waxes are derived from a variety of sources and are a cross combination of natural and synthetic ingredients. The most common primary wax ingredients are shellac, carnuba wax, or petroleum based wax. Less frequently used and more costly wax bases include beeswax and candelia wax. Shellac or lac resin is a product that is imported from India and is used in waxes for citrus fruits, apples and pears. It is a product that is derived from the secretions of the tiny lac insect. The lac insect secretes "lac-resin" from its glands onto a host tree. The resin is then gathered, crushed, sieved, washed and purified into food grade shellac. Horav Moshe Feinstein, zt'l explains in Igros Moshe Y.D. II 24 that shellac is Kosher. Rav Moshe zt'l discusses several reasons for this conclusion - most important the analogy between shellac - a secretion from a non-Kosher insect, and honey - a secretion from a non-Kosher insect. -
Understanding Wood Bonds–Going Beyond What Meets the Eye: a Critical Review
Understanding Wood Bonds–Going Beyond What Meets the Eye: A Critical Review Christopher G. Hunt1*, Charles R. Frihart1, Manfred Dunky2 and Anti Rohumaa3 1Forest Products Laboratory, Madison, Wisconsin, USA 2Kronospan GmbH Lampertswalde, Lampertswalde, Germany 3FibreLaboratory, South-Eastern Finland University of Applied Sciences (XAMK), Savonlinna, Finland Abstract: Understanding why wood bonds fail is an excellent route toward understanding how to make them better. Certifying a bonded product usually requires achieving a specifc load, percent wood failure, and an ability to withstand some form of moisture exposure without excessive delamination. While these tests protect the public from catastrophic failures, they are not very helpful in understanding why bonds fail. Understanding failure often requires going beyond what meets the naked eye, conducting additional tests, probing the wood surface, the fracture surface, adhesive properties, and the interaction of wood and adhesive during bond formation and service. This review of wood bond analysis methods reviews fundamentals of wood bonding and highlights recent developments in the analyses and understanding of wood bonds. It concludes with a series of challenges facing the wood bonding community. Keywords: Wood adhesive, wood bond, microscopy, penetration, failure List of Abbreviations AFM Atomic Force Microscopy AP Average Penetration CLSM Confocal Laser Scanning Microscopy CV Collapsed Vessel CWBL Chemical Weak Boundary Layer DCB Dual Cantilever Beam DIC Digital Image Correlation DMA -
System Three Clear Finishing of Outdoor Wood
apply a second coat. See Product Application Guide for complete Sanding: Allow the unassembled wood parts to cure for instructions. several days before sanding. Wipe each piece with a damp The epoxy coating is as thick as ten coats of dry varnish or sponge prior to sanding. Begin sanding with 80 or 100 polyurethane, so only two or three coats of clear varnish or LPU grit paper. Finish with 150 or 220 paper. Wet sanding will usually be required to build a deep, rich fi nish. on thoroughly coated pieces is acceptable as the wood is now waterproof. Maintenance: If the fi nish becomes dull or begins to fl ake after PREMIUM ADHESIVES & COAT INGS several years of exposure it can easily be sanded to remove any Assembly: After sanding, put the parts together once loose or chalky material, and recoated. Reapplying varnish or more without glue to make sure that the joints still LPU before it weathers off will allow you to avoid reapplying the fi t. Sand to a fi t if necessary. Use System Three T- epoxy coating. 88® structural epoxy adhesive to glue the parts. It is waterproof and will not shrink on curing. Apply mixed With the System Three resin and varnish combination protecting adhesive to both bonding surfaces, with an excess on your clear-fi nished project from the elements, it will remain bright and beautiful for years to come. CLEAR the concave or female surface. Press the pieces together and wipe up any excess glue. Keep glued parts in place during cure. Avoid excess clamping pressure. -
Finishing Techniques.Pdf
Finishing Techniques Al Miotke Sept 8, 2020 Share your ideas Agenda 1. Preparing the surface 2. Types of Finishes 3. Goals of the final finish 4. Pro’s/Con’s of each finish option 5. Filling the grain 6. Finish the finish 7. Applying a Gloss finish Good Reference materials Three stages of finishing 1. Surface preparation 2. Selecting and applying the finish 3. Finishing the finish Select the best finish for each piece Surface Preparation 1. Cut as clean as possible. 2. Go thru the grits to at least 320 or 400. • Depends on type of wood and finish you plan to apply and sheen you want. 3. Sand with the grain with last grit. 4. Don’t overheat the wood. Keep speed low. 5. Don’t over sand especially on soft or open grain woods. What are the common Finishes? 1) Oil • Natural product extracted from walnut, linseed, Tung, soy bean, etc. • Polymerized oil is heated to about 500 degrees in absence of oxygen, dryers sometimes added. Goal is to dry faster • Provided a natural looking finish but limited protection 2) Shellac • Shellac is a resin secreted by the female lac bug on trees in the forests of India and Thailand. • Friction Polish – Shellac, Alcohol, Boiled Linseed Oil, Beeswax optional 3) Varnish • Synthetic product made by cooking a drying oil and add resin like urethane or Alkalyd. • Wiping Varnish – Varnish/thinner blend 4) Lacquer • Nitrocellulose lacquer is mostly solvent-based and comprised of plant-based substances like cotton, mixed nitric and sulfuric acids. 5) Wax • Beeswax, carnuba • Provides little protection but adds sheen and maintains natural color • Used as both a finish and a polish. -
NATURAL SPIRIT VARNISH RESINS SHELLAC Production
CHAPTER 5 NATURAL SPIRIT VARNISH RESINS SHELLAC ALTHOUGH shellac is not used in the varnish trade in such large quantities as other natural and synthetic resins it has attracted a considerable amount of interest. Much research and development work has been done. Source.—Lac is the secretion of an insect, Laccifer lacca, which swarms on the twigs of special trees. A comprehensive list of host trees is given by Parry.1 The insects extract sap from the twigs but its constitution and the nature of the process involved for the production of lac are not com- pletely understood. Gibson 2 suggests that if the food for the lac insect could be produced synthetically, the insect could be cultivated under ideal conditions. The greater part of the world's shellac supply comes from India. Assam, Burma, Indo-China and Siam supply smaller quantities. Attempts have been made to produce lac in Abyssinia. Two crops of lac are produced yearly. Climatic influences seem to alter the properties of the lac produced. In the areas west of Calcutta lac has a yellow or orange colour ; in Assam it is pale red, and dark red in Siam.3 Other variations in properties may be due to the type of host tree, the time of the crop and the district, species of lac insect and method of cultivation. Shellac as used by the varnish trade may vary in properties for various reasons, including method of production and time of storage. Production Sticklac.—The incrusted twigs are scraped to remove the lac and this crude product is known as sticklac. -
Application of Lac Dye in Shoe Upper Leather Dyeing
APPLICATION OF LAC DYE IN SHOE UPPER LEATHER DYEING APPLICATION OF LAC DYE IN SHOE UPPER LEATHER DYEING Amal Kanti DEB1*, Md. Aftab Ali SHAIKH1, Md. Zakir SULTAN2, Md. Israil Hossain RAFI1 1Institute of Leather Engineering and Technology, University of Dhaka, Dhaka-1209, Bangladesh 2Centre for Advanced Research in Sciences (CARS), University of Dhaka, Dhaka-1000, Bangladesh Received: 09.03.2017 Accepted: 25.04.2017 https://doi.org/10.24264/lfj.17.2.4 APPLICATION OF LAC DYE IN SHOE UPPER LEATHER DYEING ABSTRACT. Shoe upper leather samples were dyed with the natural lac dyes (byproduct of shellac and shellac products industry) extracted from washings of the stick lac by conventional methods. The aim of this research is to utilize this dye water and reveal the novel natural recipe for eco-friendly dyeing operation of shoe upper leather processing. The extraction of lac dye was carried out by using water at different temperatures. The lac dye was applied on the leather samples with and without using mordants; and three different mordants (CuSO4, FeSO4, [KAl(SO4)2]) were used following metamordanting method of dyeing. Absorbance and λmax of all dye liquors at different time intervals were determined by UV-visible spectrophotometer. The dyestuffs exhaustion and uptake were investigated and results showed that mordanted dyeing increased the dye uptake on leather than unmordanted dyeing. The FTIR analyses samples were carried out and it was found that lac dye could be mainly composed of -OH, -NH, >C=C<, >C=O, -COOH functional groups. The fastness properties such as fastness to washing, rubbing (dry and wet) and light of prepared leather samples were assessed. -
Chapter 17. the Dissolution of the Matrix and Its Ingredients
CHAPTER 17 The Dissolution of the Matrix and Its Ingredients Although the matrix is at least as important as paints because of their tendency to react with the toxic, the properties which make certain pigments (1, 8). Yet this very acidity and the matrix ingredients useful for the formulation of resultant solubility in sea water is the principal antifouling paints have often not been recognized. reason for the satisfactory performance of anti- As shown in the previous chapter, some paints fouling paints containing such ingredients. depend l!pon the solubility of a matrix ingredient to maintain an adequate steady-state leaching rate THE COMPOSITION OF ROSIN AND of the toxic. The slowly dissolving matrix eventu- ITS DERIVATIVES ally exposes toxic particles which .lie deep within The use of rosin as a constituent of antifouling the paint film, thus permitting them to dissolve paints was patented in 1867 (3), and since that and exert their toxic effect on the fouling organ- time, because of its availability and cheapness, isms. Thus the toxic and the matrix dissolve its use has been constantly expanded. Its only simultaneously, resulting in a gradual decrease serious competitor has been shellac, another in thickness of the film. Since the toxics commonly acidic resin from natural sources. But shellac used dissolve more rapidly than the matrix ingredi- suffers from the drawback that it must be '.im- ents, the rate of solution of the latter controls ported into the United States, a fact that led the the rate of solution of the entire film. This chapter Navy in 1926 to discontinue its use (1). -
The Extraction of Shellac Is Comparable to the Production of Honey and Can Therefore Be Classified As Permitted
EHZ-inquiry: Is shellac allowed? The extraction of shellac is comparable to the production of honey and can therefore be classified as permitted. If the product is dissolved with ethanol from halal-compliant sources, but is no longer traceable in the end product (less than 1%), consumption is permitted. Explanation: Shellac is obtained from the excretions of the lac insect (kerria lacca). The lice use the tree as a host and feed on the sap of the trees. The animals prick the tree, ingest the sap and then excrete a resinous substance. The resin serves as protective armor to protect the offspring, because this is where the brood of the lac insects grows. The resin coats the trees and forms the raw material for shellac. Most of the time, the substance is also used with other coatings such as bee resin. Occasionally, shellac can also be dissolved with ethanol. 1. The extraction of shellac is comparable to the production of honey and can therefore be classified as permitted. 2. When the resin is removed, it is possible that some remains of lice may also be picked up. The EHZ classifies this as harmless, as the consumption of insects per se is not classified as prohibited (see declaration 1) for carmine E120. 3. Ethanol, obtained from a source that is clearly to be classified as prohibited (for example from the distillation of drinking alcohol such as wine) is prohibited and therefore its use in flavor production, regardless of the amount, is prohibited. Ethanol from halal-compliant sources (e.g., based on mineral oil) must not exceed 1% in flavor production (according to the Indonesian MUI standard), since flavor is classified as an intermediate product and not as an end product for consumption. -
Non-Wood Forest Products in Asia
Page 1 of 4 Non -Wood Forest Products in Asia RAPA PUBLICATION 1994/28 REGIONAL OFFICE FOR ASIA AND THE PACIFIC (RAPA) FOOD AND AGRICULTURE ORGANIZATION OF THE UNITED NATIONS BANGKOK 1994 EDITORS Patrick B. Durst Ward Ulrich M. Kashio The designations and the presentation of material in this publication do not imply the expression of any opinion whatsoever on the part of the Food and Agriculture Organization of the United Nations concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The opinions expressed in this publication are those of the authors alone and do not imply any opinion whatsoever on the part of FAO. COVER PHOTO CREDIT: Mr. K. J. Joseph PHOTO CREDITS: Mr. Mohammad Iqbal Sial Mr. A.L. Rao Mr. Urbito Oncleo Mr. Michael Jensen Mr. K. J. Joseph EDITED BY: Mr. Patrick B. Durst Mr. Ward Ulrich Mr. M. Kashio TYPE SETTING AND LAYOUT OF PUBLICATION: Helene Praneet Guna-Tilaka FOR COPIES WRITE TO: FAO Regional Office for Asia and the Pacific 39 Phra Atit Road Bangkok 10200 Page 2 of 4 Table of Contents Foreword Bangladesh Introduction Major NWFPs Collection and processing of NWFPs Economic and social benefits from NWFPs Promoting NWFPs References China Introduction Production and utilization of non-wood forest products Prospects for NWFP development in China India Introduction Status of various categories of non-wood forest products Export of non-wood forest products Organization for collection and processing Employment generation and -
Western Timber Frame™ SCAPE
Made by: Western Timber Frame™ SCAPE TM ® The Ultimate Pergola & Pavilion Guide Everything you wanted to know about: Pergolas • Pavilions • Arbors • Trellises & More Coauthored by: Steven Bunker & Marilynn Thompson SCAPE TM ® Table of Contents Coauthored by: Steven Bunker and Marilynn Thompson Ultimate Pergola and Pavilion Guide Table of Contents ------------------------------ 6 What is a Pergola? ----------------------------- 8 What are Pavilions and Gazebos? ------------ 9 What is an Arbor or Trellis? ------------------ 10 Other Structures ----------------------------- 11 The Dovetail Difference™ -------------------- 12 Benefits of the Dovetail Difference™ --------- 14 Conventional Timber Framing --------------- 15 What makes us different -------------------- 16 Features and Benefits ----------------------- 17 Heavy Timber Kits ---------------------------- 18 Douglas Fir -------------------------------- 19 Douglas Fir Cont... Free Of Heart --------- 20 Vinyl --------------------------------------- 21 Aluminum ---------------------------------- 21 Customized Design --------------------------- 22 Choose your Style ---------------------------- 23 Tuscany Style -------------------------------- 26 Southwest Style ------------------------------ 26 ShadeScape™ series -------------------------- 27 Attached Kits - Extend your Home ---------- 38 Standard Options ----------------------------- 39 Color Selection ------------------------------- 49 Concept to Creation -------------------------- 76 Meet your Design Manager ------------------ 77 3D