Creating a Set List with Upbeat, Light Songs Or Can I “Everybody Has a Plan
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R Z- /Li ,/Zo Rl Date Copyright 2012
Hearing Moral Reform: Abolitionists and Slave Music, 1838-1870 by Karl Byrn A thesis submitted to Sonoma State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS III History Dr. Steve Estes r Z- /Li ,/zO rL Date Copyright 2012 By Karl Bym ii AUTHORIZATION FOR REPRODUCTION OF MASTER'S THESIS/PROJECT I grant permission for the reproduction ofparts ofthis thesis without further authorization from me, on the condition that the person or agency requesting reproduction absorb the cost and provide proper acknowledgement of authorship. Permission to reproduce this thesis in its entirety must be obtained from me. iii Hearing Moral Reform: Abolitionists and Slave Music, 1838-1870 Thesis by Karl Byrn ABSTRACT Purpose ofthe Study: The purpose of this study is to analyze commentary on slave music written by certain abolitionists during the American antebellum and Civil War periods. The analysis is not intended to follow existing scholarship regarding the origins and meanings of African-American music, but rather to treat this music commentary as a new source for understanding the abolitionist movement. By treating abolitionists' reports of slave music as records of their own culture, this study will identify larger intellectual and cultural currents that determined their listening conditions and reactions. Procedure: The primary sources involved in this study included journals, diaries, letters, articles, and books written before, during, and after the American Civil War. I found, in these sources, that the responses by abolitionists to the music of slaves and freedmen revealed complex ideologies and motivations driven by religious and reform traditions, antebellum musical cultures, and contemporary racial and social thinking. -
The Spirit of the Living Creatures Was in the Wheels -- Ezekiel 1:21
The spirit of the living creatures was in the wheels -- Ezekiel 1:21 "Wheels Within Wheels deepens the musical experience created at Congregation Bet Haverim by lifting the veil between the ordinary and the sacred, so that our earthy expression of musical holiness connects with the celestial resonance of the universal. Like Ezekiel’s mystical vision, the spirals of harmonies, voices and instruments evoke contemplation, awe and celebration. At times Wheels Within Wheels will transport you to an intimate experience with your innermost self, and at other times it will convey a profound connection with the world around you." -- Rabbi Joshua Lesser THE MUSICIANS OF CONGREGATION BET HAVERIM Chorus Soprano: Nefesh Chaya, Sara Dardik, Julie Fishman, Nancy Gerber, Joy Goodman, Ellie McGraw, Theresa Prestwood, Rina Rosenberg, Faith Russler, Sandi Schein Alto: Jesse Harris Bathrick, Elke Davidson, Gayanne Geurin, Kim Goldsmith, Rebecca Green, Carrie Hausman, Alix Laing, Rebecca Leary Safon, AnnaLaura Scheer, Valerie Singer, Linda Weiskoff, Valerie Wolpe, McKenzie Wren Tenor: Ned Bridges, Brad Davidorf, Faye Dresner, Henry Farber, Alan Hymowitz, Lynne Norton Bass: Dan Arnold, Gregg Bedol, David Borthwick, Gary Falcon, Bill Laing, Bill Witherspoon, Howard Winer Band Will Robertson, guitar, keyboards; Natalie Stahl, clarinet, saxophone; Sarah Zaslaw, violin, viola; Reuben Haller, mandolin; Jordan Dayan, bass, electric bass; Mike Zimmerman, drum kit, percussion; Henry Farber and Gayanne Geurin, percussion; with Matthew Kaminski, accordion Strings Sarah Zaslaw and Benjamin Reiss, violin; David Borthwick, viola; Ruth Einstein, cello; Will Robertson, double bass Children’s Choir and CBH Community School Chorus director: Will Robertson Music director: Gayanne Geurin Thank You It takes a shul to raise a recording. -
Bobby Karl Works the 9Th Annual AMA Honors & Awards Chapter
page 1 Friday, September 10, 2010 Bobby Karl Works the 9th Annual AMA Honors & Awards Chapter 344 Americana music may be a fringe genre, financially struggling, lacking major media exposure and a complete mystery to most mainstream music consumers, but its awards 2010 Americana Honors show was a total celebration of its star power. & Awards Recipients Presented at the Ryman Auditorium on Thursday (9/9), the event featured Album Of The Year appearances by Rosanne Cash, Emmylou Harris, John Oates, Robert Plant, The List, Rosanne Cash Rodney Crowell, John Mellencamp, Mary Chapin Carpenter, Wanda Jackson Artist Of The Year and The Courtyard Hounds Martie Maguire and Emily Robison. And that doesn’t Ryan Bingham even count the star-studded “house band.” Instrumentalist Of The Year Musically, we knew we were in for a treat when Sam Bush and Will Kimbrough Buddy Miller led the festivities off with “Tumbling Dice,” featuring Buddy Miller, Jim Lauderdale, New/Emerging Artist Emmy and Patty Griffin in Hayes Carll support. Lauderdale has Song Of The Year seemingly been institutionalized “The Weary Kind” performed by Ryan as the show’s host. Bingham; written by Ryan Bingham “Welcome back, my and T Bone Burnett friends, to the show that Duo/Group Of The Year never ends….on time,” he The Avett Brothers quipped. This annual gig is, ••• indeed, renowned for punishing Jack Emerson Lifetime Achievement rear ends on the unforgiving Award For Executive: Luke Lewis wooden Ryman pew seats for Lifetime Achievement Award For four hours and more. Lauderdale Instrumentalist:Greg Leisz promised that he would run Lifetime Achievement Award For Performance:Wanda Jackson this year’s event on schedule, and he nearly succeeded. -
Elvisbrucefeaturefromstonepo
How an encounter that never happened might have helped to change history if it had By Shawn Poole Ever since he was a child, Bruce Springsteen has been strongly influenced by the artistry of Elvis Presley. Over the years, the “E Street”/”Elvis” connection has remained strong. Most recently, Springsteen participated along with E Street Band members Nils Lofgren and Patti Scialfa in the Elvis: Viva Las Vegas television special (now on DVD in the U.S., where it hit #1 on the Billboard DVD sales chart), and its accompanying soundtrack album. E Streeters Garry Tallent and Max Weinberg also were on hand at this year’s Rock and Roll Hall of Fame Induction Ceremony to induct Elvis’ original drummer and bassist, D.J. Fontana and the late Bill Black. Presley was only forty-two years old when his life tragically ended. “They found him slumped up against the drain,” Bruce Springsteen would later sing of his fallen idol, “with a whole lot of trouble running through his veins; Bye-bye, Johnny; Johnny, bye-bye; You didn’t have to die; you didn’t have to die.” While Elvis’ premature decline and death did absolutely nothing to stop his immense cultural influence, it did rob the world of many more years of music from this great artist. It also ensured that Bruce Springsteen would never get another chance to meet the man who initially inspired his own musical career. (He had two chances: one famous unofficial chance when he jumped the wall at Graceland in 1976 and one not-as-famous in 1977 when local concert promoters offered Springsteen an official chance to meet Elvis backstage before his final Philadelphia concert.) But what if Bruce had gotten to meet Elvis before August 16, 1977? Might things have turned out any differently for either or both of them, as well as the many other lives they affected? In this work of speculative fiction, Shawn Poole ponders the possibilities, poignantly reminding us of the promise and potential that tragically disappeared in that long ago summer. -
Time's the Revelator
Time’s the Revelator: Revival and Resurgence in Alt.country and Modern Old-Time American Music Ashley Denise Melzer A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of American Studies (Folklore). Chapel Hill 2009 Approved by: Dr. William Ferris Dr. Robert Cantwell Dr. Patricia Sawin © 2009 Ashley Denise Melzer ALL RIGHTS RESERVED ii ABSTRACT ASHLEY MELZER: Time’s the Revelator: Revival and Resurgence in Alt.country and Modern Old-Time American Music (Under the directions of Dr. William Ferris, Dr. Robert Cantwell, and Dr. Patricia Sawin) This thesis investigates the relationship between the modern old-time and alt.country movements through the comparison of four different female musicians: Abigail Washburn, Rayna Gellert, Gillian Welch, and Neko Case. These four women often pull from the same wellspring of old-time songs/structures/sounds, but their instincts come from exceptionally different places. The disparity between the ways they approach their music, reveals how the push toward modern capitalist industrialism has affected how different artists and communities access and transmit those old-world icons and sounds. Furthermore, their engagement specifically with the topic of gender exposes key tactical differences. Old-time musicians, Washburn and Gellert, work within the strictures of tradition so as to remain in dialogue with their community. Welch and Case play into the experimental bent of alt.country to emotionally affect listeners in order to create discreet, personal connections between themselves and their audience. iii To the ones who listen and love me anyway iv PREFACE In the summer, Florida is so hot the home becomes some dark prison of necessary air conditioning. -
HILLBILLIE GUESTHOUSE Newsletter März / April 2021 Klaus
1 ++++++Newsletter+++Newsletter+++Newsletter+++Newsletter+++Newsletter+++Newsletter++++++ HILLBILLIE GUESTHOUSE BAHNHOFSALLEE 55 26133 OLDENBURG Tel.: 0441 / 4860826 – FAX: 0441 / 4860827 e-mail: [email protected] Internetshop: www.hillbillie-guesthouse.com In unserem Internetshop befinden sich inzwischen weit über 4.000 Artikel, die wir laufend aktualisieren und ergänzen. Viele dieser Titel sind inzwischen von der Industrie gestrichen, hier aber noch lieferbar. Die Ergänzungen werden zunächst in der Abteilung “Neu im Shop“ veröffentlicht (Neuheiten sind mit “Neu“ gekennzeichnet), und wandern nach 2-3 Wochen in die entsprechende Rubrik: Bluegrass, Country, Australian Country, DVDs etc. Weiter bearbeiten wir gerne Wunschlisten, auch aus allen anderen Musikbereichen. ------------------------------------------------------------------- Newsletter März / April 2021 Hallo alle zusammen, hier kommt der aktuelle Newsletter mit gewohntem Inhalt. Neuheiten, wieder bzw. erstmals am Lager: Kody Norris Show, Sturgill Simpson, Cindy Cashdollar, The Everly Brothers, Rhiannon Giddens, Buck Owens, Don Williams, Lucinda Williams, Tammy Wynette u.v.a. In Kürze lieferbare neue Alben siehe im Shop unter “Neu im Shop“; u.a. von Dale Ann Bradley, Brother Brothers, Earl Scruggs und Blackberry Smoke, !!! Am Ende finden sich einige Alben aus unserer Vinyl Abteilung! …bis dahin eine gute Zeit und viele Grüße Klaus Grotelüschen Neuheiten BLUEGRASS LPs / CDs / DVDs / etc. KODY NORRIS SHOW, THE - All Suited Up Artikel-Nr.: CD-REB-1873 2021 - The Kody Norris Show is one of the busiest, hardest working, and most entertaining bands in bluegrass. The group combines musical virtuosity with humor and showmanship in a throwback to the glory days of the Grand Ole Opry. The 12-track project promises to be an ideal representation of the unique sound that is The Kody Norris Show: rooted in tradition, always with a new twist, anchored by first-rate musicianship. -
Paul Simon Graceland Album Mp3 Download Paul Simon (Tamasha Records) Download Music from Your Favorite Artists for Free with Mdundo
paul simon graceland album mp3 download Paul Simon (Tamasha Records) Download music from your favorite artists for free with Mdundo. Mdundo started in collaboration with some of Africa's best artists . By downloading music from Mdundo YOU become a part of supporting African artists. Mdundo is financially backed by 88mph - in partnership with Google for entrepreneurs. Mdundo is kicking music into the stratosphere by taking the side of the artist. Other mobile music services keep 85-90% of sales. What. Yes, the majority of the cash lands in the pockets of big telcos. Mdundo enables you to keep track of your fans and we split any revenue generated from the site fairly with the artists. Paul Simon - The Complete Albums Collection (2013) Artist : Paul Simon Title : The Complete Albums Collection Year Of Release : 2013 Label : Sony Music Cmg Genre : Folk Rock, Singer- Songwriter Quality : FLAC (image+.cue, artwork) Total Time : 13:16:23 Total Size : 5.41 GB WebSite : Album Preview. Disc 1: The Paul Simon Song Book (1965) Disc 2: Paul Simon (1972) Disc 3: There Goes Rhymin' Simon (1973) Disc 4: Paul Simon in Concert: Live Rhymin' (1974) Disc 5: Still Crazy After All These Years (1975) Disc 6: One Trick Pony (1980) Disc 7: Hearts and Bones (1983) Disc 8: Graceland (1986) Disc 9: The Rhythm of the Saints (1990) Disc 10 and Disc 11: Paul Simon's Concert in the Park (1991 2 CD set) Disc 12: Songs From The Capeman (1997) Disc 13: You're The one (2000) Disc 14: Surprise (2006) Disc 15: So Beautiful or So What (2011) 1965 - The Paul Simon Song Book 00:38:48. -
Nate Jones Song List C/O CLE Music Group
Nate Jones Song List c/o CLE Music Group PRIVATE EVENT SONG LIST Alicia Keys “No One” Allman Brothers Band “Midnight Rider” America “Horse with No Name” “Ventura Highway” Amos Lee “Sweet Pea” “Keep It Loose, Keep It Tight” ”Windows are Rolled Down” Arlo Guthrie ”City of New Orleans” “Coming into Los Angeles” “Darkest Hour” Art Garfunkel “All I Know” “A Heart In New York” Badfinger “Day After Day” “No Matter What” The Band “Ophelia” “The Weight” “The Night They Drove Old Dixie Down” The Beatles “Yesterday” “In My Life” “Here, There and Everywhere” “When I’m Sixty-Four” “Strawberry Fields Forever” “Blackbird” “Dear Prudence” “Julia” “Rocky Raccoon” “I Will” “While My Guitar Gently Weeps” “Mother Nature’s Son” “Revolution No. 1” “Honey Pie” “Hey Jude” “Let It Be” “Get Back” “The Long and Winding Road” “Come Together” “Something” “Maxwell’s Silver Hammer” “Oh! Darling” “Here Comes The Sun” Bill Withers “Lean On Me” “Ain’t No Sunshine” “Use Me” Billy Joel “Piano Man” “Only the Good Die Young” “Movin’ Out” “Just the Way You Are” “She’s Always a Woman” “My Life” “She’s Got A Way” “Miami 2017 (Seen The Lights Go Out on Broadway)” “Honesty” “Everybody Loves You Now” “Don’t Ask Me Why” “You’re My Home” “Through the Long Night” “An Innocent Man” “The Longest Time” The Black Keys “Tighten Up” Blind Faith “Can’t Find My Way Home” “Presence of the Lord” Blues Traveler “Run-Around” “Hook” Bob Dylan “Don't Think Twice (It’s Alright)” “I Shall Be Released” “Mr. Tambourine Man” “Like a Rolling Stone” “Tangled Up in Blue” “Shelter From the Storm” Bob Seger “Turn the Page” “Still The Same” Bonnie Raitt “Something to Talk About” Bread “Everything I Own” “The Guitar Man” Buffalo Springfield “For What It’s Worth” “Mr. -
SUNSET CONCERTS at the SKIRBALL Thursday Evenings, July 27–August 31, 8:00 P.M
FOR IMMEDIATE RELEASE: Wednesday, May 24, 2017 Media Contacts: David Monnich, LC Media, (210) 422-1764, [email protected] Laura B. Cohen, LC Media, (310) 867-3897, [email protected] Mia Cariño, Skirball Cultural Center, (310) 440-4544, [email protected] Skirball Cultural Center announces lineup for twenty-first annual FREE outdoor concert series SUNSET CONCERTS AT THE SKIRBALL Thursday evenings, July 27–August 31, 8:00 p.m. Inspired by the exhibition Paul Simon: Words & Music, now on view at the Skirball, the 2017 season showcases emerging talents and established artists from Los Angeles and around the globe LOS ANGELES, CA—The Skirball Cultural Center proudly presents the twenty-first season of its annual free summertime concert series, Sunset Concerts. Coinciding with the Skirball’s latest exhibition, Paul Simon: Words & Music (on view through September 3), the new season draws inspiration from Paul Simon’s pioneering efforts to bring world music to pop audiences while building bridges across cultures. The lineup of boundary-pushing artists ranges from contemporary American folk musicians and the leading lady of Afro- Cuban jazz to bluesy Caribbean roots pioneers, an Anglo-Nigerian electropop ensemble, and a multigenerational Afro-Venezuelan song, drum, and dance collective. The 2017 Sunset Concerts schedule is as follows: American Tune Featuring Sean Watkins & Friends: A Singer- Songwriter Celebration of Paul Simon (July 27); Ibibio Sound Machine (August 3); Delgres (August 10); Daymé Arocena (August 17); David Buchbinder’s Odessa/Havana (August 24); and Betsayda Machado y La Parranda El Clavo (August 31). Since its beginnings, Sunset Concerts has brought to the stage musical greats from around the globe. -
Mountain Stage Guest Artist List
MOUNTAIN STAGE GUEST ARTIST LIST 1981 March Bob Thompson Jazz Trio, Putnam County Pickers 1983 December Larry Parson’s Chorale, Bob Thompson Jazz Trio, John Pierson 1984 January Currence Brothers, Ethel Caffie-Austin Singers, Terry Wimmer February Rhino Moon, Moloney, O’Connell & Keane, Alan Klein, Robert Shafer March Trapezoid, Charleston String Quartet, Bonnie Collins, April Stark Raven, Joe Dobbs/Friends, Alan Freeman, Joe McHugh May Hot Rize, Red Knuckles & Trailblazers, Karen McKay, Alan/Jeremy Klein June Norman Blake/Rising Fawn Ensemble, Appalachian String Quartet, Elmer Bird, Jeff and Angela Scott July Still Portrait, Everett Lilly/Appalachian Mountain, Sweet Adelines August Bill Danoff, Ann Baker/Bob Thompson Trio, Bob Shank, Alice Rice September Clan Erdverkle, Ron Sowell, Tracy Markusic, Shirley Fisher October Critton Hollow String Band, Tom Church, Marc & Cheryl Harshman November Turley Richards, Night Sky, Mountain Stage Regulars December (1 hr. Christmas special) West Virginia Brass, Bob Thompson, Devon McNamara 1985 January Turley Richards, West Virginia Brass, Bonnie Collins February Whetstone Run, Lucky Jazz Band, Alice Rice March Alex de Grassi, Nat Reese, Maggie Anderson April Guy Clark, Trapezoid, Marc Harshman May Bob Thompson, Ann Baker, Paul Skyland, Devon McNamara June 1 (Spoleto-Chas, SC) Hot Rize, Red Knuckles, John Roberts/Tony Barrand, Moving Star Singers June John McEuen, Mountain Thyme, John Rosenbohm, Bonnie Collins July Bill Danoff, Steadfast, Faith Holsaert August Buster Coles, Bing Brothers, Bob Baber -
A Conversation with Johnsmith by Frank Goodman (7/2007, Puremusic.Com)
A Conversation with Johnsmith by Frank Goodman (7/2007, Puremusic.com) This interview took a little time to come around. I thought I lost the tape, and beat myself up for a while about it but had to just give it up, though I kept an empty cassette box around with Johnsmith's name on it, it was all I could find. Then my transcriber (who types up the interviews from the cassettes) called me one day many months later, saying, "Did you just send me this tape on Johnsmith?" I said no, that I thought I'd lost the tape many months ago and was very happy to hear she had it. "Yeah, we moved the furniture around in my office, it must have fallen behind something..." Just so happened that the three things I'd lost in the last 6 months all turned up that week: the Johnsmith tape, a set of keys turned up in a jacket I only wear when it rains, and a lost song I couldn't remember how it went turned up on an unmarked tape. I thought about how hard I'd gone on myself about each of those lost things, how could I lose these important things, etc. They were lost months apart, and then all turned up in the same week. I try now not to beat myself up about stuff like that anymore if I can help it; it's just the flip side of an ego trip, and it's pointless. I called Johnsmith to tell him the news and to ask some new questions to update the information. -
An American Tune: Refugee Children in U.S
AN AMERICAN TUNE: REFUGEE CHILDREN IN U.S. PUBLIC SCHOOLS By Daniel B. Weddle* Oh, we come on a ship they call the Mayflower We come on a ship that sailed the moon We come in the age's most uncertain hour And sing an American tune I. INTRODUCTION We are a nation of refugees. From the Pilgrims fleeing religious persecution to the Irish fleeing famine to the Syrians fleeing Assad, the history of America has been filled with waves of immigrants seeking sanctuary on our shores from persecution, famine, and sword. Generation after generation of Americans have absorbed refugees from all over the world into our national identity. The Pilgrims helped sow the seeds of the Great Migration of the 1630's in which thousands of Puritans and Separatists fled persecution inspired by King James I.2 Large migrations in the nineteenth century were often spawned by famine, most famously the Irish Potato Famine of the mid-nineteenth century,3 but also crop failures in Germany and other parts of the world. The end of the Nineteenth Century and the first half of the Twentieth saw numerous refugee migrations. Between 1880 and 1924, nearly three million Jews arrived in the United States, fleeing European persecution. Sadly, *Daniel B. Weddle is a clinical professor of law at the University of Missouri-Kansas City School of Law, where he teaches constitutional law, education law, and higher education law, and directs the school's academic support efforts through the Law School Strategies Program. Many thanks to the editors and staff of the Kansas Journal of Law and Public Policy for their insights and editorial assistance in the preparation of this Article.