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The Mineral Industry of Georgia in 2011
2011 Minerals Yearbook GEORGIA U.S. Department of the Interior September 2013 U.S. Geological Survey THE MINERAL INDUSTRY OF GEORGIA By Elena Safirova Prior to the proclamation of Georgian independence in in mining was $40.2 million, or 3.6% of the total FDI in the 1991, a range of mineral commodities were mined in Georgia, country (National Statistics Office of Georgia, 2012b). including arsenic, barite, bentonite, coal, copper, diatomite, lead, In 2011, Georgia ran a substantial trade deficit—the total manganese, zeolites, and zinc, among others. The country’s value of its exports ($2.19 billion) was greatly exceeded by metallurgical sector produced ferroalloys and steel. Since 1991, the total value of its imports ($7.06 billion). The country’s production of many of these mineral commodities had ceased or major export trade partners were, in order of value, Azerbaijan been significantly reduced. (which received 19.5% of Georgia’s exports), Turkey (10.4%), Following the Rose Revolution of 2003, the Government Armenia (10.2%), Kazakhstan (7.2%), the United States (6.6%), determined to revive the country’s industry. In 2007, Georgia Ukraine (6.5%), and Canada (5.2%). Its major import trade sold its three leading enterprises—Chiatura Manganese, partners were, in order of value, Turkey (which supplied 18.0% Vartzikhe Hydropower, and Zestafoni Ferroalloys to Stemcor of Georgia’s imports), Ukraine (10.0%), Azerbaijan (8.7%), Co. of the United Kingdom. Before the sale, the enterprises China (7.4%), Germany (6.8%), and Russia (5.5%). Mineral were in a difficult financial situation; for example, Zestafoni commodities, especially metals, played a significant role in Ferroalloys owed the Government $35 million in taxes. -
2018 Prospectus
Joint Stock Company Microfinance Organization Crystal (Identification Code: 212896570) Final Prospectus on the Emission of Bonds Inportant information for investors: Prospective investor must read the following disclaimer before continuing. The following disclaimer applies to the attached prospectus (the “Prospectus”) and prospective investor is therefore advised to read this carefully before reading, accessing or making any other use of the attached Prospectus. By accessing and using the Prospectus (including for investment purposes), prospective investor agrees to be bound by the following terms and conditions (modified from time to time). If the prospective investor receives the Prospectus via electronic means, he/she acknowledges that this electronic transmission (with attached Prospectus) is confidential and intended only for him/her. Therefore the investor agrees that he/she will not forward, reproduce or publish this electronic transmission or the attached Prospectus to any other person. The present Prospectus may be supplemented with additional information as stipulated by the law. Limitation of the Liability: Approval of the Prospectus by the National Bank applies to the Prospectus form only and may not be regarded as a conclusion on the accuracy of its content or the value of the investment described therein. Except for the cases stipulated by the applicable laws, no person other than the issuer, including the placement agent, the bondholders’ representative, the calculation and paying agent, the registrar, other advisers to the company nor any of their affiliates, Directors, Advisors or Agent shall bear responsibility for the content of the present Prospectus, the authenticity or completeness of the information presented therein, or any statement made by them or on behalf of them with regard to the company or issuance and offering of securities described in the present Prospectus. -
Who Owned Georgia Eng.Pdf
By Paul Rimple This book is about the businessmen and the companies who own significant shares in broadcasting, telecommunications, advertisement, oil import and distribution, pharmaceutical, privatisation and mining sectors. Furthermore, It describes the relationship and connections between the businessmen and companies with the government. Included is the information about the connections of these businessmen and companies with the government. The book encompases the time period between 2003-2012. At the time of the writing of the book significant changes have taken place with regards to property rights in Georgia. As a result of 2012 Parliamentary elections the ruling party has lost the majority resulting in significant changes in the business ownership structure in Georgia. Those changes are included in the last chapter of this book. The project has been initiated by Transparency International Georgia. The author of the book is journalist Paul Rimple. He has been assisted by analyst Giorgi Chanturia from Transparency International Georgia. Online version of this book is available on this address: http://www.transparency.ge/ Published with the financial support of Open Society Georgia Foundation The views expressed in the report to not necessarily coincide with those of the Open Society Georgia Foundation, therefore the organisation is not responsible for the report’s content. WHO OWNED GEORGIA 2003-2012 By Paul Rimple 1 Contents INTRODUCTION .........................................................................................................3 -
6. Imereti – Historical-Cultural Overview
SFG2110 SECOND REGIONAL DEVELOPMETN PROJECT IMERETI REGIONAL DEVELOPMENT PROGRAM IMERETI TOURISM DEVELOPMENT STRATEGY Public Disclosure Authorized STRATEGIC ENVIRONMENTAL, CULTURAL HERITAGE AND SOCIAL ASSESSMENT Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized Tbilisi, December, 2014 ABBREVIATIONS GNTA Georgia National Tourism Administration EIA Environnemental Impact Assessment EMP Environmental Management Plan EMS Environmental Management System IFI International Financial Institution IRDS Imereti Regional Development Strategy ITDS Imereti Tourism Development Strategy MDF Municipal Development Fund of Georgia MoA Ministry of Agriculture MoENRP Ministry of Environment and Natural Resources Protection of Georgia MoIA Ministry of Internal Affairs MoCMP Ministry of Culture and Monument Protection MoJ Ministry of Justice MoESD Ministry of Economic and Sustaineble Developmnet NACHP National Agency for Cultural Heritage Protection PIU Project Implementation Unit PPE Personal protective equipment RDP Regional Development Project SECHSA Strategic Environmental, Cultural Heritage and Social Assessment WB World Bank Contents EXECUTIVE SUMMARY ........................................................................................................................................... 0 1. INTRODUCTION ........................................................................................................................................... 14 1.1 PROJECT CONTEXT ............................................................................................................................... -
146 Forty Seasons of Excavation: Nokalakevi
This article has been published by the Georgian National Museum in Iberia-Colchis, available online at http://dspace.nplg.gov.ge/bitstream/1234/242318/1/Iberia_Kolxeti_2017_N13.pdf. Copyright © 2017, Georgian National Museum. Paul Everill, Davit Lomitashvili, Nikoloz Murgulia, Ian Colvin, Besik Lortkipanidze FORTY SEASONS OF EXCAVATION: NOKALAKEVI-TSIKHEGOJI-ARCHAEOPOLIS Abstract. The ruins in the small village of Nokalakevi in Samegrelo, west Georgia, have attracted schol- arly interest since the first half of the 19th century. They were first excavated in 1930, confirming their identification as the remains of the fortress of Archaeopolis mentioned in early Byzantine historical sources, and known as Tsikhegoji or ‘the triple-walled fortress’ by the Georgian chroni- clers. The 40th season of excavation took place in 2015, part of an on-going collaboration be- tween the Anglo-Georgian Expedition to Nokalakevi, established in 2001, and the S. Janashia Museum expedition to Nokalakevi, which started work on the site in 1973. The fortifications en- close a naturally defensible area of approximately 20ha, with a steep limestone river gorge to the north, west and (to a lesser extent) the south, and a hilltop citadel standing more than 200m above the lower town. The site has seen human activity since at least the 8th century BC, with indications of a much earlier presence in the area. This paper seeks to outline the key results of the 40 seasons of excavation, against the backdrop of the shifting political landscape of Georgia. Introduction. In 2015 the multi-period site of Nokalakevi in western Georgia hosted its 40th season of exca- vation. -
Geopolitics of the Cancelled Anaklia Project
BLACK SEA STRATEGY PAPERS Geopolitics of the Cancelled Anaklia Project Maximilian Hess & Maia Otarashvili All rights reserved. Printed in the United States of America. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without permission in writing from the publisher. Authors: Maximilian Hess & Maia Otarashvili The views expressed in this report are those of the author alone and do not necessarily reflect the position of the Foreign Policy Research Institute, a non-partisan organization that seeks to publish well-argued, policy- oriented articles on American foreign policy and national security priorities. Eurasia Program Leadership Director: Chris Miller Deputy Director: Maia Otarashvili Editing: Thomas J. Shattuck Design: Natalia Kopytnik © 2020 by the Foreign Policy Research Institute October 2020 OUR MISSION The Foreign Policy Research Institute is dedicated to producing the highest quality scholarship and nonpartisan policy analysis focused on crucial foreign policy and national security challenges facing the United States. We educate those who make and influence policy, as well as the public at large, through the lens of history, geography, and culture. Offering Ideas In an increasingly polarized world, we pride ourselves on our tradition of nonpartisan scholarship. We count among our ranks over 100 affiliated scholars located throughout the nation and the world who appear regularly in national and international media, testify on Capitol Hill, and are consulted by U.S. government agencies. Educating the American Public FPRI was founded on the premise that an informed and educated citizenry is paramount for the U.S. -
Grade 4 Performance Pieces, Technical Exercises and In-Depth Guidance for Rockschool Examinations
Introductions & Information Title Page Female Vocals Grade 4 Performance pieces, technical exercises and in-depth guidance for Rockschool examinations www.rslawards.com Acknowledgements Acknowledgements Published by Rockschool Ltd. © 2014 under license from Music Sales Ltd. Catalogue Number RSK091404R ISBN: 978-1-912352-26-5 This edition published July 2017 | Errata details can be found at www.rslawards.com AUDIO Backing tracks produced by Music Sales Limited Supporting test backing tracks recorded by Jon Musgrave, Jon Bishop and Duncan Jordan Supporting test vocals recorded by Duncan Jordan Supporting tests mixed at Langlei Studios by Duncan Jordan Mastered by Duncan Jordan MUSICIANS Neal Andrews, Lucie Burns (Lazy Hammock), Jodie Davies,Tenisha Edwards, Noam Lederman, Beth Loates-Taylor, Dave Marks, Salena Mastroianni, Paul Miro, Ryan Moore, Jon Musgrave, Chris Smart, Ross Stanley, T-Jay, Stacy Taylor, Daniel Walker PUBLISHING Compiled and edited by James Uings, Simon Troup, Stephen Lawson and Stuart Slater Internal design and layout by Simon and Jennie Troup, Digital Music Art Cover designed by Philip Millard, Philip Millard Design Fact Files written by Stephen Lawson, Owen Bailey and Michael Leonard Additional proofing by Chris Bird, Ronan Macdonald, Jonathan Preiss and Becky Baldwin Cover photography © Jason Squires / WireImage / Getty Images Full transcriptions by Music Sales Ltd. SYLLABUS Vocal specialists: Martin Hibbert and Eva Brandt Additional Consultation: Emily Nash, Stuart Slater and Sarah Page Supporting Tests Composition: -
Causes of War Prospects for Peace
Georgian Orthodox Church Konrad-Adenauer-Stiftung CAUSES OF WAR PROS P E C TS FOR PEA C E Tbilisi, 2009 1 On December 2-3, 2008 the Holy Synod of the Georgian Orthodox Church and the Konrad-Adenauer-Stiftung held a scientific conference on the theme: Causes of War - Prospects for Peace. The main purpose of the conference was to show the essence of the existing conflicts in Georgia and to prepare objective scientific and information basis. This book is a collection of conference reports and discussion materials that on the request of the editorial board has been presented in article format. Publishers: Metropolitan Ananya Japaridze Katia Christina Plate Bidzina Lebanidze Nato Asatiani Editorial board: Archimandrite Adam (Akhaladze), Tamaz Beradze, Rozeta Gujejiani, Roland Topchishvili, Mariam Lordkipanidze, Lela Margiani, Tariel Putkaradze, Bezhan Khorava Reviewers: Zurab Tvalchrelidze Revaz Sherozia Giorgi Cheishvili Otar Janelidze Editorial board wishes to acknowledge the assistance of Irina Bibileishvili, Merab Gvazava, Nia Gogokhia, Ekaterine Dadiani, Zviad Kvilitaia, Giorgi Cheishvili, Kakhaber Tsulaia. ISBN 2345632456 Printed by CGS ltd 2 Preface by His Holiness and Beatitude Catholicos-Patriarch of All Georgia ILIA II; Opening Words to the Conference 5 Preface by Katja Christina Plate, Head of the Regional Office for Political Dialogue in the South Caucasus of the Konrad-Adenauer-Stiftung; Opening Words to the Conference 8 Abkhazia: Historical-Political and Ethnic Processes Tamaz Beradze, Konstantine Topuria, Bezhan Khorava - A -
A Gloriously Cinematic Exploration of Love, with Lyrics Written by Katie
A gloriously cinematic exploration of love, with lyrics written by Katie Melua, and production by Leo Abrahams – ‘A LOVE LIKE THAT’ is a true tour-de-force of artistic and lyrical maturity. This is songcraft at its finest, with Melua’s faultless performance completely inhabiting the song, and the musical presentation and arrangements expertly executed by Abrahams, co-composer Sam Dixon, and mixers Cameron Craig and Luke Potashnick. The full cast of exceptional musicians on this track also includes drummer Emre Ramazanoglu, flautist Jack Pinter, and The Georgian Philharmonic Orchestra. A LOVE LIKE THAT – released 30 JUNE 2020 Listen HERE The video for ‘A Love Like That’ is the first in a series of stunning visuals Melua has collaborated on with the award-winning director Charlie Lightening (Paul McCartney, Liam Gallagher, Kasabian) and featuring Billy Howle (Star Wars, Dunkirk, Outlaw King). Watch the video HERE The single is the first to be taken from Melua’s forthcoming studio album Album No. 8, a record that represents the culmination of a prolonged period of musical rediscovery for the 35-year-old. The lyrics, her most personal yet, see her attempting to reconcile the knotty complexities of real-life love to its fairytale counterpart. Elsewhere, Melua draws from the vernacular of folk songs to evoke a sense of magic-hour wonder mirrored by string arrangements whose depth and movement evoke Charles Stepney’s work with Rotary Connection and Ramsey Lewis. What results is her most cohesive and assured album to date. ALBUM No. 8 – released 16 OCTOBER 2020 Pre-order HERE Album No. -
Pressemitteilung Zu Katie Melua
Pressemitteilung zu Katie Melua Die charmante Singer/Songwriterin Katie Melua zaubert mit dem Gori Women’s Choir am 31.10.18 ein Wintersong-Programm auf die Bühne des Mehr! Theaters Hamburg, Dezember 2017 – Mit einem stimmungsvollen Wintersong-Programm überraschte und begeisterte Katie Melua 2016 Presse und Publikum. „Es ist pure Magie“, schrieb der ‚Münchner Merkur’ damals über das Aufeinandertreffen der weltbekannten Popsängerin (Hits: „Nine Million Bicycles“, „The Closest Thing To Crazy“) mit dem Gori Women’s Choir. Ende 2018 kommt es, im Einklang mit einer gemeinsamen Albumveröffentlichung, zur Neuauflage der außergewöhnlichen Gastspielreise. Und auch das zweite musikalische Rendezvous mit dem 23-köpfigen Vokalensemble aus Meluas Heimatland Georgien steht ganz im Zeichen der atmosphärischen Einstimmung auf die kalte Jahreszeit. Am 31.10.18 geben mal Interpretationen traditioneller Volkslieder, mal sparsam instrumentierte Eigenkompositionen und Coverversionen den Ton im Hamburger Mehr! Theater an. Die Reduktion aufs Wesentliche zeigt Wirkung: „Meluas akzentuierter, glasklarer Gesang entfaltet seinen Zauber und es lenkt nicht viel davon ab“ (‚Münchner Merkur’). Tickets für die Wohlfühlkonzerte der 33-Jährigen kosten im Vorverkauf zwischen 35 und 100 Euro (zzgl. Gebühr). Pressekontakt: Erik Sabas +49 40 4133018-40 [email protected] river_concerts www.riverconcerts.de River Concerts In der Zusammenarbeit mit dem Frauenchor aus Gori schließt sich für die zierliche Sängerin ein Kreis. 1993 verlässt Ketevan Melua, wie „Katie“ mit richtigem Vornamen heißt, gemeinsam mit ihren Eltern Georgien. Über den Umweg Belfast landet sie als Jugendliche in London und reift zum Popstar heran. Aus Heimatverbundenheit reift jedoch der Wunsch, auf Spurensuche zu gehen, um beide musikalischen Welten zu vereinen: „Ich wollte unbedingt mit diesen Frauen arbeiten. -
CAUCASIA and the FIRST BYZANTINE COMMONWEALTH: CHRISTIANIZATION in the CONTEXT of REGIONAL COHERENCE an NCEEER Working Paper by Stephen H
CAUCASIA AND THE FIRST BYZANTINE COMMONWEALTH: CHRISTIANIZATION IN THE CONTEXT OF REGIONAL COHERENCE An NCEEER Working Paper by Stephen H. Rapp, Jr. Independent Scholar National Council for Eurasian and East European Research University of Washington Box 353650 Seattle, WA 98195 [email protected] http://www.nceeer.org/ TITLE VIII PROGRAM Project Information* Principal Investigator: Stephen H. Rapp, Jr. NCEEER Contract Number: 826-5g Date: January 19, 2012 Copyright Information Individual researchers retain the copyright on their work products derived from research funded through a contract or grant from the National Council for Eurasian and East European Research (NCEEER). However, the NCEEER and the United States Government have the right to duplicate and disseminate, in written and electronic form, reports submitted to NCEEER to fulfill Contract or Grant Agreements either (a) for NCEEER’s own internal use, or (b) for use by the United States Government, and as follows: (1) for further dissemination to domestic, international, and foreign governments, entities and/or individuals to serve official United States Government purposes or (2) for dissemination in accordance with the Freedom of Information Act or other law or policy of the United States Government granting the public access to documents held by the United States Government. Neither NCEEER nor the United States Government nor any recipient of this Report may use it for commercial sale. * The work leading to this report was supported in part by contract or grant funds provided by the National Council for Eurasian and East European Research, funds which were made available by the U.S. Department of State under Title VIII (The Soviet-East European Research and Training Act of 1983, as amended). -
Katie Melua Releases 'Airtime'
KATIE MELUA RELEASES ‘AIRTIME’ FROM FORTHCOMING ALBUM No. 8 Following last month’s announcement of her new album Album No. 8, acclaimed Georgian-British singer-songwriter Katie Melua has released a second track from that stunning new LP. “I think we’ve given love too much airtime,” Melua sings on “Airtime”, a song in which she gently repudiates existing preconceptions about what happens when people fall out of love - “in particular,” she explains, “the pressure to believe that the love of your life is out there somewhere.” Co-composed with her long-time collaborators, bassist Tim Harries and guitarist Luke Potashnick, “Airtime” is arranged and produced by Leo Abrahams (whose roll call of production and writing credits features albums by Brian Eno, Jon Hopkins AIRTIME - released: 24 July 2020 and David Holmes) and features the Georgian Listen HERE Philharmonic Orchestra. “Airtime” is the second video in a series of visuals Melua has collaborated on with the award-winning director Charlie Lightening and featuring actor Billy Howle (Star Wars, Dunkirk, Outlaw King). The shoot took place over two days in Herne Bay on the England’s South Coast following APA lockdown guidelines. Melua and Billy isolated before and after the shoot to enable the scenes to be possible as well as being tested for COVID19. Watch the video HERE [YouTube premiere 5pm BST Friday 24th July] Says Melua of the video, “I loved working with Charlie Lightening, we had lots of talks about how to make it a meaningful work and deal with the new limits on filming. We went with just me and Billy Howle on screen, we tried to show with subtle gestures and nuances the truth of love in its early stages.” Katie Melua is one of Britain's most successful musical artists, with a catalogue that has been certified 56 times platinum around the globe.