Culver Historical Highlights
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
A Neighborhood Guide to Culver City Meets Venice
A NEIGHBORHOOD GUIDE TO CULVER CITY MEETS VENICE with contributions from 826LA student writers WELCOME TO CICLAVIA Today’s route takes us from the northern tip of vibrant down- town Culver City through the community of Mar Vista to Venice and the sparkling Pacific Ocean— OUR PARTNERS a perfect route for a summer day where you can enhance your CicLAvia experience with a swim in the ocean and enjoy the SoCal beach scene. The neighborhoods you’ll pass through today are but City of Los Angeles three of the 23 that make up the region dubbed OUR SUPPORTERS OUR SPONSORS LA’s “Westside,” a place, like the rest of LA, of Annenberg Foundation Cirque du Soleil Ralph M. Parsons Foundation Sony Pictures Entertainment great diversity, rich lore and constant change. Rosenthal Family Foundation Los Angeles Department of Water David Bohnett Foundation and Power Tern Bicycles But one aspect that the area is famous for will OUR MEDIA PARTNERS Wahoo’s Fish Taco not be in effect today: automobile traffic. As The Los Angeles Times The Laemmle Charitable Foundation Laemmle Theatres Los Angeles County Bicycle Coalition anyone who either lives on the Westside or Time Out Los Angeles Indie Printing LA Weekly commutes here knows, the traffic is gnarly. Two 102.3 Radio-Free KJLH of Metro’s most eagerly awaited projects, the extensions of the Purple Line subway and the Expo Line rail, will ease congestion by connect- Written by Andrea Richards ing West Los Angeles and Santa Monica to the Designed by Colleen Corcoran and Tiffanie Tran region’s growing transit network. -
Introduction
NOTES INTRODUCTION 1. Nathanael West, The Day of the Locust (New York: Bantam, 1959), 131. 2. West, Locust, 130. 3. For recent scholarship on fandom, see Henry Jenkins, Textual Poachers: Television Fans and Participatory Culture (New York: Routledge, 1992); John Fiske, Understanding Popular Culture (New York: Routledge, 1995); Jackie Stacey, Star Gazing (New York: Routledge, 1994); Janice Radway, Reading the Romance (Chapel Hill: University of North Carolina, 1991); Joshua Gam- son, Claims to Fame: Celebrity in Contemporary America (Berkeley: Univer- sity of California Press, 1994); Georganne Scheiner, “The Deanna Durbin Devotees,” in Generations of Youth, ed. Joe Austin and Michael Nevin Willard (New York: New York University Press, 1998); Lisa Lewis, ed. The Adoring Audience: Fan Culture and Popular Media (New York: Routledge, 1993); Cheryl Harris and Alison Alexander, eds., Theorizing Fandom: Fans, Subculture, Identity (Creekskill, N.J.: Hampton Press, 1998). 4. According to historian Daniel Boorstin, we demand the mass media’s simulated realities because they fulfill our insatiable desire for glamour and excitement. To cultural commentator Richard Schickel, they create an “illusion of intimacy,” a sense of security and connection in a society of strangers. Ian Mitroff and Warren Bennis have gone as far as to claim that Americans are living in a self-induced state of unreality. “We are now so close to creating electronic images of any existing or imaginary person, place, or thing . so that a viewer cannot tell whether ...theimagesare real or not,” they wrote in 1989. At the root of this passion for images, they claim, is a desire for stability and control: “If men cannot control the realities with which they are faced, then they will invent unrealities over which they can maintain control.” In other words, according to these authors, we seek and create aural and visual illusions—television, movies, recorded music, computers—because they compensate for the inadequacies of contemporary society. -
In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity. -
Into the Heart of Screenland Culver City, California
INTO THE HEART OF SCREENLAND CULVER CITY, CALIFORNIA AN INEXHAUSTIVE INVESTIGATION OF URBAN CONTENT THE CENTER FOR LAND USE INTERPRETATION CENTER E FO H R T L A N N O I D T U A S T E RE INTERP THE HEART OF SCREENLAND “The Heart of Screenland” is the official city motto for Culver City, an incorporated city of 40,000 people in the midst of the megalopolis of Los Angeles. “All roads lead to Culver City,” its founder, Harry Culver, once said. All roads indeed. Culver built the city from scratch starting in 1913, selecting a location that was halfway between downtown Los Angeles and the beach community of Venice, at the crossroads of a now long-gone regional public trolley system. Culver City quickly became home to several movie studios, some of which disappeared, others which still dominate the scene. Hal Roach’s Laurel and Hardy comedies, shot on Main Street, captured the town in the 1920s, and Andy Griffith’s everytown of Mayberry was broadcast from the city’s backlots to screens across America. In the 1950s, the city modernized. Its original Main Street was upstaged by a new Culver Center shopping area, a few blocks west. The studios turned to television, and the 1950s became the 1960s. In the 1970s the studio backlots were filled in with housing and office parks, as homogenization flooded the Los Angeles basin, turning Culver CIty into part of the continuous urban suburb. In the 1990s, the city’s efforts to restore its identity and its downtown Into the Heart of Screenland: Culver City, California An Inexhaustive Investigation of Urban Content came together, beginning a rebirth of the Heart of Screenland. -
Pretty Swimming"
LOCAL AND GLOBAL MERMAIDS: THE POLITICS OF "PRETTY SWIMMING" By LAURA MICHELLE THOMAS B.A. (Psychology), The University of British Columbia, 1996 B.A. (History), The University of British Columbia, 1999 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Educational Studies) We accept this tresis as conforming to the required standard THkjJNJrVERSITY OF BRITISH COLUMBIA September 2001 © Laura Michelle Thomas, 2001 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department The University of British Columbia Vancouver, Canada DE-6 (2/88) Abstract This thesis considers the perceived athleticism of synchronized swimming by looking at the implications of representations of Esther Williams and "pretty swimming" in popular culture, the allocation of space for women's sport in a local public swimming pool, and an inaugural championship event. Focusing on the first British Columbia (BC) synchronized swimming championships, which were held on February 5, 1949 at Crystal Pool in Vancouver, it shows that images of synchronized swimming as "entertainment" facilitated the development of a new arena of competition for BC women, but that this was accompanied, in effect, by a trivialization of the accomplishments of organizers and athletes. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
CFP-125 9-18-14.Pdf
75¢ COLBY Thursday September 18, 2014 Volume 125, Number 146 Serving Thomas County since 1888 10 pages FFREEREE PPRESSRESS Speaker looks back to era of protesters By Sam Dieter of Denver, where students occupied a shanty town Colby Free Press on campus. [email protected] Dr. Sheila Schroeder, an associate professor at the university’s Department of Media, Film and Jour- A Colorado professor told students at Colby Com- nalism Studies, said she has been working on a film munity College on Tuesday that she had to search about 1960s-era protests at her school for several through dusty old boxes and storage areas to find film and photos of 1970 protests at the University See “SPEAKER,” Page 2 Art show judge teaches in McCook Rick Johnson, who grew up in media. His paintings were shown the Nebraska landscape he says in the Fred Simon Gallery exhibi- has been the inspiration in most of tion in 2013 and his most recent his art work, has agreed to judge showing was at the Governor’s Colby’s High Plains Art Club Mansion Exhibition in Lincoln. show, which will be open Oct. 18 This year, his Highlands Solo and 19 in the gymnasium at Heart- Exhibition was staged in Dallas TESSA HILL/Gem 4-H historian land Christian School. and he also had a painting in the Amanda Leica picked up trash while her father, Joe Leija, trimmed tall weeds Sept. 7 when the Johnson, a lifelong resident of Museum of Nebraska Art “Spirit” Gem 4-H Club cleaned up the area behind the Gem firehouse. -
Errata Sheet Official Statement Dated April 4, 2002
ERRATA SHEET OFFICIAL STATEMENT DATED APRIL 4, 2002 $28,280,000 CULVER CITY REDEVELOPMENT AGENCY Tax Allocation Bonds, 2002 Series A (Culver City Redevelopment Project) PLEASE BE ADVISED that the above-referenced Official Statement is hereby supplemented and amended to make the following changes: Page 10: SECURITY FOR THE BONDS -Issuance of Additional Bonds. Subsection (1) of this section is restated to read as follows: (l)(i) actual Tax Revenues (excluding any unsubordinated payments to taxing agencies pursuant to the Redevelopment Law) based upon the assessed valuation of taxable property in the Project Area as shown on the most recently equalized assessment roll preceding the date of the Agency's adoption of the Supplemental Indenture providing for the issuance of such Additional Bonds plus, at the option of the Agency, the Additional Allowance must be in an amount equal to at least 125% of Combined Maximum Annual Debt Service following the issuance of such Additional Bonds, as evidenced by a Consultant's Report; and (ii) projected annual Tax Revenues over the term of the Bonds must be in an amount equal to at least 125% of Combined Annual Debt Service following the issuance of such Additional Bonds, as evidenced by a Consultant's Report. For purposes of subsection (i) above, the amount of Tax Revenues will be the amount received in the most recent Fiscal Year (which may be the current Fiscal Year) for which records are available from the County; provided that the requirements of this sentence are not a condition precedent to the issuance of the 2002 Bonds. -
MGM: Hollywood's Greatest Backlot a Lavish Illustrated History of Ho
MGM: Hollywood's Greatest Backlot A Lavish Illustrated History of Ho... http://www.mgmbacklot.info/ AUTHORS BIBLIOGRAPHY EVENTS LETTERS PREVIEW QUIZ Once upon a time, long ago, there existed a vast and magical empire, ruled by money and power and fueled by imagination, talent and ambition. This magical place was not a work of fiction and its location was not a far away mountain top or a remote tropical island. It was found in Culver City, California and was known through out the world as Metro-Goldwyn Mayer Studios. 1 of 23 6/27/14, 5:12 PM MGM: Hollywood's Greatest Backlot A Lavish Illustrated History of Ho... http://www.mgmbacklot.info/ Through the M-G-M gates passed the greatest stars of filmdom from the Silent Era (Buster Keaton, Lon Chaney, Ramon Novarro, John Gilbert, Norma Shearer, Greta Garbo, and Marion Davies) to the Golden Era, (Jean Harlow, Joan Crawford, Clark Gable, Lana Turner, James Stewart, Judy Garland, Mickey Rooney, Hedy Lamarr, Fred Astaire, Ava Gardner and Elizabeth Taylor) and beyond (Debbie Reynolds, Glenn Ford, Rod Taylor, Elvis Presley, George Hamilton, and Doris Day). 2 of 23 6/27/14, 5:12 PM MGM: Hollywood's Greatest Backlot A Lavish Illustrated History of Ho... http://www.mgmbacklot.info/ The finest creative artists of show business, the world’s most beautiful women, kings and queens, presidents and princes, titans of industry, the great and the near-great from all nations and generations of movie lovers from around the world found their way to this Movieland institution. As the premiere movie factory, M-G-M Studios was a self-sufficient, self proclaimed “city within a city” built on six separate lots and spread across 185 fenced and gated acres. -
City Landmark Assessment and Evaluation Report
City Landmark Assessment and Evaluation Report Santa Monica Municipal Bus Lines Garage (Santa Monica Antique Market, Inc.) 1613 Lincoln Boulevard (APN: 4283-001-002) Santa Monica, California Prepared for City of Santa Monica Planning Division Prepared by Margarita Wuellner, Ph.D. Amanda Kainer, M.S. Jon Wilson, M.A., M.Arch. PCR Services Corporation Santa Monica, California October 2012 ENVIRONMENTAL SETTING The subject property, 1613 Lincoln Boulevard, is situated on the east side of Lincoln Boulevard between Colorado Avenue to the north, Olympic Boulevard to the south, Ninth Street to the east, and Seventh Street to the west. The legal description of the property is the Standard Tract, Lot 15. Based on Los Angeles County Tax Assessor records and Santa Monica building permits, it appears that the original improvements to the property, a 18,890 square foot Municipal Bus Garage, were made in 1933. Regulatory Setting The subject property has been identified and assessed under the City’s ongoing survey process on two previous occasions. The Municipal Bus Garage was first identified and recorded as part of the Phase 3 Survey in 1994.1 The subject property was recommended eligible as a Santa Monica Local Landmark and given a California Historic Resources Status Code of 5S1. The subject property was found eligible for its significant historical association with the economic development and transportation industry in Santa Monica, with the period of significance being 1875-1943: This property is significant for its association with the transportation industry in Santa Monica. By the late 19th century, Santa Monica had several trolley lines within the town and was connected to Los Angeles by the Pacific Electric Company. -
GC 1323 Historic Sites Surveys Repository
GC 1323 Historic Sites Surveys Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: 1974-1996, bulk 1974-1978 Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Source: Surveys were compiled by Tom Sitton, former Head of History Department, Natural History Museum of Los Angeles County Background: In 1973, the History Department of the Natural History Museum was selected to conduct surveys of Los Angeles County historic sites as part of a statewide project funded through the National Preservation Act of 1966. Tom Sitton was appointed project facilitator in 1974 and worked with various historical societies to complete survey forms. From 1976 to 1977, the museum project operated through a grant awarded by the state Office of Historic Preservation, which allowed the hiring of three graduate students for the completion of 500 surveys, taking site photographs, as well as to help write eighteen nominations for the National Register of Historic Places (three of which were historic districts). The project concluded in 1978. Preferred Citation: Historic Sites Surveys, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Special Formats: Photographs Scope and Content: The Los Angeles County historic site surveys were conducted from 1974 through 1978. Compilation of data for historic sites continued beyond 1978 until approximately 1996, by way of Sitton's efforts to add application sheets prepared for National Register of Historic Places nominations. These application forms provide a breadth of information to supplement the data found on the original survey forms. -
Swimming Pools, Movie Stars and Manifest Destiny Julie Anne Pattee
A Ceiling of Blue: Swimming Pools, Movie Stars and Manifest Destiny Julie Anne Pattee Department of Art History and Communication Studies McGill University, Montreal December 2010 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Master of Arts in Communication Studies. © Julie Anne Pattee 2010 Table of Contents Introduction........................................................................................................................1 Chapter 1: La Maladie Imaginaire.....................................................................................4 1.1 The Medicalization and Militarization of the Public Sphere.......................................4 1.2 Disciplining Bodies and Dunking Fools ...................................................................12 1.3 Swimming Pools, Modernism and the Idea of Modern Culture................................14 Chapter 2: 1900-1920......................................................................................................18 2.1 The Million Dollar Mermaid and the Bathing Beauties...........................................18 2.2 Swimming Pools, Status Symbols and Masculinity..................................................22 2.3 Swimming Pools and Forces beyond our Control....................................................23 Chapter 3: 1921-1930......................................................................................................26 Chapter 4: Fallen Angels and the Butterfly ...................................................................35