An Exploration of the Dr. Herbert Halpert Folklore Collection at Memorial University of Newfoundland
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Bennett with Photos
Corbies and Laverocks and the Four and Twenty Blackbirds: The Montgomerie Legacy to Folklore and the Mother Tongue MARGARET BENNETT “The State of Play” was the title of a memorable conference held in Sheffield in 1998, with Iona Opie as the keynote speaker. Her long collaboration with her husband, Peter, and their book, The Lore and Language of Schoolchildren, had been the inspiration of those who filled the hall, and for some it marked a milestone in their lives – as John Widdowson humorously said, it had seduced him into folklore.1 While the title of Dr Opie’s talk was “A Lifetime in the Playground” she began by explaining that the playground was not actually the starting point for their work; it was, rather, in books and library collections. The Opies shared a fascination with the history and provenance of nursery rhymes and when their seven year project led to the publication of The Oxford Dictionary of Nursery Rhymes in 1951, the level of interest and success of the book was a turning point: “We decided to do something that had never been done before. We decided to ask the school children themselves …” The scale of their collecting, from Land’s End to Cape Wrath, their approach to the fieldwork, and the duration of their work “had never been done before” in Britain, though American folklorists had been audio-recording in playgrounds and streets since the 1930s.2 Foremost among them was Herbert Halpert, who later introduced his students (of which I was one) to the work of Iona and Peter Opie in his Folklore classes at Memorial University of Newfoundland – The Lore and Language of Schoolchildren (1959) was on the Required Reading List, to be purchased from the MUN Bookstore. -
Folklore: an Emerging Discipline — Selected Essays of Herbert Halpert
Document generated on 09/26/2021 9:58 p.m. Ethnologies Folklore: An Emerging Discipline — Selected Essays of Herbert Halpert. By Martin Lovelace, Paul Smith and J. D. A. Widdowson, eds. (St. John’s: Memorial University of Newfoundland Folklore and Language Publications, 2002. Pp. xxi + 398, ISBN 0-88901-335-7) Cory W. Thorne Littératie Literacy Volume 26, Number 1, 2004 URI: https://id.erudit.org/iderudit/013348ar DOI: https://doi.org/10.7202/013348ar See table of contents Publisher(s) Association Canadienne d'Ethnologie et de Folklore ISSN 1481-5974 (print) 1708-0401 (digital) Explore this journal Cite this review Thorne, C. W. (2004). Review of [Folklore: An Emerging Discipline — Selected Essays of Herbert Halpert. By Martin Lovelace, Paul Smith and J. D. A. Widdowson, eds. (St. John’s: Memorial University of Newfoundland Folklore and Language Publications, 2002. Pp. xxi + 398, ISBN 0-88901-335-7)]. Ethnologies, 26(1), 235–238. https://doi.org/10.7202/013348ar Tous droits réservés © Ethnologies, Université Laval, 2004 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ REVIEWS / COMPTES-RENDUS REVIEWS / COMPTES-RENDUS Folklore: An Emerging Discipline — Selected Essays of Herbert Halpert. By Martin Lovelace, Paul Smith and J. -
Fifty-Ninth Annual Meeting of the American Folklore
FIFTY-NINTH ANNUAL MEETING OF THE AMERICAN FOLKLORE SOCIETY The fifty-ninth annual meeting of the American Folklore Society was held at the Hotel Tuller, Detroit, Michigan, on December 28-29, 1Q47. Meetings were held in conjunction with the Modern Language Association of America. The President, Joseph M. Carrire, presided. The following papers were presented: Horace P. Beck, "The Animal That Can't Lie Down"; Levette J. Davidson, "Hermits of the Rockies"; Robert E. Gard, "To- ward a Folklore Theatre"; GertrudeProkosch Kurath, "Mexican Moriscas:A Prob- lem in Dance Acculturation"; Duncan Emrich, "The London and Paris Folklore Conferences"; Jane I. Zielonko, "The Nature and Causes of Ballad Variation"; Haldeen Braddy, "Pancho Villa, Folk Hero of the Mexican Border"; Herbert Halpert, "Our Approach to American-EnglishFolklore"; Thelma James, "Mosar- dine-jo Tales Found in Detroit." Following the annual banquet and the Presidential Remarks, the International Institute of Detroit, under the direction of Alice L. Sickels, presented a program of songs and dances, in costume, of the various ethnic groups in Detroit. At the business meeting officersfor the year 1948 were elected. (These are printed in full on Cover II of the Journal.) At the meeting of the Council the following reports were read and approved: Secretary's Report The Secretary reports the membershipof the Society as follows: 1947 1946 1945 Honorary Members 7 6 6 Life Members 10 8 8 Old Members 760 648 577 New Members 141 154 135 Total Active Members 911 8io 690 During the year 42 members were removed from the rolls because of non-payment of dues, resignations, or death; 64 were dropped in 1946, and 36 in 1945. -
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The Power of Song as the Voice of the People Margaret Bennett The Royal Conservatoire of Scotland, Scotland There are few political speeches that effectively match the power of a song in keeping alive issues of social justice or freedom. In the seventeenth century, Scottish politician Andrew Fletcher of Saltoun proclaimed: ‘If a man were permitted to make all the ballads, he need not care who should make the laws of a nation.’i As in Fletcher’s day, there is no telling if a song of protest will bring about change – nevertheless, it is still the most powerful tool to give voice to those with enough conviction to take a stand. Of equal importance, songs are our most harmonious and peaceful ‘weapons’, effective outside the context of conflict as well as on the picket line or demonstration. It was in the spirit of taking a stand that Festival 500 was ‘purposely conceived and initiated in response to the threat to Newfoundland’s culture by the enforced closure of the cod fishery in 1992.’ As every Newfoundlander knows, ‘[the cod] fishery was not only a mainstay of the province's economy, but the raison d'être for European settlement. In fact, it was the social and economic engine of our society. Its closure was a devastation to our society…’ And in ‘Newfoundland and Labrador, [singing] has historically been an integral part of community life – a way of celebrating, mourning, documenting events, telling the stories.’ In 1968, when I first arrived in Newfoundland as a student, I felt instantly at home to find that singing had a part in every occasion, be it in kitchen, the student common room, or anywhere else. -
Informe Sobre La Lectura En España Por José Antonio Millán
1 LA LECTURA EN ESPAÑA 2 LA LECTURA EN ESPAÑA La lectura en España. Informe 2017 José Antonio Millán (coordinador) 3 LA LECTURA EN ESPAÑA 4 LA LECTURA EN ESPAÑA La lectura en España. Informe 2017 José Antonio Millán (coordinador) 5 Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional Resumen: https://creativecommons.org/licenses/by-nc-sa/4.0/ Licencia: https://creativecommons.org/licenses/by-nc-sa/4.0/legalcode Usted es libre de: • Compartir: copiar y redistribuir el material en cualquier medio o formato. • Adaptar: mezclar, transformar, y generar una obra derivada de este material. El licenciante no puede revocar estas libertades si usted sigue los términos de la licencia. Bajo las condiciones siguientes: • Atribución. Debe citar los créditos de la obra, proporcionar un enlace a su licencia e indicar si se han realizado cambios. Debe hacerlo de cualquier manera razonable, pero no de modo que sugiera que usted, o el uso que hace de la obra, tienen el apoyo del licenciante. • No comercial. No puede utilizar esta obra para fines comerciales. • Compartir bajo la misma licencia. Si mezcla o transforma esta obra, o genera una obra derivada, sólo puede distribuir la obra generada bajo la misma licencia que el original. Sin restricciones adicionales. No puede aplicar términos legales o medidas tecnológicas que impidan legalmente que otros hagan algo que la licencia permite. Preparación del original, corrección de pruebas y elaboración de los índices, Celia Villar © Del texto, los autores, 2016 © De la edición, Federación de Gremios de Editores de España, 2016 © De las fotografías del volumen (de la serie «Lecturas cercanas»): José Antonio Millán, 2016 ISBN: 978-84-86141-61-5 Depósito legal: 38.902-2016 Impreso en España. -
Books in Pieces: Granger, History, and the Collection Michael Macovski
https://doi.org/10.26262/gramma.v21i0.6284 145 Books in Pieces: Granger, History, and the Collection Michael Macovski This article analyzes the influence of James Granger’s Biographical His- tory of England (1769), a volume that spearheaded a remarkable praxis of collecting, interleaving, and rebinding during the eighteenth and nineteenth centuries. This praxis reflects not only radical changes in concepts of col- lecting during this period, but also three central dimensions of book his- tory. These include the era’s passion for artefactual collections; its propen- sity for annotative forms, such as marginalia and prefaces; and its burgeon- ing publication of compilatory, systematized texts—such as catalogues, al- manacs, encyclopedias, and other compendium forms. The article goes on to suggest that grangerized texts extend beyond simple, stochastic gather- ings to reveal key precepts of historiographic continuity, serialized succes- sion, ekphrastic reproduction, and synoptic collectivity. I. he general outlines of the remarkable James Granger story are, in some respects, familiar: in 1769, the provincial parson publishes his Biogra- T phical History of England—a single volume that lists many portraits but contains not a single illustration. Almost immediately, the book spearheads one of the most curious movements in eighteenth-century history—a practice in which collectors acquire many prints listed by Granger, and many additional ones as well. The praxis also encompasses a veritable maelstrom of interleav- ing—which in turn gives rise to, among other terms, the verb “to grangerize,” though this term does not emerge until 1882.1 Yet such a praxis also extends beyond the initial act of interleaving. -
The Mboi Collection of Atma Jaya Catholic University in Jakarta
56 WacanaWacana Vol. Vol. 20 No.20 No. 1 (2019): 1 (2019) 56-92 Edwin P. Wieringa, The Mboi collection of Atma Jaya Catholic University 57 The Mboi collection of Atma Jaya Catholic University in Jakarta Edwin P. Wieringa AbstrAct Since 2018 the private collection of Ben Mboi (1935-2015), who is best known as Governor of East Nusa Tenggara – NTT – from 1978 to 1988, has been part of the Library of Atma Jaya Catholic University in Jakarta, where it is publicly accessible under the name of Ben Mboi Research Library. The collection totals 22,890 items; the majority of the books are written in English, Indonesian, and Dutch. After briefy introducing the life and work of Ben Mboi, this article frst discusses the phenomenon of private libraries in Indonesia, making it clear that Mboi’s collection is highly unusual. The main part of the paper explores the question as to what is specifcally “Mboian” about the library and what it tells us about his mindset. Mboi’s library functioned as a collection for a working mind and the essay focuses on his books dealing with good governance, which increasinGly occupied Mboi’s mind after he entered the world of politics. Special attention is paid to reader’s marks and annotations: Mboi read his books from a decidedly Indonesian perspective. This is particularly evident in the case of Dutch books written by Dutch academics on contemporary Dutch society, which Mboi studied intensively in order to refect upon the situation in post-Suharto Indonesia. Mboi’s own political thinking, which advocated elitism and organicist statecraft, conformed to mainstream ideological discourse in the New Order, but is still de rigueur in post-Suharto Indonesia, showing a remarkable overlap with colonial ideas about leadership in the period of Dutch high imperialism. -
The Memorial University of Newfoundland Folklore and Language Archive
THE MEMORIAL UNIVERSITY OF NEWFOUNDLAND FOLKLORE AND LANGUAGE ARCHIVE By Patricia Fulton Archivist www.mun.ca/folklore/munfla.htm The Memorial University of Newfoundland later in his career when he was invited to teach Folklore and Language Archive (MUNFLA) at Memorial University: is Canada's leading repository for recorded and collected items of Newfoundland and ...the people of Newfoundland Labrador folklore, folklife, language, oral have been settled in a comparatively history and popular culture. Founded in 1968, isolated area for a long period of time the Archive, under the direction of Herbert and have developed a unique cultural Halpert (b. Manhattan, 1911-d. St. John's, response to their environment. We 2000), began building on the course have in this province one of the last assignments and materials from fieldwork areas in the English-speaking world expeditions collected during his previous six where customs and practises [sic] years as a university faculty member. The survived long after they died out Archive has since amassed 600fonds, 40,000 elsewhere. The folklorist can still audio recordings, 800 video recordings, learn ftom people who observed these 16,000 manuscripts, 20,000 photographs, customs, how they were performed 1,500 printed documents, 500 oversized and what they meant.' documents, 4,000 commercial discs, 50 course collections, and numerous cultural artifacts Halpert, who had already done and other media. groundbreaking folklore fieldwork and scholarship in the United States, embarked on Described as Herbert Halpert's "crowning a series of summer expeditions with his fellow achievement,"' MUNFLA stands as testimony faculty member, the linguist John D.A. -
Eccentrics, Cranks, Outsiders, Obsessives
eccentrics, cranks, outsiders and obsessives bernard quaritch 2021 BERNARD QUARITCH LTD 36 Bedford Row, London, WC1R 4JH tel.: +44 (0)20 7297 4888 fax: +44 (0)20 7297 4866 Recent lists: email: [email protected] / [email protected] web: www.quaritch.com Women Hippology - The Billmyer-Conant Collection II Bankers: Barclays Bank PLC, 1 Churchill Place, London E14 5HP The Library of Sir Geoffrey Bindman Part III Sort code: 20-65-90 The Wandering Lens: Nineteenth-Century Travel Photography Account number: 10511722 Swift code: BUKBGB22 Sterling account: IBAN: GB71 BUKB 2065 9010 5117 22 Euro account: IBAN: GB03 BUKB 2065 9045 4470 11 U.S. Dollar account: IBAN: GB19 BUKB 2065 9063 9924 44 Recent catalogues: VAT number: GB 322 4543 31 1443 English Books & Manuscripts 1442 The English & Anglo-French Novel 1740-1840 1441 The Billmyer–Conant Collection — Hippology Front cover image from item 12 LUCAS © Bernard Quaritch 2021 by ‘an odd man’ [AMORY, Thomas]. The Life of John Buncle, Esq; 1 containing various Observations and Reflections, made in several Parts of the World; and many extraordinary Relations … London: Printed for J. Noon … 1756. 8vo., pp. ix, [7], 511, [1]; offsetting to the title-page from the turn-ins; a good copy in contemporary calf, spine gilt in compartments, a little worn; manuscript note to title- page in shorthand. £150 First edition of the strange and rambling masterpiece of the Anglo-Irish eccentric Thomas Amory (c.1691-1788). A second volume is promised on the final page, but was not published until ten years later. John Buncle, serial husband and advocate of education for women, relates picaresque adventures which are enlivened by eight marriages and numerous impassioned asides on a variety of subjects, including monogamy, the making of gold, microscopes, and a battle between a flea and a louse. -
Society for Ethnomusicology 59Th Annual Meeting, 2014 Abstracts
Society for Ethnomusicology 59th Annual Meeting, 2014 Abstracts Young Tradition Bearers: The Transmission of Liturgical Chant at an then forms a prism through which to rethink the dialectics of the amateur in Eritrean Orthodox Tewahedo Church in Seattle music-making in general. If 'the amateur' is ambiguous and contested, I argue David Aarons, University of Washington that State sponsorship is also paradoxical. Does it indeed function here as a 'redemption of the mundane' (Biancorosso 2004), a societal-level positioning “My children know it better than me,” says a first generation immigrant at the gesture validating the musical tastes and moral unassailability of baby- Holy Trinity Eritrean Orthodox Church in Seattle. This statement reflects a boomer retirees? Or is support for amateur practice merely self-interested, phenomenon among Eritrean immigrants in Seattle, whereby second and fails to fully counteract other matrices of value-formation, thereby also generation youth are taught ancient liturgical melodies and texts that their limiting potentially empowering impacts in economies of musical and symbolic parents never learned in Eritrea due to socio-political unrest. The liturgy is capital? chanted entirely in Ge'ez, an ecclesiastical language and an ancient musical mode, one difficult to learn and perform, yet its proper rendering is pivotal to Emotion and Temporality in WWII Musical Commemorations in the integrity of the worship (Shelemay, Jeffery, Monson, 1993). Building on Kazakhstan Shelemay's (2009) study of Ethiopian immigrants in the U.S. and the Margarethe Adams, Stony Brook University transmission of liturgical chant, I focus on a Seattle Eritrean community whose traditions, though rooted in the Ethiopian Orthodox Church, are The social and felt experience of time informs the way we construct and affected by Eritrea's turbulent history with Ethiopia. -
Black Labor and the Deep South in Hurston's the Great Day And
Black Labor and the Deep South in Hurston’s The Great Day and Ellington’s Black, Brown, and Beige Brendan Kibbee In the decades following World War I, as a black intellectual and artistic public sphere in New York City was rapidly expanding, several musical representations of a Deep South heritage were staged by artists concerned with performing black history and culture in new ways. Often—as in popular reviews like Dixie to Broadway (1924), and concerts like the John Hammond-produced “spirituals to swing” series (1938)—these representa- tions followed a progression, locating an originary cultural moment in the rural South that was shown to “evolve” into the more sophisticated styles of the cosmopolitan North. In other representations, like James P. Johnson’s Yamekraw (1928), the sound of the South was stylized and stood alone as a reminder of a key reference point for African American life. The Deep South was subject to differing, sometimes competing representations by African American composers and performers—and occasionally concert and record producers—as they created new forms and contexts for their art. Zora Neale Hurston’s musical revue The Great Day (1932) and Duke Ellington’s Black, Brown, and Beige (1943) were among the works present- ing the Deep South as the ultimate source of black culture, and these two works share another important similarity: both of them locate the laboring body as a vessel through which culture is performed and transmitted. While Hurston’s novels and folkloric writings have long received a great deal of attention, her thoughts on staged performance are coming into clearer view in light of recent scholarship (Kraut 2008; Diamond 2015; Penier 2015). -
A Handsome Quarterly, in Print and Online, For
the Book Collector Mania and Imagination fencers treading upon ice A Venice Collection LANE STANLEY News Sales, Catalogues, & Exhibitions pThe Friends of & Arthur Machen Comment A State of _ _ WAD DEAbsolute S D O N Rarity n A BINDING FOR MATTHEW PARKER BY JEAN DE PLANCHE A.T. Bartholomew: a life through books AUTUMN 2016 blackwell’s rareblackwell books’s rare books 48-51 Broad Street, 48-51 Broad Street, 48-51Oxford, Broad OX1 Street, 3BQ Oxford, OX1 3BQ CataloguesOxford, OX1 on 3BQrequest Catalogues on request General and subject catalogues issued GeneralRecent and subject subject catalogues catalogues include issued GeneralRecent and subject subject catalogues catalogues include issued blackwellRecentModernisms, subject catalogues Sciences, include ’s RecentModernisms, subject catalogues Sciences, include blackwellandModernisms, Greek & Latin Sciences, Classics ’s andModernisms, Greek & Latin Sciences, Classics rareand Greek &books Latin Classics rareand Greek &books Latin Classics 48-51 Broad Street, 48-51Oxford, Broad OX1 Street, 3BQ Oxford, OX1 3BQ Catalogues on request Catalogues on request General and subject catalogues issued GeneralRecent and subject subject catalogues catalogues include issued RecentModernisms, subject catalogues Sciences, include andModernisms, Greek & Latin Sciences, Classics and Greek & Latin Classics 349 APPRAISERS APPRAISERS CONSULTANTS CONSULTANTS 350 GianCarLo PEtrELLa À la chasseGianCarL oau PEtr bonheurELLa I libri ritrovatiGianCar diLo Renzo PEtrELL Bonfigliolia À la chassee altri auepisodi bonheur ÀdiI libri lastoria ritrovatichasse del collezionismo di auRenzo bonheur Bonfiglioli italiano e altri episodi I libri ritrovatidel Novecento di Renzo Bonfiglioli di storia del collezionismo italiano Presentazionee altri di Dennisepisodi E. Rhodes del Novecento di storia del collezionismo italiano In 1963, Presentazionethe untimelydel Novecento di Dennis E.Johannes Rhodes Petri, c.