17°C—24°C Today D
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Titolo Anno Paese
compensi "copia privata" per l'anno 2018 (*) Per i film esteri usciti in Italia l’anno corrisponde all’anno di importazione titolo anno paese #SCRIVIMI ANCORA (LOVE, ROSIE) 2014 GERMANIA '71 2015 GRAN BRETAGNA (S) EX LIST ((S) LISTA PRECEDENTE) (WHAT'S YOUR NUMBER?) 2011 USA 002 OPERAZIONE LUNA 1965 ITALIA/SPAGNA 007 - IL MONDO NON BASTA (THE WORLD IS NOT ENOUGH) 2000 GRAN BRETAGNA 007 BERSAGLIO MOBILE (A VIEW TO A KILL) 1985 GRAN BRETAGNA 007 DOMANI NON MUORE MAI (IL) (TOMORROW NEVER DIES) 1997 GRAN BRETAGNA 007 SOLO PER I TUOI OCCHI (FOR YOUR EYES ONLY) 1981 GRAN BRETAGNA 007 VENDETTA PRIVATA (LICENCE TO KILL) 1989 USA 007 ZONA PERICOLO (THE LIVING DAYLIGHTS) 1987 GRAN BRETAGNA 10 CLOVERFIELD LANE 2016 USA 10 REGOLE PER FARE INNAMORARE 2012 ITALIA 10 YEARS - (DI JAMIE LINDEN) 2011 USA 10.000 A.C. (10.000 B.C.) 2008 USA 10.000 DAYS - 10,000 DAYS (DI ERIC SMALL) 2014 USA 100 DEGREES BELOW ZERO - 100 GRADI SOTTO ZERO 2013 USA 100 METRI DAL PARADISO 2012 ITALIA 100 MILLION BC 2012 USA 100 STREETS (DI JIM O'HANLON) 2016 GRAN BRETAGNA 1000 DOLLARI SUL NERO 1966 ITALIA/GERMANIA OCC. 11 DONNE A PARIGI (SOUS LES JUPES DES FILLES) 2015 FRANCIA 11 SETTEMBRE: SENZA SCAMPO - 9/11 (DI MARTIN GUIGUI) 2017 CANADA 11.6 - THE FRENCH JOB (DI PHILIPPE GODEAU) 2013 FRANCIA 110 E FRODE (STEALING HARVARD) 2003 USA 12 ANNI SCHIAVO (12 YEARS A SLAVE) 2014 USA 12 ROUND (12 ROUNDS) 2009 USA 12 ROUND: LOCKDOWN - (DI STEPHEN REYNOLDS) 2015 USA 120 BATTITI AL MINUTO (120 BETTEMENTS PAR MINUTE) 2017 FRANCIA 127 ORE (127 HOURS) 2011 USA 13 2012 USA 13 HOURS (13 HOURS: -
Negotiating the Non-Narrative, Aesthetic and Erotic in New Extreme Gore
NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture, and Technology By Colva Weissenstein, B.A. Washington, DC April 18, 2011 Copyright 2011 by Colva Weissenstein All Rights Reserved ii NEGOTIATING THE NON-NARRATIVE, AESTHETIC AND EROTIC IN NEW EXTREME GORE. Colva O. Weissenstein, B.A. Thesis Advisor: Garrison LeMasters, Ph.D. ABSTRACT This thesis is about the economic and aesthetic elements of New Extreme Gore films produced in the 2000s. The thesis seeks to evaluate film in terms of its aesthetic project rather than a traditional reading of horror as a cathartic genre. The aesthetic project of these films manifests in terms of an erotic and visually constructed affective experience. It examines the films from a thick descriptive and scene analysis methodology in order to express the aesthetic over narrative elements of the films. The thesis is organized in terms of the economic location of the New Extreme Gore films in terms of the film industry at large. It then negotiates a move to define and analyze the aesthetic and stylistic elements of the images of bodily destruction and gore present in these productions. Finally, to consider the erotic manifestations of New Extreme Gore it explores the relationship between the real and the artificial in horror and hardcore pornography. New Extreme Gore operates in terms of a kind of aesthetic, gore-driven pornography. Further, the films in question are inherently tied to their economic circumstances as a result of the significant visual effects technology and the unstable financial success of hyper- violent films. -
KPMG FICCI 2013, 2014 and 2015 – TV 16
#shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 kpmg.com/in ficci-frames.com We would like to thank all those who have contributed and shared their valuable domain insights in helping us put this report together. Images Courtesy: 9X Media Pvt.Ltd. Phoebus Media Accel Animation Studios Prime Focus Ltd. Adlabs Imagica Redchillies VFX Anibrain Reliance Mediaworks Ltd. Baweja Movies Shemaroo Bhasinsoft Shobiz Experential Communications Pvt.Ltd. Disney India Showcraft Productions DQ Limited Star India Pvt. Ltd. Eros International Plc. Teamwork-Arts Fox Star Studios Technicolour India Graphiti Multimedia Pvt.Ltd. Turner International India Ltd. Greengold Animation Pvt.Ltd UTV Motion Pictures KidZania Viacom 18 Media Pvt.Ltd. Madmax Wonderla Holidays Maya Digital Studios Yash Raj Films Multiscreen Media Pvt.Ltd. Zee Entertainmnet Enterprises Ltd. National Film Development Corporation of India with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars FICCI-KPMG Indian Media and Entertainment Industry Report 2015 with KPMG International Cooperative (“KPMG International”), a Swiss entity. All rights reserved. entity. (“KPMG International”), a Swiss with KPMG International Cooperative © 2015 KPMG, an Indian Registered Partnership and a member firm of the KPMG network of independent member firms affiliated and a member firm of the KPMG network of independent member firms Partnership KPMG, an Indian Registered © 2015 #shootingforthestars: FICCI-KPMG Indian Media and Entertainment Industry Report 2015 Foreword Making India the global entertainment superpower 2014 has been a turning point for the media and entertainment industry in India in many ways. -
Annual Report of Utv Software Communications Limited for Financial Year 2013-14
ANNUAL REPORT 2013-14 ANNUAL REPORT OF UTV SOFTWARE COMMUNICATIONS LIMITED FOR FINANCIAL YEAR 2013-14 1 UTV SOFTWARE COMMUNICATIONS LIMITED ANNUAL REPORT 2013-14 CONTENTS Sr. Particulars Page No. No. 1 Company Information 3 2 Report of the Board of Directors 4 3 Auditors’ Report 13 4 Balance Sheet 16 5 Statement of Profit and Loss 17 6 Cash Flow Statement 18 7 Notes forming part of Financial Statements 20 8 Annual Report of Subsidiary Companies i. UTV Global Broadcasting Limited 48 ii. Genx Entertainment Limited 78 iii. UTV Entertainment Television Limited 106 iv. UTV New Media Limited 134 v. Indiagames Limited 157 vi. IG Interactive Entertainment Limited 185 vii. Ignition Entertainment Limited - (UK) 193 viii. Ignition Entertainment Limited (USA) 200 ix. Ignition London Limited 203 x. UTV Communications (USA) LLC 209 xi. UTV Games Limited 213 xii. True Games Interactive 221 9 Subsidiaries Information 224 2 3 ANNUAL REPORT 2013-14 Company Information NAME OF THE COMPANY UTV SOFTWARE COMMUNICATIONS LIMITED REGISTRATION NO. OF THE COMPANY U72200MH1990PLC056987 DATE OF INCORPORATION June 22, 1990 REGISTERED OFFICE 1st Floor, Bldg No. 14, Solitaire Corporate Park Guru Hargovindji Marg, Chakala, Andheri (E), Mumbai 400 093 BOARD OF DIRECTORS Mr. Siddharth Roy Kapur–Managing Director Mr. Nimish Shah- Director Mr. Charles Jacob– Director Mr. Sujit Vaidya – Director STATUTORY AUDITORS M/s. Price Waterhouse & Co., Bangalore Chartered Accountants 252, Veer Savarkar Marg, Shivaji Park, Dadar Mumbai-400028 REGISTRAR AND TRANSFER AGENT M/s. Karvy Computershare Private Limited, Plot No. 17 to 24, Near Image Hospital, Vittalrao Nagar, Madhapur, Hydrabad – 500081 Tel No. 0402420815-28 Fax No. -
Jigsaw: Torture Porn Rebooted? Steve Jones After a Seven-Year Hiatus
Originally published in: Bacon, S. (ed.) Horror: A Companion. Oxford: Peter Lang, 2019. This version © Steve Jones 2018 Jigsaw: Torture Porn Rebooted? Steve Jones After a seven-year hiatus, ‘just when you thought it was safe to go back to the cinema for Halloween’ (Croot 2017), the Saw franchise returned. Critics overwhelming disapproved of franchise’s reinvigoration, and much of that dissention centred around a label that is synonymous with Saw: ‘torture porn’. Numerous critics pegged the original Saw (2004) as torture porn’s prototype (see Lidz 2009, Canberra Times 2008). Accordingly, critics such as Lee (2017) characterised Jigsaw’s release as heralding an unwelcome ‘torture porn comeback’. This chapter will investigate the legitimacy of this concern in order to determine what ‘torture porn’ is and means in the Jigsaw era. ‘Torture porn’ originates in press discourse. The term was coined by David Edelstein (2006), but its implied meanings were entrenched by its proliferation within journalistic film criticism (for a detailed discussion of the label’s development and its implied meanings, see Jones 2013). On examining the films brought together within the press discourse, it becomes apparent that ‘torture porn’ is applied to narratives made after 2003 that centralise abduction, imprisonment, and torture. These films focus on protagonists’ fear and/or pain, encoding the latter in a manner that seeks to ‘inspire trepidation, tension, or revulsion for the audience’ (Jones 2013, 8). The press discourse was not principally designed to delineate a subgenre however. Rather, it allowed critics to disparage popular horror movies. Torture porn films – according to their detractors – are comprised of violence without sufficient narrative or character development (see McCartney 2007, Slotek 2009). -
Sharad Kelkarguest INTERVIEW
PVR MOVIES FIRST VOL. 23 YOUR WINDOW INTO THE WORLD OF CINEMA SEPTEMBER 2017 TOTAL RECALL: guest GUNS BLAZING: interview SEVEN BEST HEIST SHARAD MOVIES KELKAR THE BEST NEW MOVIES PLAYING THIS MONTH: JUDwaa 2, HASEENA PARKAR, IT, LOGAN LUCKY GREETINGS ear Movie Lovers, Revisit “The Apartment , “ a classic romantic comedy directed by Billy Wilder . Here’s the September edition of Movies First, your exclusive window to the world of cinema. T ake a peek at the life and films of legendary lyricist and filmmaker Gulzar , and join us in wishing Hollywood This month is packed with high-octane thrillers. superstar Keanu Reeves a Happy Birthday. Watch the Kingsman spies match wits and strength We really hope you enjoy the issue. Wish you a fabulous with a secret enemy. Arjun Rampal portrays the dark month of movie watching. life of mafia don Arun Gawli in “Daddy,” while Shraddha Kapoor traces the journey of crime queen “Haseena Regards Parkar .” Ajay Devgn pulls off a daring 70s-style heist Gautam Dutta in “Baadshaho.” CEO, PVR Limited USING THE MAGAZINE We hope youa’ll find this magazine easy to use, but here’s a handy guide to the icons used throughout anyway. You can tap the page once at any time to access full contents at the top of the page. PLAY TRAILER SET REMINDER BOOK TICKETS SHARE PVR MOVIES FIRST PAGE 2 CONTENTS London’s top spies The Kingsman are back with a new adventure. Turn the pages to get a peek inside their new mission. Tap for... Tap for... Movie OF THE MONTH GUEST INTERVIEW Tap for.. -
Utv Software Communications Limited Annual Report of Utv Software Communications Limited for Financial Year 2011-2012 Contents
Annual Report 2011-12 U7V UTV SOFTWARE COMMUNICATIONS LIMITED ANNUAL REPORT OF UTV SOFTWARE COMMUNICATIONS LIMITED FOR FINANCIAL YEAR 2011-2012 CONTENTS Sr. Particulars No. 1 Company Information 2 Report of the Board of Directors 3 Auditors’ Report 4 Balance Sheet 5 Statement of Profit and Loss. 6 Cash Flow Statement 7 Notes forming part of Financial Statements 8 Annual Report of Subsidiary Companies UTV Global Broadcasting Limited ii Genx Entertainment Limited and iii UTV Entertainment Television Limited iv UTV TV Content Limited v RB Entertainment Limited, vi Vikatan UTV Content Limited vii UTV Tele Talkies Limited viii First Future Agri& Developers Limited ix UTV New Media Limited x Indiagames Limited xi Screenshot Television Limited xii IG Interactive Entertainment Limited xiii Ignition Entertainment Limited- (UK) xiv Ignition Entertainment Limited (USA) xv Ignition London Limited xvi UTV Communications (USA) LLC xvii UTV Games Limited xviii True Games Interactive 9 Subsidiaries Information Company Information NAME OF THE COMPANY UTV SOFTWARE COMMUNICATIONS LIMITED REGISTRATION NO. OF THE COMPANY U 7 2200MH1990PLC056987 DATE OF INCORPORATION June 22, 1990 BOARD OF DIRECTORS Mr. Siddharth Roy Kapur - Managing Director Mr. Nimish Shah - Director Mr. Nitin Chawla - Director STATUTORY AUDITORS M/s. Price Waterhouse & Co., Chartered Accountants 252, Veer Savarkar Marg, Shivaji Park, Dadar Mumbai -400 028 REGISTRAR AND TRANSFER AGENT Karvy Computershare Private Limited Plot No. 17 to 24, Near Image Hospital Vittalrao Nagar, Madhapur, Hyderabad - 500081. Tel No. 040 242 0815-28 Fax No. 040 2340814/23420857 BANKERS Standard Chartered Bank Deutsche Bank Axis Bank Yes Bank Citi Bank HSBC Syndicate Bank REGISTERED OFFICE 1181-82, BldgNo. -
7 Best WAR Movies of ALL Time Akshay Oberoi
PVR MOVIES FIRST VOL. 22 YOUR WINDOW INTO THE WORLD OF CINEMA AUGUST 2017 TOTAL RECALL: 7 BEST WAR MOVIES OF ALL TIME ST gue VIew Inter HAY AKS I OBERO THE BEST NEW MOVIES PLAYING THIS MONTH: HASEENA PARKAR, ATOMIC BLONDE, LOGAN LUCKY GREETINGS ear Movie Lovers, Revisit Alfred Hitchcock’s “North by Northwest,” a masterpiece with a comic touch . Here’s the August edition of Movies First, your exclusive window to the world of cinema. Take a peek at thelife and films of legendary filmmaker OrsonWelles,andjoinusinwishingHollywoodheartthrob It’s the season of fresh ideas! Akshay Kumar and Bhumi BenAffleckaHappyBirthday. Pedneker’s satire “Toilet: Ek Prem Katha” promises clean Wereallyhopeyouenjoytheissue.Wishyouafabulous good fun with a strong social message. month of movie watching. Sparks fly when a glib guide meets a Gujarati tourist in “JabHarryMetSejal.”AkshayOberoi,whoplaysthelead Regards rolein“Gurgaon,”takesusbehindthescenesofthisgritty thriller.Keeptheadrenalineflowingwithourlistof7war GautamDutta movies that rocked the screen. CEO,PVRLimited USING THE MAGAZINE We hope youa’ll find this magazine easy to use, but here’s a handy guide to the icons used throughout anyway. You can tap the page once at any time to access full contents at the top of the page. PLAY TRAILER SET REMINDER BOOK TICKETS SHARE PVR MOVIES FIRST PAGE 2 CONTENTS Keshavisonamissiontoaatoiletinhisvillage.Willhesucceed? Tap for.. -
The Contemporary American Horror Film Remake, 2003-2013
RE-ANIMATED: THE CONTEMPORARY AMERICAN HORROR FILM REMAKE, 2003-2013 Thesis submitted by Laura Mee In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2014 Abstract This doctoral thesis is a study of American horror remakes produced in the years 2003-2013, and it represents a significant academic intervention into an understanding of the horror remaking trend. It addresses the remaking process as one of adaptation, examines the remakes as texts in their own right, and situates them within key cultural, industry and reception contexts. It also shows how remakes have contributed to the horror genre’s evolution over the last decade, despite their frequent denigration by critics and scholars. Chapter One introduces the topic, and sets out the context, scope and approach of the work. Chapter Two reviews the key literature which informs this study, considering studies in adaptation, remaking, horror remakes specifically, and the genre more broadly. Chapter Three explores broad theoretical questions surrounding the remake’s position in a wider culture of cinematic recycling and repetition, and issues of fidelity and taxonomy. Chapter Four examines the ‘reboots’ of one key production company, exploring how changes are made across versions even as promotion relies on nostalgic connections with the originals. Chapter Five discusses a diverse range of slasher film remakes to show how they represent variety and contribute to genre development. Chapter Six considers socio-political themes in 1970s horror films and their contemporary post-9/11 remakes, and Chapter Seven focuses on gender representation and recent genre trends in the rape-revenge remake. -
Locations in Toronto for Horror Movies
Locations in Toronto for Horror Movies The films on this list feature locations in and around Toronto. Where a specific site has been identified by the IMDb database or other sources, it is listed, but there could be additional unidentified sites as well. There are dozens of other horror films with unspecified locations in Toronto, which I have included on my other list, “Horror Films in Toronto with Unspecified Locations.” Note: It’s not easy to draw a hard line to distinguish what is and isn’t horror. These films span a number of genres that intersect with horror, the supernatural, dark fantasy, or comedic horror. American Psycho (2000) dir. Mary Harron starring Christian Bale, Justin Theroux, Josh Lucas • The Senator Restaurant, 249 Victoria Street – DOWNTOWN TORONTO MAP • Phoenix Concert Theater, 410 Sherbourne Street – UNIVERSITY OF TORONTO AREA MAP • The Ballroom, 145 John Street (formerly Montana Restaurant Bar) – DOWNTOWN TORONTO MAP • Biff’s Bistro, 4 Front Street E. (formerly Boston Club) – DOWNTOWN TORONTO MAP • Fune Japanese Restaurant, 100 Simcoe Street (formerly Monsoon Restaurant) – DOWNTOWN TORONTO MAP • Cabbagetown neighbourhood (unspecified location) – UNIVERSITY OF TORONTO AREA MAP • Pearl Street (unspecified location) – DOWNTOWN TORONTO MAP American Pyscho II: All American Girl (2002) dir. Morgan J. Freeman starring Mila Kunis, William Shatner, Geraint Wyn Davies • unspecified Toronto locations Anonymous Rex (2004) dir. Julian Jarrold starring Sam Trammell, Daniel Baldwin, Stephanie Lemelin, Tamara Gorski • Cloud Forest Conservatory, 14 Temperance Street – funeral scene – DOWNTOWN TORONTO MAP The Believers (1987) dir. John Schlesinger starring Martin Sheen, Helen Shaver, Harley Cross, Robert Loggia • Toronto City Hall, 100 Queen Street W. -
From Shakespearean Text to Cinema: a Study of Select Dramaturgic Adaptations
FROM SHAKESPEAREAN TEXT TO CINEMA: A STUDY OF SELECT DRAMATURGIC ADAPTATIONS THESIS SUBMITTED FOR THE AWARD OF THE DEGREE OF Doctor of philosophy In English By FATIMAH JAVED UNDER THE SUPERVISION OF PROF. SAMINA KHAN DEPARTMENT OF ENGLISH ALIGARH MUSLIM UNIVERSITY ALIGARH-202002 (U.P) INDIA 2017 Professor Samina Khan Department of English Aligarh Muslim University, Aligarh Phone No: 09997398308 [email protected] Certificate Certified that the thesis entitled “From Shakespearean Text to Cinema: A Study of Select Dramaturgic Adaptations” submitted by Ms. Fatimah Javed for the award of the degree of the Doctor of Philosophy is an original work carried out under my supervision and has not been submitted, in part or full, to this University or any other University. Prof. Samina Khan Date: Supervisor Acknowledgements I am sincerely indebted to all those people who have helped, guided and encouraged me while I was working on my thesis. First and foremost, I thank my supervisor, Prof. Samina Khan who appreciated the idea and supported me at each and every phase of my research. I owe her my heartfelt gratitude for being there as my guide. This work would not have been possible without her able guidance and support. I would like to thank the Chairperson, Department of English, for her help and support. I would also like to extend a big thanks to Dr. Jawed S. Ahmad for his diligent proofreading of my various chapters. I am equally thankful to Dr. Akbar Joseph A. Syed and Dr. Rashmi Attri for their valuable suggestions and feedback. I also thank my friend Dr. -
The Development and Implementation of Tobacco-Free Movie Rules in India
THE DEVELOPMENT AND IMPLEMENTATION OF TOBACCO-FREE MOVIE RULES IN INDIA Amit Yadav, Ph.D. Stanton A. Glantz, Ph.D. Center for Tobacco Control Research and Education School of Medicine University of California, San Francisco San Francisco, CA 94143-1390 December 2020 THE DEVELOPMENT AND IMPLEMENTATION OF TOBACCO-FREE MOVIE RULES IN INDIA Amit Yadav, Ph.D. Stanton A. Glantz, Ph.D. Center for Tobacco Control Research and Education School of Medicine University of California, San Francisco San Francisco, CA 94143-1390 December 2020 This work was supported by National Cancer Institute grant CA-087472, the funding agency played no role in the conduct of the research or preparation of the manuscript. Opinions expressed reflect the views of the authors and do not necessarily represent the sponsoring agency. This report is available on the World Wide Web at https://escholarship.org/uc/item/75j1b2cg. 1 EXECUTIVE SUMMARY • The Indian film industry releases the largest number of movies in the world, 1500-2000 movies in Hindi and other regional languages, which are watched by more than 2 billion Indian moviegoers and millions more worldwide. • The tobacco industry has been using movies to promote their products for over a century. • In India, the Cinematograph Act, 1952, and Cable Television Networks Amendment Act, 1994, nominally provide for regulation of tobacco imagery in film and TV, but the Ministry of Information and Broadcast (MoIB), the nodal ministry, has not considered tobacco imagery. • The Cigarettes and Other Tobacco Products Act, 2003 (COPTA), enforced by the Ministry of Health and Family Welfare (MoHFW), prohibited direct and indirect advertisement of tobacco products.