Museumsquartier #Toolbox17 8/11 2017– 28/1 2018 Kunsthalle Wien 4 3 1 2 What is the role of art publishing today? How have On a social level, it is an important year that marks artists adapted modes of publishing as a tool the invention of the World Wide Web. for their specific practice? How has the notion The project, like a toolbox itself, is composed of the artists' publishing activity changed, given of different parts, sections, and components. the ever-increasing amount of fairs and an evolving Publishing as an Artistic Toolbox: 1989–2017 opens number of book-related collections in contemporary up and unfolds through different propositions, art museums? partly by material exhibits on display, partly through Publishing has become, especially since the presentation of time-based events, as well as the 1960s, a favourite site and medium for aesthetic through an offsite project. The white cube is perhaps and artistic experimentation. It has also become not the ideal space for experiencing books, which, an alternative space for promoting unrestricted in contrast to the collective reception of film and individual or collective discourse. New modes and music, remains largely an individual affair. Rather approaches to publishing in an artistic context have than transform the white cube into a library or been renegotiated in recent times. Publishing is reading room, the exhibition acts as an index and a force of agency to be reckoned with, questioned, invites visitors to experience the materials presented explored and debated in all its manifestations. outside of the institutional space. It intends to The multi-part exhibition project Publishing as function rather like a three dimensional bibliography an Artistic Toolbox: 1989–2017 aims at exploring as opposed to an encyclopaedic approach to the potentials of publishing – in the form of books, understanding the multitude methodologies of magazines, journals, artistic interventions, publishing. Therefore, the exhibition space itself websites – as a particular medium and context both is an archipelago divided into different areas each to circulate information and knowledge – and to one devoted to a specific topic related to our interest produce art. in the subject. The exhibition aims to provide Instead of looking at the already historicized an accessibility, which differs from a superficial and analyzed period of the 1960s and 1970s, experience of flipping through books by offering the exhibition will highlight how a recent generation the audience a contextualization through captions, of artists uses publishing as a productive tool for their descriptions and texts written by the artists. practice. The focus lies on the period from 1989 until The notion of artists' publishing activities have 2017, taking 1989 as symbolic date to underline the changed over the past decades, in particular with shift from analogue to digital. On a political level, 1989 the expansion of the art market and the globalization with the fall of the wall marks a significant date. of artistic practices, combined with the advent

of the digital and the introduction of new modes of production and circulation. Most of the materials included in the exhibition present how print and digital projects employ experimental formats and blur distinctions between art press, curatorial experiments, and other publishing enterprises. Publishing as an Artistic Toolbox: 1989–2017 is more focused on showcasing examples of art publishing which can offer insights into the ways artists think and into the infinite possibilities for experimentation on the formal, social and political levels this medium can offer. The exhibition display – a collaboration between design studio Dallas and the collective trio Rio Grande – results from the desire to translate an experience into space: the concept of “home”, in this case metonymically recalled by roofs, refers to an individual and common ritual, one of reading. The roof tile becomes a foundational element, acting both in its traditional form and as a support for the content. Allowing the creation of a modular, potentially replicable, infinite structure, and building a functional – enhanced by a custom typeface used in the exhibition graphics – yet playful environment. NICOLAS BOURRIAUD, Traffic, Bordeaux: CAPC Artists’ Library Musée d´art contemporain, 1996 ELEANOR BROWN, The Newspaper, : Art After Parties, 2007 KWAME ANTHONY APPIAH, HENRY LOUIS GATES MARIE DE BRUGEROLLE, Guy de Cointet, Zurich: JR., The Dictionary of Global Culture, New York: JRP|Ringier, 2011 Alfred A. Knopf, 1996 CHRIS BURDEN, Chris Burden: 74–77, CORY ARCANGEL, The Source Digest, New York: self-published, 1978 Arcangel Surfware, 2017 JOHN CAGE, Notations, New York: Something Else TAUBA AUERBACH, Z Helix, New York: Diagonal Press, 1969 Press, 2014 JOHN CAGE, Rolywholyover - A Circus, Los Angeles: JULIE AULT, In Part. Writings by Julie Ault, Museum of Contemporary Art/Houston: Menil New York: Dancing Foxes Press, Galerie Collection/New York: Guggenheim Museum/New Buchholz, 2017 York: Rizzoli International Publications, 1993 JULIE AULT, (FC) Two Cabins by JB, New York: ROGER CAILLOIS, La Lecture des Pierres, : A.R.T. Press, 2011 Éditions Xavier Barral, 2014 DARREN BADER, 77 and/or 58 and/with 19, ROBERTO CALASSO, The Ruin of Kasch, New York: New York: Primary Information, 2015 Vintage, 1994 J. G. BALLARD, Millennium People, London: ITALO CALVINO, If on a Winter’s Night a Traveller, Flamingo Books, 2003 London: Vintage Classics, 1996 MARTIN BECK, June 14–19, 1970, London: DALE CARNEGIE, How to Stop Worrying and Start Gasworks, 2008 Living, New York: Pocket Books, 1990 THOMAS BERNHARD, The Loser, New York: Alfred CYNTHIA CARR, Fire in the Belly: The Life and Times A. Knopf, 1991 of David Wojnarowicz, New York: Bloomsbury, 2012 ASHLEY BICKERTON, Ashley Bickerton, London: FRANCO CASSANO, Il pensiero meridiano, : Other Criteria, 2011 Editori Laterza, 1996 HARTMUT BÖHME, Fetischismus und Kultur. Eine MARIANA CASTILLO DEBALL, Ixiptla Volume I, andere Theorie der Moderne, : Rowohlt Berlin: Bom Dia Boa Tarde Boa Noite, 2014 Taschenbuchverlag, 2006 MAURIZIO CATTELAN, MASSIMILIANO GIONI, PIERRE BOURDIEU, Manet. Eine symbolische ALI SUBOTNICK, Charley 05, Athens: Deste Revolution, Berlin: Suhrkamp Verlag, 2015 Foundation for Contemporary Art, 2007

ALEJANDRO CESARCO, Dedications, New York: RALPH ELLISON, Three Days before the Shooting …, A.R.T. Press, 2003 New York: Random House, 2010 LARRY CLARK, Punk Picasso, New York/London: HANS PETER FELDMANN, Die Toten 1967–1993, AKA Editions, 2003 Düsseldorf: Feldmann Verlag, 1998 CLAUDE CLOSKY, Marque-page [Bookmark], Paris: Feux Pâles: une pièce à conviction, Bordeaux: Beaux-Arts éditions, 2015 CAPC musée d’art contemporain de Bordeaux, KEREN CYTTER, A–Z Life Coaching, Berlin: 1990 Sternberg Press, 2016 G. K. FORTESCUE, R. F. SHARP, R. A. MICHAEL DEAN, Symmetry of Intimacy, STREATFIELD, W. A. MARSDEN, Catalogue of An Introduction to the Principles of Symmetrical the Pamphlets, Books, Newspapers, and Intimacy Vol. I, Freiburg: Kunstverein Freiburg, Manuscripts Relating to the Civil War, the 2011 Commonwealth, and Restoration, Collected by GEORGES DIDI-HUBERMAN, Survivance des George Thomason, 1640–1661, 2 vols. London: lucioles, Paris: Editions de Minuit, 2009 British Museum, 1908 DIRK DOBKE, Dieter Roth: Books and Multiples, PETER FRIEDL, Peter Friedl. Work 1964–2006, Düsseldorf: Edition Hansjörg Mayer/London: Barcelona: Actar/Museu d’Art Contemporani de Thames & Hudson, 2004 Barcelona, 2007 JASON DODGE, PAUL THEK, Water Paper Cut, LEE FRIEDLANDER, Letters from the People, Berlin: Motto, 2017 New York: D.A.P./Distributed Art Publishers, 1993 NATHALIE DU PASQUIER, From Some Paintings FRIEZE ART FAIR, Yearbook 2004–5, London: 2000–2010, Rome: Nero Publishing, 2017 Frieze Art Fair, 2004 JIMMIE DURHAM, A Certain Lack of Coherence: RYAN GANDER, Fieldwork, The Complete Reader, Writings on Art and Cultural Politics, London: London: Bedford Press, 2016 Third Text Publications, 1993 DORA GARCÍA, The Prophets, Santiago OSWALD EGGER, Diskrete Stetigkeit – Poesie und de Compostela: CGAC Galician Centre Mathematik, Frankfurt am Main: Suhrkamp of Contemporary Art, 2006 Verlag (Edition Unseld), 2008 , BEATRIX RUF, Isa Genzken. I Love E-FLUX Journal, print on demand issues, e.g. #17, New York, Crazy City, Zurich: JRP|Ringier, 2006 In Search of the Postcapitalist Self, June 2010 LIAM GILLICK, All Books, London: Book Works, 2009 NICOLE EISENMAN, Consciousness Razing, KENNETH GOLDSMITH, Soliloquy, New York: Flypaper 4, : Flypaper, 2008 Editions Bravin Post Lee, 1997 FELIX GONZALEZ-TORRES, Untitled (Passport #II), BRIAN KENNON, KIM GORDON, Altered 1993 Secession Catalogue – Michael Krebber RODNEY GRAHAM, Dr. No, New York: Christine (Gordon/Kennon), Los Angeles: 2nd Cannons Burgin Gallery, 1991 Publications, 2014 ANTONIO GRAMSCI, Quaderni del carcere, Vol. 4, BEN KINMONT, Open by Chance & Appointment, Rome: Biblioteca Treccani/Cagliari: L’Unione Sebastopol: Antinomian Press, 2015 Sarda, 2009 MARTIN KIPPENBERGER, William Holden ANTONIO GRAMSCI, Quaderni del carcere. Company: The Hot Tour, Berlin: Wewerka & Quaderni di traduzioni (1929–1932), Vol. 1, Rome: Weiss, 1991 Istituto della Enciclopedia Italiana, 2007 MARTIN KIPPENBERGER, Ten Years After…, NICOLÁS GUAGNINI, The Seven Reviews of Cologne: Taschen, 1991 Monkeys and Shit, New York: Union Guacha REM KOOLHAAS, BRUCE MAU, S, M, L, XL, Productions, 2004 New York: Monacelli Press, 1997 KARL HOLMQVIST, Word Squares, Geneva: YAYOI KUSAMA, Hustlers Grotto, Berkeley: Motto Books & Compagnia, 2017 Wandering Mind Books, 1998 JENNY HOLZER, Truisms, New York, 1978–87 La Repubblica (black and white) / La Repubblica TAKASHI HOMMA, Tokyo and my Daughter, Zurich: (colored), July 15, 2007 Nieves, 2006 FERNANDA LAGUNA, Autoayuda, Buenos Aires: MYLES HORTON, PAULO FREIRE, We Make Belleza y Felicidad, 1999 the Road by Walking: Conversations on Education PIERRE LEGUILLON, Oracles – Artists’ Calling and Social Change, Philadelphia: Temple Cards, Zurich: Patrick Frey, 2017 University Press, 1990 JOCHEN LEMPERT, Phenotype, Cologne: Verlag MICHEL HOUELLEBECQ, Whatever, London: der Buchhandlung Walther König, 2013 Serpent’s Tail, 1998 CLARICE LISPECTOR, The Complete Stories, JULIAN IRLINGER, Byproducts / Matters, Leipzig: New York: New Directions, 2015 Spector Books, 2016 CLARICE LISPECTOR, Água Viva, New York: EMILY JACIR, Translatio, Rome: Nero Publishing, 2016 New Directions, 2012 B. S. JOHNSON, The Unfortunates, New York: ARI MARCOPOULOS, ANYWAY, New York: New Directions, 2008 Dashwood Books, 2012 MIKE KELLEY, PAUL MCCARTHY, Sod & Sodie Sock, DAVID MARKSON, This is Not a Novel and Other Vienna: Secession 1998 Novels, Berkeley: Counterpoint, 2016

STEPHEN A. MARSHALL, Flies: The Natural History GRAZIELLA PARATI, Migration : The Art of and Diversity of Diptera, Richmond Hill: Firefly Talking Back in a Destination Culture, Toronto: Press Ltd., 2012 University of Toronto Press, 2005 HARRY MATHEWS, GEORGES PEREC, Roussel MARTIN PARR, GERRY BADGER, The Photobook: und Venedig, Berlin: Edition Plasma, 1991 A History Volume I, II and III, London: Phaidon, ROGER E. MILES, Symmetric Bends: How to Join 2004, 2006, 2014 Two Lengths of Cord, Singapore: World Scientific MICHALIS PICHLER, “WAR”diary, Frankfurt am Publishing, 1995 Main: Revolver, 2005 ALEKSANDRA MIR, ‘Venezia’ by Venice: La Biennale CESARE PIETROIUSTI, Non-functional Thoughts, di Venezia, Venice, 2009 Naples: Studio Morra, 1997 JONATHAN MONK, Cover Version, London: Book RICARDO PIGLIA, El último lector, Barcelona: Works, 2004 Edition Anagrama, 2005 R. A. MONTGOMERY, Journey Under the Sea PETER PILLER, Von Erde schöner, Frankfurt am (Choose Your Own Adventure), New York: Main: Revolver, 2004 Bantam Books, 1977 RICHARD PRINCE, American English, London: JEAN-LUC MYLAYNE, Jean-Luc Mylayne, Paris: Sadie Coles HQ/Cologne: Verlag der Buchhandlung Musee d’Art Moderne de la Ville de Paris, 1995 Walther König, 2003 EILEEN MYLES, Not Me (Native Agents), ROB PRUITT, Rob Pruitt’s eBay Flea Market: Year 1, Los Angeles: Semiotext(e) / Native Agents, 1991 Venice: Bruno, 2015 MARC NAGTZAAM, Not Available, Amsterdam: FLORIAN PUMHÖSL, 6 7 8, mumok Wien, Cologne: Roma Publications, 2014 Verlag der Buchhandlung Walther König, 2011 OLAF NICOLAI, Il Diario del Vento / Wind Diary, MAX RENKEL, Pine Valley, Materia, Rom, 2016 Rome: Nero Publishing, 2016 JASON R. RICH: Self-Publishing For Dummies, JEFF NOON, Pixel Juice, New York: Doubleday, 1998 New York: Wiley Publishing, 2006 SOPHIE NYS, Buch, Livre, Libro, Zurich: Archiv, MICHAEL RIEDEL, Artforum (verpackt), 2015 Self-published, 1999 SOPHIE NYS, Sitzen ist das neue rauchen, Zurich: MICHAEL RIEDEL, Fuchs, London: Koenig Books, 2017 Grotto, 2015 MICHAEL RIEDEL, Meckert, London: Koenig Books, ELAINE PAGELS, Revelations: Visions, Prophecy, 2009 and Politics in the Book of Revelation, London: MICHAEL RIEDEL, Muster des Kunstsystems, Berlin: Penguin, 2013 Distanz, 2017 MICHAEL RIEDEL, Perlstein, London: Koenig KLAUS THEWELEIT, CA: Buch der Königstöchter. Books, 2011 Von Göttermännern und Menschenfrauen. MICHAEL RIEDEL, DENNIS LOESCH, Mythenbildung vorhomerisch, amerikanisch, Quasi Portikus (False Frieze Art Fair Yearbook), Frankfurt am Main/Basel: Stroemfeld, 2013 Berlin: Revolver, 2004 The Antinomian Press, Sebastopol: Antinomian WILLEM DE ROOIJ, Intolerance, Düsseldorf: Verlag Press, 2016 Feymedia, 2010 The New York Times Special Edition (“All the News MARGIT ROWELL, The Russian Avant Garde Book We Hope to Print”), Self-published, 2008 1910–1934, New York: Museum of Modern Art, (distributed November 2008, dated July 4, 2009) 2002 THE UNIVERSITY OF PRESS ALLEN RUPPERSBERG, A Different Kind of EDITORIAL STAFF, The Chicago Manual of Style, Never-Never-Land, Amsterdam: De Appel, 1992 17th Edition, Chicago: University Of Chicago GUY SCHRAENEN, Ulises Carrion. We have won! Press, 2017 Haven’t we?, Amsterdam: Museum Fodor, 1992 R. DAVID THOMAS, Dave’s Way, New York: Berkley, YANN SÉRANDOUR, Inside The White Cube. 1992 Overprinted Edition, Zurich: JRP|Ringier/ BLAIR THURMAN, Blair Thurman, New York: Karma, Christoph Keller Editions Series, 2009 2015 MARY SHELLEY, Frankenstein, New York: Dover JOËLLE TUERLINCKX, Study Book (Drawing Publications, 1994 Papers 59), New York: Drawing Center, 2007 ED SIMON, The Necronomicon, New York: MARTIN TUPPER, Le mode story (Collection Yoon Avon, 1980 Ja & Paul Devautour), Lyon: Editions Centre d’Arts JOSH SMITH, The Signing, New York: Printed Plastiques de Saint-Fons, 1995 Matter, 2008 PAUL VALÉRY, Monsieur Teste, Frankfurt am Main: SOL LEWITT, Sol LeWitt Books 1966–1990, Cologne: Suhrkamp Verlag, 2011 Verlag der Buchhandlung Walther König, 1990 ROWAN WALKING WOLF, HARUN HIGHMOUNTAIN, DANIELA STÖPPEL, Visuelle Zeichensysteme der Edible, Medicinal and Utilitarian Plants. Volume 1: Avantgarden 1910–1950, : Edition Metzel, “Weed” & Common Plants, Yggdrasil Distro, 2014 Anti-copyright, 2009 TEMPORARY SERVICES, Art Work. A National MICK WALL, W.A.R.: The Unauthorized Biography Conversation About Art, Labor, and Economics, of William Axl Rose, New York: St. Martin’s Griffin, Chicago: Half Letter Press, 2009 2009

DAN WALSH, Textiline, Self-published, 2008 GENNIFER S. WEISENFELD, Mavo: Japanese Artist-run Artists and the Avant-Garde, 1905–1931, Berkeley: University of California Press, 2002 ROGER WILLEMS, MARK MANDERS, Magazines Os livros fazem amigos – Books Make Friends, Amsterdam: Roma Publications, 2006 DAVID WOJNAROWICZ, Close to the Knives: The Magazine A Memoir of Disintegration, New York: Vintage, 1991 CHRISTOPHER WOOL, East Broadway Breakdown, Berlin: Holzwarth Publications, 2003 as Medium HEIMO ZOBERNIG, Books & Posters. Catalogue raisonné 1980–2015, ed. Diana Baldon, Moritz Küng, Cologne: Verlag der Buchhandlung ACME, #1,1992; #2, 1992 Walther König, 2016 ALBUM, #3, 2009; #6, 2012 A.N.Y.P., #1, 1989; #9, 1999 1989: Collins Mini Gem English Dictionary. AHALI, #1, 2013 Given away as part of washing powder ARTFAN, #5, 1991 (copy 2017); #6, 1992 promotion. (Included in box of washing powder) AVE, #1, 2017 1989–1997: The publication of countless BLACK PAGES, #63; #64, 2015 Conservative Party white papers, which led to CAHIER D’IMAGES, Emotions, #6, 2006 the closure of our communities libraries and the CHARLEY, #1, 2001; #3, 2003 subsequent book famine of Newcastle Upon Tyne CHICAGO, #1, 2002 City Library. CLUB DONNY, #5, 2010 CHTO DELAT?, #6, 2004; #19, 2008 FIVEHUNDRED PLACES, founded in 2012 CRIP MAGAZINE, #2 2017 HANUMAN BOOKS, founded in 1986 until 1994 DANK, #3, 1991; #6, 1992 THE SONG CAVE, founded in 2009 LE DICTATEUR, #1, 2006; #4, 2013 DIS MAGAZINE, http://dismagazine.com/archive DOT DOT DOT, #13, 2006; #14, 2007 E IL TOPO, #1, 1992; #12, 2012 EAST OF BORNEO, https://eastofborneo.org PETUNIA, #5, 2013; #6, 2014 ECOCORE, #5, 2016 POINT D’IRONIE, #60, 2017 EINE, #2, 2009; #3, 2010 PROVENCE, R, 2009; 0, 2010 FAT, #2, 1995/1996; #3, 1997 RANDY MAGAZINE, #1, 2010; #4, 2013 FFWD, #5, 2008/2009; B.O.B., 2010 REAL LIFE MAGAZINE, #19, 1988/1989; #20, 1990 FIG, #31, 2017 REGINA, #2, 1997; #4, 2000 FILE MEGAZINE, #29, 1989 ROSES TATOUÉES, #1, 2002; #13, 2017 F.R. DAVID, #1, 2007; #2, 2008 SCHISM, #18, 1989; #24, 1990 FREE INTERNET, #1, 2009; Omega Point SEX, #1–#10, 2012–2015 (unreleased) SKULPI, #1, 2010; #3, 2015 GRASSO, #1, 2016 STARSHIP, #2, 1999; #10, 2007 HERESIES, #1, 1977; #8, 1979 SUBWAY, #1, 2014; #9, 2016 HEYT BE!, #5, 2013; #8, 2016 TELLUS, #11, 1981; #20, 1988 INDEX, #1, 1996; #26, 2000 THE CRITICAL ASS, #2, 2013; #5, 2015 ITEM, #1, 1995; #6, 2003 THE O-G, #1-2, 2009 & #9, 2016 IXIPTLA, #1, 2014; #3, 2015 THE THING QUARTERLY, #24, 2014; #28, 2015 K48, #6, 2006 TOILET PAPER, #10, 2014 K HOLE, #1, 2011; #5, 2015 TRIPLE CANOPY, The Binder and The Server, 2012; LIVING & LOVING, #2, 2004 The Amme Talks, 2017 MAAYAN, #1, 2005; #6, 2010/2011 TROUBLE, #3, 2003; #4, 2004 MADE IN USA, #1, 1999–2000; #3, 2001 USELESS, # 1, 2005; # 5, 2007 MATT MAGAZINE, #3, 2007; #4, 2008 VENEER MAGAZINE, #1, 2007; #2, 2007 M/E/A/N/I/N/G, #1, 1986; #17, 1995 WHITEWALLS, #1, 1978; #19, 1988 MEMORIA DE LA POSTGUERRA, #1, 1993, #3, 2003 ZEITSCHRIFT, #1, 2002; #31, 2017 NEID, #7, 1998; #9, 2002 ZING MAGAZINE, #6, 1998 OHIO, #3, 1995; #12, 2004 299 792 458 M/S, #1, The American Issue, 2016 OHNE OHNE, special issue for the exhibition, 2017 OVER, #1, 2000; #3, 2005 PAGES, #1, 2004; #9, 2013 PAZMAKER, #11, 2014; #12, 2016 PERMANENT FOOD, #7, 1999; #12, 2004

PETER FISCHLI, DAVID WEISS, intervention in: The Message profil , #37, September 9, 1996, pp. 70–71 LIAM GILLICK, intervention in: De Witte Raaf, #179, #180, #181, 2016 as Medium GROUP MATERIAL, AIDS Timeline interventions in various magazines, December, 1990 NICOLAS GUAGNINI, intervention in: The Village IN COLLABORATION WITH Voice, May 28, 2002 CHRISTOPH SCHIFFERLI JENS HAANING, intervention in: Der Standard, May 15, 1998, p. 3 FAREED ARMALY, intervention in: Cash Flow, #6, SANJA IVEKOVIĆ, intervention in: Der Standard. 1991, pp. 164–165 Rondo, August 24, 2001, p. 12 THOMAS BAYRLE, ANDREAS ZYBACH, THOMAS LOCHER, intervention in: Der Standard, intervention in: Süddeutsche Zeitung, March 29, 1991, pp. 6–7 February 25, 2002, p. 5 ANNETTE MESSAGER, intervention in: Libération, ALIGHIERO BOETTI, intervention in several issues July 6, 2004 of: Il Manifesto, 1981 CHRISTIAN PHILIPP MÜLLER, intervention in: ALIGHIERO BOETTI, intervention in: Interview, Cash Flow, #12, 1990, pp. 60–61 vol. XXI, #5, May, 1991, pp. 122–123 OLAF NICOLAI, Parking free, in: Nero, #28, #31, MAURIZIO CATTELAN, special interventions 2012, 2013 made during the making of: Permanent Food, MICHAEL RIEDEL, CMYK in: Frieze, May, 2007 #1–#15, 1996–2007 MICHAEL RIEDEL, Made in 2 - CMYK 02 in: CLEGG & GUTTMANN, intervention in: Revue d’art contemporain - trimestrielle et gratuite, Der Standard, October 24, 1990, pp. 6–7 Summer, 2010 TACITA DEAN, Washington Cathedral JEROEN DE RIJKE, WILLEM DE ROOIJ, intervention in: Süddeutsche Zeitung, October 10, in: Der Standard, March 15, 2000, pp. 8–9 2002, p. 10 DIETER ROTH, A Lifetime of 61 Years, intervention in: HANS PETER FELDMANN, intervention in: Der Standard. Szenario, August 4–10, 1995, p. 3 Kunst & Kirche, May, 2006 THE YES MAN, STEVE LAMBERT & ANDY HANS-PETER FELDMANN, without words, BICHLBAUM, special edition of: New York Times intervention in: profil, #6, February 7, 2000 (dated: July 4, 2009), November 12, 2008 PIOTR UKLANSKI, Untitled (Ginger Ass) in: CARINE CAMPO, MICHEL GRANDSARD, Artforum, September, 2003 in: B’Art Code, Brussels: L’Arsenal du Charroi, LUCA VITONE, The floor plan 1:10 shows 1993, p. 18, p. 30 the space of an art gallery. Art is CHIAT/DAY/MOJO, “Advertising for readymades the place, the gallery measures its value, belong to everyone”, in: Flash Art, #155, 1991/1992, in: Artforum, and various art November–December, 1990, p. 22 magazines, 1993 SIMONE DE COSI, “Fictionnalisme”, Masques, #1, CHRISTOPHER WILLIAMS, intervention in: November–December, 1985, p. 90 Artforum, April, 2006 LIDEWIJ EDELKOORT, “Reclame, reclame: een HEIMO ZOBERNIG, intervention in: Der Standard, paar voorbeelden”, in: Artefactum, #26, September 28, 1990, pp. 8–9 November-December, 1988, pp. 24–29 Feux pâles: une pièce à conviction, Bordeaux: CAPC musée d’art contemporain de Bordeaux, 1990 Fictionnalisme: une pièce à conviction, Paris: Galerie Claire Burrus, 1985 Autoretrospective Frage der Präsentation, Berlin: Museum für Kultur, 1982 “L’a g e n c e les ready-made appartiennent à tout le monde®”, (folder) in: Les Cahiers du Musée national ANONYMOUS, manuscrit trouvé, Paris, 1981 d’art modern, #36, Summer, 1991, pp. 87–100 LAURA CARPENTER, Insights, New York: les ready-made appartiennent à tout le monde®, Curt Marcus Gallery, 1989 “Publicité, publicité”, in: Libération, August 11, 1988 LAURA CARPENTER, Insights, Paris: Galerie readymades belong to everyone® / EVA FELTEN, Claire Burrus, 1990 INGVILD GOETZ, STEPHAN GOETZ, “MARC BLONDEAU: Vous vous dites amateurs WERNER LIPPERT, AREND OETKER, de fictions... propos recueillis par Simone ALEXANDRA TACKE, JOSEF ZANDER, de Cosi”, in: Lieux Communs, figures Le mobilier national, 1993 singulières, Paris: MAM/ARC Musée d’art CHRISTOPH SATTLER, München, hin und zurück, moderne de la ville, 1991 München: Kunstraum, 1992 DANIEL BOSSER, Philippe Thomas décline son ESTELLE SCHWARZ, “Publicidad, publicidad: identité, Paris: Galerie Claire Burrus, Editions en torno a ciertos modelos”, in: Kalias, #6, Yellow Now, 1987 Valencia: IVAM, October, 1991, pp. 48–55

ESTELLE SCHWARZ, “Advertising, advertising: some cases in point”, in: Artscribe, #71, The Bookshop September–October, 1988, pp. 70–74 Sur un lieu commun: un entretien avec Georges Verney-Carron, interviewed by Eric Duyckaerts, as Medium Saint-Étienne: Maison de la Culture et de la Communication, 1988 PHILIPPE THOMAS, “Le cinéma, quelle histoire !”, CURATED BY GREGORIO MAGNANI AND in: Libération, May 18, 1995 MOTTO BOOKS PHILIPPE THOMAS, spenserm philippe thomas, Paris: Editions Katia Pissarro, 1978 ÅBÄKE, Cancelled, 2017 PHILIPPE THOMAS, sans titre philippe thomas, AKASSEN, Damaged by Water, Financed by Paris: Editions Artalect, 1979 Insurance, Copenhagen: Space Poetry, 2008 PHILIPPE THOMAS, LIDEWIJ EDELKOORT, ALBERT ALLGAIER, gruppe uno wien: the international “Une lettre à Lidewij Edelkoort”, festival for nothing, Vienna: Mark Pezinger Verlag, in: Conséquences, #5, 1985, p. 53 2017 PHILIPPE THOMAS, “pour la nausée philippe LARA ALMARCEGUI, Huizen In Sint Laurens, thomas sans titre”, in: Obliques, #18–19, special Middelburg: De Vleeshal Center for issue on Jean-Paul Sartre, 1978, pp. 118–119 Contemporary Art, 2011 MICHEL TOURNEREAU, “Philippe Thomas: KAI ALTHOFF, Ashley’s, Stuttgart: Künstlerhaus sujet à discrétion?”, in: Public, #3, Winter, 1985, Stuttgart, 1996 pp. 33–37 JONATHAS DE ANDRADE, Museu do Homem GEORGES VERNEY-CARRON, “Publicité, publicité: do Nordeste, Milano: Mousse Publishing, 2013 de quelques cas de figures”, in: ArtPress, #129, KASPER ANDREASEN, Copy Construct, October, 1988, pp. 37–41 Amsterdam: Roma Publications, 2017 GEORGES VERNEY-CARRON, “Reklame, reklame: JOHN ARMLEDER, Yellow Pages, Zurich: nogle sporgsmal til fugurernes eksklusion”, in: JRP|Ringier, 2004 Andsindustri, #4, 1991, pp.16–24 MATHIEU ASSELIN, Monsanto-A Photographic GEORGES VERNEY-CARRON, “Werbung, Investigation, Dortmund: Verlag Kettler, 2017 Werbung: einige Beispiele zur Sache”, in: Meta1, FELICIA ATKINSON, Audio Book, Shelter Press, Künstlerhaus Stuttgart, 1992, pp. 50–56 2016 MICHEL AUDER, Empty Really, New York: RUTH BUCHANAN, JUDITH HOPF, Ratstar Press, 2015 MIKE SPERLINGER, CHRISTINA BARTON, LUTZ BACHER, Do You Love Me?, New York: Bad Visual Systems: Ruth Buchanan, Judith Hopf, Primary information, 2012 Marianne Wex, Wellington: Adam Art Gallery, 2017 GABRIEL BARBU, Absence of Evidence, Bucharest: CAROLINE BUSTA, JOHN KELSEY, Punch/self-published, 2017 SUSANNE PFEFFER, Loretta Fahrenholz: Seven MATTHEW BARNEY, BRANDON STOSUY, ADAC, Films, Cologne: Verlag der Buchhandlung New York: Dashwood Books, 2013 Walther König, 2016 BERNADETTE CORPORATION, Bernadette MAURIZIO CATTELAN, Biologia delle Passioni, Corporation: 2000 Wasted Years, Cologne: Villanova di Ravenna: Edizioni Essegi, 1989 Verlag der Buchhandlung Walther König, 2014 MAURIZIO CATTELAN, DOMINIQUE GONZALEZ- SAMUEL BICH, Die Kunsthalle als Material, FOERSTER, Permanent Food #1, #2, Association Self-published, 2017 Des Temps Liberés, 1995/1996 Black Panther. Coloring Book, New York/ MARC-CAMILLE CHAIMOWICZ, A Folio for Los Angeles: Sun Editions, 2015 Secession, Vienna: Secession, 2010 DANIEL BOSSER, Philippe Thomas Declines PHILIPPE CHEVALIER, Kolan, Self-published, 2010 His Identity, London: Occasional Papers, 2015 ALEXANDER CHIZHEVSKY, ROBIN WATKINS CAROL BOVE, Plants and Mammals, New York: (EDS.), Physical Factors of the Historical Process, Horticultural Society of New York and Karma, 2009 Lisbon/Berlin: Atlas Projectos, 2017 SONIA BOYCE, Peep, London: Institute of CELINE CONDORELLI, GAVIN WADE, International Visual Arts, 1999 Eastside Projects User’s Manual, Birmingham: ALEXANDER BRODSKY, ILYA UTKIN, Cancelled Eastside Projects, 2012 6/21/90, L’esprit de l’escalier, 2017 MATT CONNORS (ED.), Gay Areas Telephone PABLO BRONSTEIN, Set of self-published books, Directory, Gay International Inc. Facsimile Self-published, 2008 edition/New York: Pre-Echo, 2017 MARCEL BROODTHAERS, Département MICHAEL CROWE, A list of art which would be des Aigles, Arnaud Desjardin destroyed if Ed Ruscha’s painting “Los Angeles WILL BROWN, Bruce Conner Brass Handles: A Project County Museum on Fire” became reality today, by Will Brown, Atlanta/New York: J&L Books, 2016 Self-published, 2011 BRUMARIA, Impasse - work #8, Madrid: Brumaria, NATALIE CZECH, To Icon Poems, Berlin: Capitain 2015 Petzel, 2017

DANH VO, Blau/orange, Bielefeld: Kerber Verlag, 2007 RYAN FOERSTER, Set of 10 zines, New York: MOYRA DAVEY, Les Goddesses / Hemlock Forest, Ratstar Press Bergen: Bergen Kunsthall/New York: Dancing RYAN FOERSTER, Untitled 2016, Self-published, 2016 Foxes Press, 2017 KASIA FUDAKOWSKI, Info-Fuction, The Second MOYRA DAVEY, Burn the Diaries, Vienna: mumok/ Swipe, Berlin: ChertLüdde, 2017 New York: Dancing Foxes Press, 2014 DORA GARCÍA, All the Stories, London: Book CHRISTOPHE DAVIET-THERY, JÉRÔME SAINT- Works, 2013 LOUBERT BIE (EDS.), Bibliothèque d’un amateur. MARIO GARCÍA TORRES, Christopher D’Arcangelo Richard Prince’s Publications 1981–2014, 84 West Broadway New York, NY 1007, Rome: Foligno: Viaindustriae/Paris: Christophe Nero, 2006 Daviet-Thery, 2014 GENERAL IDEA, The Aids Project, Canada: MICHAEL DEAN, UO, Geneva: Motto Books, 2014 The Gershon Iskowitz Foundation, 1989 ARNAUD DESJARDIN, The Book on Books on ISA GENZKEN, Der Spiegel 1989–1991, Cologne: Artists’ Books, London: The Everyday Press, 2013 Verlag der Buchhandlung Walther König, 2003 PASCAL DOURY, Patate, Pantin: Cneai=, 2005 JEF GEYS, Kempens Informatieblad, Brussles: PETER DOWNSBROUGH, From To: Peter Wiels & Jef Geys, 2013 Downsbrough Postcards, Gent: S.M.A.K., 2016 DAN GRAHAM, Hanne Darboven: One Century: MARIA EICHHORN, Maria Eichhorn: Johann Wolfgang Von Goethe, Gent: Imschoot, Aktiengesellschaft, Cologne: Verlag der Uitgevers, 1994 Buchhandlung Walther König, 2007 OLIVER GRIFFIN, Demonstrations of Patterns VINCENT FECTEAU, The Good, the Bad, and in Flow, London: Loose Joints, 2017 the Ugly, Berlin: Sternberg Press/Graz: Grazer WADE GUYTON, One Month, New York: Karma, 2014 Kunstverein, 2015 WADE GUYTON, SETH PRICE, JOSH SMITH, PETRA FERIANCOVÁ, Family, Vol.1, London: KELLEY WALKER, Guy - Price - Smith - Walker, Eros Press, 2016 New York: 38th Street Publishers, 2006 CARLA FILIPE, Imagens Sagradas, Self-published, PETRIT HALILAJ, Poisoned by men in need 2014 of some love, Geneva: Motto Books/Brussels: MARC FISCHER, Hardcore Architecture, Chicago: Wiels, 2014 Public Collectors, 2015 CALLA HENKEL, MAX PITEGOFF, Berlin, Zürich, PETER FISCHLI, DAVID WEISS, Ringier Annual Zürich, Berlin, Berlin, Berlin, Berlin, London, Report 2007, Zurich: Ringier, 2007 : Humboldt Books, 2016 KARL HOLMQVIST, Skyline is the By-Linezz, ANNIKA LARSSON, The Discourse of the Drinkers, Geneva: Motto Books, 2014 2017 KARL HOLMQVIST, Word Squares, LOUISE LAWLER, Twice Untitled and Other Pictures Geneva: Motto Books & Compagnia, 2017 (Looking Back), Cambridge/ Massachusetts: TAKASHI HOMMA, Relax 75.5 – Takashi Homma – MIT Press, 2006 New Waves, Tokyo: Magazine House Co, 2003 ELIZABETH LEBON, Test/Answer, Berlin: ADRIEN HORNI, LINUS BILL, La Deuxieme Chance, backbonebooks, 2014 Biel: Turbo Mag, 2011 JOCHEN LEMPERT, 4 Frogs, Valence: art 3 DAVID HORVITZ, Mood Disorder, Geneva: Motto co-edition, 2010 Books & Chert, 2015 JOCHEN LEMPERT, White Light, Tokyo: limArt, 2007 HAI HSIN HUANG, Now Is The Past, Taipei: PABLO LEON DE LA BARRA, Pablo international, nos:books, 2016 complete issues 0 to 4 + 3 special issues, TAMAMI IINUMA, House of Architecture, Tokyo: Self-published limArt, Post, 2016 SHERRIE LEVINE, New Photography, Geneva: Musée INVENTORY, Inventory Journal, 1995–2005 d’art moderne et contemporain (MAMCO), 1996 ANA JOTTA, s/he is her/e, Porto: Braço De Ferro, 2008 LUCA LO PINTO, A Metaphysical Interior, Geneva: KEN KAGAMI, Milk Man, Geneva: Motto Books/ Boa Books, 2014 Tokyo: Misako & Rosen, 2014 ALESSANDRO LUDOVICO, Post-Digital Print: JEAN KELLER, The Black Book, Lulu on demand, 2013 The Mutation of Publishing Since 1894, MIKE KELLEY, Photographs/Sculptures, Tokyo: Eindhoven: Onomatopee, 2013 Wako Works of Art, 2009 LUCY MCKENZIE, After Inspired by an Atlas of BRIAN KENNON, Altered Secession Catalogues Leprosy, Berlin/New York: Galerie Buchholz, 2016 Michael Krebber, Self-published, 2017 SARA MACKILLOP, Laptop2, Self-published, 2016 BRIAN KENNON, Secession – Christopher Wool, SARA MACKILLOP, Loyalty cards, Self-published Self-published, 2017 SARA MACKILLOP, Paint Brushes, Self-published BRIAN KENNON, Tom Burr Secession, Geneva: MARK MANDERS, Traducing Ruddle, Amsterdam: Motto Books, 2017 Fillip and Roma Publications, 2010 BEN KINMONT, Open by Chance and Appointment, NICK MAUSS, (hand made zine with transparent Sebastopol: Antinomian Press, 2016 inserts), New York: 303 Gallery JAMES LANGDON, Book, Birmingham: East Side MICHAELA MEISE, Auro, Aveda, Dr. Hauschka, Projects, 2010 Stockmar, Wala, Weleda, self-published, 2008

ADRIEN MISSIKA, STEPHANE BARBIER BOUVET, TEX RUBINOWITZ, Gelatin: The B–Thing, Cologne: JEANNE GRAFF, Let’s go Basel, Lausanne: Galerie Verlag der Buchhandlung Walther König, 2001 1m3, 2007 Sans niveau ni mètre – Collection – 10 ans JULIA MONTILLA, Ezkiozaleak. A Photographic du Journal du Cabinet du livre d’artiste – 2007– Account of the Followers of the Ezkioga 2017, Saint-Senoux: Éditions Incertain Sens, 2017 Apparitions, Barcelona: Consell Nacional de la IZET SHESHIVARI, The complete series of Boabooks Cultura i de les Arts, 2009 artists’ notepads, Zurich: Edition Fink, 2015 KRISTEN MUELLER, buch 3b de 10, Berlin/Leipzig: SETH SIEGELAUB, Xerox Book, Amsterdam: & So, 2014 Roma Publications/Stedelijk Museum, 2015 CHI TSAI NI, Topology in Bed, Taipei: nos:books, 2015 GIOVANNA SILVA, Walk Like an Egyptian, Geneva: BOB NICKAS, Set of Zines, New York: Ratstar Press, Motto Books, 2017 2017 RACHEL SIMKOVER (ED.), An Anthology YUKI OKUMURA, GMC, Tokyo: Edition Nord, 2017 of Concrete Poetry (in braille), Geneva: HENRIK OLESEN, Some Faggy Gestures, Zurich: Motto Books, 2013 JRP|Ringier, 2008 FRANCES STARK, Collected Writings 1993–2003, PAULINA OLOWSKA, Metamorphosis, Christoph London: Book Works, 2003 Keller/Frankfurt am Main: Revolver, 2005 FRANCES STARK, Trapped in the VIP Lounge, PHILIPPE PARRENO, Fade to Black, Paris: New York: Gavin Brown’s Enterprise, 2014 mfc-michèle didier, 2005 ERIK STEINBRECHER, Uber alles, SIMON POPPER, Full Fat, Self-published, 2017 Erik Steinbrecher/Berlin: Kunstbibliothek - SIMON POPPER, Ulysses, Self-published, 2009 Staatliche Museen zu Berlin, 2012 SIMON POPPER, 3 Cook Books, Self-published, 2010 ERIK STEINBRECHER, Ständig kracht’s, St. Gallen: SETH PRICE, Dispersion, New York: 38th Street Vexer Verlag, 2017 Publishers, 2008 TOMASZ STOMPOR, Gregor Huber, Fabrikzeitung. ROB PRUITT, TODD AMICON, JOSH SMITH, Die Cut-Up Ausgabe, Zurich: Rote Fabrik, 2010 Holy Crap, New York: 38th Street Publishers, 2011 DEREK SULLIVAN, Persistent Huts, New York: MAX RENKEL, Cy Twombly’s Autobiography Hidden Printed Matter, 2008 in my Collection, Rome, 2016 MEGAN FRANCES SULLIVAN, The Bathers WILLEM DE ROOIJ, Willem de Rooij. Fong Leng. (Inverted), Amsterdam: Roma Publications, 2016 Sportswear: Le Consortium, Cologne: Verlag der JENNIFER TEE, Local Myths/Love Spells, Buchhandlung Walther König, 2016 Birmingham: Eastside Projects, 2010 MILLY THOMPSON (ED.), Vuoto, Coventry: CHRISTOPHER WILLIAMS, Program. Lanchester Gallery Projects, 2012 For Example: Dix-Huit Leçons Sur La Société ERIK THYS, Portraits, Vilnius: CAC/Riga: kim?, 2016 Industrielle, Cologne: Verlag der Buchhandlung WOLFGANG TILLMANS, Concorde, Cologne: Walther König, 2006 Verlag der Buchhandlung Walther König, 1997 KATSUNOBU YAGUCHI, The Deconstruction WOLFGANG TILLMANS, Soldiers, Cologne: Verlag of my Suntopia, Mito: Keiko Ogane Gallery, der Buchhandlung Walther König, 1999 2017 CLAUDIA DE LA TORRE & KYLE LINCOLN, Look at Me, Berlin: backbonebooks, 2013 ROSEMARIE TROCKEL, Paare, Düren: Leopold-Hoesch-Museum, 1998 JOELLE TUERLINCKX, WILLEM OOREBEEK, Bild, In Between oder, : Badischer Kunstverein, 2004 ERIK VAN DER WEIJDE, This Is Not My Book, Leipzig: Spector Books, 2017 The Library ERIK VAN DER WEIJDE, Siedlung, Amsterdam: Roma Publications, 2008 ROB VAN LEIJSEN, Art Handling in Oblivion, Zurich: as Medium Edition Fink, 2014 ROBIN WAART, Part One, Self-published, 2001 FRITZ WELCH, Small Blackened Books, Self-published ANNA SOPHIE BERGER FRITZ WELCH, Hijacked Jeff Koons, Self-published HUGO CANOILAS NICOLE WERMERS, Croissants and Architecture, PLAMEN DEJANOFF Geneva: Motto Books, 2016 HEINRICH DUNST PAE WHITE, Untitled, Self-published JUDITH EISLER STEPHEN WILLATS, Control Magazine, UK: GELITIN Stephen Willats FLORIAN GRAF STEPHEN WILLATS, Artwork as Social Model: DAVID JOURDAN A Manual of Questions and Propositions, CHRISTIAN KOSMAS MAYER Derby/Sheffield: Research Group for Artists CHRISTOPH MEIER Publications (RGAP), 2012 UTE MÜLLER

SARAH ORTMEYER SARAH PICHLKOSTNER Post Digital FRANCIS RUYTER JULIE RYAN LUCA TREVISANI Publishing Archive Expanded Publishing WWW.P-DPA.NET

IN COLLABORATION WITH FILIPA RAMOS Design FIKTION, founded by Mathias Gatza and Ingo Niermann in 2013 as Medium LA BIBLIOTHÈQUE FANTASTIQUE, founded by Antoine Lefebre in 2009 PUBLIC FICTION, founded by Lauren Mackler ÅBÄKE in 2010 MANUEL RAEDER SETH PRICE, A Small Voice, 2016, audio file BOY VEREECKEN THE SERVING LIBRARY, founded in 2011 by Stuart Bailey, Angie Keefer and David Reinfurt TRIPLE CANOPY, founded in 2007 by Lucy Ives, Hannah Whitaker, Sam Frank, Sarah Resnick, Alexander Provan, Peter J. Russo and Molly Kleima UBUWEB, founded by Kenneth Goldsmith in 1996 The Artist & the Publishers

CHRISTOPHE BOUTIN CHRISTOPHE DAVIET MICHÈLE DIDIER JONATHAN MONK Magazines as Publishers

AFTERALL – LUCY STEEDS ARCHIVE – CHIARA FIGONE MOUSSE – STEFANO CERNUSCHI NERO – LORENZO GIGOTTI OEI – JONAS MAGNUSSON / CECILIA GRÖNBERG

Program Thu 18/1 2018, 6 pm In Between Talk with Moritz Küng Franz West Library Visit Talks & In Between is an exhibition Presentations Sun 28/1 2018, 5 pm that takes place outside of Tue 7/11 2017, 7 pm Talk with David Platzker Kunsthalle Wien and explores Talk with Christoph Schifferli, the idea of a library, both as Gregorio Magnani, Discussions & medium and portrait of a Filipa Ramos Roundtables persona. For this tour, please Wed 8/11 2017, 7 pm register under vermittlung@ Tue 14/11 2017, 6 pm Magazines as Publishers kunsthallewien.at Talk with Jason Dodge Filipa Ramos in conversation with Lucy Steeds (Afterall), Maximum 10 people per Thu 23/11 2017, 6 pm Chiara Figone (Archive), appointment. Presentation by Stefano Cernuschi (Mousse), Andreas Reiter Raabe Lorenzo Gigotti (NERO), Thu 9/11, 23/11, 7/12, Jonas Magnusson / Cecilia 21/12 2017, 6 pm Fri 1/12 2017, 6 pm Grönberg (OEI) Thu 18/1, 25/1 2018, 6 pm Talk with Emeline Jaret Sat 13/1 2018, 2 pm Tue 12/12 2017, 6 pm Design as a Medium Guided Tours Presentation by Talks with graphic designers: Black Pages Åbäke, Manuel Raeder, All tours are free with Boy Vereecken admission! Wed 13/12 2017, 6 pm Presentation by Zeitschrift Sun 28/1 2018, 6 pm Curator's Tour The Artist & the Publishers The curator of the Thu 14/12 2017, 6 pm Jonathan Monk in exhibition, Luca Lo Pinto, Presentation by Starship conversation with leads a tour through the Christophe Boutin, exhibition and discusses Thu 11/1 2018, 6 pm Christophe Daviet, topics and backgrounds Talk with Bernhard Cella Michéle Didier of the presented works. Tue 5/12 2017, 6 pm Sun 3/12 2017, 4 pm Community College With Luca Lo Pinto hyperlink_1_library An open space for reflection. With Wolfgang Brunner Join workshops, excursions, hyperlink_SundayTours and discussions to share Every Sunday at 4 pm, our Sun 10/12 2017, 4 pm personal perspectives art educators will take you hyperlink_2_magazines on issues raised by the on a guided tour through With Martin Pfitscher exhibitions of Kunsthalle the exhibition. They will link Wien. www.kunsthallewien.at/ you with topics that range Sun 17/12 2017, 4 pm community-college from artistic interventions in hyperlink_3_interventions magazines to art books and With Daniela Fasching Wed 6/12, 11 am – 6 pm various forms of publishing Community College Open in contemporary art. Sun 7/1 2018, 4 pm Seminar: Publishing as …? (Guided tours in German). hyperlink_3_interventions Information and registration: With Daniela Fasching community.college@ With: Wolfgang Brunner, kunsthallewien.at Daniela Fasching, Sun 14/1 2018, 4 pm Martin Pfitscher, hyperlink_1_library Kids Program Michael Simku. With Wolfgang Brunner Books can be wild, funny, big and small and actually, they Sun 12/11 2017, 4 pm Sun 21/1 2018, 4 pm are works of art. Come and hyperlink_2_magazines hyperlink_4_reading off road join us on a tour through the With Martin Pfitscher With Michael Simku exhibition, and create with us your own magic book. A book, Sun 19/11 2017, 4 pm Sun 28/1 2018, 4 pm in which wild animals can hide, hyperlink_2_magazines hyperlink_4_reading off road or out of which all the letters With Martin Pfitscher With Michael Simku have disappeared. You can cut, glue, draw and scribble! Sun 26/11 2017, 4 pm If you want to join us, please hyperlink_4_reading off road send us an email: vermittlung@ With Michael Simku kunsthallewien.at

Sat 2/12, 16/12, 11 am–1 pm Construction Katharina Baumgartner Mein buntes F.A.N.tasie.B.U.C.H Management Adina Hasler Workshop for kids Johannes Diboky Danilo Pacher Press and Communication Colophon Technicians Katharina Murschetz Beni Ardolic Stefanie Obermeir Exhibition Frank Herberg Karla Arzberger (Intern) Kunsthalle Wien GmbH Baari Jasarov Mathias Kada Fundraising and Director Sponsoring Nicolaus Schafhausen External Technicians Maximilian Geymüller Harald Adrian CFO Hermann Amon Event Production Sigrid Mittersteiner Dietmar Hochhauser Gerhard Prügger Bruno Hoffmann Curator Alfred Lenz Dramaturgy Luca Lo Pinto Andrea Hubin Art Handling Vanessa Joan Müller Exhibition and Graphic Design Marc-Alexandre Dumoulin Eleanor Taylor Rio Grande and Dallas Chris Fortescue Maximilian Steinborn (Intern) Johann Gröbner Curatorial Support by Scott Hayes Education Almud Krejza Lazard Lyutakov Wolfgang Brunner Vanessa Joan Müller Johann Schoiswohl Martin Walkner Maximilian Steinborn (Intern) Andreas Schweger Eleanor Taylor Stephen Zepke Educators Aneta Zahradnik Daniela Fasching Marketing Ursula Leitgeb Exhibition Management Dalia Ahmed Martin Pfitscher Hektor Peljak David Avazzadeh Michael Simku Finances for international contemporary Mira Gasparevic art and discourse. Natalie Nachbargauer For more information Visitor Service please visit Kevin Manders kunsthallewien.at Christina Zowack blog.kunsthallewien.at facebook.com/Kunsthalle Wien Exhibition Booklet instagram.com/Kunsthalle Wien Publisher twitter.com/Kunsthalle Wien Kunsthalle Wien GmbH #Toolbox17

Text Special Acknowledgments to Luca Lo Pinto Claire Burrus; Benedikt Ledebur; Kaspar Mühlemann Editing Hartl, Museum in Progress, Wolfgang Brunner Vienna; Universität für Vanessa Joan Müller angewandte Kunst, Eleanor Taylor Vienna; Universität Wien, Martin Walkner Vienna; Museum für angewandte Kunst, Design Vienna; Universität Boy Vereecken Heidelberg, Heidelberg; Antoine Begon Mumok, Vienna.

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