Dan Wilken SELECT CREDITS

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Dan Wilken 323-719-3991 [email protected] SELECT CREDITS Project Director/Producer Network/Genre EDITOR The Flash (Seasons 1,2,6) Greg Berlanti, Eric Wallace, EPs CW/WB Drama Burning at Both Ends Matthew Hill, Landon Johnson, Directors Historical Feature Can’t Sleep Trilogy – Gary Clark Jr. Gus Black, Director (WB) Music Video Difference Maker – Needtobreath Gus Black, Director (WB) Music Video Cool Kids – Echosmith Gus Black, Director (WB) Music Video Princess of China – Coldplay/Rihanna Adria Petty, Director Parlophone/EMI Music Video As On Set Editor Replay Laura Murphy, Director Go90 / Comedy Series The Think Tank Peter Calloway, Director Short As On Set Editor The Shower Alex Drummund Horror Feature As Additional Editor Herb Alpert Awards in the Arts Jackie Kain Documentary Feature Fix My Family (Pilot) George Tzimopoulos, Director/Producer CBS Talk Show VERVE Suyen Mosley, Director Documentary Feature Breaking News K. Marie Walters, Director Short Devil Comes on Horseback Gretchen Wallace, Director Documentary Short Who Killed the Electric Car Chris Payne, Director Documentary As Additional Editor on the Feature, As Editor of DVD Extras Opus Dei Unveiled George Tzimopoulos The History Channel As Additional Editor & Visual Effects Producer SELECT ASSISTANT EDITOR CREDITS The Rookie (Pilot) Alexi Hawley, EP / Liz Friedlander, Director ABC Drama American Gods (Season 1) Bryan Fuller, Michael Green, EPs STARZ Drama Preacher (Pilot) Sam Catlin, Evan Goldberg, Seth Rogen Sony/AMC Drama SELECT VFX EDITOR/VFX ARTIST CREDITS POSE (Pilot) Ryan Murphy, EP FX / Drama VFX Editor The Assassination of Gianni Versace Ryan Murphy, EP FX / Drama VFX Editor 9-1-1 (Season 1) Ryan Murphy, EP Fox / Drama VFX Editor The Orville (Pilot) Seth MacFarlane, EP / Jon Favreau, Director Fox / Sci-Fi VFX Editor Chained Jennifer Lynch, Director Indy Feature VFX Artist Richard Pryor: Omit the Logic Marina Zenovich, Director Showtime VFX Artist Miss Nobody Abram Cox, Director Indy Feature Visual Effects Editor Have Tig at Your Party Tig Notaro, Director Indy Comedy Visual Effects Producer SELECTED SOFTWARE EXPERIENCE Avid, Final Cut, Premiere, AfterEffects, Avid NEXIS, Pro-Tools, Resolve, Photoshop EDUCATION 1999 BFA, Sculpture and New Media University of Texas, San Antonio References and available upon request. Visit www.danwilken.com for work samples. www.danwilken.com .

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A Vegan Critique of Sausage Party Matthew Cole and Kate
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Nottingham Trent Institutional Repository (IRep) This is a pre-publication author draft. The paper will appear in the fall 2017 issue of ISLE: Interdisciplinary Studies in Literature and Environment Speciesism Party: a vegan critique of Sausage Party Matthew Cole and Kate Stewart Scholarly Article—vegan studies cluster 1 This is a pre-publication author draft. The paper will appear in the fall 2017 issue of ISLE: Interdisciplinary Studies in Literature and Environment Speciesism Party: a vegan critique of Sausage Party This paper provides a critical vegan reading of the comedy animation film Sausage Party (2016), directed by Conrad Vernon and Greg Tiernan and starring Seth Rogen and Kristen Wiig. Such a reading is situated within an emerging vegan studies framework (Wright 2015) that is sensitive to the reproduction of unequal power relations between humans and other species, but also how those power inequalities intersect with intra-human power relations along the lines of gender, sexuality, “race,” age, class, different experiences of embodiment and so on. Sociologist Erika Cudworth argues that “[w]e need as full an analysis of social intersectionality as we are capable of,” so that the critical focus remains on “relational systems of power” (Cudworth 2015, 101). Cudworth (2011) also introduced the concept of anthroparchy, to signify the human domination of nature, with “nature” including but not limited to other animals. In that context, Sausage Party perpetuates anthroparchy, in so far as it normalizes the consumption of “animal products” for the audience.
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