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Binge-Reviews? the Shifting Temporalities of Contemporary TV Criticism
Old Dominion University ODU Digital Commons Communication & Theatre Arts Faculty Communication & Theatre Arts Publications 2016 Binge-Reviews? The hiS fting Temporalities of Contemporary TV Criticism Myles McNutt Old Dominion University Follow this and additional works at: https://digitalcommons.odu.edu/communication_fac_pubs Part of the Critical and Cultural Studies Commons, and the Publishing Commons Repository Citation McNutt, Myles, "Binge-Reviews? The hiS fting Temporalities of Contemporary TV Criticism" (2016). Communication & Theatre Arts Faculty Publications. 15. https://digitalcommons.odu.edu/communication_fac_pubs/15 Original Publication Citation McNutt, M. (2016). Binge-Reviews? The hiS fting Temporalities of Contemporary TV Criticism. Film Criticism, 40(1), 1-4. doi: 10.3998/fc.13761232.0040.120 This Article is brought to you for free and open access by the Communication & Theatre Arts at ODU Digital Commons. It has been accepted for inclusion in Communication & Theatre Arts Faculty Publications by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. FILM CRITICISM Binge-Reviews? The Shifting Temporalities of Contemporary TV Criticism Myles McNutt Skip other details (including permanent urls, DOI, citation information) Volume 40, Issue 1, January 2016 DOI: http://dx.doi.org/10.3998/fc.13761232.0040.120 Permissions When should television criticism happen? The answer used to be pretty simple for critics: reviews were published before a series premiered, with daily or -
Entertainment Business Supplemental Information Three Months Ended September 30, 2015
Entertainment Business Supplemental Information Three months ended September 30, 2015 October 29, 2015 Sony Corporation Pictures Segment 1 ■ Pictures Segment Aggregated U.S. Dollar Information 1 ■ Motion Pictures 1 - Motion Pictures Box Office for films released in North America - Select films to be released in the U.S. - Top 10 DVD and Blu-rayTM titles released - Select DVD and Blu-rayTM titles to be released ■ Television Productions 3 - Television Series with an original broadcast on a U.S. network - Television Series with a new season to premiere on a U.S. network - Select Television Series in U.S. off-network syndication - Television Series with an original broadcast on a non-U.S. network ■ Media Networks 5 - Television and Digital Channels Music Segment 7 ■ Recorded Music 7 - Top 10 best-selling recorded music releases - Upcoming releases ■ Music Publishing 7 - Number of songs in the music publishing catalog owned and administered as of March 31, 2015 Cautionary Statement Statements made in this supplemental information with respect to Sony’s current plans, estimates, strategies and beliefs and other statements that are not historical facts are forward-looking statements. Forward-looking statements include, but are not limited to, those statements using such words as “may,” “will,” “should,” “plan,” “expect,” “anticipate,” “estimate” and similar words, although some forward- looking statements are expressed differently. Sony cautions investors that a number of important risks and uncertainties could cause actual results to differ materially from those discussed in the forward-looking statements, and therefore investors should not place undue reliance on them. Investors also should not rely on any obligation of Sony to update or revise any forward-looking statements, whether as a result of new information, future events or otherwise. -
Supplemental Information
Supplemental Information for the Consolidated Financial Results for the Third Quarter Ended December 31, 2017 2017 年度第 3 四半期連結業績補足資料 February 2, 2018 Sony Corporation ソニー株式会社 Supplemental Financial Data 補足財務データ 2 ■ Average foreign exchange rates 期中平均為替レート 2 ■ Results by segment セグメント別業績 2 ■ Sales to customers by product category (to external customers) 製品カテゴリー別売上高(外部顧客に対するもの) 3 ■ Unit sales of key products 主要製品販売台数 3 ■ Sales to customers by geographic region (to external customers) 地域別売上高(外部顧客に対するもの) 3 ■ Depreciation and amortization (D&A) by segment セグメント別減価償却費及び償却費 4 ■ Amortization of film costs 繰延映画製作費の償却費 4 ■ Additions to long-lived assets and D&A 固定資産の増加額、減価償却費 4 ■ Additions to long-lived assets and D&A excluding Financial Services 金融分野を除くソニー連結の固定資産の増加額、減価償却費及び償却費 4 ■ Research and development (R&D) expenses 研究開発費 5 ■ R&D expenses by segment セグメント別研究開発費 5 ■ Restructuring charges by segment (includes accelerated depreciation expense) セグメント別構造改革費用 5 ■ Period-end foreign exchange rates 期末為替レート 5 ■ Inventory by segment セグメント別棚卸資産 5 ■ Film costs (balance) 繰延映画製作費(残高) 6 ■ Long-lived assets by segment セグメント別固定資産 6 ■ Goodwill by segment セグメント別営業権 6 ■ Return on Invested Capital (ROIC) セグメント別 ROIC 6 Music Segment Supplemental Information (English only) 7 ■ Recorded Music 7 - Recorded Music Revenue breakdown of physical, digital and other revenues - Top 10 best-selling recorded music projects - Noteworthly projects ■ Music Publishing 7 - Number of songs in the music publishing catalog owned and administered Pictures Segment Supplemental Information (English only) 8 ■ Pictures Segment Aggregated U.S. Dollar Information 8 - Pictures segment sales and operating revenue and operating income (loss) - Sales by category and Motion Picture Revenue breakdown - Film costs breakdown ■ Motion Pictures 9 - Motion Pictures Box Office for films released in North America - Select films to be released in the U.S. -
Bridesmaids”: a Modern Response to Patriarchy
“Bridesmaids”: A Modern Response to Patriarchy A Senior Project presented to The Faculty of the Communication Studies Department California Polytechnic State University, San Luis Obispo In Partial Fulfillment Of the Requirements for the Degree Bachelor of Arts By Blair Buckley © 2013 Blair Buckley Buckley 2 Table of Contents Introduction......................................................................................... 3 Bridesmaids : The Film....................................................................... 6 Rhetorical Methods............................................................................. 9 Critiquing the Artifact....................................................................... 14 Findings and Implications................................................................. 19 Areas for Future Study...................................................................... 22 Works Cited...................................................................................... 24 Buckley 3 Bridesmaids : A Modern Response to Patriarchy Introduction We see implications of our patriarchal world stamped across our society, not only in our actions, but in the endless artifacts to which we are exposed on both a conscious and subconscious basis. One outlet which constantly both reflects and enables patriarchy is our media; the movie industry in particular plays a critical role in constructing gender roles and reflecting our cultural attitudes toward patriarchy. Film and sociology scholars Stacie Furia and Denise Beilby say, -
According to Hollywood Sara Persson Abstract: This Article Examines Birth
for(e)dialogue Volume 3, Issue 1 (2019): Media and Gender How to Give Birth - According to Hollywood Sara Persson Abstract: This article examines birth scenes in five mainstream films in order to explore the way norms about birthing are reproduced or challenged. The films are: Juno (Reitman, 2007), Knocked Up (Apatow, 2007), Baby Mama (McCullers, 2008), The Back-up Plan (Poul, 2010) and What to Expect When You’re Expecting (Jones, 2012). What do the birthing scenes look like, are they realistic with non-on-set births and does the directors’ and writers’ gender, age, skin colour and class have any parallels with what is portrayed? The analysis shows that certain norms are upheld in all films; vaginal delivery in hospital, birthing positions of half sitting or laying down and present partners or friends during delivery. Scenes not representing this were depicted as the Other and thus made deviant. Homogeneity in the group behind the camera was found which correlates with certain homogeneity on screen as well. Of all the eight scenes, the women give birth half sitting or laying down in seven, implying a dominance of certain positions. These positions were found to be very common off-screen too, despite the wide range of birthing positions available and recommendations to try different ones during labour. This implies that the practicality for personnel goes beforehand. By using feminist theories on the body and medical studies on births, these findings reveal power structures devaluating female-coded bodies. The results also enhance the importance of analysing patterns of representation in general, but birthing depictions in particular, since these representations can affect people’s understanding of how a birth should be in real life. -
Adam Sandler: Mentor Of
ADAM SANDLER: MENTOR OF MIDDLE-CLASS MASCULINITY AND MANHOOD A Thesis Presented to the Faculty of California State University, Stanislaus In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History By Kathleen Boone Chapman April 2014 CERTIFICATION OF APPROVAL ADAM SANDLER: MENTOR OF MASCULINITY AND FATHERHOOD by Kathleen Boone Chapman Signed Certification of Approval Page is on file with the University Library Dr. Bret E. Carroll Date Professor of History Dr. Samuel Regalado Date Professor of History Dr. Marcy Rose Chvasta Date Professor of Communications © 2014 Kathleen Boone Chapman ALL RIGHTS RESERVED DEDICATION I am dedicating this work to my three dear friends: Ronda James, Candace Paulson, and Michele Sniegoski. Ronda’s encouragement and obedience to the Lord gave me what I needed to go back to school with significant health issues and so late in life. Candace, who graduated from Stanford “back in the olden days,” to quote our kids, inspired me to follow my dream and become all God wants me to be. Michele’s long struggle with terminal kidney disease motivated me to keep living in spite of my own health issues. We have laughed and cried together over many years, but all of you have given me strength to carry on. Sorry two of you made it to heaven before I could get this finished. I also want to give credit to my husband of forty years who has been a faithful breadwinner, proof-reader, and a paragon of patience. What more could any woman ask for? He has also put up with me yelling at my computer and cursing Bill Gates – A LOT. -
Friday, July 19
Movies starting Friday, July 19 www.marcomovies.com America’s Original First Run Food Theater! We recommend that you arrive 30 minutes before ShowTime. “The Lion King” Rated PG Run Time 2:00 Starring (voices) Donald Glover, Beyonce Knowles and Seth Rogen Start 2:40 5:40 8:45 End 4:50 7:40 10:45 Rated PG for sequences of violence and peril, and some thematic elements. “Pavarotti: Genius is Forever” Rated PG-13 Run Time 2:00 Starring Luciano Pavarotti Start 2:50 5:50 9:00 End 4:50 7:50 11:00 Rated PG-13 for brief strong language and a war related image. “Crawl” Rated R Run Time 1:30 Starring Kaya Scodelario and Barry Pepper Start 3:00 6:00 9:00 End 4:30 7:30 10:30 Rated R for bloody creature violence, and brief language. “Spider-Man: Far From Home” Rated PG-13 Run Time 2:10 Starring Tom Holland and Samuel L. Jackson Start 2:30 5:30 8:45 End 4:40 7:40 10:55 Rated PG-13 for sci-fi action violence, some language and brief suggestive comments. ***Prices*** Matinees $11.00 (3D $13.00) Adults $13.50 (3D $15.50) Seniors and Children under 12 $11.00 (3D $13.00) Visit Marco Movies at www.marcomovies.com facebook.com/MarcoMovies The Lion King (PG) (voices) • Donald Glover • Beyonce Knowles • Disney’s The Lion King, directed by Jon Favreau, journeys to the African savanna where a future king is born. Simba idolizes his father, King Mufasa, and takes to heart his own royal destiny. -
Juno: Not Just Another Teen Movie It All Starts with a Chair, Where Juno (Ellen Page) Has Unprotected Sex with Her Best Friend Bleeker (Michael Cera)
Heinekamp 1 Ali Heinekamp Professor Bullock English 102, Section 2 27 October 2008 Juno: Not Just Another Teen Movie It all starts with a chair, where Juno (Ellen Page) has unprotected sex with her best friend Bleeker (Michael Cera). Several weeks later, she’s at a convenience store, buying a pregnancy test. Only sixteen, Juno faces the terrifying task of telling her parents that she is pregnant. With their support, Juno moves forward in her decision to give birth and give the child to Mark (Jason Bateman) and Vanessa (Jennifer Garner), a wealthy and seemingly perfect married couple looking to adopt. Although the situations Juno’s characters find themselves in and their dialogue may be criticized as unrealistic, the film, written by Diablo Cody and directed by Jason Reitman, successfully portrays the emotions of a teen being shoved into maturity way too fast. Much of the time, Juno seems unrealistic because it seems to treat the impact of teen pregnancy so lightly. The consequences of Juno’s pregnancy are sugar-coated to such an extent that in many cases, they are barely apparent. The film downplays the emotional struggle that a pregnant woman would feel in deciding to give birth and then put that child up for adoption, and it ignores the discomforts of pregnancy, such as mood swings and nausea. Likewise, Juno’s dialogue is too good to be true — funny and clever, but unrealistic. For example, Juno tells Mark and Vanessa “If I could just have the thing and give it to you now, I totally would. Heinekamp.indd 1 12/8/10 11:50:02 AM Heinekamp 2 But I’m guessing it looks probably like a sea monkey right now, and we should let it get a little cuter.” At another point, talking about her absent mother, Juno says, “Oh, and she inexplicably mails me a cactus every Valentine’s Day. -
Infant Sorrow and Friends Perform Songs from the Film 'GET HIM to the GREEK' Live One Night Only!
May 12, 2010 Infant Sorrow and Friends Perform Songs From the Film 'GET HIM TO THE GREEK' Live one Night Only! Featuring Special Appearances by: Infant Sorrow, Russell Brand, Jonah Hill, Carl Barat from The Libertines and Special Guests LOS ANGELES, May 12 /PRNewswire/ -- Infant Sorrow and Friends is a live one-night- only concert by performers from the upcoming comedy GET HIM TO THE GREEK at The Roxy on Monday, May 24. The evening features songs from the film and forthcoming album as performed by Infant Sorrow, Russell Brand, Carl Barat of the hugely popular U.K. band The Libertines, with special appearances by Jonah Hill and other surprise guests. The events begin at 8:00 PM, and the first 100 people to arrive at The Roxy will receive a limited edition Infant Sorrow T-shirt. Tickets go on sale Friday, May 14, at 10 AM. The album INFANT SORROW – GET HIM TO THE GREEK is available June 1 through Universal Republic. ABOUT GET HIM TO THE GREEK: GET HIM TO THE GREEK reunites Jonah Hill and Russell Brand with Forgetting Sarah Marshall director Nicholas Stoller in the story of a record company executive with three days to drag an uncooperative rock legend to Hollywood for a comeback concert. The comedy is the latest film from producer Judd Apatow (The 40-Year-Old Virgin, Knocked Up, Funny People) and arrives in theaters on June 4. www.gethimtothegreek.com MONDAY, MAY 24 THE ROXY 8:00 PM 9009 Sunset Boulevard, West Hollywood, CA 90069 ON SALE FRIDAY, MAY 14, AT 10 AM TICKETS AVAILABLE ONLINE AT WWW.LIVENATION.COM OR BY PHONE AT (877) 598-6671. -
SETH ROGEN Talks to Versus About “Observe and Report,” How He Gets Into Character and What It’S Like Not to Have a Grand Plan
VerThe Vanderbilt Hustler’s Arts & su Entertainment Magazine s APRIL 15—APRIL 21, 2009 VOL. 47, NO. 13 SETH ROGEN talks to Versus about “Observe and Report,” how he gets into character and what it’s like not to have a grand plan. Check out page 9 for the whole story. Run with Bulls’ Brad Sample thought we were cool enough to meet at Fido. We think he’s cool right back. Flip to page 6 for the interview. Everything you need to know about Rites of Spring is on page 8. Seriously. PLACES TO GO, PEOPLE TO SEE THURSDAY, APRIL 16 FRIDAY, APRIL 17 SATURDAY, APRIL 18 The Regulars Urban Acoustic League — Edgehill Studios Cafe T.I., Q-Tip, Santigold and more — Vanderbilt University supre X — The Rutledge THE RUTLEDGE With just enough misspelling and strange capitalization style to The Urban Acoustic League was founded as a place for songwriters With Rites of Spring weekend finally upon us, what better way to 410 Fourth Ave. South 37201 irritate me infinitely, as well as weird song names like “Traenor” and acoustic instrumentalists to unite and hone their craft. The kick it off than heading over to Alumni lawn for a great afternoon/ 782-6858 League aims to overturn today’s overproduced, commercialized evening of performances?! Apart from the always swagger-tastic and “Stunkuf,” this is one of those bands that will probably cater to those who are much more hip and emo and all that than I am. music scene with a return to attention to artistry and craft in Q-Tip and T.I., crowd pleasers like Santigold, Okkervil River and THE MERCY LOUNGE/CANNERY music. -
The Garry Effect
MR. META Shandling in a press photo for his first groundbreaking sitcom, It’s Garry Shandling’s Show, which ran on Showtime from 1986 to 1990, and notably broke the fourth wall. now-familiar tropes of showing the studio audience and directly address- ing viewers. And then there’s that winking theme song: “This is the theme to Garry’s show/The theme to Garry’s show/Garry called me up and asked if I would write his theme song.” Incredibly, the show found a huge audience, powered in part by Shan- dling’s status as a stand-up comic whose nasal delivery, blown-out bouf- fant and sardonic observations (rou- tinely centered on his sexual prowess, or lack thereof) earned him frequent appearances on Johnny Carson’s Tonight Show and a spot as one of its regular guest hosts. It also turned TELEVISION him into a role model for multiple generations of comedians. “He’s like the Replacements,” says Judd Apatow. The Garry Effect “A rock band that inspired a lot of peo- Judd Apatow’s HBO documentary aims to capture ple to start their own bands.” Garry Shandling’s lifetime of influence—as a Apatow included. For 25 years, the comedian, yes, but also as a human being. At comedy guru counted Shandling— who died of a heart attack in 2016 at more than four hours, it feels too short age 66—as a close friend and mentor. Apatow’s first contact was as a high school student, interviewing Shan- Try To imagine Television comedy works. Fly-on-the-wall camera dling for his school’s radio station. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx.