Dasavatara in Sri Jayadev's Gita Govinda
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The Music Academy, Madras 115-E, Mowbray’S Road
Tyagaraja Bi-Centenary Volume THE JOURNAL OF THE MUSIC ACADEMY MADRAS A QUARTERLY DEVOTED TO THE ADVANCEMENT OF THE SCIENCE AND ART OF MUSIC Vol. XXXIX 1968 Parts MV srri erarfa i “ I dwell not in Vaikuntha, nor in the hearts of Yogins, nor in the Sun; (but) where my Bhaktas sing, there be I, Narada l ” EDITBD BY V. RAGHAVAN, M.A., p h .d . 1968 THE MUSIC ACADEMY, MADRAS 115-E, MOWBRAY’S ROAD. MADRAS-14 Annual Subscription—Inland Rs. 4. Foreign 8 sh. iI i & ADVERTISEMENT CHARGES ►j COVER PAGES: Full Page Half Page Back (outside) Rs. 25 Rs. 13 Front (inside) 20 11 Back (Do.) „ 30 „ 16 INSIDE PAGES: 1st page (after cover) „ 18 „ io Other pages (each) „ 15 „ 9 Preference will be given to advertisers of musical instruments and books and other artistic wares. Special positions and special rates on application. e iX NOTICE All correspondence should be addressed to Dr. V. Raghavan, Editor, Journal Of the Music Academy, Madras-14. « Articles on subjects of music and dance are accepted for mblication on the understanding that they are contributed solely o the Journal of the Music Academy. All manuscripts should be legibly written or preferably type written (double spaced—on one side of the paper only) and should >e signed by the writer (giving his address in full). The Editor of the Journal is not responsible for the views expressed by individual contributors. All books, advertisement moneys and cheques due to and intended for the Journal should be sent to Dr. V. Raghavan Editor. Pages. -
The Mahabharata Twenty-Five Years Later
THE MAHABHARATA TWENTy-Five YEARS LATER Peter Brook in conversation with Jonathan Kalb t age eighty-five, Peter Brook does all he can to avoid interviews. He has no interest in his own legend, and as for his theatrical ideas, he has said it all before, in his autobiography (Threads of Time), in his other books (The AEmpty Space, The Shifting Point), and in the body of influential productions that established him as one of the giants of twentieth-century theatre. At the request of a common friend, he nevertheless kindly agreed to speak to me on the subject of his magnum opus, The Mahabharata—a focus of the book I was writing at the time (Great Lengths: Seven Marathon Plays from Three Decades, forthcoming). Brook was in New York rehearsing his adaptation of Mozart’s The Magic Flute at Lincoln Center and accompanying the Theatre for a New Audience presentation of Love is My Sin, his staging of Shakespeare sonnets. Although he announced in 2008 that he was giving up day-to-day operation of his theatre in Paris, Bouffes du Nord, he has been notably active. Among his other recent projects have been: Fragments, a program of five short pieces by Samuel Beckett; Athol Fugard’sSizwe Banzi is Dead; The Grand Inquisitor, adapted from Dostoyevsky; and Tierno Bokar, a parable about tolerance and fundamentalism rooted in a spiritual dispute among Sufis. The Mahabharata was Brook’s eleven-hour stage adaptation of the massive, epic cor- nerstone of Hindu literature, religion and culture, originally produced in French in 1985 and performed in English for a 1987 world tour that included the Brooklyn Academy of Music’s Majestic Theatre (now The Harvey). -
In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being. -
The Style of Gita Govinda Recital and Odissi Music
International Journal of Humanities and Social Science Invention ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org ||Volume 4 Issue 10 || October. 2015 || PP.40-43 The Style of Gita Govinda Recital and Odissi Music Dheeraj Kumar Mohapatra Guest Faculty, Odissi Vocal Department, Utkal University Of Culture, India ABSTRACT : In Gita Govinda, Sri Jayadeva has embellished the philosophy, metaphysics, ontology and mysticism in erotic words, melodious versifications, ardent love pictures and pornography delineating the clandestine love of Radha and Krishna. It points to union of natural beings with super nature. Jayadeva Radha is not only radiant, fascinating or angelic, she represents celestial beauty and her union with Krishna, an incarnation of Lord Vishnu, unfolds supreme love and eternal delight. One does not require surveying the history, delving deep into texts and characteristic features of Odissi system to understand its classy style if he at least reads and listens to Gitagovinda of Sri Jayadeva. As this sacred piece of lyrical poem contains all the salient and distinguishing features of classical music, the reader or listener must appreciate the uniqueness and wholesomeness of Odissi as the third system of classical music in the domain of Indian music. Sri Jayadeva has not only originated a specific music tradition, systematic form and definite melodic pattern, raga-tala repertoires but also built a socio-cultural community. The purity, sanctity and characteristic features of Odissi music have been enriched refined and pervaded its horizon through Gitagovinda of Sri Jayadeva. KEYWORDS: JAYADEVA, GITA GOVINDA, ODISSI, MUSIC, CLASSICAL Introduction Music is an integral part of human life, which is created when the vibratory waves are brought into melodious audible notes in material form. -
Kankadhara Stotram in English Version – with Meaning
Kanakadhara Stotram – http://Divine-Thought.blogspot.com/ Kankadhara Stotram in English Version – with Meaning Mahalakshmi blessings - Kanakadhara Stotram . (Draft Composed by [email protected] ) 1 Angam hare pulaka bhooshanamasrayanthi, Bhringanga neva mukulabharanam thamalam, Angikrithakhila vibhuthirapanga leela, Mangalyadasthu mama mangala devathaya. To the Hari who wears supreme happiness as Ornament, The Goddess Lakshmi is attracted, Like the black bees getting attracted, To the unopened buds of black Tamala[1] tree, Let her who is the Goddess of all good things, Grant me a glance that will bring prosperity. 2 Mugdha muhurvidhadhadathi vadhane Murare, Premathrapapranihithani gathagathani, Mala dhrishotmadhukareeva maheth pale ya, Sa ne sriyam dhisathu sagarasambhavaya. Again and again return ,those glances, Filled with hesitation and love, Of her who is born to the ocean of milk, To the face of Murari[2], Like the honey bees to the pretty blue lotus, And let those glances shower me with wealth. 3 Ameelithaksha madhigamya mudha Mukundam Anandakandamanimeshamananga thanthram, Akekara stiththa kaninika pashma nethram, Bhoothyai bhavenmama bhjangasayananganaya. With half closed eyes stares she on Mukunda[3], Filled with happiness , shyness and the science of love, On the ecstasy filled face with closed eyes of her Lord, And let her , who is the wife of Him who sleeps on the snake, Shower me with wealth. 4 Bahwanthare madhujitha srithakausthube ya, Visit: http://Divine-Thought.blogspot.com/ Mail us: [email protected] Document Composition: Vishnu Vikram Gunnikuntla Kanakadhara Stotram – http://Divine-Thought.blogspot.com/ Haravaleeva nari neela mayi vibhathi, Kamapradha bhagavatho api kadaksha mala, Kalyanamavahathu me kamalalayaya He who has won over Madhu[4], Wears the Kousthuba[5] as ornament, And also the garland of glances, of blue Indraneela[6], Filled with love to protect and grant wishes to Him, Of her who lives on the lotus, And let those also fall on me, And grant me all that is good. -
Rochyderabad 27072017.Pdf
List of Companies under Strike Off Sl.No CIN Number Name of the Company 1 U93000TG1947PLC000008 RAJAHMUNDRY CHAMBER OF COMMERCE LIMITED 2 U80301TG1939GAP000595 HYDERABAD EDUCATIONAL CONFERENCE 3 U52300TG1957PTC000772 GUNTI AND CO PVT LTD 4 U99999TG1964PTC001025 HILITE PRODUCTS PVT LTD 5 U74999AP1965PTC001083 BALAJI MERCHANTS ASSOCIATION PRIVATE LIMITED 6 U92111TG1951PTC001102 PRASAD ART PICTURES PVT LTD 7 U26994AP1970PTC001343 PADMA GRAPHITE INDUSTRIES PRIVATE LIMITED 8 U16001AP1971PTC001384 ALLIED TOBBACCO PACKERS PVT LTD 9 U63011AP1972PTC001475 BOBBILI TRANSPORTS PRIVATE LIMITED 10 U65993TG1972PTC001558 RAJASHRI INVESTMENTS PRIVATE LIMITED 11 U85110AP1974PTC001729 DR RANGARAO NURSING HOME PRIVATE LIMITED 12 U74999AP1974PTC001764 CAPSEAL PVT LTD 13 U21012AP1975PLC001875 JAYALAKSHMI PAPER AND GENERAL MILLS LIMITED 14 U74999TG1975PTC001931 FRUTOP PRIVATE LIMITED 15 U05005TG1977PTC002166 INTERNATIONAL SEA FOOD PVT LTD 16 U65992TG1977PTC002200 VAMSI CHIT FUNDS PVT LTD 17 U74210TG1977PTC002206 HIMALAYA ENGINEERING WORKS PVT LTD 18 U52520TG1978PTC002306 BLUEFIN AGENCIES AND EXPORTS PVT LTD 19 U52110TG1979PTC002524 G S B TRADING PRIVATE LIMITED 20 U18100AP1979PTC002526 KAKINADA SATSANG SAREES PRINTING AND DYEING CO PVT LTD 21 U26942TG1980PLC002774 SHRI BHOGESWARA CEMENT AND MINERAL INDUSTRIES LIMITED 22 U74140TG1980PTC002827 VERNY ENGINEERS PRIVATE LIMITED 23 U27109TG1980PTC002874 A P PRECISION LIGHT ENGINEERING PVT LTD 24 U65992AP1981PTC003086 CHAITANYA CHIT FUNDS PVT LTD 25 U15310AP1981PTC003087 R K FLOUR MILLS PVT LTD 26 U05005AP1981PTC003127 -
SB Saptah Day 1A
www.mahavishnugoswami.com SB Saptah Day 1A - Significance of Purushottama Masa Verse: BG 9.30 Location: Sydney [Maharaj speaking] Hare Krsna Hare Krsna Krsna Krsna Hare Hare / Hare Rama Hare Rama Rama Rama Hare Hare It was not loud enough…. Hare Krsna Hare Krsna Krsna Krsna Hare Hare / Hare Rama Hare Rama Rama Rama Hare Hare Jai, Srila Prabhupada ki Jai… Krsna mercy, <> came to glorify Him. [Maharaj singing, audience repeating] Jaya Radha Madhava Jaya Kunja Bihari (2) Jaya Gopi Jana Vallabha Jaya Girivara Dhari, Jaya Girivara Dhari (2) Jaya Yashoda Nandana Jaya Braja Jana Ranjana, Jaya Braja Jana Ranjana (1) Jaya Jamuna Tiravana Chari, Jaya Kunja Bihari (5) Hare Krsna Hare Krsna Krsna Krsna Hare Hare / Hare Rama Hare Rama Rama Rama Hare Hare (5-7) Krsna Krsna Krsna Krsna Krsna Krsna Krsna Hey (2) Krsna Krsna Krsna Krsna Krsna Krsna Krsna Pahimaam (2) Krsna Krsna Krsna Krsna Krsna Krsna Rashamaam (1) Krsna Keshava Krsna Keshava Krsna Keshava Rashamaam Raam Raghava Raam Raghava Raam Raghava Pahimaam Raam Raghava Raam Raghava Raam Raghava Rashamaam Krsna Krsna Krsna Krsna Krsna Krsna Krsna Hey (4) Hare Krsna Hare Krsna Krsna Krsna Hare Hare / Hare Rama Hare Rama Rama Rama Hare Hare (9-10) Raghupati Raghava Raja Raam Patita Pavana Sita Raam (2) Sita Raam Sita Raam Bhaja Pyare too Sita Rama (1) Raghupati Raghava Raja Raam Patita Pavana Sita Raam (1) Sri Raam Jai Raam Jai Jai Raam Sri Raam Jai Raam Jai Jai Raam (2) Raghupati Raghava Raja Raam Patita Pavana Sita Raam (2) Hare Krsna Hare Krsna Krsna Krsna Hare Hare / Hare Rama Hare Rama Rama -
Journal of Vaishnava Studies
JOURNAL OF VAISHNAVA STUDIES Volume 4 No. 3 Summer 1996 Introduction 1 Howard J. Resnick / The Supremacy of Vishnu / Krishna in the 5 Mahabharata Winthrop Sargeant / The Mahabharata: An Overview 23 Bruce M. Sullivan / Vyasa’s Relationship to Vishnu and Brahma: 57 Dennis Hudson / Thoughts on the Bhagavad-gita in its Epic Context 65 Gary A. Tubb / The Dice-Game Episode 85 Christopher K. Chapple / Ahimsa in the Mahabharata 109 Andre Couture / The Harivamsa: a Supplement to the Mahabharata 127 Freda Matchett / The Harivamsa: Supplement and Independent Text: 139 Eric A. Huberman / A Note on the Multi-Centered Imagination of 151 the Mahabharata Katharine B. Free / Peter Brook’s the Mahabharata 161 About the Contributors 183 THE SUPREMACY OF VISHNU/KRISHNA IN THE MAHÅBHÅRATA Howard Resnick (H.D. Goswami) s the Mahåbhårata begins, the well-known sage Süta comes to the sacred forest of Naimißåra∫ya, where the saintly assembly requests A him to narrate the the great epic. Süta begins by offering his re- spectful obeisances to “the primeval person” (ådyaµ purußam), “the Lord” (îΩånam), “He who is called and praised in many ways” (puru-hütaµ puru- ߆utam). Süta himself demonstrates this last feature of God by glorifying Him in this initial hymn with three celebrated names: Vishnu, H®ßîkeΩa, and Hari. Who is the God whom Süta addresses as Vishnu, H®ßîkeΩa and Hari? He is first, as mentioned above, the original person, the controller, and one who is praised and prayed to in various ways, by many names. He is also the moral and spiritual Truth (®tam), the unique and imperishable verity indi- cated by the syllable Oµ (ekåkßaram), the Absolute (Brahman), the manifest and the unmanifest (vyaktåvyaktam), and the everlasting (sanåtanam); both being and non-being (asac ca sac caiva ca), that which constitutes the whole (yad viΩvam), and that which is beyond both being and non-being (sad asat- a˙ param). -
Odisha Review Dr
Orissa Review * Index-1948-2013 Index of Orissa Review (April-1948 to May -2013) Sl. Title of the Article Name of the Author Page No. No April - 1948 1. The Country Side : Its Needs, Drawbacks and Opportunities (Extracts from Speeches of H.E. Dr. K.N. Katju ) ... 1 2. Gur from Palm-Juice ... 5 3. Facilities and Amenities ... 6 4. Departmental Tit-Bits ... 8 5. In State Areas ... 12 6. Development Notes ... 13 7. Food News ... 17 8. The Draft Constitution of India ... 20 9. The Honourable Pandit Jawaharlal Nehru's Visit to Orissa ... 22 10. New Capital for Orissa ... 33 11. The Hirakud Project ... 34 12. Fuller Report of Speeches ... 37 May - 1948 1. Opportunities of United Development ... 43 2. Implication of the Union (Speeches of Hon'ble Prime Minister) ... 47 3. The Orissa State's Assembly ... 49 4. Policies and Decisions ... 50 5. Implications of a Secular State ... 52 6. Laws Passed or Proposed ... 54 7. Facilities & Amenities ... 61 8. Our Tourists' Corner ... 61 9. States the Area Budget, January to March, 1948 ... 63 10. Doings in Other Provinces ... 67 1 Orissa Review * Index-1948-2013 11. All India Affairs ... 68 12. Relief & Rehabilitation ... 69 13. Coming Events of Interests ... 70 14. Medical Notes ... 70 15. Gandhi Memorial Fund ... 72 16. Development Schemes in Orissa ... 73 17. Our Distinguished Visitors ... 75 18. Development Notes ... 77 19. Policies and Decisions ... 80 20. Food Notes ... 81 21. Our Tourists Corner ... 83 22. Notice and Announcement ... 91 23. In State Areas ... 91 24. Doings of Other Provinces ... 92 25. Separation of the Judiciary from the Executive .. -
Auspicious Offering of Lord Shiva As A
Scholars International Journal of Traditional and Complementary Medicine Abbreviated Key Title: Sch Int J Tradit Complement Med ISSN 2616-8634 (Print) |ISSN 2617-3891 (Online) Scholars Middle East Publishers, Dubai, United Arab Emirates Journal homepage: https://saudijournals.com/sijtcm Review Article Auspicious Offering of Lord Shiva as a Source of Natural Antiviral Compounds against COVID 19: A Review Yadav Yadevendra1*, Sharma Arun2, Sharma Usha3, Sharma Khemchand4 1Assistant Professor, P.G. Department of Rasa Shastra & Bhaishajya Kalpana, Uttarakhand Ayurveda University, Rishikul Campus, Haridwar, India 2PG Scholar, P.G. Department of Rasa Shastra & Bhaishajya Kalpana, Uttarakhand Ayurveda University, Rishikul Campus, Haridwar, India 3Associate Professor, P.G. Department of Rasa Shastra & Bhaishajya Kalpana, Uttarakhand Ayurveda University, Rishikul Campus, Haridwar, India 4Professor and Head, P.G. Department of Rasa Shastra & Bhaishajya Kalpana, Uttarakhand Ayurveda University, Rishikul Campus, Haridwar, India DOI: 10.36348/sijtcm.2020.v03i07.001 | Received: 26.06.2020 | Accepted: 03.07.2020 | Published: 08.07.2020 *Corresponding author: Dr. Yadevendra Yadav Abstract Offerings of flowers, leaves, fruits, cereals, foods and drinks to the Gods have been spoken about to a great extent in ancient Hindu scriptures such as Puranas and Vedas. These substances also have replete with significant medicinal values. ' Mahamrityunjaya Mantra Japa' means Great Death-conquering Mantra, is a verse (sukta) of the Rigveda. This mantra is addressed to Shiva for warding off death and bestows longevity. Lord Shiva idolizes with some astonishing substances like Bilva Patra, Bhang Patra, Arka Puspa and Ganga Jal in Mahamrityunjaya Mantra Japa'. Medicinal properties like, antimicrobial, antiviral, antifungal, Anti-inflammatory, Analgesic, Anticancer, Antioxidant property of these have been reported by recent researches. -
Palm Leaf Manuscripts Inheritance of Odisha: a Historical Survey
International Journal of Sanskrit Research 2019; 5(4): 77-82 ISSN: 2394-7519 IJSR 2019; 5(4): 77-82 Palm leaf manuscripts inheritance of Odisha: A © 2019 IJSR www.anantaajournal.com historical survey Received: 16-05-2019 Accepted: 18-06-2019 Dr. Jharana Rani Tripathy Dr. Jharana Rani Tripathy PDF Scholar Dept.of Sanskrit Pondicherry University, Introduction Pondicherry, India Odisha was well-known as Kalinga, Kosala, Odra and Utkala during ancient days. Altogether these independent regions came under one administrative control which was known as Utkala and subsequently Orissa. The name of Utkala has been mentioned in Mahabharata, Ramayana and Puranas. The existence of Utkala as a kingdom is found in Kalidas's Raghuvamsa. It is stated that king Raghu after having crossed the river Kapisa reached the Utkala country and finally went to Kalinga. The earliest epigraphic evidence to Utakaladesa is found from the Midnapur plate of Somdatta which includes Dandabhukti within its jurisdiction1. The plates record that while Sasanka was ruling the earth, his feudatory Maharaja Somadatta was governing the province of Dandabhukti adjoining the Utkala-desa. The Kelga plate 8 indicate s that Udyotakesari's son and successors of Yayati ruled about the 3rd quarter of eleventh century, made over Kosala to prince named Abhimanyu and was himself ruling over Utkala After the down-fall of the Matharas in Kalinga, the Gangas held the reines of administration in or about 626-7 A, D. They ruled for a long period of about five hundred years, when, at last,they extended their power as far as the Gafiga by sujugating Utkala in or about 1112 A. -
Tracing Vishnu Through Archeological Remains at the Western Slope of Mount Lawu
KALPATARU, Majalah Arkeologi Vol. 29 No. 1, Mei 2020 (15-28) TRACING VISHNU THROUGH ARCHEOLOGICAL REMAINS AT THE WESTERN SLOPE OF MOUNT LAWU Menelusuri Jejak Wisnu pada Tinggalan Arkeologi di Lereng Gunung Lawu Heri Purwanto1 and Kadek Dedy Prawirajaya R.2 1Archaeology Alumni in Archaeology Department, Udayana University Jl. Pulau Nias No. 13, Sanglah, Denpasar-Bali [email protected] 2Lecturer in Archaeology Department, Udayana University Jl. Pulau Nias No. 13, Sanglah, Denpasar-Bali [email protected] Naskah diterima : 5 Mei 2020 Naskah diperiksa : 27 Mei 2020 Naskah disetujui : 4 Juni 2020 Abstract. To date, The West Slope area of Mount Lawu has quite a lot of archaeological remains originated from Prehistoric Period to Colonial Period. The number of religious shrines built on Mount Lawu had increased during the Late Majapahit period and were inhabited and used by high priests (rsi) and ascetics. The religious community was resigned to a quiet place, deserted, and placed far away on purpose to be closer to God. All religious activities were held to worship Gods. This study aims to trace Vishnu through archaeological remains. Archaeological methods used in this study are observation, description, and explanation. Result of this study shows that no statue has ever been identified as Vishnu. However, based on archeological data, the signs or symbols that indicated the existence of Vishnu had clearly been observed. The archeological evidences are the tortoise statue as a form of Vishnu Avatar, Garuda as the vehicle of Vishnu, a figure riding Garuda, a figure carrying cakra (the main weapon of Vishnu), and soles of his feet (trivikrama of Vishnu).